mick laBriola

Kevin Locke played an important role in keeping alive the lost art of the Native American hoop dance. He also was an accomplished flute player, storyteller and educator who was described as a cultural ambassador.

Locke died unexpectedly on Saturday, Oct. 1, of what his son described as a “massive asthma attack” in announcing the death on Facebook . He was 68.

“My dad was like superman, clean diet, didn’t smoke, only drank water, ran every day, always confident, never doubted himself, ” Ohiyesa Locke wrote in a Facebook post. “ I always knew he was going to be with me for a long time,” adding that his father “died a legend.”

Through his dancing, music and stories, Locke’s goal was to “empower today’s youth in culture and to raise awareness of the Oneness we share as human beings,” he said on his website .

“All the people have the same impulses, spirit and goals,” he told Indian Country Today in 2012. “Through my music and dance, I want to create a positive awareness of oneness in humanity.”

The two interacting galaxies making up the pair known as Arp-Madore 608-333 seem to float side by side in this image from the NASA/ESA Hubble Space Telescope. Though they appear serene and unperturbed, the two are subtly warping one another through a mutual gravitational interaction that is disrupting and distorting both galaxies. This drawn-out galactic interaction was captured by Hubble’s Advanced Camera for Surveys. The interacting galaxies in Arp-Madore 608-333 were captured as part of an effort to build up an archive of interesting targets for more detailed future study with Hubble, ground-based telescopes, and the NASA/ESA/CSA James Webb Space Telescope. To build up this archive, astronomers scoured existing astronomical catalogues for a list of targets spread throughout the night sky. By so doing, they hoped to include objects that had already been identified as interesting and that would be easy for Hubble to observe no matter which direction it was pointing. Deciding how to award Hubble observing time is a drawn-out, competitive and difficult process, and the observations are allocated so as to use every last second of Hubble time available. However, there is a small but persistent fraction of time — around 2–3% — that goes unused as Hubble turns to point at new targets. Snapshot programmes, such as the one which captured Arp-Madore 608-333, exist to fill this gap and take advantage of the moments between longer observations. As well as creating beautiful images such as this, these snapshot programs enable astronomers to gather as much data as possible with Hubble.

Stephen Michael Reich ( born October 3, 1936) is an American composer known for his contribution to the development of minimal music in the mid to late 1960s.Reich’s work is marked by its use of repetitive figures, slow harmonic rhythm, and canons. Reich describes this concept in his essay, “Music as a Gradual Process”, by stating, “I am interested in perceptible processes. I want to be able to hear the process happening throughout the sounding music.” To do so, his music employs the technique of phase shifting, in which a phrase is slightly altered over time, in a flow that is clearly perceptible to the listener. His innovations include using tape loops to create phasing patterns, as on the early compositions It’s Gonna Rain (1965) and Come Out (1966), and the use of simple, audible processes, as on Pendulum Music (1968) and Four Organs (1970). The 1978 recording Music for 18 Musicians would help entrench minimalism as a movement. Reich’s work took on a darker character in the 1980s with the introduction of historical themes as well as themes from his Jewish heritage, notably Different Trains (1988).

Reich’s style of composition has influenced many contemporary composers and groups, especially in the United States. Writing in The Guardian, music critic Andrew Clements suggested that Reich is one of “a handful of living composers who can legitimately claim to have altered the direction of musical history”.

Reich was born in New York City to the Broadway lyricist June Sillman and Leonard Reich. When he was one year old, his parents divorced, and Reich divided his time between New York and California. He is the half-brother of writer Jonathan Carroll. He was given piano lessons as a child and describes growing up with the “middle-class favorites”, having no exposure to music written before 1750 or after 1900. At the age of 14 he began to study music in earnest, after hearing music from the Baroque period and earlier, as well as music of the 20th century. Reich studied drums with Roland Kohloff in order to play jazz. While attending Cornell University, he minored in music and graduated in 1957 with a B.A. in Philosophy.

Stephen Ray Vaughan (October 3, 1954 – August 27, 1990 Dallas, TX) was an American musician, best known as the guitarist and frontman of the blues rock trio Stevie Ray Vaughan and Double Trouble. Although his mainstream career spanned only seven years, he is regarded as one of the most influential musicians in the history of blues music, and one of the greatest guitarists of all time.

Born and raised in Dallas, Vaughan began playing guitar at age seven, initially inspired by his elder brother, Jimmie Vaughan. In 1972, he dropped out of high school and moved to Austin, where he began to gain a following after playing gigs on the local club circuit. Vaughan joined forces with Tommy Shannon on bass and Chris Layton on drums as Double Trouble in 1978 and established it as part of the Austin music scene; it soon became one of the most popular acts in Texas. He performed at the Montreux Jazz Festival in 1982, where David Bowie saw him play. Bowie contacted him for a studio gig which resulted in Vaughan playing blues guitar on the album Let’s Dance (1983), before being discovered by John Hammond who interested major label Epic Records in signing Vaughan and his band to a record deal. Within months, they achieved mainstream success for the critically acclaimed debut album Texas Flood. With a series of successful network television appearances and extensive concert tours, Vaughan became the leading figure in the blues revival of the 1980s. Playing his guitar behind his back or plucking the strings with his teeth as Jimi Hendrix did, he earned fame in Europe, which later resulted in breakthroughs for guitar players like Robert Cray, Jeff Healey, Robben Ford, and Walter Trout, amongst others.

During the majority of his life, Vaughan struggled with alcoholism and drug addiction. He also struggled with the personal and professional pressures of fame and his marriage to Lenora “Lenny” Bailey. He successfully completed rehabilitation and began touring again with Double Trouble in November 1986. His fourth and final studio album In Step reached number 33 in the United States in 1989; it was one of Vaughan’s most critically and commercially successful releases and included his only number-one hit, “Crossfire”. He became one of the world’s most highly demanded blues performers, and he headlined Madison Square Garden in 1989 and the Beale Street Music Festival in 1990.

On August 27, 1990, Vaughan and four others were killed in a helicopter crash in East Troy, Wisconsin, after performing with Double Trouble at Alpine Valley Music Theatre. An investigation concluded that the cause of the accident was pilot error and Vaughan’s family later filed a wrongful death lawsuit against Omniflight Helicopters which was settled out of court. Vaughan’s music continued to achieve commercial success with several posthumous releases and has sold over 15 million albums in the United States alone. In 2003, David Fricke of Rolling Stone ranked him the seventh greatest guitarist of all time. Vaughan was posthumously inducted into the Rock and Roll Hall of Fame in 2015, along with Double Trouble bandmates Chris Layton, Tommy Shannon, and Reese Wynans. On Monday, August 27, 1990, at 12:50 a.m. (CDT), Vaughan and members of Eric Clapton‘s touring entourage played an all-star encore jam session at Alpine Valley Music Theatre in Alpine Valley Resort in East Troy, Wisconsin. They then left for Midway International Airport in Chicago in a Bell 206B helicopter, the most common way for acts to enter and exit the venue, as there is only one road in and out, heavily used by fans. The helicopter crashed into a nearby ski hill shortly after takeoff. Vaughan and the four others on board—pilot Jeff Brown, agent Bobby Brooks, bodyguard Nigel Browne, and tour manager Colin Smythe—died.