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Hammie Nixon (January 22, 1908 – August 17, 1984) was an American blues harmonica player.

Nixon was born in Brownsville, Tennessee. He began his music career with jug bandsin the 1920s. He is best known as a country blues harmonica player, but he also played the kazoo, guitar and jug. He played with his father-in-law, guitarist Sleepy John Estes, for half a century, first recording with jim in 1929 for Victor Records. He also recorded with Little Buddy Doyle, Lee Green, Clayton T. Driver, Charlie Pickett and Son Bonds.

During the 1920s Nixon helped to pioneer the use of the harmonica as a rhythm instrument in a band setting, rather than as a novelty solo instrument. After Estes died in 1979, Nixon played with the Beale Street Jug Band (also called the Memphis Jug Band). Nixon’s last recording, “Tappin’ That Thing” (HMG Records), was recorded shortly before his death in 1984, in Jackson, Tennessee.

Willie Johnson (January 25, 1897 – September 18, 1945 Pendleton, TX), commonly known as Blind Willie Johnson, was an American gospel blues singer and guitarist. His landmark recordings completed between 1927 and 1930, thirty songs in all, display a combination of powerful chest voice singing, slide guitar skills and originality that has influenced generations of musicians. His records sold well though as a street performer and preacher, he had little wealth in his lifetime. His life was poorly documented, but over time, music historians such as Samuel Charters have uncovered more about him and his five recording sessions.

A revival of interest in Johnson’s music began in the 1960s following his inclusion on Harry Smith‘s Anthology of American Folk Music and by the efforts of the blues guitarist Reverend Gary Davis. Along with Davis, he has since been considered the dominant player of holy blues music which convey religious themes in a blues style, often with a blues style of guitar accompaniment.

Johnson’s work has become more accessible through compilation albums such as American Epic: The Best of Blind Willie Johnson and the Charters compilations. As a result, Johnson is credited as one of the most influential practitioners of the blues and his slide guitar playing, particularly on his hymn Dark Was the Night, Cold Was the Ground, is highly acclaimed. Other recordings by Johnson include Jesus Make Up My Dying Bed, It’s Nobody’s Fault but Mine and John the Revelator.

Eberhard Weber (born 22 January 1940, in Stuttgart, Germany) is a German double bassist and composer. As a bass player, he is known for his highly distinctive tone and phrasing. Weber’s compositions blend chamber jazz, European classical music, minimalism and ambient music, and are regarded as characteristic examples of the ECM Records sound.

From the early 1960s to the early 1970s, Weber’s closest musical association was with pianist Wolfgang Dauner. Their many mutual projects were diverse, from mainstream jazz to jazz-rock fusion to avant-garde sound experiments. During this period, Weber also played and recorded with pianists Hampton Hawes and Mal Waldron, guitarists Baden Powell de Aquino and Joe Pass, The Mike Gibbs Orchestra, violinist Stephane Grappelli, and many others.

Starting with The Colours of Chloë, Weber has released 13 more records under his own name, all on ECM. The ECM association also led to collaborations with other ECM recording artists such as Gary Burton (Ring, 1974; Passengers, 1976), Ralph Towner (Solstice, 1975; Solstice/Sound and Shadows, 1977), Pat Metheny (Watercolors, 1977), and Jan Garbarek (10 recordings between 1978 and 1998).

Samuel Cooke (born Samuel Cook; January 22, 1931  – December 11, 1964 Clarksdale, MS) was an American singer and songwriter. Considered one of the most influential soul artists of all time, Cooke is commonly referred to as the “King of Soul” for his distinctive vocals, pioneering contributions to the genre, and significance in popular music. During his eight-year career, Cooke released 29 singles that charted in the Top 40 of the Billboard Hot 100 chart, as well as 20 singles in the Top 10 of Billboard‘s Black Singleschart. In 1964, he was shot and killed by the manager of a motel in Los Angeles. After an inquest and investigation, the courts ruled Cooke’s death to be a justifiable homicide. His family has since questioned the circumstances of his death. In 2015, Cooke was ranked number 28 in Billboard magazine’s list of the “35 Greatest R&B Artists of All Time”.

J. J. Johnson (January 22, 1924 – February 4, 2001 Indianapolis, IN), born James Louis Johnsonand also known as Jay Jay Johnson, was an American jazz trombonist, composer and arranger.

Johnson was one of the earliest trombonists to embrace bebop.

After studying the piano beginning at age 9, Johnson decided to play trombone at the age of 14. In 1941, he began his professional career with Clarence Love, and then played with Snookum Russell in 1942. In Russell’s band, he met the trumpeter Fats Navarro, who influenced him to play in the style of the tenor saxophonist Lester Young. Johnson played in Benny Carter‘s orchestra between 1942 and 1945, and made his first recordings in 1943 under Carter’s leadership, recording his first solo (on “Love for Sale”) in October 1943. In 1944, he took part in the first Jazz at the Philharmonicconcert, presented in Los Angeles and organized by Norman Granz. In 1945, he joined the big band of Count Basie, touring and recording with him until 1946.

Richard Pierce Havens (January 21, 1941 – April 22, 2013 NY,NY) was an American singer-songwriter and guitarist. His music encompassed elements of folk, soul (both of which he frequently covered), and rhythm and blues. He had a rhythmic guitar style (often in open tunings). He was the opening act at Woodstock, sang many jingles for television commercials, and was also the voice of the GeoSafari toys.

Fird Eaglin Jr. (January 21, 1936 or 1937 – February 18, 2009), known as Snooks Eaglin, was an American guitarist and singer based in New Orleans. In his early years he was sometimes credited under other names, including Blind Snooks Eaglin, “Lil” Snook, Ford Eaglin, Blind Guitar Ferd.

His vocal style was reminiscent of that of Ray Charles; in the 1950s, when he was in his late teens, he sometimes billed himself as “Little Ray Charles”. He played a wide range of styles of music within the same concert, album, or even song: blues, rock and roll, jazz, country, and Latin. In his early years, he also played acoustic blues.

His ability to play a wide range of songs and make them his own earned him the nickname “The Human Jukebox.” Eaglin claimed in interviews that his musical repertoire included some 2,500 songs.

At live shows, he usually did not prepare set lists and was unpredictable, even to his bandmates. He played songs that came to him on stage, and he also took requests from the audience.

Robert “Juice” Wilson (January 21, 1904 – May 22, 1993) was an American jazz violinist. Wilson grew up an orphan and was raised by his uncle from age three in Chicago. He began playing drums in the Chicago Militia Boys Band, then switched to violin at age eight. By the age of twelve he was already playing with Jimmy Wade, and at 14 he performed with Freddie Keppard. He worked on steamboats on the Great Lakes and did extended residencies with Jimmy Harrison in Ohio. Early in the 1920s he worked in Erie, Pennsylvania with Hersal Brassfield, then moved to Buffalo, New York to play with Eugene Primus as well as the Buffalo Junior Symphony Orchestra.

In 1928, Wilson moved to New York City and played with Lloyd Scott at the Savoy Ballroom. At the end of the decade he toured Europe with Noble Sissle, and decided to remain there. He worked first in the Netherlands with Ed Swayzee, Leon Abbey, the Utica Jubilee Singers, the Louis Douglass Revue, Little Mike McKendrick’s International Band, and Tom Chase. He made trips to Spain and North Africa before settling in Malta, where he became a local star. He worked there through much of the 1940s and 1950s as a multi-instrumentalist, and made further tours around the Mediterranean before coming back to the United States in the 1960s. He died peacefully in 1993.

Earl Grant (January 20, 1931 – June 10, 1970) was an American pianist, organist, and vocalist popular in the 1950s and 1960s. Grant signed with Decca Records in 1957 and his first single “The End” reached number 7 on the Billboard Hot 100 charts on October 13, 1958. The album Ebb Tide (And Other Instrumental Favorites) sold over one million copies, gaining gold disc status. He recorded six more singles that made the charts, including “Swingin’ Gently” (from Beyond the Reef), and six additional albums (on the Decca label) through 1968. He also recorded the album Yes Sirree! and the instrumental album Trade Winds, single-tracked on the Hammond organ and piano, featuring the love theme from the film El Cid and Chaplin‘s “Eternally“. This album featured some realistic-sounding “tropical bird calls” produced by his electric organ. “House of Bamboo” was another big-selling single. Grant recorded 30 albums for Decca, mostly on the Brunswick label, a subsidiary of Decca. He died instantly in a car accident in Lordsburg, New Mexico, at the age of 39 when the car he was driving ran off Interstate 10.He was driving from Los Angeles to an intended destination in Ciudad Juárez, Mexico, for an appearance at the La Fiesta nightclub. His 17-year-old cousin, Roosevelt Woods III, was also killed in the accident.