Leslie Thompson Baxter (March 14, 1922 – January 15, 1996) was an American musician and composer. After working as an arranger and composer for swing bands, he developed his own style of easy listening music, known as exotica.

Baxter studied piano at the Detroit Conservatory before moving to Los Angeles for further studies at Pepperdine College. From 1943 on he played tenor and baritone saxophone for the Freddie Slack big band. Abandoning a concert career as a pianist, he turned to popular music as a singer. At the age of 23 he joined Mel Tormé‘s Mel-Tones, singing on Artie Shaw records such as “What Is This Thing Called Love?“.

Baxter then turned to arranging and conducting for Capitol Records in 1950, and conducted the orchestra in two early Nat King Cole hits, “Mona Lisa” and “Too Young“. In 1953 he scored his first movie, the sailing travelogue Tanga Tika. With his own orchestra, he released a number of hits including “Ruby” (1953), “Unchained Melody” (1955), and “The Poor People of Paris” (1956), and is remembered for a version of “Sinner Man” (1956), definitively setting the sound with varying tempos, orchestral flourishes, and wailing background vocals. “Unchained Melody” was the first million seller for Baxter, and was awarded a gold disc.^[2] “The Poor People of Paris” also sold over one million copies. He also achieved success with concept albums of his own orchestral suites: Le Sacre Du Sauvage, Festival Of The Gnomes, Ports Of Pleasure, and Brazil Now, the first three for Capitol and the fourth on Gene Norman‘s Crescendo label. The list of musicians on these recordings includes Plas Johnson and Clare Fischer.Baxter also wrote the “Whistle” theme from the TV show Lassie.

In the 1960s, he formed the Balladeers, a conservative folk group in suits that at one time featured a young David Crosby. Later he used some of the same singers from that group for a studio project called The Forum. They had a minor hit in 1967 with a rendition of “River is Wide” which implemented the Wall of Sound technique originally developed by Phil Spector. He worked in radio as musical director of The Halls of Ivy and the Bob Hope and Abbott and Costello shows.