mick laBriola

Theodore Marcus “Teddy” Edwards (April 26, 1924 – April 20, 2003) was an American jazz tenor saxophonist.

Edwards was born in Jackson, Mississippi, United States. He learned to play at a very early age, first on alto saxophone and then clarinet.

His uncle sent for him to come to Detroit to live because he felt opportunities were better. Due to illness in the family, he went back to Jackson and ventured to Alexandria, Louisiana. He was persuaded by Ernie Fields to join his band after going to Tampa, Florida. Edwards had planned to go to New York City, but Fields convinced him he could get there by way of Washington, D.C., if he worked with his band. Edwards ended up at the “Club Alabam” on Central Avenue in Los Angeles, which later became his city of residence.

John Ned Shines (April 26, 1915 – April 20, 1992) was an American blues singer and guitarist.

Shines was born in Frayser, Tennessee, today a neighborhood of Memphis. He was taught to play the guitar by his mother and spent most of his childhood in Memphis, playing slide guitar at an early age in juke joints and on the street. He moved to Hughes, Arkansas, in 1932 and worked on farms for three years, putting aside his music career. A chance meeting with Robert Johnson, his greatest influence, gave him the inspiration to return to music. In 1935, Shines began traveling with Johnson, touring in the United States and Canada.^[1] They parted in 1937, one year before Johnson’s death.

Shines played throughout the southern United States until 1941, when he settled in Chicago. There he found work in the construction industry but continued to play in local bars.

He made his first recording in 1946 for Columbia Records, but the takes were never released. He recorded for Chess Records in 1950, but again no records were released. He kept playing with blues musicians in the Chicago area for several more years. In 1952, Shines recorded what is considered his best work, for J.O.B. Records. The recordings were a commercial failure, and Shines, frustrated with the music industry, sold his equipment and returned to working in construction.

Carl Allen (born April 25, 1961) is an American jazz drummer.

Allen attended William Paterson University.

He has worked with a wide variety of musicians, including Freddie Hubbard, Jackie McLean, George Coleman, Phil Woods, the Benny Green Trio, and Rickie Lee Jones.

It was with Green that Allen met bassist Christian McBride. The two have teamed up frequently, working for many combos of big name leaders. McBride recruited Allen for his band, Christian McBride & Inside Straight. Allen is that quintet’s drummer for both its first recording, Kinda Brown, and its road tours.

In 1988, Allen and Vincent Herring founded Big Apple Productions, which produced several albums featuring young jazz performers.

He joined the faculty of The Juilliard School in 2001 and became the Artistic Director of Jazz Studies in 2008. He was replaced as director by Wynton Marsalis in 2013 and left Juilliard at the end of the academic year.

Albert Nelson (April 25, 1923 – December 21, 1992 Indianola, MS), known by his stage name Albert King, was an African-American guitarist and singer who is often regarded as one of the greatest and most influential blues guitarists of all time. He is perhaps best known for his popular and influential album Born Under a Bad Sign (1967) and its title track. He, B.B. King, and Freddie King, all unrelated, were known as the “Kings of the Blues”. The left-handed Albert King was known for his “deep, dramatic sound that was widely imitated by both blues and rock guitarists”.

He was once nicknamed “The Velvet Bulldozer” because of his smooth singing and large size – he stood taller than average, with sources reporting 6 ft 4 in (1.93 m) or 6 ft 7 in (2.01 m), and weighed 250 lb (110 kg) – and also because he drove a bulldozer in one of his day jobs early in his career.

King was inducted into the Blues Hall of Fame in 1983. He was posthumously inducted into the Rock and Roll Hall of Fame in 2013. In 2023, he was ranked number 22 on Rolling Stone‘s 250 Greatest Guitarists of All Time.

Reuben Bloom (April 24, 1902 – March 30, 1976) was an American songwriter, pianist, arranger, band leader, recording artist, vocalist, and author.

Bloom was born and died in New York City. He was Jewish.

During his career, he worked with many well-known performers, including Bix Beiderbecke, Joe Venuti, Ruth Etting, Stan Kenton, Tommy and Jimmy Dorsey. He collaborated with a wide number of lyricists, including Johnny Mercer, Ted Koehler, and Mitchell Parish.

During the 1920s he wrote many novelty piano solos, which are still well regarded today. He recorded for the Aeolian Company’s Duo-Art reproducing piano system various titles including his “Spring Fever”. His first hit came in 1927 with “Soliloquy”; his last was “Here’s to My Lady” in 1952, which he wrote with Johnny Mercer. In 1928, he made a number of records with Joe Venuti’s Blue Four for OKeh, including five songs he sang, as well as played piano.

John Christopher Williams AO OBE (born 24 April 1941) is an Australian-born classical guitarist renowned for his ensemble playing as well as his interpretation and promotion of the modern classical guitar repertoire. In 1973, he shared a Grammy Award in the Best Chamber Music Performance category with fellow guitarist Julian Bream for Together (released in the US as Julian and John (Works by Lawes, Carulli, Albéniz, Granados)). Guitar historian Graham Wade has said that “John is perhaps the most technically accomplished guitarist the world has seen.”

John Williams is an only child who was born on 24 April 1941 in Melbourne to an English father, Len Williams, who bought John, at age four, his first guitar with a modified neck. Len would later found the Spanish Guitar Centre in London, England. John’s mother Melaan (née Ah Ket) was the daughter of William Ah Ket, the first Australian barrister of Chinese heritage. In 1952, the family moved to England, where John attended Friern Barnet Grammar School, London.

Williams was initially taught guitar by his father, who was a musically disciplined and accomplished classical guitarist. From the age of 11, Williams attended summer courses with Andrés Segovia at the Accademia Musicale Chigiana in Siena, Italy. He attended the Royal College of Music in London, from 1956 to 1959, studying piano because the college did not have a guitar section. In 1958, when he was 17 years old, he made his musical debut performing publicly at London’s Wigmore Hall. Upon graduating from his college, he was invited to create and then to run their guitar department for its first two years of life. Williams maintains links with the college (and also with the Royal Northern College of Music in Manchester).

John Arnold Griffin III (April 24, 1928 – July 25, 2008) was an American jazz tenor saxophonist. Nicknamed “the Little Giant” for his short stature and forceful playing, Griffin’s career began in the mid-1940s and continued until the month of his death. A pioneering figure in hard bop, Griffin recorded prolifically as a bandleader in addition to stints with pianist Thelonious Monk, drummer Art Blakey, in partnership with fellow tenor Eddie “Lockjaw” Davis and as a member of the Kenny Clarke/Francy Boland Big Band after he moved to Europe in the 1960s. In 1995, Griffin was awarded an Honorary Doctorate of Music from Berklee College of Music.

Griffin studied music at DuSable High School in Chicago under Walter Dyett, starting out on clarinet before moving on to oboe and then alto saxophone. While still at high school at the age of 15, Griffin was playing with T-Bone Walker in a band led by Walker’s brother.

Alto saxophone was still his instrument of choice when he joined Lionel Hampton‘s big band, three days after his high school graduation, but Hampton encouraged him to take up the tenor, playing alongside Arnett Cobb. He first appeared on a Los Angeles recording with Hampton’s band in 1945 at the age of 17.

By mid-1947, Griffin and fellow Hampton band member Joe Morris, had formed a sextet made up of local musicians, including George Freeman, where he remained for the next two years. His playing can be heard on early rhythm and blues recordings for Atlantic Records. By 1951, Griffin was playing baritone saxophone in an R&B septet led by former bandmate Arnett Cobb.