mick laBriola

Anthony Braxton (born June 4, 1945) is an African-American experimental composer, improviser, saxophonist, and multi-instrumentalist. Braxton grew up on Chicago’s South Side and was a key early member of the Association for the Advancement of Creative Musicians. He won acclaim for his 1969 recording For Alto, the first full-length album of solo saxophone music.

A prolific composer, Braxton has released hundreds of recordings and compositions. During six years signed to Arista Records, the diversity of his output encompassed work with many members of the AACM, including duets with co-founder and first president Muhal Richard Abrams; collaborations with electronic musician Richard Teitelbaum; a saxophone quartet with Julius Hemphill, Oliver Lake, and Hamiet Bluiett; compositions for four orchestras; and the ensemble arrangements of Creative Orchestra Music 1976, which was named the 1977 DownBeat Critics’ Poll Album of the Year. Many of his projects are ongoing, such as Echo Echo Mirror House Music, in which musicians “play” iPods containing the bulk of Braxton’s oeuvre, and the Ghost Trance Music series, inspired by his studies of the Native American Ghost Dance. He has released the first six operas in a series he calls the Trillium Opera Complex.

Braxton identifies as a “trans-idiomatic” composer and has repeatedly opposed the idea of a rigid dichotomy between improvisation and composition. He has written extensively about the “language music” system that forms the basis for his work^[12] and developed a philosophy of “world creativity” in his Tri-Axium Writings.

Braxton taught at Mills College from 1985 to 1990 and was Professor of Music at Wesleyan University from 1990 until his retirement at the end of 2013. He is the artistic director of the Tri-Centric Foundation, a nonprofit he founded in 1994 to support the preservation and production of works by Braxton and other artists “in pursuit of ‘trans-idiomatic’ creativity”.

Michelle Phillips (born Holly Michelle Gilliam; June 4, 1944) is an American singer, songwriter, actress, and former model. She rose to fame as a vocalist in the musical quartet the Mamas and the Papas in the mid-1960s. Her voice was described by Time magazine as the “purest soprano in pop music.” She later established a successful career as an actress in film and television in the 1970s. Phillips is the last surviving original member of the Mamas and the Papas.

A native of Long Beach, California, she spent her early life in Los Angeles and Mexico City, raised by her widowed father. While working as a model in San Francisco, she met and married John Phillips in 1962 and went on to co-found the vocal group the Mamas and the Papas in 1965. The band rose to fame with their popular singles “California Dreamin’” and “Creeque Alley“, both of which she co-wrote. They released five studio albums before their dissolution in 1970. With John Phillips, she gave birth to a daughter, singer Chynna Phillips.

After the breakup of the Mamas and the Papas and her divorce from John Phillips, she transitioned into acting, appearing in a supporting part in The Last Movie (1971) before being cast as Billie Frechette in the critically acclaimed crime biopic Dillinger (1973), for which she was nominated for a Golden Globe Award for Most Promising Newcomer. In 1974, she had lead roles in two television films: the crime feature The Death Squad, and the teen drama The California Kid, in the latter of which she starred opposite Martin Sheen. She went on to appear in a number of films throughout the remainder of the 1970s, including Ken Russell‘s Valentino (1977), playing Natacha Rambova, and the thriller Bloodline (1979). She released her only solo album, Victim of Romance, in 1977.

Phillips appeared in a number of films in the 1980s, first in the comedy The Man with Bogart’s Face (1980). The following year, she co-starred with Tom Skerritt in the nature-themed horror film Savage Harvest (1981), followed by the television films Secrets of a Married Man (1984) and The Covenant (1985). In 1987, she joined the cast of the series Knots Landing, portraying Anne Matheson, the mother of Paige Matheson (portrayed by Nicollette Sheridan) until the series’ 1993 conclusion.

She subsequently had supporting roles in the comedy film Let It Ride (1989) and the psychological thriller Scissors (1991). Phillips continued to appear in independent films after the millennium, with supporting parts in Jane White is Sick and Twisted (2002) and Kids in America (2005) and had recurring guest roles in the television series That’s Life (2001–2002) and 7th Heaven (2001–2004). She was an outspoken critic of the Bush administration in the mid-2000s and has also advocated the legalization of recreational cannabis.

Oliver Edward Nelson (June 4, 1932 – October 28, 1975) was an American jazz saxophonist, clarinetist, arranger, composer, and bandleader.^[1]His 1961 Impulse! album The Blues and the Abstract Truth (1961) is regarded as one of the most significant recordings of its era. The centerpiece of the album is the definitive version of Nelson’s composition, “Stolen Moments“. Other important recordings from the early 1960s are More Blues and the Abstract Truth and Sound Pieces, both also on Impulse!.

Oliver Nelson was born into a musical family in St. Louis, Missouri, United States. His brother was a saxophonist who played with Cootie Williams in the 1940s, and his sister sang and played piano. Nelson began learning to play the piano when he was six and started on the saxophone at eleven. Beginning in 1947 he played in “territory” bands in and around Saint Louis before joining the Louis Jordan band where he stayed from 1950 to 1951, playing alto saxophone and arranging charts for Jordan’s band.

In 1952, Nelson underwent military service in the United States Marines Corps playing woodwinds in the 3rd Marine Division band in Japan and Korea. It was in Japan that Nelson attended a concert by the Tokyo Philharmonic Orchestra and heard Maurice Ravel‘s Ma mere l’Oye and Paul Hindemith‘s Symphony in E Flat. Nelson later recalled that this “‘was the first time that I had heard really modern music for back in St. Louis I hadn’t even known that Negroes were allowed to go to concerts. I realized everything didn’t have to sound like Beethoven or Brahms … . It was then that I decided to become a composer'”.

Teddy Kotick (June 4, 1928 – April 17, 1986) was a jazz bassist, who appeared as a sideman with many of the leading figures of the 1940s and 1950s, including Charlie Parker, Buddy Rich, Artie Shaw, Horace Silver, Phil Woods and Bill Evans. He was born in Haverhill, Massachusetts. Kotick never recorded as a leader. He died of a brain tumor in 1986, aged 57.

Globular star cluster Omega Centauri, also known as NGC 5139, is some 15,000 light-years away. The cluster is packed with about 10 million stars much older than the Sun within a volume about 150 light-years in diameter. It’s the largest and brightest of 200 or so known globular clusters that roam the halo of our Milky Way galaxy. Though most star clusters consist of stars with the same age and composition, the enigmatic Omega Cen exhibits the presence of different stellar populations with a spread of ages and chemical abundances. In fact, Omega Cen may be the remnant core of a small galaxy merging with the Milky Way. Omega Centauri’s red giant stars (with a yellowish hue) are easy to pick out in this sharp, color telescopic view.

Curtis Lee Mayfield (June 3, 1942 – December 26, 1999) was an American singer-songwriter, guitarist, and record producer, and one of the most influential musicians behind soul and politically conscious African-American music. He first achieved success and recognition with the Rock and Roll Hall of Fame-inducted group The Impressions during the civil rights movement of the late 1950s and 1960s, and later worked as a solo artist.

Mayfield started his musical career in a gospel choir. Moving to the North Side of Chicago, he met Jerry Butler in 1956 at the age of 14, and joined the vocal group The Impressions. As a songwriter, Mayfield became noted as one of the first musicians to bring more prevalent themes of social awareness into soul music. In 1965, he wrote “People Get Ready” for the Impressions, which was ranked at no. 24 on Rolling Stone‘s list of the 500 Greatest Songs of All Time. The song received numerous other awards, and was included in the Rock and Roll Hall of Fame 500 Songs that Shaped Rock and Roll, as well as being inducted into the Grammy Hall of Fame in 1998.

After leaving the Impressions in 1970 in the pursuit of a solo career, Mayfield released several albums, including the soundtrack for the blaxploitationfilm Super Fly in 1972. The soundtrack was noted for its socially conscious themes, mostly addressing problems surrounding inner city minorities such as crime, poverty and drug abuse. The album was ranked at no. 72 on Rolling Stone’s list of 500 Greatest Albums of All Time.^[9]

Mayfield was paralyzed from the neck down after lighting equipment fell on him during a live performance at Wingate Field in Flatbush, Brooklyn, New York, on August 13, 1990. Despite this, he continued his career as a recording artist, releasing his final album New World Order in 1996. Mayfield won a Grammy Legend Award in 1994 and a Grammy Lifetime Achievement Award in 1995. He is a double inductee into the Rock and Roll Hall of Fame, as a member of the Impressions in 1991, and again in 1999 as a solo artist. He was also a two-time Grammy Hall of Fame inductee. He died from complications of type 2 diabetes at the age of 57 on December 26, 1999.

Grachan Moncur III (born June 3, 1937) is an American jazz trombonist. He is the son of jazz bassist Grachan Moncur II and the nephew of jazz saxophonist Al Cooper.

Born in New York City (his father’s father was from the Bahamas) and raised in Newark, New Jersey, Grachan Moncur III began playing the cello at the age of nine, and switched to the trombonewhen he was 11. In high school he attended the Laurinburg Institute in North Carolina, the private school where Dizzy Gillespie had studied. While still at school he began sitting in with touring jazz musicians on their way through town, including Art Blakey and Jackie McLean, with whom he formed a lasting friendship.

After high school Moncur toured with Ray Charles (1959–62), Art Farmer and Benny Golson‘s Jazztet (1962), and Sonny Rollins. He took part in two classic Jackie McLean albums in the early 1960s, One Step Beyond and Destination… Out!, to which he also contributed the bulk of compositions and which led to two influential albums of his own for Blue Note Records, Evolution (1963) with Jackie McLean and Lee Morgan, and Some Other Stuff (1964) with Herbie Hancock and Wayne Shorter.

Theodore Curson (June 3, 1935 – November 4, 2012) was an American jazz trumpeter.

Curson was born in Philadelphia. He became interested in playing trumpet after watching a newspaper salesman play a silver trumpet. Curson’s father, however, wanted him to play alto saxophone like Louis Jordan. When he was ten, he got his first trumpet.

He attended Granoff School of Music in Philadelphia. At the suggestion of Miles Davis, he moved to New York in 1956. He performed and recorded with Cecil Taylor in the late 1950s and early 1960s. His composition “Tears for Dolphy” has been used in numerous films.

He was a familiar face in Finland, having performed at the Pori Jazz festival every year since it began in 1966. In 2007, he performed at Finland’s Independence Day Ball at the invitation of president Tarja Halonen.

Jimmy Rogers (June 3, 1924 – December 19, 1997) was an American Chicago blues singer, guitarist and harmonica player, best known for his work as a member of Muddy Waters‘s band in the early 1950s. He also had a solo career and recorded several popular blues songs, including “That’s All Right” (now a blues standard), “Chicago Bound”, “Walking by Myself” (his sole R&B chart appearance), and “Rock This House”. He withdrew from the music industry at the end of the 1950s but returned to recording and touring in the 1970s.

Rogers was born Jay or James Arthur Lane in Ruleville, Mississippi, on June 3, 1924. He was raised in Atlanta and Memphis. He adopted his stepfather’s surname. He learned to play the harmonica with his childhood friend Snooky Pryor, and as a teenager he took up the guitar. He played professionally in East St. Louis, Illinois, with Robert Lockwood, Jr., among others. Rogers moved to Chicago in the mid-1940s. By 1946, he had recorded as a harmonica player and singer for the Harlem record label, run by J. Mayo Williams. Rogers’s name did not appear on the record, which was mislabeled as the work of Memphis Slim and His Houserockers.

In 1947, Rogers, Muddy Waters and Little Walter began playing together, forming Waters’s first band in Chicago (sometimes referred to as the Headcutters or the Headhunters, because of their practice of stealing jobs from other local bands). The band members recorded and released music credited to each of them as solo artists. The band defined the sound of the nascent Chicago blues style (more specifically, South Side Chicago blues). Rogers recorded several sides of his own with small labels in Chicago, but none were released at the time. He began to achieve success as a solo artist in 1950, with the song “That’s All Right“, released by Chess Records, but he stayed in Waters’s band until 1954. In the mid-1950s he had several successful records released by Chess, most of them featuring either Little Walter or Big Walter Horton on harmonica, notably “Walking by Myself”. In the late 1950s, as interest in the blues waned, he gradually withdrew from the music industry.

Josephine Baker (born Freda Josephine McDonald, naturalised French Joséphine Baker; 3 June 1906 – 12 April 1975) was an American-born French entertainer, French Resistance agent, and civil rights activist. Her career was centered primarily in Europe, mostly in her adopted France. She was the first Black woman to star in a major motion picture, the 1927 silent film Siren of the Tropics, directed by Mario Nalpas and Henri Étiévant.

During her early career, Baker was renowned as a dancer, and was among the most celebrated performers to headline the revues of the Folies Bergère in Paris. Her performance in the revue Un vent de folie in 1927 caused a sensation in the city. Her costume, consisting of only a short skirt of artificial bananas and a beaded necklace, became an iconic image and a symbol both of the Jazz Age and the Roaring Twenties.

Baker was celebrated by artists and intellectuals of the era, who variously dubbed her the “Black Venus”, the “Black Pearl”, the “Bronze Venus”, and the “Creole Goddess”. Born in St. Louis, Missouri, she renounced her U.S. citizenship and became a French national after her marriage to French industrialist Jean Lion in 1937. She raised her children in France.

She was known for aiding the French Resistance during World War II. After the war, she was awarded the Resistance Medal by the French Committee of National Liberation, the Croix de guerre by the French military, and was named a Chevalier of the Légion d’honneur by General Charles de Gaulle. Baker once said: “I have two loves, my country and Paris.”

Baker refused to perform for segregated audiences in the United States and is noted for her contributions to the civil rights movement. In 1968, she was offered unofficial leadership in the movement in the United States by Coretta Scott King, following Martin Luther King Jr.‘s assassination. After thinking it over, Baker declined the offer out of concern for the welfare of her children.

https://www.youtube.com/watch?v=LdIGlWD9ScQ&list=RDCMUC-jC0BVKs7O_6u_qz-iuj8A&start_radio=1&rv=LdIGlWD9ScQ&t=49

Charles Robert Watts (born 2 June 1941) is an English drummer, best known as a member of the Rolling Stones since 1963. Originally trained as a graphic artist, he started playing drums in London’s rhythm and blues clubs, where he met Brian Jones, Mick Jagger, and Keith Richards. In January 1963, he joined their fledgling group, the Rolling Stones, as drummer, while doubling as designer of their record sleeves and tour stages. Watts has been the only Rolling Stones member other than Jagger or Richards to have been featured on all of their studio albums. He cites jazz as a major influence on his drumming style. He has toured with his own group, the Charlie Watts Quintet, and appeared in London at Ronnie Scott’s Jazz Clubwith the Charlie Watts Tentet.

In 2006, Watts was elected into the Modern Drummer Hall of Fame; in the same year, Vanity Fair elected him into the International Best Dressed List Hall of Fame. In the estimation of noted music critic Robert Christgau, Watts is “rock’s greatest drummer.” In 2016, he was ranked 12th on Rolling Stone‘s “100 Greatest Drummers of All Time” list.

https://www.youtube.com/watch?v=4b8w44FEjk4

Hermenengildo “Gildo” Mahones (June 2, 1929, New York City – April 27, 2018) was an American jazz pianist.

Mahones was born to Puerto Rican parents in East Harlem in New York City. Early in his career, he played with Joe Morris (1948) and Milt Jackson. Mahones served in the Army, and then played with Lester Young from 1953 to 1956. Later in the 1950s Mahones toured with the Jazz Modes (which included Charlie Rouse and Julius Watkins), Sonny Stitt, and Benny Green. From 1959 to 1964 Mahones played behind Lambert, Hendricks & Ross.

When Lambert, Hendricks & Ross broke up, Mahones moved to Los Angeles, where he worked both as a studio musician and as a jazz sideman. He led his own trio and appeared on recordings by O. C. Smith, Lou Rawls, James Moody, Harold Land and Blue Mitchell, Leon Thomas, Jim Hall, Big Joe Turner, Lorez Alexandria, Benny Carter, Pony Poindexter, Booker Ervin, and Jimmy Witherspoon.

Mahones died on April 27, 2018, aged 88.

Valaida Snow (June 2, 1904 – May 30, 1956) was a virtuoso American jazz musician and entertainer who became an internationally celebrated talent. She was known as “Little Louis” and “Queen of the Trumpet,” a nickname given to her by W.C. Handy.

Snow was born in Chattanooga, Tennessee. Her mother, Etta, was a Howard University-educated music teacher and her father, John, was a minister who was the leader of the Pickaninny Troubadours, a group mainly consisting of child performers. Raised on the road in a show-business family, where starting from the age of 5, she began performing with her father’s group. By the time she was 15, she learned to play cello, bass, banjo, violin, mandolin, harp, accordion, clarinet, trumpet, and saxophone. She also sang and danced. Her solo career began when she joined a popular revue called “Holiday in Dixieland,” after exiting an abusive marriage. She then held a residency at a Harlem cabaret, which helped lead her to be cast along Josephine Baker in the musical “In Bamville,” a follow-up to the enduring hit musical “Shuffle Along.” While the musical was itself not a hit, Baker and Snow both received positive reviews.

According to a jazz radio show that aired October 28, 2017, she said she was arrested in Europe, apparently going to jail for theft and illegal drugs. While later touring through Denmark in 1941, she said she was arrested by Nazis and probably kept at Vestre Fængsel, a Danish prison in Copenhagen that was run by the Nazis, before being released on a prisoner exchange in May 1942. It was rumored that her friendship with a Belgian police official helped her to board a ship carrying foreign diplomats. According to jazz historian Scott Yanow, “she never emotionally recovered from the experience”. She married Earl Edwards. In the 1950s, she was unable to regain her former success.

Valaida Snow died of a brain hemorrhage on May 30, 1956, in New York City, backstage during a performance at the Palace Theater.

https://www.youtube.com/watch?v=W5DZhcaYVyE

Sir Edward William Elgar, 1st Baronet, OM, GCVO (/ˈɛlɡɑːr/ (listen);^[1] 2 June 1857 – 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King’s Musick in 1924.

Although Elgar is often regarded as a typically English composer, most of his musical influences were not from England but from continental Europe. He felt himself to be an outsider, not only musically, but socially. In musical circles dominated by academics, he was a self-taught composer; in Protestant Britain, his Roman Catholicism was regarded with suspicion in some quarters; and in the class-conscious society of Victorian and Edwardian Britain, he was acutely sensitive about his humble origins even after he achieved recognition. He nevertheless married the daughter of a senior British Army officer. She inspired him both musically and socially, but he struggled to achieve success until his forties, when after a series of moderately successful works his Enigma Variations (1899) became immediately popular in Britain and overseas. He followed the Variations with a choral work, The Dream of Gerontius (1900), based on a Roman Catholic text that caused some disquiet in the Anglicanestablishment in Britain, but it became, and has remained, a core repertory work in Britain and elsewhere. His later full-length religious choral works were well received but have not entered the regular repertory.

In his fifties, Elgar composed a symphony and a violin concerto that were immensely successful. His second symphony and his cello concerto did not gain immediate public popularity and took many years to achieve a regular place in the concert repertory of British orchestras. Elgar’s music came, in his later years, to be seen as appealing chiefly to British audiences. His stock remained low for a generation after his death. It began to revive significantly in the 1960s, helped by new recordings of his works. Some of his works have, in recent years, been taken up again internationally, but the music continues to be played more in Britain than elsewhere.

Elgar has been described as the first composer to take the gramophone seriously. Between 1914 and 1925, he conducted a series of acoustic recordings of his works. The introduction of the moving-coil microphone in 1923 made far more accurate sound reproduction possible, and Elgar made new recordings of most of his major orchestral works and excerpts from The Dream of Gerontius.