mick laBriola

Ella Jane Fitzgerald (April 25, 1917 – June 15, 1996) Newport News, VA was an American jazz singer, sometimes referred to as the “First Lady of Song”, “Queen of Jazz”, and “Lady Ella”. She was noted for her purity of tone, impeccable diction, phrasing, timing, intonation, and a “horn-like” improvisational ability, particularly in her scat singing.

After a tumultuous adolescence, Fitzgerald found stability in musical success with the Chick WebbOrchestra, performing across the country but most often associated with the Savoy Ballroom in Harlem. Her rendition of the nursery rhyme “A-Tisket, A-Tasket” helped boost both her and Webb to national fame. After taking over the band when Webb died, Fitzgerald left it behind in 1942 to start her solo career. Her manager was Moe Gale, co-founder of the Savoy, until she turned the rest of her career over to Norman Granz, who founded Verve Records to produce new records by Fitzgerald. With Verve, she recorded some of her more widely noted works, particularly her interpretations of the Great American Songbook.

Fitzgerald also appeared in films and as a guest on popular television shows in the second half of the twentieth century. Outside her solo career, she created music with Louis Armstrong, Duke Ellington, and The Ink Spots. These partnerships produced songs such as “Dream a Little Dream of Me“, “Cheek to Cheek“, “Into Each Life Some Rain Must Fall“, and “It Don’t Mean a Thing (If It Ain’t Got That Swing)“. In 1993, after a career of nearly sixty years, she gave her last public performance. Three years later, she died at age 79 after years of declining health. Her accolades included 14 Grammy Awards, the National Medal of Arts, the NAACP‘s inaugural President’s Award, and the Presidential Medal of Freedom.

In the middle of emission nebula NGC 6164 is an unusually massive star. The central star has been compared to an oyster’s pearl and an egg protected by the mythical sky dragons of Ara. The star, visible in the center of the featured image and catalogued as HD 148937, is so hot that the ultraviolet light it emits heats up gas that surrounds it. That gas was likely thrown off from the star previously, possibly the result of a gravitational interaction with a looping stellar companion. Expelled material might have been channeled by the magnetic field of the massive star, in all creating the symmetric shape of the bipolar nebula. NGC 6164 spans about four light years and is located about 3,600 light years away toward the southern constellation Norma.

Joe Henderson (April 24, 1937 – June 30, 2001) was an American jazz tenor saxophonist. In a career spanning more than four decades, Henderson played with many of the leading American players of his day and recorded for several prominent labels, including Blue Note, Milestone, and Verve.

Born in Lima, Ohio, Henderson was one of 14 children. He was encouraged by his parents, Dennis and Irene (née Farley) and older brother James T. to study music. He dedicated his first album to them “for being so understanding and tolerant” during his formative years. Early musical interests included drums, piano, saxophone and composition. According to trumpeter Kenny Dorham, two local piano teachers who went to school with Henderson’s brothers and sisters, Richard Patterson and Don Hurless, gave him a knowledge of the piano. He was particularly enamored of his brother’s record collection.

A hometown drummer, John Jarette, advised Henderson to listen to musicians like Lester Young, Stan Getz, Dexter Gordon and Charlie Parker. He also liked Flip Phillips, Lee Konitz and the Jazz at the Philharmonic recordings. However, Parker became his greatest inspiration. Henderson’s first approach to the saxophone was under the tutelage of Herbert Murphy in high school. During this time, he wrote several scores for the school band.

By age 18, Henderson was active on the Detroit jazz scene of the mid-’50s, playing in jam sessions with visiting New York City stars. While attending classes for flute and bass at Wayne State University, he further developed his saxophone and compositional skills under the guidance of renowned teacher Larry Teal at the Teal School of Music. In late 1959, he formed his first group. By the time he arrived at Wayne State University, he had transcribed and memorized so many Lester Young solos that his professors believed he had perfect pitch. Henderson’s college classmates included Yusef Lateef, Barry Harris and Donald Byrd. He also studied music at Kentucky State College.

Astronomers are well-known for naming objects with odd conventions, and the cometary globule GN 16.43.7.01 seen in this Picture of the Week is no exception. Cometary globules have nothing to do with comets aside from appearance: they are named for their dusty head and elongated, dark tail, as seen in this image taken with the VLT Survey Telescope (VST) hosted at ESO’s Paranal Observatory in Chile. This globule, dubbed the Dark Tower — astronomers compensate with obvious names — lies about 5000 light-years away from Earth in the southern constellation Scorpius (the Scorpion). It contains dense clumps of collapsing gas and dust out of which stars will be born. The curious shape of this object is carved out from an intense bombardment of radiation from a cluster of young, bright stars located off-camera to the upper-left. This radiation has swept around and outlined the cometary globule with the characteristic pink glow of hot, excited matter.

Sergei Sergeyevich Prokofiev (27 April [O.S. 15 April] 1891 – 5 March 1953) was a Russian composer, pianist, and conductor who later worked in the Soviet Union. As the creator of acknowledged masterpieces across numerous music genres, he is regarded as one of the major composers of the 20th century. His works include such widely heard pieces as the March from The Love for Three Oranges, the suite Lieutenant Kijé, the ballet Romeo and Juliet—from which “Dance of the Knights” is taken—and Peter and the Wolf. Of the established forms and genres in which he worked, he created—excluding juvenilia—seven completed operas, seven symphonies, eight ballets, five piano concertos, two violin concertos, a cello concerto, a symphony-concerto for cello and orchestra, and nine completed piano sonatas.

A graduate of the Saint Petersburg Conservatory, Prokofiev initially made his name as an iconoclastic composer-pianist, achieving notoriety with a series of ferociously dissonant and virtuosic works for his instrument, including his first two piano concertos. In 1915, Prokofiev made a decisive break from the standard composer-pianist category with his orchestral Scythian Suite, compiled from music originally composed for a ballet commissioned by Sergei Diaghilev of the Ballets Russes. Diaghilev commissioned three further ballets from Prokofiev—Chout, Le pas d’acier and The Prodigal Son—which, at the time of their original production, all caused a sensation among both critics and colleagues. But Prokofiev’s greatest interest was opera, and he composed several works in that genre, including The Gambler and The Fiery Angel. Prokofiev’s one operatic success during his lifetime was The Love for Three Oranges, composed for the Chicago Opera and performed over the following decade in Europe and Russia.

After the Revolution of 1917, Prokofiev left Russia with the approval of Soviet People’s Commissar Anatoly Lunacharsky, and resided in the United States, then Germany, then Paris, making his living as a composer, pianist and conductor. In 1923 he married a Spanish singer, Carolina (Lina) Codina, with whom he had two sons; they divorced in 1947. In the early 1930s, the Great Depression diminished opportunities for Prokofiev’s ballets and operas to be staged in America and Western Europe. Prokofiev, who regarded himself as a composer foremost, resented the time taken by touring as a pianist, and increasingly turned to the Soviet Union for commissions of new music; in 1936, he finally returned to his homeland with his family. His greatest Soviet successes included Lieutenant Kijé, Peter and the Wolf, Romeo and Juliet, Cinderella, Alexander Nevsky, the Fifth and Sixth Symphonies, On Guard for Peace, and the Piano Sonatas Nos. 6–8.

The Nazi invasion of the USSR spurred Prokofiev to compose his most ambitious work, an operatic version of Leo Tolstoy’s War and Peace; he co-wrote the libretto with Mira Mendelson, his longtime companion and later second wife. In 1948, Prokofiev was attacked for producing “anti-democratic formalism“. Nevertheless, he enjoyed personal and artistic support from a new generation of Russian performers, notably Sviatoslav Richter and Mstislav Rostropovich: he wrote his Ninth Piano Sonata for the former and his Symphony-Concerto for the latter.