mick laBriola

William B. Lawsha, better known as Prince Lasha , (September 10, 1929 – December 12, 2008)was an American jazz alto saxophonist, baritone saxophonist, flautist, clarinetist and English horn player.

He was born in Fort Worth, Texas,^[2][3][4] where he came of age studying and performing alongside fellow I.M. Terrell High Schoolstudents John Carter, Ornette Coleman, King Curtis, Charles Moffett, and Dewey Redman.

Lasha moved to California during the 1950s. In the 1960s, he was active in the burgeoning free jazz movement, of which his Fort Worth cohort Ornette Coleman was a pioneer. Lasha recorded with Eric Dolphy (Iron Man and Conversations, both in 1963) and the Elvin Jones/Jimmy Garrison Sextet featuring McCoy Tyner (Illumination!,also in 1963).

Herman Davis “Dave” Burrell (born September 10, 1940) is an American jazz pianist. He has played with many jazz musicians including Archie Shepp, Pharoah Sanders, Marion Brown and David Murray.

Born in Middletown, Ohio, United States, Burrell grew fond of jazz at a young age after meeting Herb Jeffries. Burrell studied music at the University of Hawaii from 1958 to 1960, then, beginning in 1961, attended the Berklee College of Music in Boston, graduating with degrees in composition/arranging and performance in 1965.While in Boston, he played with Tony Williams and Sam Rivers.

Henry Purcell  10 September 1659 – 21 November 1695) was an English composer of Baroque music.

Purcell’s musical style was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest English opera composers, Purcell is often linked with John Dunstaple and William Byrd as England’s most important early music composers. No later native-born English composer approached his fame until Edward Elgar, Ralph Vaughan Williams, Gustav Holst, William Walton and Benjamin Britten in the 20th century. Purcell died on 21 November 1695 at his home in Marsham Street,^{[n 3]} at the height of his career.^[27] He is believed to have been 35 or 36 years old at the time. The cause of his death is unclear: one theory is that he caught a chill after returning home late from the theatre one night to find that his wife had locked him out. Another is that he succumbed to tuberculosis.

Douglas Lloyd Ingle (born September 9, 1945) is an American musician, best known as the founder and former organist, primary composer, and lead vocalist for the band Iron Butterfly. Ingle wrote the band’s iconic song “In-A-Gadda-Da-Vida“, which was first released in 1968. He is the last surviving member of the classic 1967–1969 lineup.

Ingle had a short stint with the pop group Stark Naked and the Car Thieves in the early 1970s after he left Iron Butterfly.

Ingle was born in Omaha, Nebraska. His father Lloyd, a church organist, introduced him to music at an early age. Ingle moved from his native Nebraska within three months of his birth to the Rocky Mountains and later the family moved to San Diego.

Elvin Ray Jones (September 9, 1927 – May 18, 2004) was an American jazz drummer of the post-bop era.

Most famously a member of John Coltrane‘s quartet, with whom he recorded from late 1960 to late 1965, Jones appeared on such albums as My Favorite Things, A Love Supreme, Ascension and Live at Birdland. After 1966, Jones led his own trio, and later larger groups under the name The Elvin Jones Jazz Machine. His brothers Hank and Thad were also celebrated jazz musicians with whom he occasionally recorded. Elvin was inducted into the Modern Drummer Hall of Fame in 1995. In his The History of Jazz, jazz historian and critic Ted Gioia calls Jones “one of the most influential drummers in the history of jazz.”  He was also ranked at Number 23 on Rolling Stone magazine’s “100 Greatest Drummers of All Time”.

Elvin Jones was born in Pontiac, Michigan, to parents Henry and Olivia Jones, who had moved to Michigan from Vicksburg, Mississippi. His elder brothers were pianist Hank Jones and trumpeter Thad Jones, both highly regarded musicians. By age two he said drums held a special fascination for him. He would watch the circus parades go past his home as a child, and was particularly excited by the marching band drummers.

Working with Cantor Jennifer-Strauss Klein at Mt Zion Temple for the Shabbat for the Soul service Friday 9-8-23 630pm

Harmonica Fats (born Harvey Blackston, September 8, 1927 – January 3, 2000) was an American bluesharmonica player who was active in the 1950s through to the 1990s. Fats first achieved success with his cover version of the Hank Ballard song “Tore Up” in 1962, which established him as an in-demand sessionand touring musician. He is also remembered for his collaboration with blues guitarist Bernie Pearl, a partnership that resulted in four albums.

Born in McDade, Louisiana, a small community 40 miles from Shreveport, Blackston, the eldest of 13 children, was raised on a cotton farm by his grandparents. Blackston casually played harmonica since he was four years-old, and credited Sonny Terry as the foremost influence on his style of playing. Bored with the farming lifestyle, in 1946 Blackston relocated to Los Angeles where he lived with his father, and worked for a manufacturing company.

James Earl Clay (September 8, 1935 – January 6, 1995) was an American jazz tenor saxophonist and flutist.

Clay was born in Dallas, Texas, on September 8, 1935. While in school, Clay played alto saxophone, and then played with local bands from around the age of 17. Clay moved to California in 1955, where he initially played in jam sessions. He appeared on recordings with Lawrence Marable the following year. Clay then played with freer musicians including Don Cherry, Billy Higgins, and Ornette Coleman, before returning to Dallas in 1958. He joined the military in 1959, and recorded two albums as a leader the following year.

Wilbur Bernard Ware (September 8, 1923 – September 9, 1979) was an American jazz double bassist. He was a regular bassist for the Riverside record label in the 1950s, and recorded regularly in that decade with Johnny Griffin, Kenny Dorham, Kenny Drew, and Thelonious Monk. He also appeared on records released by J.R. Monterose, Toots Thielemans, Sonny Clark, Tina Brooks, Zoot Sims, and Grant Green, among others. Ware grew up in Chicago where he taught himself to play drums, banjo, bass while playing at church. In the 1940s, he worked with Stuff Smith, Sonny Stitt, and Roy Eldridge. He recorded with Sun Ra in the early 1950s. Later in the 1950s, settling in New York City, Ware played with Eddie Vinson, Art Blakey, and Buddy DeFranco. His only album recorded as a leader and released during his lifetime was The Chicago Sound, from 1957 when he worked for Riverside.

“Rondeña” belong to Malaga’s singing group. “Rondeña” existed before flamenco, joining it in the 19th century. Its origin is in “fandango” from Malaga, more specifically in ” bandolás”. Some authors suggest that this name comes from the nightly rounds. Other authors believe that it comes from the city of Ronda, as “rodeña” was originated in the homonymous mountains. “Rondeña” has greatly extended through Andalusia during the 19th century. “Rondeña” singing has evolved in recent times with with a decrease in melismatic ornamentation. Its composition ad libitum (without “compas”). Lyrics are related to countryside life. Its structure is a couplet of four eight-syllable verses, usually consonant  rhyme. They normally turn into five by repetition of the second one, but also without repetition. Dance displays a rhythm of wild abandon. Others have used the rhythm of the “taranto“, which has many similarities but, being rondeña, more open and evocative.