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The Sadr Region (also known as IC 1318 or the Gamma Cygni Nebula) is the diffuse emission nebula surrounding Sadr (γ Cygni) at the center of Cygnus’s cross. The Sadr Region is one of the surrounding nebulous regions; others include the Butterfly Nebula and the Crescent Nebula. It contains many dark nebulae in addition to the emission diffuse nebulae.

Sadr itself has approximately a magnitude of 2.2. The nebulous regions around the region are also fairly bright.

Kenny Garrett (born October 9, 1960) is an American post-bop jazz saxophonist and flautist who gained recognition in his youth as a member of the Duke Ellington Orchestra and of Miles Davis‘s band. Since then, he has pursued a solo career.

Kenny Garrett was born in Detroit, Michigan, on October 9, 1960. His father was a carpenter who played tenor saxophone as a hobby. Garrett’s own career as a saxophonist took off when he joined the Duke Ellington Orchestra, under the leadership of Mercer Ellington, in 1978. Garrett also played and recorded with Art Blakey, Miles Davis, Freddie Hubbard, and Woody Shaw before developing his career as a leader.

In 1984, Garrett recorded his first album as a bandleader, Introducing Kenny Garrett, on the CrissCross label. In the year, he became the founding member of Out of the Blue which was produced by Blue Note Records. In 1986, Garrett became a member of Art Blakey’s The Jazz Messengers.

He signed to the Warner Bros. Records label, and beginning with Black Hope, in 1992, he recorded eight albums for them. Garrett’s music sometimes exhibits Asian influences, an aspect which is especially prevalent in his 2006 Grammy-nominated recording Beyond the Wall. Garrett joined the “Five Peace Band” of Chick Corea, John McLaughlin, Christian McBride and Brian Blade/Vinnie Colaiuta around 2008. The CD Five Peace Band – Live won a Grammy Award in 2010.

Abdullah Ibrahim (born Adolph Johannes Brand on 9 October 1934 and formerly known as Dollar Brand) is a South African pianist and composer. His music reflects many of the musical influences of his childhood in the multicultural port areas of Cape Town, ranging from traditional African songs to the gospel of the AME Church and Ragas, to more modern jazz and other Western styles. Ibrahim is considered the leading figure in the subgenre of Cape jazz. Within jazz, his music particularly reflects the influence of Thelonious Monk and Duke Ellington. He is known especially for “Mannenberg“, a jazz piece that became a notable anti-apartheid anthem.

During the apartheid era in the 1960s Ibrahim moved to New York City and, apart from a brief return to South Africa in the 1970s, remained in exile until the early ’90s. Over the decades he has toured the world extensively, appearing at major venues either as a solo artist or playing with other renowned musicians, including Max Roach, Carlos Ward and Randy Weston, as well as collaborating with classical orchestras in Europe. With his wife, the jazz singer Sathima Bea Benjamin, he is father to the New York underground rapper Jean Grae, as well as to a son, Tsakwe.

Ibrahim was born in Cape Town, South Africa, on 9 October 1934, and was baptized Adolph Johannes Brand. He attended Trafalgar High School in Cape Town’s District Six, and began piano lessons at the age of seven, making his professional debut at 15. He is of mixed-race heritage, making him a Coloured person according to the apartheid system. His mother played piano in a church, the musical style of which would remain an influence; in addition, he learned to play several genres of music during his youth in Cape Town, including marabi, mbaqanga, and American jazz. He became well known in jazz circles in Cape Town and Johannesburg.

This starfield spans about three full moons (1.5 degrees) across the heroic northern constellation of Perseus. It holds the famous pair of open star clusters, h and Chi Persei. Also cataloged as NGC 869 (top) and NGC 884, both clusters are about 7,000 light-years away and contain stars much younger and hotter than the Sun. Separated by only a few hundred light-years, the clusters are both 13 million years young based on the ages of their individual stars, evidence that they were likely a product of the same star-forming region. Always a rewarding sight in binoculars, the Double Cluster is even visible to the unaided eye from dark locations. But a shroud of guitar strings was used to produce diffraction spikes on the colorful stars imaged in this vibrant telescopic view.

Park Frederick “Pepper” Adams III (October 8, 1930 – September 10, 1986) was an American jazz baritone saxophonist and composer. He composed 42 pieces, was the leader on eighteen albums spanning 28 years, and participated in 600 sessions as a sideman. He worked with an array of musicians, and had especially fruitful collaborations with trumpeter Donald Byrd and as a member of the Thad Jones/Mel Lewis Big Band.

Pepper Adams was born in Highland Park, Michigan, to father Park Adams II and mother Cleo Marie Coyle. Both of his parents were college graduates, with each spending some time at the University of Michigan. Due to the onset of the Great Depression, Adams’ parents separated to allow his father to find work without geographic dependence. In the fall of 1931, Adams moved with his mother to his extended family’s farm near Columbia City, Indiana, where food and support were more readily available. In 1933, Adams began playing piano. His father having reunited with the family, they moved to Rochester, New York, in 1935 and in that city he began his musical efforts on tenor sax and clarinet. Two years later, Adams began deepening his developing passion for music by listening to Fats Waller‘s daily radio show. He was also influenced at a young age by listening to Fletcher Henderson‘s big band radio broadcasts out of Nashville, Jimmie Lunceford, Duke Ellington, and Cab Calloway. Adams would later describe “[his] time up until the age of eight or so [as] really just traveling from one place to another”. As early as 4th grade, Adams sold cigarettes and candy door-to-door in order to contribute to his family’s income for essential items.

Just east of the Lagoon Nebula to find this alluring field of view in the rich starfields of the constellation Sagittarius toward the central Milky Way. Of course the Lagoon nebula is also known as M8, the eighth object listed in Charles Messier’s famous catalog of bright nebulae and star clusters. Close on the sky but slightly fainter than M8, this complex of nebulae was left out of Messier’s list though. It contains obscuring dust, striking red emission and blue reflection nebulae of star-forming region NGC 6559 at right. Like M8, NGC 6559 is located about 5,000 light-years away along the edge of a large molecular cloud.At that distance, this telescopic frame nearly 3 full moons wide would span about 130 light-years.

Larry Young (also known as Khalid Yasin [Abdul Aziz]; October 7, 1940 – March 30, 1978)^[1] was an American jazz organist and occasional pianist. Young’s early work was strongly influenced by the soul jazz of Jimmy Smith, but he later pioneered a more experimental, modal approach to the Hammond B-3.

Born and raised in Newark, New Jersey, United States, Young attended Newark Arts High School, where he began performing with a vocal group and a jazz band.

Young played with various R&B bands in the 1950s, before gaining jazz experience with Jimmy Forrest, Lou Donaldson, Kenny Dorham, Hank Mobleyand Tommy Turrentine. Recording as a leader for Prestige from 1960, Young made a number of soul jazz discs, Testifying, Young Blues and Groove Street. When Young signed with Blue Note around 1964, his music began to show the marked influence of John Coltrane. In this period, he produced his most enduring work. He recorded several times as part of a trio with guitarist Grant Green and drummer Elvin Jones, which were occasionally augmented by additional players. Most of these albums were released under Green’s name, though Into Somethin’ (with Sam Rivers on saxophone) became Young’s Blue Note debut. Unity, recorded in 1965, remains his best-known album; it features a front line of Joe Henderson and the young Woody Shaw. Subsequent albums for Blue Note (Contrasts, Of Love and Peace, Heaven On Earth, Mother Ship) also drew on elements of the 1960s avant-garde and utilised local musicians from Young’s hometown of Newark. Young then became a part of some of the earliest fusion groups: first on Emergency! with the Tony Williams Lifetime (with Tony Williams and John McLaughlin) and also on Miles Davis‘s Bitches Brew. His sound with Lifetime was made distinct by his often very percussive approach and regular heavy use of guitar and synthesizer-like effects. He is also known for a jam he recorded with rock guitarist Jimi Hendrix, which was released after Hendrix’s death on the album, Nine to the Universe.

In March 1978, he checked into the hospital for stomach pains. He died there on March 30, 1978, while being treated for what is said to be pneumonia. However, the actual cause of his death is unclear.

Mel Brown (October 7, 1939 – March 20, 2009) was an American-born blues guitarist and singer.  He is best remembered for his decade long backing of Bobby Bland, although in his own right, Brown recorded over a dozen albums between 1967 and 2006.

Brown was born in Jackson, Mississippi, United States, and was presented with his first guitar as a teenager while recovering from a bout of meningitis. By 1955, after performing backing duties for both Sonny Boy Williamson II and Jimmy Beasley, Brown had a two year long stint backing Johnny Otis. This led to work with Etta James, where he swapped his Gibson Les Paul for an ES-175 to give him a richer and fuller tone to his guitar work, that set him apart from his contemporaries.

The stress of constant touring led him to Los Angeles, California, to resume work with Otis, spending an extended residency at the Club Sands. Further session duties saw Brown back Bobby Darin and Bill Cosby among others, as well as performing on T-Bone Walker‘s Funky Town. ABC Records producer Bob Thiele offered Brown the chance to record his own material, and Brown released Chicken Fat in 1967. Though principally a blues musician, Brown would also transition into jazz and soul jazz through his association with Bob Thiele, including a prominent role with the Oliver Nelson Big Band and appearing on Live from Los Angeles released by Impulse.

One of Brown’s most celebrated tracks is the 11+ minute guitar solo, “Eighteen Pounds of Unclean Chitlings”, which features on I’d Rather Suck My Thumb (1970), and was reissued as the lead track (and title) on a BluesWay Records collection released in 1973. For many years in the 1980s and 1990s, Brown was a prominent member of the house band at Antone’s Night Club in Austin, Texas.