mick laBriola

Sonny Stitt (born Edward Hammond Boatner Jr.; February 2, 1924 – July 22, 1982) was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the “Lone Wolf” by jazz critic Dan Morgenstern because of his tendency to rarely work with the same musicians for long despite his relentless touring and devotion to jazz. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor saxophone and even occasionally baritone saxophone.

Edward Hammond Boatner, Jr. was born in Boston, Massachusetts, and grew up in Saginaw, Michigan. He had a musical background: his father, Edward Boatner, was a baritone singer, composer, and college music professor; his brother was a classically trained pianist, and his mother was a piano teacher. He was placed for adoption in 1924 by his father and adopted by the Stitt family in Saginaw. He later began calling himself “Sonny”. While in high school in Saginaw, he played in the Len Francke Band, a local popular swing band.

In 1943, Stitt met Charlie Parker. As he often recalled, the two men had similar styles. Parker is alleged to have remarked, “Well, I’ll be damned, you sound just like me”, to which Stitt responded, “Well, I can’t help the way I sound. It’s the only way I know how to play.” Kenny Clarke said of Stitt, “Even if there had not been a Bird, there would have been a Sonny Stitt.

A Gitano-derived word, ‘Bulerias’ comes from the Spanish word ‘buleria,’ which means ‘torn-foolery’ or ‘ridicule.’ Many theories abound on its roots. A recent development of the Cante Gitano, it appears to be barely a century old. Still associated with the Gitanos, Bulerias is a toque with enormous flexibility, ever-evolving in style. Some like to call it ‘omnivorous,’ since much music from other genres, namely pop songs, even non-Spanish music, has been set to its compas. Often dances, including Soleares, Alegrias, and other toques, end with a flourish by introducing Bulerias at the climax.

Joseph Leslie Sample (February 1, 1939– September 12, 2014 Houston, TX) was an American jazz keyboardist and composer. He was one of the founding members of The Jazz Crusaders in 1960, the band which shortened its name to “The Crusaders” in 1971. He remained a part of the group until its final album in 1991 and also the 2003 reunion album Rural Renewal.

Beginning in the late 1960s, he enjoyed a successful solo career and guested on many recordings by other performers and groups, including Miles Davis, George Benson, Jimmy Witherspoon, Michael Franks, B. B. King, Eric Clapton, Steely Dan, Joni Mitchell, Anita Baker, and the Supremes. Sample incorporated gospel, blues, jazz, latin, and classical forms into his music.

Sadao Watanabe (渡辺 貞夫, Watanabe Sadao, born 1 February 1933) is a Japanese jazz musician who plays alto saxophone and sopranino saxophone. He is known for his bossa nova recordings, although his work encompasses many styles, with collaborations from musicians all over the world.

Watanabe was born on 1 February 1933 in Utsunomiya, Japan. His father, a professional musician, sang and played the biwa. Watanabe was attracted to jazz from an early age, in part due to the strong cultural influence stemming from the American post-war presence in Japan. He learned the clarinet while in high school after convincing his father over the course of six weeks to buy him a second-hand instrument.

In 1951, Watanabe moved to Tokyo and began playing the alto saxophone. He started studying the flute in 1953 with Ririko Hayashi from the Tokyo Philharmonic Orchestra. Watanabe joined Toshiko Akiyoshi‘s Cozy Quartet and began leading the group when Akiyoshi moved to the USA.^[1] By 1958, Watanabe had performed with leading musicians and quartets. In 1961, his first album as a leader, the self-titled Sadao Watanabe, was released.

Joe “Tricky Sam” Nanton (February 1, 1904 – July 20, 1946) was an American trombonist with the Duke Ellington Orchestra. A pioneer of the plunger mute, Nanton is notable for his use of the distinctive wah-waheffect.

He was born Joseph Irish Nanton in New York City, United States. His parents were John Barzly Nanton and Emily Irish, both immigrants from the British West Indies.

Nanton began playing professionally in Washington, D.C., with bands led by Cliff Jackson and banjoist Elmer Snowden.

From 1923 to 1924, Nanton worked with Frazier’s Harmony Five. A year later, he performed with Snowden. At the age of 22, Nanton found his niche in Duke Ellington’s Orchestra, when he reluctantly took the place of his friend Charlie Irvis in 1926, and remained with Ellington until his early death in 1946. Nanton, along with Lawrence Brown, anchored the trombone section.

James Mercer Langston Hughes (February 1, 1901 – May 22, 1967) was an American poet, social activist, novelist, playwright, and columnist from Joplin, Missouri. One of the earliest innovators of the literary art form called jazz poetry, Hughes is best known as a leader of the Harlem Renaissance. He famously wrote about the period that “the Negro was in vogue”, which was later paraphrased as “when Harlem was in vogue.”

Growing up in a series of Midwestern towns, Hughes became a prolific writer at an early age. He moved to New York City as a young man, where he made his career. He graduated from high school in Cleveland, Ohio, and soon began studies at Columbia University in New York City. Although he dropped out, he gained notice from New York publishers, first in The Crisis magazine and then from book publishers, and became known in the creative community in Harlem. He eventually graduated from Lincoln University. In addition to poetry, Hughes wrote plays and short stories. He also published several nonfiction works. From 1942 to 1962, as the civil rights movement gained traction, he wrote an in-depth weekly column in a leading black newspaper, The Chicago Defender.

The famous constellation is visible to the southeast just after sunset. From most Earthly locations, Orion’s familiar star pattern, highlighted by the three-stars-in-a-row belt stars, rises sideways. An entire section of the night sky that includes Orion was photographed rising above Śnieżka, a mountain on the border between Poland and the Czech Republic. The long duration exposure sequence brings up many faint features including the Orion and Flame Nebulas, both encompassed by the curving Barnard’s Loop. The featured wide-angle camera composite also captured night sky icons including the blue Pleiades star cluster at the image top and the red Rosette Nebula to the left of Orion. Famous stars in the frame include Sirius, Betelgeuse, Rigel and Aldebaran. Orion will appear successively higher in the sky at sunset during the coming months.

Charles Douglas Musselwhite (born January 31, 1944) is an American blues harmonica player and bandleader, one who came to prominence, along with Mike Bloomfield, Paul Butterfield, and Elvin Bishop, as a pivotal figure in helping to revive the Chicago Blues movement of the 1960s. He has often been identified as a “white bluesman”. Musselwhite was reportedly the inspiration for Elwood Blues; the character played by Dan Aykroyd in the 1980 film, The Blues Brothers.

Musselwhite, whose father and paternal grandfather were also named Charlie Musselwhite (making him Charlie Musselwhite III), was born in Kosciusko, Mississippi to white parents. Originally claiming to be of partly Choctaw descent, in a 2005 interview he said his mother had told him he was of distant Cherokee descent. His family considered it natural to play music. His father played guitar and harmonica, his mother played piano, and a relative was a one-man band.

Philip Glass (born January 31, 1937 Baltimore, MD) is an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century. Glass’s work has been associated with minimalism, being built up from repetitive phrases and shifting layers. Glass describes himself as a composer of “music with repetitive structures”, which he has helped to evolve stylistically.

Glass founded the Philip Glass Ensemble, which is still in existence, but Glass no longer performs with the ensemble. He has written fifteen operas, numerous chamber operas and musical theatre works, fourteen symphonies, twelve concertos, nine string quartets, various other chamber music pieces, and many film scores. Three of his film scores have been nominated for Academy Awards.

Roosevelt Sykes (January 31, 1906 – July 17, 1983) was an American blues musician, also known as “the Honeydripper“. Sykes was born the son of a musician in Elmar, Arkansas. “Just a little old sawmill town”, Sykes said of his birthplace. The Sykes family was living in St. Louis by 1909. Sykes often visited his grandfather’s farm near West Helena. He began playing the church organ around the age of ten. “Every summer I would go down to Helena to visit my grandfather on his farm,” he told biographer Valerie Wilmer. “He was a preacher and he had an organ I used to practice on, trying to learn how to play. I always liked the sound of the blues, liked to hear people singing, and since I was singing first, I was trying to play like I sang.” Sykes was baptized at 13 years old, his lifelong beliefs never conflicting with playing the blues.

The well-known Pleiades star cluster is slowly destroying part of a passing cloud of gas and dust. The Pleiades is the brightest open cluster of stars on Earth’s sky and can be seen from almost any northerly location with the unaided eye. Over the past 100,000 years, a field of gas and dust is moving by chance right through the Pleiades star cluster and is causing a strong reaction between the stars and dust. The passing cloud might be part of the Radcliffe wave, a newly discovered structure of gas and dust connecting several regions of star formation in the nearby part of our Milky Way galaxy. Pressure from the stars’ light significantly repels the dust in the surrounding blue reflection nebula, with smaller dust particles being repelled more strongly. A short-term result is that parts of the dust cloud have become filamentary and stratified. The featured deep image incorporates nearly 9 hours of exposure and was captured from Utah Desert Remote Observatory in Utah, USA, last year.

Martyn Jerel Buchwald (January 30, 1942 – September 27, 2018), known as Marty Balin , was an American singer, songwriter, and musician best known as the founder/leader and one of the lead singers and songwriters of Jefferson Airplane and Jefferson Starship.

Balin was born Martyn Jerel Buchwald in Cincinnati, Ohio, the son of Catherine Eugenia “Jean” (née Talbot) and Joseph Buchwald. His paternal grandparents emigrated from Eastern Europe. His father was Jewish and his mother was Episcopalian Buchwald attended Washington High School in San Francisco, California. As a child, Balin was diagnosed with autism.