Richard “Dickie” Landry
Born in Cecilia, Louisiana in November 16th 1938 began his musical training at the age of six when he joined the St. Joseph Catholic Church Choir singing Gregorian Chant for six years seven days a week. Landry picked up the saxophone at age ten and continued the journey that would take him places far removed from the small town in St. Martin Parish where he was raised. After attending what is presently known as the University of Louisiana at Lafayette where he majored in music education, Landry taught for two years in the rural community of Chataignier in St. Landry parish. Restless and tired of playing in a blue-eyed soul band, The Swing Kings, in 1969 Landry moved to New York City to broaden his musical horizons and hopefully find some work.
The avant-garde art scene in New York City was about to explode after a period of Abstract Expressionism and Pop Art. Landry soon fell in with a crowd of artists, musicians, dancers and theater people that included Keith Sonnier, Robert Rauschenberg, Gordon Matta-Clark, Robert Smithson, Michael Heizer, Walter de Maria, Steve Reich, Philip Glass, Laurie Anderson, Susan Rothenberg, Nancy Graves, Spalding Grey, Joan Jonas, Richard Serra, Mabou Mines, Chuck Close, Robert Wilson, Lawrence Weiner, Joseph Kosuth, Bruce Nauman, Trisha Brown, Deborah Hay, Mary Heilman and others who are now considered visionaries in their respective fields. It was at this time that Landry took up photography, not as an art form but simply to supplement his income. When not playing music, he would be hired by his newfound artist friends to help with their performances, installations and exhibits. He would ask if he could take pictures, not thinking of documenting anything – it was just a way to make extra money. He took his camera everywhere and became quite proficient at printing, using the same intense focus he would also apply to his music. Little did he know all these years later that he would amass a singular collection of photographs that would document the New York art scene of the 1970’s from a unique insider’s perspective.