This celestial cloudscape from the NASA/ESA Hubble Space Telescope captures the colourful region surrounding the Herbig-Haro object HH 505. Herbig-Haro objects are luminous regions surrounding newborn stars, and are formed when ionised jets of gas spewing from these newborn stars collide with nearby gas and dust at high speeds. In the case of HH 505, these jets originate from the star IX Ori, which lies on the outskirts of the Orion Nebula around 1000 light-years from Earth. The jets themselves are visible as gracefully curving structures at the top and bottom of this image, and are distorted into sinuous curves by their interaction with the large-scale flow of gas and dust from the core of the Orion Nebula. This observation was captured with Hubble’s Advanced Camera for Surveys (ACS) by astronomers studying the properties of outflows and protoplanetary discs. The Orion Nebula is awash in intense ultraviolet radiation from bright young stars. Stellar jets are irradiated while they collide with the surrounding gas and dust, lighting them up for Hubble to see. This allows astronomers to directly observe jets and outflows and learn more about their structures. The Orion Nebula is a dynamic region of dust and gas where thousands of stars are forming, and is the closest region of massive star formation to Earth. As a result, it is one of the most scrutinised areas of the night sky and has often been a target for Hubble. This observation was also part of a spellbinding Hubble mosaic of the Orion Nebula, which combined 520 ACS images in five different colours to create the sharpest view ever taken of the region.
John Renbourn (8 August 1944 – 26 March 2015) was an English guitarist and songwriter. He was best known for his collaboration with guitarist Bert Jansch as well as his work with the folk group Pentangle, although he maintained a solo career before, during and after that band’s existence (1967–1973). He worked later in a duo with Stefan Grossman.
While most commonly labelled a folk musician, Renbourn’s musical tastes and interests took in early music, classical music, jazz, blues and world music. His most influential album, Sir John Alot (1968), featured his take on tunes from the Medieval era.
John Renbourn studied classical guitar at school and it was during this period that he was introduced to early music. In the 1950s, along with many others, he was greatly influenced by the musical craze of skiffle and this eventually led him to explore the work of artists such as Lead Belly, Josh White and Big Bill Broonzy.
see full post...James Witherspoon (August 8, 1920 – September 18, 1997) was an American jump blues singer.
Witherspoon was born in Gurdon, Arkansas. His father was a railroad worker who sang in local choirs, and his mother was an avid piano player. Witherspoon’s grandson Ahkello Witherspoon is the starting cornerback for the Pittsburgh Steelers.
Witherspoon eventually joined the Merchant Marines.
see full post...Bennett Lester Carter (August 8, 1907 – July 12, 2003) was an American jazz saxophonist, clarinetist, trumpeter, composer, arranger, and bandleader. With Johnny Hodges, he was a pioneer on the alto saxophone. From the beginning of his career in the 1920s, he worked as an arranger including written charts for Fletcher Henderson‘s big band that shaped the swing style. He had an unusually long career that lasted into the 1990s. During the 1980s and ’90s, he was nominated for eight Grammy Awards, which included receiving a Lifetime Achievement Award.
Born in New York City in 1907, Carter was given piano lessons by his mother and others in the neighborhood. He played trumpet and experimented briefly with C-melody saxophone before settling on alto saxophone. In the 1920s, he performed with June Clark, Billy Paige, and Earl Hines, then toured as a member of the Wilberforce Collegians led by Horace Henderson. He appeared on record for the first time in 1927 as a member of the Paradise Ten led by Charlie Johnson. He returned to the Collegians and became their bandleader through 1929, including a performance at the Savoy Ballroom in New York City.
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A meteor. While photographing the Andromeda galaxy in 2016, near the peak of the Perseid Meteor Shower, a small pebble from deep space crossed right in front of our Milky Way Galaxy‘s far-distant companion. The small meteor took only a fraction of a second to pass through this 10-degree field. The meteor flared several times while braking violently upon entering Earth’s atmosphere. The green color was created, at least in part, by the meteor’s gas glowing as it vaporized. Although the exposure was timed to catch a Perseid meteor, the orientation of the imaged streak seems a better match to a meteor from the Southern Delta Aquariids, a meteor shower that peaked a few weeks earlier. Not coincidentally, the Perseid Meteor Shower peaks later this week, although this year the meteors will have to outshine a sky brightened by a nearly full moon.
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Marthaniel “Marcus” Roberts (born August 7, 1963) is an American jazz pianist, composer, arranger, bandleader, and teacher.
Roberts was born in Jacksonville, Florida, United States. His mother was a gospel singer who had gone blind as a teenager, and his father was a longshoreman. Blind since the age of five due to glaucoma and cataracts, he started learning the piano at age five by picking out notes on the instrument at his church until his parents bought a piano when he was eight. He attended the Florida School for the Deaf and the Blind in St. Augustine, Florida, the alma mater of blind pianist Ray Charles. Roberts began teaching himself to play piano at an early age, having his first lesson at age 12, and then studying the instrument with pianist Leonidas Lipovetsky while attending Florida State University.
see full post...Rahsaan Roland Kirk (born Ronald Theodore Kirk; August 7, 1935 – December 5, 1977), known earlier in his career simply as Roland Kirk, was an American jazz multi-instrumentalist who played tenor saxophone, flute, and many other instruments. He was renowned for his onstage vitality, during which virtuoso improvisation was accompanied by comic banter, political ranting, and the ability to play several instruments simultaneously.
Ronald Theodore Kirk was born in Columbus, Ohio, where he lived in a neighborhood known as Flytown. He became blind at two years old, which he said was a result of improper medical treatment. As a teenager, Kirk studied at the Ohio State School for the Blind. By age fifteen he was on the road playing rhythm and blues on weekends with Boyd Moore’s band. According to saxophonist Hank Crawford, “He would be like this 14-year-old blind kid playing two horns at once. They would bring him out and he would tear the joint up.” Crawford heard him during this period and said he was unbelievable. He remarked, “Now they had him doing all kinds of goofy stuff but he was playing the two horns and he was playing the shit out of them. He was an original from the beginning.” Kirk felt compelled by a dream to transpose two letters in his first name to make ‘”Roland”. In 1970, Kirk added “Rahsaan” to his name after hearing it in a dream.
In 1975, Kirk had a major stroke which led to partial paralysis of one side of his body. He continued to perform and record, modifying his instruments to enable him to play with one arm. At a live performance at Ronnie Scott’s Jazz Club in London he even managed to play two instruments, and carried on to tour internationally and to appear on television.
He died from a second stroke in 1977, aged 42, the morning after performing in the Frangipani Room of the Indiana University Student Union in Bloomington, Indiana
see full post...George Abel Van Eps (August 7, 1913 – November 29, 1998) was an American swing and mainstream jazz guitarist.
George Van Eps was born in Plainfield, New Jersey, United States, into a family of musicians. His three brothers were musicians. His mother was a classical pianist and his father, Fred Van Eps, was a ragtime banjoist and sound engineer. George Van Eps began playing banjo when he was eleven years old. After hearing Eddie Lang on the radio, he put down the banjo and devoted himself to guitar. By the age of thirteen, in 1926, he was performing on the radio. Through the middle of the 1930s, he played with Harry Reser, Smith Ballew, Freddy Martin, Benny Goodman, and Ray Noble.
see full post...Charles Luckyth Roberts (August 7, 1887 – February 5, 1968), better known as Luckey Roberts, was an American composer and stride pianistwho worked in the jazz, ragtime, and blues styles.
Luckey Roberts was born in Philadelphia, Pennsylvania, United States, and was playing piano and acting professionally with traveling Negro minstrel shows in his childhood. He settled in New York City about 1910 and became one of the leading pianists in Harlem, and started publishing some of his original rags.
Roberts toured France and the UK with James Reese Europe during World War I, then returned to New York where he wrote music for various shows and recorded piano rolls.
With James P. Johnson, Roberts developed the stride piano style of playing about 1919.
see full post...Ricardo Baliardo (7 August 1921 – 5 November 2014), better known as Manitas de Plata, was a flamenco guitarist of Spanish Gitano descent born in southern France. Despite achieving worldwide fame, he was criticized for not following certain rhythmic rules (compás) that are traditional in flamenco.
Baliardo was born in a gypsy caravan in Sète, southern France. He became famous by playing each year at the Saintes-Maries-de-la-Mer gypsy pilgrimage in the Camargue, where he was recorded live by Deben Bhattacharya.
Manitas de Plata (“Little Hands of Silver” in Spanish) only agreed to play in public ten years after the death of Django Reinhardt.. One of his recordings earned him a letter from Jean Cocteau acclaiming him as a creator.
Upon hearing him play at Arles in 1964, Pablo Picasso is said to have exclaimed “that man is of greater worth than I am!” and proceeded to draw on the guitar.
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see full post...NASA’s James Webb Space Telescope has peered into the chaos of the Cartwheel Galaxy, revealing new details about star formation and the galaxy’s central black hole. Webb’s powerful infrared gaze produced this detailed image of the Cartwheel and two smaller companion galaxies against a backdrop of many other galaxies. This image provides a new view of how the Cartwheel Galaxy has changed over billions of years.
The Cartwheel Galaxy, located about 500 million light-years away in the Sculptor constellation, is a rare sight. Its appearance, much like that of the wheel of a wagon, is the result of an intense event – a high-speed collision between a large spiral galaxy and a smaller galaxy not visible in this image. Collisions of galactic proportions cause a cascade of different, smaller events between the galaxies involved; the Cartwheel is no exception.
The collision most notably affected the galaxy’s shape and structure. The Cartwheel Galaxy sports two rings — a bright inner ring and a surrounding, colorful ring. These two rings expand outwards from the center of the collision, like ripples in a pond after a stone is tossed into it. Because of these distinctive features, astronomers call this a “ring galaxy,” a structure less common than spiral galaxies like our Milky Way.
The bright core contains a tremendous amount of hot dust with the brightest areas being the home to gigantic young star clusters. On the other hand, the outer ring, which has expanded for about 440 million years, is dominated by star formation and supernovas. As this ring expands, it plows into surrounding gas and triggers star formation.
Other telescopes, including the Hubble Space Telescope, have previously examined the Cartwheel. But the dramatic galaxy has been shrouded in mystery – perhaps literally, given the amount of dust that obscures the view. Webb, with its ability to detect infrared light, now uncovers new insights into the nature of the Cartwheel.
The Near-Infrared Camera (NIRCam), Webb’s primary imager, looks in the near-infrared range from 0.6 to 5 microns, seeing crucial wavelengths of light that can reveal even more stars than observed in visible light. This is because young stars, many of which are forming in the outer ring, are less obscured by the presence of dust when observed in infrared light. In this image, NIRCam data are colored blue, orange, and yellow. The galaxy displays many individual blue dots, which are individual stars or pockets of star formation. NIRCam also reveals the difference between the smooth distribution or shape of the older star populations and dense dust in the core compared to the clumpy shapes associated with the younger star populations outside of it.
Learning finer details about the dust that inhabits the galaxy, however, requires Webb’s Mid-Infrared Instrument (MIRI). MIRI data are colored red in this composite image. It reveals regions within the Cartwheel Galaxy rich in hydrocarbons and other chemical compounds, as well as silicate dust, like much of the dust on Earth. These regions form a series of spiraling spokes that essentially form the galaxy’s skeleton. These spokes are evident in previous Hubble observations released in 2018, but they become much more prominent in this Webb image.
Ravi Coltrane (born August 6, 1965) is an American jazz saxophonist. Co-owner of the record label RKM Music, he has produced pianist Luis Perdomo, guitarist David Gilmore, and trumpeter Ralph Alessi.
Ravi Coltrane is the son of saxophonist John Coltrane and jazz harpist Alice Coltrane. He is the second born of John and Alice Coltrane’s three children; John Jr. and Oran. Alice had a daughter Michelle prior to her union with John Coltrane. He is a cousin of experimental music producer Steven Ellison, aka Flying Lotus. He was raised in Los Angeles, California, and was named after sitar player Ravi Shankar. Ravi Coltrane was less than two years old in 1967 when his father died.
He is a 1983 graduate of El Camino Real High School in Woodland Hills, California. In 1986, he studied music, concentrating on saxophone at the California Institute of the Arts. He has worked often with Steve Coleman, a significant influence on Coltrane’s musical conception. Coltrane has also played with Geri Allen, Kenny Barron, McCoy Tyner, Pharoah Sanders, Herbie Hancock, Carlos Santana, Stanley Clarke, Chick Corea, and Branford Marsalis.
see full post...Joseph Louis Diorio (August 6, 1936 – February 2, 2022) was an American jazz guitarist. He performed with Sonny Stitt, Hal Crook, Eddie Harris, Ira Sullivan, Stan Getz, Pat Metheny, Horace Silver, Anita O’Day, and Freddie Hubbard. In recent years he also recorded albums with modern performers including Robben Ford, Gary Willis, David Becker and Mick Goodrick.
Following in the footsteps of an uncle, Diorio took up the guitar, studying formally in the early 1950s at a local music school. He worked for a while with local bands, but in the early 1960s he ventured into New York City, where he played with several jazz musicians.
In April 2005 he struggled to regain the full use of his left hand following a stroke he suffered at his West Coast residence in San Clemente.
Diorio taught at the University of Southern California. He was also one of the first instructors for the Guitar Institute of Technology. He published several instructional books and videos, and released ten albums under his name.
He died on February 2, 2022, at the age of 85.
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