mick laBriola

Walter Sylvester Page (February 9, 1900 – December 20, 1957) was an American jazz multi-instrumentalist and bandleader, best known for his groundbreaking work as a double bass player with Walter Page’s Blue Devils and the Count Basie Orchestra.

Page was born in Gallatin, Missouri, on February 9, 1900, to parents Edward and Blanche Page. Page showed a love for music even as a child, perhaps due in part to the influence of his aunt Lillie, a music teacher. Page’s mother, with whom he moved to Kansas City in 1910, exposed him to folksongs and spirituals, a critical foundation for developing his love of music. He gained his first musical experience as a bass drum and bass horn player in the brass bands of his neighborhood. Under the direction of Major N. Clark Smith, a retired military bandleader who provided Page his first formal training in music, Page took up the string bass in his time at Lincoln High School.

Maria do Carmo Miranda da Cunha GCIH, OMC (9 February 1909 – 5 August 1955), known professionally as Carmen Miranda, was a Portuguese-born Brazilian singer, dancer and actress. Nicknamed “The Brazilian Bombshell”, she was known for her signature fruit hat outfit that she wore in her American films. As a young woman, she designed hats in a boutique before making her first recordings with composer Josué de Barros in 1929. Miranda’s 1930 recording of “Taí (Pra Você Gostar de Mim)”, written by Joubert de Carvalho, catapulted her to stardom in Brazil as the foremost interpreter of samba.

During the 1930s, Miranda performed on Brazilian radio and appeared in five Brazilian chanchadas, films celebrating Brazilian music, dance and the country’s carnival culture. Hello, Hello Brazil! and Hello, Hello, Carnival! embodied the spirit of these early Miranda films. The 1939 musical Banana da Terra (directed by Ruy Costa) gave the world her “Baiana” image, inspired by Afro-Brazilians from the north-eastern state of Bahia.

Floyd Dixon (February 8, 1929 – July 26, 2006) was an American rhythm-and-blues pianist and singer.

Dixon was born in Marshall, Texas. Some sources give his birth name as Jay Riggins Jr., although Dixon himself stated that Floyd Dixon was his real name and that his parents were Velma and Ford Dixon. Growing up, he was influenced by blues, gospel, jazz and country music. His family moved to Los Angeles, California, in 1942. There Dixon met Charles Brown, who had an influence on his music.

The self-dubbed “Mr. Magnificent”, Dixon signed a recording contract with Modern Records in 1949, specializing in jump blues and sexualized songs like “Red Cherries”, “Wine Wine Wine”, “Too Much Jelly Roll” and “Baby Let’s Go Down to the Woods”. Both “Dallas Blues” and “Mississippi Blues”, credited to the Floyd Dixon Trio, reached the Billboard R&B chart in 1949, as did “Sad Journey Blues”, issued by Peacock Records in 1950.

Alonzo “Lonnie” Johnson (February 8, 1899 – June 16, 1970) was an American blues and jazzsinger, guitarist, violinist and songwriter. He was a pioneer of jazz guitar and jazz violin and is recognized as the first to play an electrically amplified violin.

Johnson was born in New Orleans, Louisiana and raised in a family of musicians. He studied violin, piano and guitar as a child and learned to play various other instruments, including the mandolin, but he concentrated on the guitar throughout his professional career. “There was music all around us,” he recalled, “and in my family you’d better play something, even if you just banged on a tin can.”

In 1917, Johnson joined a revue that toured England, returning home in 1919 to find that all of his family, except his brother James, had died in the 1918 influenza epidemic.

Earl Silas Johnson IV (February 7, 1934 – April 17, 2003), known as Earl King, was an American singer, guitarist, and songwriter, most active in blues music. A composer of blues standards such as “Come On” (covered by Jimi Hendrix, Freddie King, Stevie Ray Vaughan) and “Big Chief” (recorded by Professor Longhair), he was an important figure in New Orleans R&B.

King was born in New Orleans, Louisiana, United States. His father was a piano player. He died when Earl was still a baby, and Earl was brought up by his mother. With his mother, he started going to church at an early age. In his youth he sang gospel music, but he took the advice of a friend to switch to blues to make a better living.

Curtis Ousley (born Curtis Montgomery; February 7, 1934 – August 13, 1971), known professionally as King Curtis, was an American saxophonist who played rhythm and blues, jazz, and rock and roll. A bandleader, band member, and session musician, he was also a musical director and record producer. A master of the instrument, he played tenor, alto, and soprano saxophone. He played riffs and solos on hit singles such as “Respect” by Aretha Franklin (1967), and “Yakety Yak” by The Coasters (1958) and his own “Soul Twist” (1962), “Soul Serenade” (1964), and “Memphis Soul Stew” (1967).

Curtis Montgomery was born in Fort Worth, Texas, the son of Ethel Montgomery, and was adopted, with his sister Josephine Allen (died 2019), by Josie and William Ousley. Curtis attended I.M. Terrell High School, and studied and performed music with schoolmate Ornette Coleman (1930–2015).

James Hubert “Eubie” Blake (February 7, 1887 – February 12, 1983) was an American pianist and composer of ragtime, jazz, and popular music. In 1921, he and his long-time collaborator Noble Sisslewrote Shuffle Along, one of the first Broadway musicals written and directed by African Americans.Blake’s compositions included such hits as “Bandana Days”, “Charleston Rag”, “Love Will Find a Way”, “Memories of You” and “I’m Just Wild About Harry“. The 1978 Broadway musical Eubie! showcased his works; in 1981, President Ronald Reagan awarded Blake the Presidential Medal of Freedom.

Blake was born at 319 Forrest Street in Baltimore, Maryland. Of the many children born to former slavesEmily “Emma” Johnstone and John Sumner Blake, he was the only one to survive childhood. John Sumner Blake was a stevedore on the Baltimore Docks.

Blake claimed in later life to have been born in 1883, but records published beginning in 2003—U.S. Census, military, and Social Security records and Blake’s passport application and passport—uniformly give his birth year as 1887.

Fat Tuesday