Theatre 55 (https://theatre55.org) presents JCSS in an outdoor setting at Caponi Art Park in Eagan(https://www.caponiartpark.org). Running Friday July 15th thru Sunday July 24th. Music by Raymond Berg, Jamie Carter, Lyra Olson and mick laBriola. Featuring Van Nixon as the Black Jesus.
see full post...
WR 134 is a variable Wolf-Rayet star located around 6000 light years away from Earth in the constellation of Cygnus, surrounded by a faint bubble nebula blown by the intense radiation and fast wind from the star. It is five times the radius of the sun, but due to a temperature over 63,000 K it is 400,000 times as luminous as the Sun.
WR 134 was one of three stars in Cygnus observed in 1867 to have unusual spectra consisting of intense emission lines rather than the more normal continuum and absorption lines. These were the first members of the class of stars that came to be called Wolf-Rayet stars (WR stars) after Charles Wolf and Georges Rayet who discovered their unusual appearance. It is a member of the nitrogen sequence of WR stars, while the other two (WR 135 and WR 137) are both members of the carbon sequence that also have OB companions.
Michael Rose (born 11 July 1957) is a Grammy award-winning reggae singer from Jamaica. He is known for a successful tenure with Black Uhurufrom 1977 to 1984, and he has worked regularly with Dennis Brown, Big Youth, The Wailers, Gregory Isaacs, Sly and Robbie, and others. He has also released more than twenty solo albums.
Rose started his recording career as a solo artist for record producers Yabby You and Niney the Observer. He joined Black Uhuru in 1977 after the departure of Don Carlos and Garth Dennis. As lead singer and a primary songwriter, Rose led Black Uhuru to international recognition in the early 1980s, and the group won the first-ever Grammy Award for reggae in 1985 for the album Anthem.
Rose left Black Uhuru in 1985 after falling out with group founder Duckie Simpson, and retired to the Blue Mountains in Jamaica to start a coffee farm. He released a string of singles in Jamaica, but nothing much was heard of him outside the island until 1989, when he was signed to RCA and released the strongly pop influenced album Proud in Europe and Japan. The deal with RCA was short-lived however, and Rose returned to Jamaica to record a new string of Sly and Robbie produced singles. He also recorded for other producers but the only albums during this period were the Japan only releases Bonanza (1991) and King Of General (1992). The Sly and Robbie produced singles were eventually released on the vinyl only Sly And Robbie presents: Mykall Rose – The Taxi Sessions in 1995 also saw his American debut as a solo artist with the album Michael Rose on Heartbeat Records. The single “Short Temper” reached No. 2 on the Gavin reggae chart.
see full post...Oscar Emilio León Somoza (born July 11, 1943), known as Oscar D’León, and affectionately called The Pharaoh of Salsa, The Lion of Salsa, and the Son singer of the World, is a Venezuelan musician best known for his work with salsa music. He is the author of “Llorarás”, which he recorded in 1974 with his group, Dimensión Latina. He is also ambassador for Operation Smile.
see full post...Tomasz Ludwik Stańko (11 July 1942 – 29 July 2018) was a Polish trumpeter and composer.[1] Stańko was associated with free jazz and the avant-garde.
In 1962, Tomasz Stańko formed his first band, the Jazz Darings, with saxophonist Janusz Muniak, pianist Adam Makowicz, bassist Jacek Ostaszewski, drummer Wiktor Perelmuter. Inspired by Ornette Coleman and the innovations of John Coltrane, Miles Davis and George Russell, the group is often cited by music historians as the first European group to play free jazz. In his later years, he collaborated with pianist Krzysztof Komeda on Komeda’s album Astigmatic, recorded in late 1965. In 1968, Stańko formed a quintet whose members were Janusz Muniak (tenor and soprano saxophones, flute), Zbigniew Seifert (alto sax and violin), Bronisław Suchanek (bass), Janusz Stefański (drums, percussion). In 1975, he formed the Tomasz Stańko-Adam Makowicz Unit.
Stańko established a reputation as a leading figure not only in Polish jazz, but internationally as well, working with musicians including Jack DeJohnette, Dave Holland, Reggie Workman, Rufus Reid, Lester Bowie, David Murray, Manu Katché and Chico Freeman. From 1984, he was a member of Cecil Taylor‘s big band.
see full post...Three thousand light-years away, a dying star throws off shells of glowing gas. This image from the Hubble Space Telescope reveals the Cat’s Eye Nebula (NGC 6543), to be one of the most complex planetary nebulae known. Spanning half a light-year, the features seen in the Cat’s Eye are so complex that astronomers suspect the bright central object may actually be a binary star system. The term planetary nebula, used to describe this general class of objects, is misleading. Although these objects may appear round and planet-like in small telescopes, high resolution images with large telescopes reveal them to be stars surrounded by cocoons of gas blown off in the late stages of stellar evolution. Gazing into this Cat’s Eye, astronomers may well be seeing more than detailed structure, they may be seeing the fate of our Sun, destined to enter its ownplanetary nebula phase of evolution … in about 5 billion years.
Béla Anton Leoš Fleck (born July 10, 1958) is an American banjo player. An acclaimed virtuoso, he is an innovative and technically proficient pioneer and ambassador of the banjo, bringing the instrument from its bluegrass roots to jazz, classical, rock and various world music genres. He is best known for his work with the bands New Grass Revival and Béla Fleck and the Flecktones. Fleck has won 15 Grammy Awards and been nominated 33 times.
In 2020, he was inducted into the International Bluegrass Music Hall of Fame as a member of New Grass Revival.
A native of New York City, Fleck was named after Hungarian composer Béla Bartók, Austrian composer Anton Webern, and Czech composer Leoš Janáček. He was drawn to the banjo at a young age when he heard Earl Scruggs play the theme song for the television show Beverly Hillbillies and when he heard “Dueling Banjos” by Eric Weissberg and Steve Mandell on the radio. At the age of 15, he received his first banjo from his grandfather. During the train ride home, a man volunteered to tune the banjo and suggested he learn from the book How to Play the Five String Banjo by Pete Seeger. He attended the High School of Music & Art in New York City, playing French horn until he flunked and was transferred to the choir, though he spent most of his time on the banjo. He studied the book Bluegrass Banjo by Pete Wernick and took lessons from Erik Darling, Marc Horowitz, and Tony Trischka.
see full post...Edward Lee Morgan (July 10, 1938 – February 19, 1972) was an American jazz trumpeter and composer.
One of the key hard bop musicians of the 1960s, Morgan came to prominence in his late teens, recording on John Coltrane‘s Blue Train (1957) and with the band of drummer Art Blakey before launching a solo career. Morgan stayed with Blakey until 1961 and started to record as leader in the late ’50s. His song “The Sidewinder“, on the album of the same name, became a surprise crossover hit on the pop and R&B charts in 1964, while Morgan’s subsequent recordings found him touching on other styles of music such as post-bop and avant-garde jazz as his artistry matured. Soon after The Sidewinder was released, Morgan rejoined Blakey for a short period. After leaving Blakey for the final time, Morgan continued to work prolifically as both a leader and a sideman with the likes of Hank Mobley and Wayne Shorter, becoming a cornerstone of the Blue Note label.
Morgan died at the age of 33 when his common-law wife Helen Morgan shot and killed him following a confrontation at Slugs’ Saloon, in New York City.
Edward Lee Morgan was born in Philadelphia, Pennsylvania, United States, on July 10, 1938, the youngest of Otto Ricardo and Nettie Beatrice Morgan’s four children. Morgan was killed in the early hours of February 19, 1972, at Slugs’ Saloon, a jazz club in New York City‘s East Village where his band was performing. Following an altercation between sets, Morgan’s common-law wife Helen Moore (a.k.a. Helen Morgan) shot him. The injuries were not immediately fatal, but the ambulance was slow in arriving on the scene as the city had experienced heavy snowfall that resulted in extremely difficult driving conditions. They took so long to get there that Morgan bled to death. He was 33 years old.
see full post...Milton Brent Buckner (July 10, 1915 – July 27, 1977) was an American jazz pianist and organist, who in the early 1950s popularized the Hammond organ. He pioneered the parallel chords style that influenced Red Garland, George Shearing, Bill Evans, and Oscar Peterson. Buckner’s brother, Ted Buckner, was a jazz saxophonist.
Milton Brent Buckner was born in St. Louis, Missouri, United States. His parents encouraged him to learn to play piano, but they both died when he was nine years old. Milt and his younger brother Ted were sent to Detroit where they were adopted by members of the Earl Walton band: trombonist John Tobias, drummer George Robinson fostered Milt and reedplayer Fred Kewley (né Fred Cecil Kewley; 1889–1953) fostered Ted. Buckner studied piano for three years from the age 10, then at 15 began writing arrangements for the band, he and his brother going on to become active in the Detroit jazz world in the 1930s.
see full post...Blind Boy Fuller (born Fulton Allen, July 10, 1904 – February 13, 1941 was an American blues guitarist and singer. Fuller was one of the most popular of the recorded Piedmont blues artists, rural African Americans, along with Blind Blake, Josh White, and Buddy Moss.
Allen was born in Wadesboro, North Carolina, United States, one of ten children of Calvin Allen and Mary Jane Walker. Most sources date his birth to 1907, but the researchers Bob Eagle and Eric LeBlanc indicate 1904. After the death of his mother, he moved with his father to Rockingham, North Carolina. As a boy he learned to play the guitar and also learned from older singers the field hollers, country rags, traditional songs and bluespopular in poor rural areas.
see full post...NGC 2244 (also known as Caldwell 50 or the Satellite Cluster) is an open cluster in the Rosette Nebula, which is located in the constellation Monoceros. This cluster has several O-type stars, super hot stars that generate large amounts of radiation and stellar wind.
The age of this cluster has been estimated to be less than 5 million years. The brightest star in the cluster is 12 Monocerotis, a foreground K-class giant. The two brightest members of the cluster are HD 46223 of spectral class O4V, 400,000 times brighter than the Sun, and approximately 50 times more massive, and HD 46150, whose spectral type is O5V, has a luminosity 450,000 time larger than that of our star, and is up to 60 times more massive, but it may actually be a double star.
John Graham “Mitch” Mitchell (9 July 1946 – 12 November 2008) was an English drummer and child actor, who was best known for his work in the Jimi Hendrix Experience for which he was inducted into the Rock and Roll Hall of Fame in 1992. He was inducted into the Modern Drummer Hall of Fame in 2009.
Mitchell was born in Ealing, Middlesex, to Phyliss C (née Preston) and Thomas J Mitchell on 9 July 1946 (although several modern sources have incorrectly claimed that he was born in 1947). As a twelve year old, he had a leading role in the British film Bottoms Up (1960) with Jimmy Edwards. As a teenager he starred in a children’s television programme, Jennings at School and also had a bit part in the 1963 film Live It Up! which starred Heinz Burt, David Hemmings and Steve Marriott.
Mitchell became a musician through working at Jim Marshall‘s drum shop on Saturdays while still at school. Among drummers, his chief influences were Elvin Jones and Tony Williams. One of his first bands was the Soul Messengers, formed at the Ealing Club with saxophonist Terry Marshall, son of Jim Marshall.
Early in his career, he gained considerable musical experience as a touring and session musician, working with Pete Nelson and the Travellers, Frankie Reid and the Casuals (1962), Johnny Harris and the Shades, the Pretty Things, Bill Knight & the Sceptres, the Riot Squad, and the Who as a session drummer while the band was in the process of replacing Doug Sandom with Keith Moon. In 1965, he also temporarily replaced Viv Prince as drummer in the Pretty Things.
see full post...Joseph Christopher Liggins, Jr. (born Theodro Elliott; July 9, 1916 – July 26, 1987) was an American R&B, jazz and blues pianist and vocalist who led Joe Liggins and his Honeydrippers in the 1940s and 1950s. His band appeared often on the Billboard magazine charts. The band’s biggest hit was “The Honeydripper“, released in 1945. Joe Liggins was the older brother of R&B performer Jimmy Liggins.
The son of Harriett and Elijah Elliott, he was born in Seminole, Oklahoma, and took his stepfather’s surname, Liggins, as a child. He apparently dropped the name Theodro and adopted the names Joseph Christopher during the 1930s. The family moved to San Diego in 1932. He graduated from Hoover High School, studied music at San Diego State College, and performed with local bands at clubs and Naval bases. He wrote arrangements on a freelance basis for Curtis Mosby’s Blue Blowers, and in 1935 Liggins joined the Creole Crusaders, which was led by the drummer Ellis Walsh.
He moved to Los Angeles in 1939, where he played with Sammy Franklin’s California Rhythm Rascals and other groups. When Franklin turned down a chance to record Liggins’ song “The Honeydripper”, Liggins decided to start his own band. The original Joe Liggins and His Honeydrippers recordings were issued on the Exclusive Records imprint of brothers Leon and Otis René. Joe Liggins’ Honeydrippers was formed in the basement of the Los Angeles home of the saxophonist Little Willie Jackson, who co-founded the group and who, at the time of his death in 2001, was the last original surviving member of the Honeydrippers.[6]“The Honeydripper” topped the R&B chart, then called the race chart, for 18 weeks in 1945. More than 60 years later, “The Honeydripper” remains tied with Louis Jordan‘s “Choo Choo Ch’Boogie” for the longest-ever stay at the top of that chart. It reportedly logged two million sales.
see full post...Colin James Bailey (9 July 1934 – 20 September 2021) was British-born American jazz drummer.
Born in Swindon, England, in 1934, Bailey learned to play drums as a child, studying formally from age seven. His first band was the Nibs, when he was 7, which consisted of two accordions, banjo and drums. He toured with Winifred Atwell from 1952–1956, and performed at the London Palladium for Queen Elizabeth (1952). He lived in Australia from 1958 into the early 1960s, playing in the staff band for Channel 9 TV. In Sydney, he played with Bryce Rohde and the Australian Jazz Quartet, backing musicians such as Dizzy Gillespie and Sarah Vaughan. When the AJQ toured the U.S., Bailey was hired by Vince Guaraldi, with Monty Budwig on bass. This trio played with Jimmy Witherspoon, Ben Webster, and Gene Ammons for the Jazz Workshop in San Francisco. In 1962, they recorded the album Jazz Impressions of Black Orpheus, which included the hit “Cast Your Fate To The Wind“. In 1963, he moved to Los Angeles to play with the Victor Feldman Trio, returning to San Francisco the following year to record Jazz Impressions of A Boy Named Charlie Brown with Guaraldi. Bailey also performed with Guaraldi on the Peanuts television specials A Charlie Brown Christmas (1965), It’s the Great Pumpkin, Charlie Brown (1966) and He’s Your Dog, Charlie Brown (1968).
Bailey worked with Clare Fischer (1963–1964), Joe Pass (for 14 years, and made 14 records) and Miles Davis (1963). He toured worldwide with Benny Goodman in 1964–1965, played on the first Regis Philbin show with Terry Gibbs, and toured with George Shearing (1964-1967). In 1967 he recorded with Frank Sinatra and Tom Jobim. He also spent time with Chet Baker, Ray Brown, João Gilberto, and Blossom Dearie (1975).
see full post...Haydée Mercedes Sosa 9 July 1935 – 4 October 2009), sometimes known as La Negra (literally: ‘The Black One’, an affectionate nickname for people with a darker complexion in Argentina), was an Argentine singer who was popular throughout Latin America and many countries outside the region. With her roots in Argentine folk music, Sosa became one of the preeminent exponents of El nuevo cancionero. She gave voice to songs written by many Latin American songwriters. Her music made people hail her as the “voice of the voiceless ones”.
Sosa performed in venues such as the Lincoln Center in New York City, the Théâtre Mogador in Paris and the Sistine Chapel in Vatican City, as well as sell-out shows in New York’s Carnegie Hall and the Roman Colosseum during her final decade of life. Her career spanned four decades and she was the recipient of six Latin Grammy awards (2000, 2003, 2004, 2006, 2009, 2011), including a Latin Grammy Lifetime Achievement Award in 2004 and two posthumous Latin Grammy Award for Best Folk Album in 2009 and 2011. She won the Premio Gardel in 2000, the main musical award in Argentina. She served as an ambassador for UNICEF.
see full post...