Emmanuel N’Djoké Dibango (born 12 December 1933) is a Cameroonian musician and songwriter who plays saxophone and vibraphone. He developed a musical style fusing jazz, funk, and traditional Cameroonian music. His father was a member of the Yabassi ethnic group, though his mother was a Duala. He is best known for his 1972 single “Soul Makossa“.

Dibango was born in Douala, Cameroon. His father, Michel Manfred N’Djoké Dibango, was a civil servant. Son of a farmer, he met his wife travelling by pirogue to her residence, Douala. A literate woman, she was a fashion designer, running her own small business. Both her ethnic group, the Duala, and his, the Yabassi, viewed this union of different ethnic groups with some disdain. Emmanuel had no siblings, although he had a stepbrother from his father’s previous marriage who was four years older than he was. In Cameroon, one’s ethnicity is dictated by one’s father, though Dibango wrote in his autobiography, Three Kilos of Coffee, that he has “never been able to identify completely with either of [his] parents.”

Dibango’s uncle was the leader of his extended family. Upon his death, Dibango’s father refused to take over, as he never fully initiated his son into the Yabassi’s customs. Throughout his childhood, Dibango slowly forgot the Yabassi language in favour of the Duala. However, his family did live in the Yabassi encampment on the Yabassi plateau, close to the Wouri River in central Douala. While a child, Dibango attended Protestant church every night for religious education, or nkouaida. He enjoyed studying music there, and reportedly was a fast learner.