Osbourne Ruddock (28 January 1941 – 6 February 1989), better known as King Tubby, was a Jamaican sound engineer who greatly influenced the development of dub in the 1960s and 1970s.
Tubby’s innovative studio work, which saw him elevate the role of the mixing engineer to a creative fame previously only reserved for composers and musicians, would prove to be influential across many genres of popular music. He is often cited as the inventor of the concept of the remix that later became ubiquitous in dance and electronic music production. Singer Mikey Dread stated, “King Tubby truly understood sound in a scientific sense. He knew how the circuits worked and what the electrons did. That’s why he could do what he did”.
King Tubby’s first interaction with the music industry came in the late 1950s with the rising popularity of Jamaican sound systems, which were to be found all over Kingston and which were developing into enterprising businesses. As a talented radio repairman, Tubby soon found himself in great demand by most of the major sound systems of Kingston, as the tropical weather of the Caribbean island (often combined with sabotage by rival sound system owners) led to malfunctions and equipment failure. Tubby owned an electrical repair shop on Drumalie Avenue, Kingston, that fixed televisions and radios. It was here that he built large amplifiers for the local sound systems. In 1961–62, he built his own radio transmitter and briefly ran a pirate radio station playing ska and rhythm and blues which he soon shut down when he heard that the police were looking for the perpetrators. Tubby eventually formed his own sound system, Tubby’s Hometown Hi-Fi, in 1958. It became a crowd favourite due to the high quality sound of his equipment, exclusive releases and Tubby’s own echo and reverb sound effects, at that point something of a novelty.The sound also launched the career of U-Roy, its featured toaster.
King Tubby was shot dead on 6 February 1989, outside his home in Duhaney Park, Kingston, upon returning from a session at his Waterhouse studio.
see full post...John Towner Williams (born February 8, 1932) is an American composer, conductor and pianist. In a career that has spanned seven decades, he has composed some of the most popular, recognizable, and critically acclaimed film scores in cinematic history. Williams has won 25 Grammy Awards, seven British Academy Film Awards, five Academy Awards, and four Golden Globe Awards. With 52 Academy Award nominations, he is the second most-nominated individual, after Walt Disney. His compositions are considered the epitome of film music; Classic FM considers Williams to be one of the greatest composers of classical music in history.
Williams has composed for many critically acclaimed and popular movies, including the Star Wars saga, Jaws, Close Encounters of the Third Kind, Superman, E.T. the Extra-Terrestrial, the first two Home Alone films, the Indiana Jones films, the first two Jurassic Park films, Schindler’s List, and the first three Harry Potter films. Williams has also composed numerous classical concertos and other works for orchestral ensembles and solo instruments. He served as the Boston Pops‘ principal conductor from 1980 to 1993 and is its laureate conductor. He has been associated with director Steven Spielberg since 1974, composing music for all but five of his feature films, and George Lucas, with whom he has worked on both of his main franchises. Other works by Williams include theme music for the 1984 Summer Olympic Games, NBC Sunday Night Football, “The Mission” theme used by NBC News and Seven News in Australia, the television series Lost in Space and Land of the Giants, and the incidental music for the first season of Gilligan’s Island.
In 2005, the American Film Institute selected Williams’s score to 1977’s Star Wars as the greatest film score of all time. The Library of Congress also entered the Star Wars soundtrack into the National Recording Registry for being “culturally, historically, or aesthetically significant”. Williams was inducted into the Hollywood Bowl‘s Hall of Fame in 2000, and received a Kennedy Center Honor in 2004. His AFI Life Achievement Award in 2016 was the first to be awarded outside of the acting and directing fields. He has composed the score for nine of the top 25 highest-grossing films at the U.S. box office (adjusted for inflation). His work has influenced other composers of film, popular, and contemporary classical music; Norwegian composer Marcus Paus argues that Williams’s “satisfying way of embodying dissonance and avant-garde techniques within a larger tonal framework” makes him “one of the great composers of any century”.
see full post...Ronnie Scott OBE (born Ronald Schatt, 28 January 1927 – 23 December 1996) was a British jazz tenor saxophonist and jazz club owner. He co-founded Ronnie Scott’s Jazz Club in London’s Soho district, one of the world’s most popular jazz clubs, in 1959.
Ronnie Scott was born in Aldgate, East London, into a Jewish family. His father, Joseph Schatt, was of Russian ancestry, and his mother Sylvia’s family attended the Portuguese synagogue in Alie Street. Scott attended the Central Foundation Boys’ School.
Scott began playing in small jazz clubs at the age of 16. His claim to fame was that he was taught to play by “Vera Lynn’s father-in-law!”. He toured with trumpeter Johnny Claes from 1944 to 1945 and with Ted Heath in 1946. That same year, he appeared as one of the band members in George in Civvy Street. He worked with Ambrose, Cab Kaye, and Tito Burns. He was involved in the short-lived musicians’ co-operative Club Eleven band and club (1948–50) with Johnny Dankworth. Scott became an acquaintance of the arranger/composer Tadd Dameron, when the American was working in the UK for Heath, and is reported to have performed with Dameron as the pianist, at one Club Eleven gig.
see full post...https://www.youtube.com/watch?v=Wa0g-d4AkM8
see full post...South of the large star-forming region known as the Orion Nebula, lies bright blue reflection nebula NGC 1999. At the edge of the Orion molecular cloud complex some 1,500 light-years distant, NGC 1999’s illumination is provided by the embedded variable star V380 Orionis. The nebula is marked with a dark sideways T-shape at center right in this telescopic vista that spans about two full moons on the sky. Its dark shape was once assumed to be an obscuring dust cloud seen in silhouette. But infrared data suggest the shape is likely a hole blown through the nebula itself by energetic young stars. In fact, this region abounds with energetic young stars producing jets and outflows with luminous shock waves. Cataloged as Herbig-Haro (HH) objects, named for astronomers George Herbig and Guillermo Haro, the shocks have intense reddish hues. HH1 and HH2 are just below and right of NGC 1999. HH222, also known as the Waterfall nebula, looks like a red gash near top right in the frame. To create the shocks stellar jets push through the surrounding material at speeds of hundreds of kilometers per second.
Robert Hutcherson (January 27, 1941 – August 15, 2016) was an American jazz vibraphone and marimba player. “Little B’s Poem”, from the 1966 Blue Note album Components, is one of his best-known compositions. Hutcherson influenced younger vibraphonists including Steve Nelson, Joe Locke, and Stefon Harris.
Bobby Hutcherson was born in Los Angeles, California, to Eli, a master mason, and Esther, a hairdresser. Hutcherson was exposed to jazz by his brother Teddy, who listened to Art Blakey records in the family home with his friend Dexter Gordon. His older sister Peggy was a singer in Gerald Wilson‘s orchestra. Hutcherson went on to record on a number of Gerald Wilson’s Pacific Jazz recordings as well as play in his orchestra. Hutcherson’s sister personally introduced Hutcherson to Eric Dolphy (her boyfriend at the time) and Billy Mitchell. Hutcherson was inspired to take up the vibraphone when at about the age of 12 he heard Milt Jackson with Thelonious Monk, Percy Heath, Kenny Clarke and Miles Davis playing “Bemsha Swing” on the Miles Davis All Stars, Volume 2 album (1954). Still in his teens, Hutcherson began his professional career in the late 1950s working with tenor saxophonist Curtis Amy and trumpeter Carmell Jones, as well as with Dolphy and tenor saxophonist Charles Lloyd at Pandora’s Box on the Sunset Strip.
https://www.youtube.com/watch?v=J0Ho1eGpYTM
see full post...Robert Calvin Bland (born Robert Calvin Brooks; January 27, 1930 – June 23, 2013), known professionally as Bobby “Blue” Bland, was an American blues singer.
Bland developed a sound that mixed gospel with the blues and R&B. He was described as “among the great storytellers of blues and soul music… [who] created tempestuous arias of love, betrayal and resignation, set against roiling, dramatic orchestrations, and left the listener drained but awed.” He was sometimes referred to as the “Lion of the Blues” and as the “Sinatra of the Blues”. His music was also influenced by Nat King Cole.
Bland was inducted into the Blues Hall of Fame in 1981, the Rock and Roll Hall of Fame in 1992, and the Memphis Music Hall of Fame in 2012. He received the Grammy Lifetime Achievement Award in 1997. The Rock and Roll Hall of Fame described him as “second in stature only to B.B. Kingas a product of Memphis‘s Beale Street blues scene”.
Bland was born Robert Calvin Brooks in the small town of Barretville, Tennessee. His father, I. J. Brooks, abandoned the family not long after Robert’s birth. Robert later acquired the name “Bland” from his stepfather, Leroy Bridgeforth, who was also called Leroy Bland. Robert dropped out of school in third grade to work in the cotton fields and never graduated from school.
see full post...Elmore James (January 27, 1918 – May 24, 1963) was an American blues guitarist, singer, songwriter and bandleader. He was known as “King of the Slide Guitar” and was noted for his use of loud amplification and his stirring voice. For his contributions to music, James was inducted into the Rock and Roll Hall of Fame in 1992.
James was born Elmore Brooks in Richland, Holmes County, Mississippi, the illegitimate son of 15-year-old Leola Brooks, a field hand. His father was probably Joe Willie “Frost” James, who moved in with Leola, and Elmore took his surname. He began making music at the age of 12, using a simple one-string instrument (diddley bow, or jitterbug) strung on a shack wall. As a teen he performed at dances under the names Cleanhead and Joe Willie James. He married Minnie Mae about 1942.
James was influenced by Robert Johnson, Kokomo Arnold and Tampa Red. He recorded several of Tampa Red’s songs. He also inherited from Tampa Red’s band two musicians who joined his own backing band, the Broomdusters, “Little” Johnny Jones (piano) and Odie Payne (drums).There is a dispute about whether Johnson or James wrote James’s signature song, “Dust My Broom“. In the late 1930s, James worked alongside Sonny Boy Williamson II.
see full post...Oran Thaddeus “Hot Lips” Page (January 27, 1908 – November 5, 1954) was an American jazz trumpeter, singer, and bandleader. He was known as a scorching soloist and powerful vocalist.
Page was a member of Walter Page‘s Blue Devils, Artie Shaw‘s Orchestra and Count Basie‘s Orchestra, and he worked with Ma Rainey, Bessie Smithand Ida Cox. He was one of the five musicians booked for the opening night at Birdland with Charlie Parker in 1949.
Oran Thadeus Page was born in Dallas, Texas, United States, to a schoolteacher and musician mother. He moved with his mother to Corsicanawhere he began attending Corsicana High School and later Texas College while also working at the oilfields. His earliest gigs were in circuses and minstrel shows while also backing such blues singers as Ma Rainey, Bessie Smith, and Ida Cox. Page’s main trumpet influence was Louis Armstrong, though throughout his career he cited other local trumpeters, including Harry Smith (Kansas City) and Benno Kennedy (San Antonio) as being early influences.
see full post...Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choralrepertoire. Mozart was among the greatest composers in the history of Western music, and his elder colleague Joseph Haydn wrote: “posterity will not see such a talent again in 100 years”.
Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty, embarking on a grand tour and then three trips to Italy. At 17, Mozart was engaged as a musician at the Salzburg court but grew restless and travelled in search of a better position.
While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in Vienna, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his early death at the age of 35. The circumstances of his death are largely uncertain, and have thus been much mythologized. Mozart died in his home on 5 December 1791 (aged 35) at 12:55 am. The cause of Mozart’s death is not known with certainty. The official record of hitziges Frieselfieber (“severe miliary fever”, referring to a rash that looks like millet seeds) is more a symptomatic description than a diagnosis. Researchers have suggested more than a hundred causes of death, including acute rheumatic fever, streptococcal infection, trichinosis, influenza, mercury poisoning, and a rare kidney ailment.
see full post...This astronomical portrait from the NASA/ESA Hubble Space Telescope showcases an edge-on view of the majestic spiral galaxy UGC 11537. Hubble’s Wide Field Camera 3 has captured the tightly wound spiral arms swirling around the heart of UGC 11537 at infrared and visible wavelengths, showing both the bright bands of stars and the dark clouds of dust threading throughout the galaxy. UGC 11537 is 230 million light-years away in the constellation Aquila, and lies close to the plane of the Milky Way. Being so close to the starry band of the Milky Way means that foreground stars from our own galaxy have crept into the image — the two prominent stars in front of UGC 11537 are interlopers from within the Milky Way. These bright foreground stars are surrounded by diffraction spikes — imaging artifacts caused by starlight interacting with Hubble’s inner structure. This image came from a set of observations designed to help astronomers weigh supermassive black holes in distant galaxies. The combination of Hubble’s sharp-eyed observations and data from ground-based telescopes allowed astronomers to make detailed models of the mass of stars in these galaxies, which in turn helps constrain the mass of supermassive black holes. Links Video of A Spectacular Side-On Spiral
Huey Pierce Smith, known as Huey “Piano” Smith (born January 26, 1934, New Orleans, Louisiana), is an American rhythm-and-blues pianistwhose sound was influential in the development of rock and roll.
His piano playing incorporated the boogie styles of Pete Johnson, Meade Lux Lewis, and Albert Ammons, the jazz style of Jelly Roll Morton and the rhythm-and-blues style of Fats Domino. Steve Huey of AllMusic noted that “At the peak of his game, Smith epitomized New Orleans R&B at its most infectious and rollicking, as showcased on his classic signature tune, ‘Don’t You Just Know It.'”
Smith was born in the Central City neighborhood of New Orleans. He was influenced by the innovative work of Professor Longhair. He became known for his shuffling right-handed break on the piano that influenced other Southern players.
Smith wrote his first song “Robertson Street Boogie”, named after the street where he lived, on the piano, when he was eight years old. He performed the tune with a friend, with the two billing themselves as Slick and Dark. Smith attended McDowell High School and Xavier University of Louisiana in New Orleans.
When Smith was fifteen, he began working in clubs and recording with his flamboyant partner, Eddie Jones, who rose to fame as Guitar Slim. When Smith was eighteen, in 1952, he signed a recording contract with Savoy Records, which released his first known single, “You Made Me Cry”. In 1953 Smith recorded with Earl King.
In 1955, Smith became the piano player with Little Richard‘s first band in sessions for Specialty Records. The same year he also played piano on several studio sessions for other artists, such as Lloyd Price. Two of the sessions resulted in hits for Earl King (“Those Lonely Lonely Nights”) and Smiley Lewis (“I Hear You Knocking“).
see full post...Clement Seymour “Coxsone” Dodd CD (26 January 1932 – 4 May 2004) was a Jamaican record producer who was influential in the development of ska and reggae in the 1950s, 1960s and beyond.
He was nicknamed “Coxsone” at school due to his talent as a cricketer (his friends compared him to Alec Coxon, a member of the 1940s Yorkshire County Cricket Club team).
The Kingston-born Dodd used to play records to the customers in his parents’ shop. During a spell in the American South he became familiar with the rhythm and blues music popular there at the time. In 1954, back in Jamaica, he set up the Downbeat Sound System, being the owner of an amplifier, a turntable, and some US records, which he would import from New Orleans and Miami.
With the success of his sound system, and in a competitive environment, Dodd would make trips through the US looking for new tunes to attract the Jamaican public. While he did, his mother Doris Darlington would run the sound system and play the tunes. Dodd opened five different sound systems, each playing every night. To run his sound systems, Dodd appointed people such as Lee “Scratch” Perry, who was Dodd’s right-hand man during his early career, U-Roy and Prince Buster.
see full post...Bob Bain (26 January 1924 – 21 June 2018) was an American guitarist mainly known for his film music contributions, including “Dr. Zhivago” (1965), where he played the balalaika in the score for certain scenes where “Lara’s Theme” is heard.A long time collaborator with composer Henry Mancini, he is also credited with the instantly recognisable guitar introduction to the theme from the popular 1950’s television private detective series “Peter Gunn“. The soundtrack album from the series features several other memorable contributions of Bain’s. Bain also contributed guitar on another of Mancini’s significant soundtrack albums, the musical score to the movie “Breakfast at Tiffany’s“, as well as playing on the soundtrack to the television Western series “Bonanza“.
Bain’s professional career began in the 1940’s playing guitar in popular big band outfits led by Tommy Dorsey and Bob Crosby. He is credited with guitar on one of Dorsey’s biggest hits, “Opus No. 1“. He was an unusually early adopter of the electric guitar, playing an early Gibson Les Paulmodel before switching to a modified 1953 Fender Telecaster. Like most jazz guitarists, he also favoured semi-acoustic models such as the Gibson L-5 and ES-150.
https://www.youtube.com/watch?v=F2fwItXD7BU&t=119s
see full post...Stéphane Grappelli (French pronunciation: [stefan ɡʁapɛli]; 26 January 1908 – 1 December 1997, born Stefano Grappelli) was a French-Italian jazzviolinist. He is best known as a founder of the Quintette du Hot Club de France with guitarist Django Reinhardt in 1934. It was one of the first all-string jazz bands. He has been called “the grandfather of jazz violinists” and continued playing concerts around the world well into his eighties.
For the first three decades of his career, he was billed using a gallicised spelling of his last name, Grappelly, reverting to Grappelli in 1969. The latter, Italian spelling is now used almost universally when referring to the violinist, including reissues of his early work.
Grappelli was born at Hôpital Lariboisière in Paris, France, and christened with the name Stefano. His father, Italian marchese Ernesto Grappelli, was born in Alatri, Lazio, while his French mother, Anna Emilie Hanoque, was from St-Omer. Ernesto was a scholar who taught Italian, sold translations, and wrote articles for local journals. Grappelli’s mother died when he was five, leaving his father to care for him. Although he was residing in France when World War I began, Ernesto was still an Italian citizen, and was consequently drafted into the Italian Army in 1914.
Having written about American dancer Isadora Duncan, who was living in Paris, Ernesto appealed to her to care for his son. Stéphane was enrolled in Duncan’s dance school at the age of six, and he learned to love French Impressionist music.
see full post...The subject of this image is a group of three galaxies, collectively known as NGC 7764A. They were imaged by the NASA/ESA Hubble Space Telescope, using both its Advanced Camera for Surveys (ACS) and Wide Field Camera 3 (WFC3). The two galaxies in the upper right of the image appear to be interacting with one another — indeed, the long trails of stars and gas extending from them both give the impression that they have both just been struck at great speed, thrown into disarray by the bowling-ball-shaped galaxy to the lower left of the image. In reality, however, interactions between galaxies happen over very long time periods, and galaxies rarely collide head-on with one another. It is also unclear whether the galaxy to the lower left is actually interacting with the other two, although they are so relatively close in space that it seems possible that they are. By happy coincidence, the collective interaction between these galaxies have caused the two on the upper right to form a shape, which from our Solar System’s perspective, ressembles the starship known as the USS Enterprise from Star Trek! NGC 7764A, which lies about 425 million light years from Earth in the constellation Phoenix, is a fascinating example of just how awkward astronomical nomenclature can be. The three galaxies are individually referred to as NGC 7764A1, NGC 7764A2 and NGC 7764A3, and just to be really difficult, an entirely separate galaxy, named NGC 7764, sits in the skies about a Moon’s distance (as seen from Earth) away. This rather haphazard naming makes more sense when we consider that many of the catalogues for keeping track of celestial bodies were compiled well over 100 years ago, long before modern technology made standardising scientific terminology much easier. As it is, many astronomical objects have several different names, or might have names that are so similar to other objects’ names that they cause confusion.
