mick laBriola

John Philip Sousa  November 6, 1854 – March 6, 1932 Washington DC) was an American composer and conductor of the late Romantic era known primarily for American military marches. He is known as “The March King” or the “American March King”, to distinguish him from his British counterpart Kenneth J. Alford. Among his best-known marches are “The Stars and Stripes Forever” (National March of the United States of America), “Semper Fidelis” (official march of the United States Marine Corps), “The Liberty Bell“, “The Thunderer“, and “The Washington Post“.

Sousa began his career playing violin and studying music theory and composition under John Esputa and George Felix Benkert. His father enlisted him in the United States Marine Band as an apprentice in 1868. He left the band in 1875, and over the next five years, he performed as a violinist and learned to conduct. In 1880 he rejoined the Marine Band, and he served there for 12 years as director, after which he was hired to conduct a band organized by David Blakely, P.S. Gilmore‘s former agent. Blakely wanted to compete with Gilmore. From 1880 until his death, he focused exclusively on conducting and writing music. Sousa aided in the development of the sousaphone, a large brass instrument similar to the helicon and tuba.

Upon the outbreak of World War I, Sousa was awarded a wartime commission of lieutenant commander to lead the Naval Reserve Band in Illinois. He then returned to conduct the Sousa Band until he died in 1932. In the 1920s, he was promoted to the permanent rank of lieutenant commander in the naval reserve.

Arturo Sandoval 11-6-1949 is a Cuban-American jazz trumpeter, pianist, and composer. While living in his native Cuba, Sandoval was influenced by jazz musicians Charlie Parker, Clifford Brown, and Dizzy Gillespie. In 1977 he met Gillespie, who became his friend and mentor and helped him defect from Cuba while on tour with the United Nations Orchestra. Sandoval became an American naturalized citizen in 1998. His life was the subject of the film For Love or Country: The Arturo Sandoval Story (2000) starring Andy García.

Sandoval has won Grammy Awards, Billboard Awards and one Emmy Award. He performed at the White House and at the Super Bowl (1995).

Pablo Rodríguez Lozada (January 4, 1923 – February 28, 1973), better known as Tito Rodríguez, was a Puerto Rican singer and bandleader. He started his career singing under the tutelage of his brother, Johnny Rodríguez. In the 1940s, both moved to New York, where Tito worked as a percussionist in several popular rhumba ensembles, before directing his own group to great success during the 1950s. His most prolific years coincided with the peak of the mambo and cha-cha-cha dance craze. He also recorded boleros, sones, guarachas and pachangas.

Rodríguez is known by many fans as “El Inolvidable” (The Unforgettable One), a moniker based on his most popular song, a bolero written by Cuban composer Julio Gutiérrez.

Neil Cowley (born 5 November 1972) is an English contemporary pianist and composer. He has also released music as part of Fragile State, the Green Nuns of the Revolution, and the Neil Cowley Trio. With his trio, he appeared on Later… with Jools Holland in April 2008 and won the 2007 BBC Jazz Award for best album for Displaced. In 2018, Cowley announced he was working on a new electronic focused solo project. In 2020, Cowley announced his debut solo album, ‘Hall of Mirrors’.

Arthur Ira Garfunkel (born November 5, 1941 NY, NY) is an American singer, poet, and actor. He is best known for his partnership with Paul Simon in the folk rock duo Simon & Garfunkel.

Highlights of Garfunkel’s solo music career include one top-10 hit, three top-20 hits, six top-40 hits, 14 Adult Contemporary top-30 singles, five Adult Contemporary number ones, two UK number ones and a People’s Choice Award. Through his solo and collaborative work, Garfunkel has earned eight Grammys, including a Lifetime Achievement Award. In 1990, he and Simon were inducted into the Rock and Roll Hall of Fame. In 2008, Garfunkel was ranked 86th in Rolling Stone magazine’s list of the 100 Greatest Singers of All Time.

Harold McNair (5 November 1931 – 7 March 1971) was a Jamaican-born saxophonist and flautist.

McNair was born in Kingston, Jamaica. He attended the Alpha Boys School under the tutelage of Vincent Tulloch, while playing with Joe Harriott (a lifelong friend who considered McNair his de facto younger brother), Wilton “Bogey” Gaynair, and Baba Motta‘s band. He spent the first decade of his musical career in The Bahamas, where he used the name “Little G” for recordings and live performances. His early Bahamian recordings were mostly in Caribbean musical styles rather than jazz, in which he sang and played both alto and tenor saxophone. He also played a calypso singer in the film Island Women (1958). In 1960, he recorded his first album, a mixture of jazz and calypso numbers entitled Bahama Bash. It was around this time that he began playing the flute, which would eventually become his signature instrument. Initially he had some lessons in New York, but he was largely self-taught. He departed for Europe later in 1960.

Jeffrey H. Lorber (born November 4, 1952) is an American keyboardist, composer, and record producer. After six previous nominations, Lorber won his first Grammy Award on January 28, 2018 for Best Contemporary Instrumental Album for Prototype by his band the Jeff Lorber Fusion.

Many of his songs have appeared on the Weather Channel‘s Local on the 8s segments and on the channel’s compilation albums, The Weather Channel Presents: The Best of Smooth Jazz and The Weather Channel Presents: Smooth Jazz II. He was nominated for a Grammy Award for his album He Had a Hat (Blue Note, 2007) Lorber was born to a Jewish family in Cheltenham, Pennsylvania, the same suburb as Michael and Randy Brecker, with whom he would later play. He started to play the piano when he was four years old. After playing in a number of R&B bands as a teen, he attended Berklee College of Music, where he developed his love for jazz. At Berklee he met and played alongside guitarist John Scofield. He moved to Vancouver, Washington in 1972. For several years he studied chemistry at Boston University.

Lawrence Benjamin Bunker (November 4, 1928 – March 8, 2005) was an American jazz drummer, vibraphonist, and percussionist. A member of the Bill Evans Trio in the mid-1960s, he also played timpani with the Los Angeles Philharmonic orchestra.

Born in Long Beach, California, Bunker was a central figure on the West Coast jazz scene, one of the relatively few who actually were from the region. In the 1950s and 1960s he appeared at Howard Rumsey‘s Lighthouse in Hermosa Beach, and performed with Shorty Rogers and His Giants and others. At first he played primarily drums, but increasingly he focused on vibraphone and was later highly regarded for his playing of timpani and various percussion instruments.

Carlos Valdés Galán (November 4, 1926 – December 4, 2007), better known as Patato, was a Cuban conga player. In 1954, he emigrated from La Habana to New York City where he continued his prolific career as a sideman for several jazz and Latin music ensembles, and occasionally as a bandleader. He contributed to the development of the tunable conga drum which revolutionized the use of the instrument in the US. His experimental descarga albums recorded for Latin Percussion are considered the counterpart to the commercial salsa boom of the 1970s. Tito Puente once called him “the greatest conguero alive today”.

The origins of La zambra, the traditional flamenco granadino, can’t not be understood without deeply analyzing its name. Zambra comes from the arabic “zumra”, which means party. It was the traditional ritual of the moroccan weddings which was forbidden by the inquisition in the XVI century. Although it kept being celebrated underground. This tradition of the zambra was absorbed, learnt and transformed by the gypsies of the sacromonte, who at one point just considered it as their own tradition. These gypsies are the only remaining proof of this amazing traditional moroccan dance. The only ones that kept this old moroccan tradition and the ones who made it evolve to the flamenco dance that we know today.

Between the XVII and XIX centuries, when the romantic writers and poets arrived to Granada, the zambra and the flamenco were appreciated as an artistic expression in the whole world. It was this recognition that transformed the flamenco into a discipline and a musical style rather than the traditional gypsi dance. It was for this reason that some members of the “generación literaria del 27” began to worry. The flamenco had been always considered like a people’s dance and to see it become something more commercial really troubled them. They felt that all this recognition and fame was making it lose the essence and people were doing it just as a form of entertainment for tourist and travelers and a way of making money.

Herbert Jansch (3 November 1943 – 5 October 2011) was a Scottish folk musician and founding member of the band Pentangle. He was born in Glasgow and came to prominence in London in the 1960s as an acoustic guitarist and singer-songwriter. He recorded more than 28 albums and toured extensively from the 1960s to the 21st century.

Jansch was a leading figure in the 1960s British folk revival, touring folk clubs and recording several solo albums, as well as collaborating with other musicians such as John Renbourn and Anne Briggs. In 1968, he co-founded the band Pentangle, touring and recording with them until their break-up in 1972. He then took a few years’ break from music, returning in the late 1970s to work on a series of projects with other musicians. He joined a reformed Pentangle in the early 1980s and remained with them as they evolved through various changes of personnel until 1995. Until his death, Jansch continued to work as a solo artist.

Jansch’s work influenced many artists, especially Jimmy Page, Mike Oldfield, Paul Simon, Pete Hawkes, Nick Drake, Donovan, and Neil Young. He received two Lifetime Achievement Awards at the BBC Folk Awards: one, in 2001, for his solo achievements and the other, in 2007, as a member of Pentangle.

Joseph H. Turner (November 3, 1907 – July 21, 1990) was an American jazz pianist.

One of the masters of the stride piano style associated with Harlem, New York City, Turner gained his first big musical break in 1928 when he was hired for the Benny Carter Orchestra. Another break was his work accompanying Adelaide Hall, sometimes alongside Art Tatum, in the early 1930s. He also played with Louis Armstrong. After World War II, he settled in Europe, living in Paris from 1962. He played at La Calavados, a nightclub situated near the Champs Elysees until his death from a heart attack in 1990, at the age of 82.