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Here we see NGC 4423, a galaxy that lies about 55 million light-years away in the constellation Virgo. In this image NGC 4423 appears to have quite an irregular, tubular form, so it might be surprising to find out that it is in fact a spiral galaxy. Knowing this, we can make out the denser central bulge of the galaxy, and the less crowded surrounding disc (the part that comprises the spiral arms). If NGC 4423 were viewed face-on it would resemble the shape that we most associate with spiral galaxies: the spectacular curving arms sweeping out from a bright centre, interspersed with dimmer, darker, less populated regions. But when observing the skies we are constrained by the relative alignments between Earth and the objects that we are observing: we cannot simply reposition Earth so that we can get a better face-on view of NGC 4423! Of course, celestial objects do not remain sedentary in space, but often move at extremely rapid velocities relative to one another. This might suggest that, should a galaxy be moving in a fortuitous direction relative to Earth, we might be able to view it from a substantially different perspective once it has moved far enough. This is theoretically possible, but the reality is that the distances in space are simply far too big, and human lifetimes far too short, for a noticeable difference in relative alignment to occur. In other words, this is more-or-less the view of NGC 4423 that we will always have! [Image Description: A broad spiral galaxy is seen edge-on, so that its spiral arms can’t be seen. Visible dust and stars trace the disc of the galaxy, surrounded by a glowing halo above and below. The colour of the galaxy changes smoothly between the outer disc at the ends and the bulge in the centre. A few bright stars surround the galaxy on a dark background.]
more...Ricky Ford (born March 4, 1954) is an American jazz tenor saxophonist.
Ford was born in Boston, Massachusetts, United States,) and studied at the New England Conservatory. In 1974, he recorded with Gunther Schuller and then played in the Duke Ellington Orchestra under Mercer Ellington from 1974 to 1976. After this he played with Charles Mingus (1976–77), Dannie Richmond (1978–81), Lionel Hampton (1980–82), and then in the Mingus Dynasty (1982). He also played with Abdullah Ibrahim (1983–90) and Mal Waldron (1989–94), and has recorded with many other notable musicians including Yusef Lateef, Sonny Stitt, McCoy Tyner, Freddie Hubbard, Amina Claudine Myers, Sathima Bea Benjamin, Steve Lacy, and others.
more...Robert Dwayne Womack (/ˈwoʊmæk/; March 4, 1944 – June 27, 2014) was an American singer, musician and songwriter. Starting in the early 1950s as the lead singer of his family musical group the Valentinos and as Sam Cooke‘s backing guitarist, Womack’s career spanned more than 60 years and multiple styles, including R&B, jazz, soul, rock and roll, doo-wop, and gospel.
Womack was a prolific songwriter who wrote and originally recorded, (with his brothers, the Valentinos), the Rolling Stones‘ first UK number one hit (“It’s All Over Now“) and New Birth‘s “I Can Understand It“. As a singer, he is most notable for the hits “Lookin’ for a Love“, “That’s the Way I Feel About Cha“, “Woman’s Gotta Have It“, “Harry Hippie“, “Across 110th Street“, and his 1980s hits “If You Think You’re Lonely Now” and “I Wish He Didn’t Trust Me So Much“.
In 2009, Womack was inducted into the Rock and Roll Hall of Fame.
Womack was born in Cleveland‘s Fairfax neighborhood, near East 85th Street and Quincy Avenue, to Naomi Womack and Friendly Womack, the third of five sons. Friendly Jr. and Curtis were Bobby’s older brothers, and Harry and Cecil were his younger brothers. They all grew up in the Cleveland slums, so poor that the family would fish pig snouts out of the local supermarket’s trash. He had to share a bed with his brothers. His mother told him he could “sing his way out of the ghetto.” Recalling his childhood, Bobby said, “we came up very poor. My kids have had a much better life than I’d ever thought of livin,'” and, “the neighborhood was so ghetto that we didn’t bother the rats and they didn’t bother us.
more...Jan Garbarek (born 4 March 1947) is a Norwegian jazz saxophonist, who is also active in classical music and world music.
Garbarek was born in Mysen, Østfold, southeastern Norway, the only child of a former Polish prisoner of war, Czesław Garbarek, and a Norwegian farmer’s daughter. He grew up in Oslo, stateless until the age of seven, as there was no automatic grant of citizenship in Norway at the time. When he was 21, he married the author Vigdis Garbarek. He is the father of musician and composer Anja Garbarek.
Garbarek’s style incorporates a sharp-edged tone, long, keening, sustained notes, and generous use of silence. He began his recording career in the late 1960s, notably featuring on recordings by the American jazz composer George Russell (such as Electronic Sonata for Souls Loved by Nature). By 1973 he had turned his back on the harsh dissonances of avant-garde jazz, retaining only his tone from his previous approach. Garbarek gained wider recognition through his work with pianist Keith Jarrett‘s European Quartet which released the albums Belonging (1974), My Song (1977), and the live recordings Personal Mountains(1979), and Nude Ants (1979). He was also a featured soloist on Jarrett’s orchestral works Luminessence (1974) and Arbour Zena (1975).
more...Zenzile Miriam Makeba (4 March 1932 – 9 November 2008), nicknamed Mama Africa, was a South African singer, songwriter, actress, and civil rights activist. Associated with musical genres including Afropop, jazz, and world music, she was an advocate against apartheid and white-minority government in South Africa.
Born in Johannesburg to Swazi and Xhosa parents, Makeba was forced to find employment as a child after the death of her father. She had a brief and allegedly abusive first marriage at the age of 17, gave birth to her only child in 1950, and survived breast cancer. Her vocal talent had been recognized when she was a child, and she began singing professionally in the 1950s, with the Cuban Brothers, the Manhattan Brothers, and an all-woman group, the Skylarks, performing a mixture of jazz, traditional African melodies, and Western popular music. In 1959, Makeba had a brief role in the anti-apartheid film Come Back, Africa, which brought her international attention, and led to her performing in Venice, London, and New York City. In London, she met the American singer Harry Belafonte, who became a mentor and colleague. She moved to New York City, where she became immediately popular, and recorded her first solo album in 1960. Her attempt to return to South Africa that year for her mother’s funeral was prevented by the country’s government.
Makeba’s career flourished in the United States, and she released several albums and songs, her most popular being “Pata Pata” (1967). Along with Belafonte, she received a Grammy Award for Best Folk Recording for their 1965 album An Evening with Belafonte/Makeba. She testified against the South African government at the United Nations and became involved in the civil rights movement. She married Stokely Carmichael, a leader of the Black Panther Party, in 1968, and consequently lost support among white Americans. Her visa was revoked by the US government when she was traveling abroad, forcing her and Carmichael to relocate to Guinea. She continued to perform, mostly in African countries, including at several independence celebrations. She began to write and perform music more explicitly critical of apartheid; the 1977 song “Soweto Blues“, written by her former husband Hugh Masekela, was about the Soweto uprising. After apartheid was dismantled in 1990, Makeba returned to South Africa. She continued recording and performing, including a 1991 album with Nina Simone and Dizzy Gillespie, and appeared in the 1992 film Sarafina!. She was named an FAO Goodwill Ambassador in 1999, and campaigned for humanitarian causes. She died of a heart attack during a 2008 concert in Italy.
Makeba was among the first African musicians to receive worldwide recognition. She brought African music to a Western audience, and popularized the world music and Afropop genres. Despite her cosmopolitan background, she was frequently viewed by Western audiences as an embodiment of Africa: she was also seen as a style icon in both South Africa and the West. Makeba made popular several songs critical of apartheid, and became a symbol of opposition to the system, particularly after her right to return was revoked. Upon her death, former South African President Nelson Mandela said that “her music inspired a powerful sense of hope in all of us.”
more...Lawrence Benjamin Bunker (November 4, 1928 – March 8, 2005) was an American jazz drummer, vibraphonist, and percussionist. A member of the Bill Evans Trio in the mid-1960s, he also played timpaniwith the Los Angeles Philharmonic orchestra.
Born in Long Beach, California, Bunker was a central figure on the West Coast jazz scene, one of the relatively few who actually were from the region. In the 1950s and 1960s he appeared at Howard Rumsey‘s Lighthouse in Hermosa Beach, and performed with Shorty Rogers and His Giants and others. At first he played primarily drums, but increasingly he focused on vibraphone and was later highly regarded for his playing of timpani and various percussion instruments.
more...Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Along with Johann Sebastian Bach and George Frideric Handel, Vivaldi ranks amongst the greatest Baroque composers and his influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and programmatic music. He consolidated the emerging concerto form into a widely accepted and followed idiom.
Vivaldi composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as sacred choral works and more than fifty operas. His best-known work is a series of violin concertosknown as The Four Seasons. Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà, a home for abandoned children. Vivaldi began studying for the priesthood at the age of 15 and was ordained at 25, but was given dispensation to no longer say public Masses due to a health problem. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantuaand Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi’s arrival, and Vivaldi himself died in poverty less than a year later.
After almost two centuries of decline, Vivaldi’s musical reputation underwent a revival in the early 20th century, with much scholarly research devoted to his work. Many of Vivaldi’s compositions, once thought lost, have been rediscovered – some as recently as 2015. His music remains widely popular in the present day and is regularly played all over the world.
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NGC 125 (also known as PGC 1772) is a lenticular galaxy
more...Sh2-308, also designated as Sharpless 308, RCW 11, or LBN 1052, and commonly known as the Dolphin-Head Nebula, is an H II region located near the center of the constellation Canis Major, composed of ionised hydrogen. It is about 8 degrees south of Sirius, the brightest star in the night sky. The nebula is bubble-like and surrounds a Wolf–Rayet star named EZ Canis Majoris. This star is in the brief, pre-supernova phase of its stellar evolution. The nebula is about 4,530 light-years (1,389 parsecs) away from Earth, but some sources indicate that both the star and the nebula are up to 5,870 ly (1,800 pc) away.
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Nikos Mamangakis was born on 3 March 1929 in Rethymno, Crete, Greece. He was a composer and actor, known for Parenthesi (1968), Monemvasia (1964) and Lilly’s Story (2002) He died on 24 July 2013 in Athens, Greece.
more...James Emory Garrison (March 3, 1934 – April 7, 1976) was an American jazz double bassist. He is best remembered for his association with John Coltrane from 1961 to 1967.
Garrison was born in Miami, Florida and moved to Philadelphia when he was 10, where he learned to play bass during his senior year of high school. Garrison came of age in the 1950s Philadelphia jazz scene, which included fellow bassists Reggie Workman and Henry Grimes, pianist McCoy Tyner and trumpeter Lee Morgan. Between 1957 and 1962, Garrison played and recorded with trumpeter Kenny Dorham; clarinetist Tony Scott; drummer Philly Joe Jones; and saxophonists Bill Barron (musician), Lee Konitz, and Jackie McLean, as well as Curtis Fuller, Benny Golson, Lennie Tristano, and Pharoah Sanders, among others. In 1961, he recorded with Ornette Coleman, appearing on Coleman’s albums Ornette on Tenorand The Art of the Improvisers. He also worked with Walter Bishop, Jr. and Cal Massey during the early years of his career. Jimmy Garrison died of lung cancer on April 7, 1976
more...Arthel Lane “Doc” Watson (March 3, 1923 – May 29, 2012) was an American guitarist, songwriter, and singer of bluegrass, folk, country, blues, and gospel music. He won seven Grammy awards as well as a Grammy Lifetime Achievement Award. His fingerpicking and flatpicking skills, as well as his knowledge of traditional American music, were highly regarded. Blind from a young age, he performed publicly both in a dance band and solo, as well as for over 15 years with his son, guitarist Merle Watson, until Merle’s death in 1985 in an accident on the family farm. Watson was born in Deep Gap, North Carolina. According to Watson on his three-CD biographical recording Legacy, he got the nickname “Doc” during a live radio broadcast when the announcer remarked that his given name Arthel was odd and he needed an easy nickname. A fan in the crowd shouted “Call him Doc!”, presumably in reference to the literary character Sherlock Holmes‘s companion, Doctor Watson. The name stuck.
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