Carlos Manuel “Charlie” Palmieri (November 21, 1927 – September 12, 1988) was a Puerto Rican bandleader and musical director of salsa music. He was known as the “Giant of the Keyboards”.

In October 1947, Tito Puente, the musical director of the Fernando Álvarez Band, was impressed with Palmieri and hired him to play for his band at the Copacabana Club; here he played with Puente until 1953 and, during the 1950s, he played with various bands.Besides having played with Tito Puente, he played with Pupi Campo’s Band, and worked on Jack Paar‘s CBS daytime television show. Palmieri also formed a couple of bands that performed at the Palladium Ballroom. These were however short-lived because of a lack of work. During this time, he also worked as an accompanist for other bands.

Palmieri worked for several years in Chicago, but returned to New York and formed a band called Charanga La Duboney. While performing at the Monte Carlo Ballroom, Palmieri heard Johnny Pacheco playing the flute – the playing so impressed him that he hired him on the spot. The mixture of Pacheco’s flute with the strings of the violins in Palmieri’s band led to the 1960s Charanga craze in the United States. Palmieri was signed by the United Artists Record company and had several Latino hits. Palmieri did however suffer various setbacks – first Pacheco left the band and then United Artists cancelled his contract because of a conflict of interest with their other recording star, Tito Rodríguez. This led to Palmieri’s signing with the Alegre Records label and with whom he had two best selling “hits” with “Como Bailan La Pachanga” and “La Pachanga Se Baila Así”.