mick laBriola

Herbert Edward Lovelle (June 1, 1924 – April 8, 2009) was an American drummer, who played jazz, R&B, rock, and folk. He was also a studio musician and an actor. Lovelle was born in New York City. His uncle was the drummer Arthur Herbert.

Lovelle began his career with the trumpeter, singer, and band leader Hot Lips Page in the late 1940s, then played in the 1950s with the saxophonist Hal Singer, Johnny Moore’s Three Blazers and the pianist Earl Hines. Through working for Lucky Thompson and Jimmy Rushing of Count Basie’s Orchestra, he became house drummer at the Savoy Ballroom in New York City for much of the 1950s.

Nelson Smock Riddle Jr. (June 1, 1921 – October 6, 1985 Oradell, NJ) was an American arranger, composer, bandleader and orchestrator whose career stretched from the late 1940s to the mid-1980s. He worked with many vocalists at Capitol Records, including Frank Sinatra, Ella Fitzgerald, Nat King Cole, Judy Garland, Dean Martin, Peggy Lee, Johnny Mathis, Rosemary Clooney and Keely Smith. He scored and arranged music for many films and television shows, earning an Academy Award and three Grammy Awards. He found commercial and critical success with a new generation in the 1980s, in a trio of Platinum albums with Linda Ronstadt.

In 1950, Riddle was hired by composer Les Baxter to write arrangements for a recording session with Nat King Cole; this was one of Riddle’s first associations with Capitol Records. Although one of the songs Riddle had arranged, “Mona Lisa,” soon became the biggest selling single of Cole’s career, the work was credited to Baxter. However, once Cole learned the identity of the arrangement’s creator, he sought out Riddle’s work for other sessions, and thus began a fruitful partnership that furthered the careers of both men at Capitol.

During the same year, Riddle also formed a friendship with Vern Yocum (born George Vernon Yocum), a big band jazz musician (and brother of Pied Piper Clark Yocum) who would transition into music preparation for Frank Sinatra and other entertainers at Capitol Records. A collaboration followed, with Vern becoming Riddle’s “right hand” as copyist and librarian for the next thirty years.

Lafayette Leake (June 1, 1919 – August 14, 1990) was an American blues and jazz pianist, organist, vocalist and composer who played for Chess Records as a session musician, and as a member of the Big Three Trio, during the formative years of Chicago blues. He played piano on many of Chuck Berry‘s recordings.

Leake was born in Winona, Mississippi, in 1919. Information about his early years is sparse, but in the early 1950s he joined the Big Three Trio (replacing Leonard Caston) and began his association with Chess Records, where he worked closely with bassist, producer, and songwriter Willie Dixon.

Leake played piano on One Dozen Berrys, Chuck Berry’s second album, released in 1958 by Chess. He was then on Chuck Berry Is on Top; Leake (not Berry’s longtime bandmate Johnnie Johnson) played the prominent piano on the classic original rendition of “Johnny B. Goode“, as well as “Rock and Roll Music“.Leake played on numerous other Chess sessions from the 1950s through the 1970s, backing many Chess musicians, including Sonny Boy Williamson, Otis Rush, Junior Wells, and Little Walter. Leake gave Chicago blues musician Harmonica Hinds his first harmonica lesson on the street in Toronto, Ontario.

Temple Israel Erev Shabbat Service Friday 5-31-24 6pm with Inbal Sharett Singer, Jayson Rodovsky, Jeff Bailey, Peter Whitman and mick LaBriola.

Peter Yarrow (born May 31, 1938) is an American singer and songwriter who found fame as a member of the 1960s folk trio Peter, Paul and Mary. Yarrow co-wrote (with Leonard Lipton) one of the group’s best known hits, “Puff, the Magic Dragon“. He is also a political activist and has supported causes that range from opposition to the Vietnam War to school anti-bullying programs. Yarrow was convicted in 1970 of molesting a 14-year-old girl, for which he was pardoned in 1981 by President Jimmy Carter.

Peter Yarrow was born in Manhattan, the son of Vera Wisebrode (née Vira Burtakoff) and Bernard Yarrow. His parents were educated Ukrainian Jewish immigrants, whose families had settled in Providence, Rhode Island.

John Henry Bonham (31 May 1948 – 25 September 1980) was an English musician who was the drummer of the rock band Led Zeppelin. Noted for his speed, power, fast single-footed kick drumming, distinctive sound, and feel for groove, he is regarded as one of the greatest and most influential drummers in history.

Bonham was born in 1948 in Redditch, Worcestershire, and took up drums at age 5, receiving a snare drum at age 10 and a full drum set at age 15. He played with multiple local bands both at school and following school, eventually playing in two different bands with Robert Plant. Following the demise of the Yardbirds in 1968, Bonham joined Plant, guitarist Jimmy Page and bass guitarist John Paul Jones to form Led Zeppelin.

Bonham showcased a hard-hitting hard rock style, but also handled funk and Latin-influenced grooves in later Led Zeppelin releases. Like Keith Moon of the Who, Bonham’s drum set grew in size following the band’s 1969 concert tours, including congas or timpani and a gong. His drum solo “Moby Dick” was featured on the group’s second album and was a staple of their concerts, often lasting just over 20 minutes. Outside of Led Zeppelin, Bonham played drums for other artists, including the Family Dogg, Screaming Lord Sutch, Lulu, Jimmy Stevens and Wings. Bonham played with Led Zeppelin until his sudden death at age 32, in September 1980 following a day of heavy drinking. The surviving members disbanded the group out of respect for Bonham.

A mostly self-taught drummer, Bonham was influenced by Max Roach, Gene Krupa and Buddy Rich. He was close with Vanilla Fudge drummer Carmine Appice, who introduced him to Ludwig drums. While he was primarily known for his hard-rock style during his lifetime, his reputation as a drummer has grown beyond that genre following his death. He has influenced various drummers, including Dave Grohl, Neil Peart, Chad Smith and Dave Lombardo. He was posthumously inducted into the Rock and Roll Hall of Fame in 1995 as a member of Led Zeppelin. In 2016, Rolling Stone named him the greatest drummer of all time.

Jimmy Shirley (May 31, 1913 – December 3, 1989) was an American jazz and R&B guitarist who recorded from the 1940s to the 1970s. He was an early exponent of the electric guitar and was one of the first to use the Vibrola vibrato arm in recordings, such as on “Jimmy’s Blues” (1945).

While growing up in Cleveland, he was taught guitar by his father. In 1937, he moved to New York City and spent four years with the Clarence Profit Trio. In 1940, he recorded with Wingy Carpenter. He worked with Ella Fitzgerald from 1942 to 1943 and with Phil Moore and Herman Chittison. During the 1940s, he recorded with Clyde Bernhardt, Sid Catlett, Sidney De Paris, Edmond Hall, John Hardee, Coleman Hawkins, Art Hodes, Billie Holiday, James P. Johnson, Pete Johnson, Billy Kyle, and Ram Ramirez.

Beginning in the 1950s, Shirley played less swing guitar, more blues, jump blues, and rock and roll. He recorded or accompanied singers Wynonie Harris, Jimmy Rushing, Screamin’ Jay Hawkins, Little Willie John, Rose Murphy and Barbara Lea. He performed in Europe during the 1970s, recorded the album Steff and Slam with Stéphane Grappelli and Slam Stewart, and China Boy (Black and Blue, 1975), his only album as a leader.

The effect, called a lunar corona, is created by the quantum mechanical diffraction of light around individual, similarly-sized water droplets in an intervening but mostly-transparent cloud. Since light of different colors has different wavelengths, each color diffracts differently. Lunar coronae are one of the few quantum mechanical color effects that can be easily seen with the unaided eye. Solar coronae are also sometimes evident. The featured image was taken last month from Paris, France. The blue beacon emanating from the Eiffel Tower did not affect the colorful lunar corona.

Dave McKenna (May 30, 1930 – October 18, 2008) was an American jazz pianist known primarily as a solo pianist and for his “three-handed” swing style. He was a significant figure in the evolution of jazz piano.

He was born in Woonsocket, Rhode Island, United States. At age 15, McKenna worked in big bands with Charlie Ventura (1949) and Woody Herman’s Orchestra (1950–51). He then spent two years in the military, in the Korea War, before returning to Ventura (1953–54). During his career he worked in swing and dixieland settings with Al Cohn, Eddie Condon, Stan Getz, Gene Krupa, Zoot Sims, Joe Venuti, and often with Bob Wilber and Bobby Hackett. McKenna released his first solo album in 1955. During the 1980s, he worked as a pianist at the Copley Plaza Hotel in Boston.