mick laBriola

James Carter (born January 3, 1969) is an American jazz musician widely recognized for his technical virtuosity on saxophones and a variety of woodwinds. He is the cousin of noted jazz violinist Regina Carter.

Carter was born in Detroit, Michigan, and learned to play under the tutelage of Donald Washington, becoming a member of his youth jazz ensemble Bird-Trane-Sco-NOW!! As a young man, Carter attended Blue Lake Fine Arts Camp, becoming the youngest faculty member at the camp. He first toured Scandinavia with the International Jazz Band in 1985 at the age of 16.

John Jenkins (January 3, 1931 – July 12, 1993) was an American jazz saxophonist.

Born in Chicago, Jenkins initially studied clarinet in high school but switched to saxophone after six months on the instrument. He played in jam sessions led by Joe Segal at Roosevelt College from 1949 to 1956. He played with Art Farmer in 1955 and led his own group in Chicago later that year. In 1957, he played with Charles Mingus and recorded two albums as a leader. He played as a sideman with Johnny Griffin, Donald Byrd, Hank Mobley, Paul Quinichette, Clifford Jordan, Sahib Shihab, and Wilbur Ware in the late 1950s and early 1960s, but essentially dropped out of music after 1962, aside from a few dates with Gloria Coleman.

After leaving the jazz world he worked as a messenger in New York and dabbled in jewelry; he sold brass objects at street fairs in the 1970s. After 1983, he began practicing again and playing live on street corners; shortly before he died he played with Clifford Jordan.

Herbert Horatio Nichols (January 3, 1919 – April 12, 1963) was an American jazz pianist and composer who wrote the jazz standard “Lady Sings the Blues“. Obscure during his lifetime, he is now highly regarded by many musicians and critics.

He was born in San Juan Hill, Manhattan, New York, United States, to parents from St. Kitts and Trinidad, and grew up in Harlem.  During much of his career, he took work as a Dixieland musician while also pursuing the more adventurous kind of jazz he preferred. He is best known today for program music that combines bop, Dixieland, and music from the Caribbean with harmonies from Erik Satie and Béla Bartók.

His first known work as a musician was with the Royal Barons in 1937, but he did not find performing at Minton’s Playhouse a few years later a very happy experience, as the competitive environment did not suit him. However, he did become friends with pianist Thelonious Monk.

Nichols was drafted into the Army in 1941. After the war, he worked in various settings, beginning to achieve some recognition when Mary Lou Williams recorded some of his songs in 1952. From about 1947, he persisted in trying to persuade Alfred Lion at Blue Note Records to sign him up. He finally recorded some of his compositions for Blue Note in 1955 and 1956, some of which were not issued until the 1980s. His tune “Serenade” had lyrics added, and as “Lady Sings the Blues” became identified with Billie Holiday. In 1957, he recorded his last album as leader for Bethlehem Records.

Nichols died of leukemia in New York City at the age of 44.

Troy Andrews (born January 2, 1986), also known by the stage name Trombone Shorty, is an American musician from New Orleans, Louisiana. He has worked with some of the biggest names in rock, pop, jazz, funk, and hip hop. Andrews is the younger brother of trumpeter and bandleader James Andrews III and the grandson of singer and songwriter Jessie Hill. Andrews began playing trombone at age four, and since 2009 has toured with his own band, Trombone Shorty & Orleans Avenue.

Andrews was born to James Andrews Jr. and Lois Andrews in New Orleans and grew up in the culturally vibrant Tremé neighborhood, steeped in New Orleans jazz, R&B and music-related traditions such as second line parades. Andrews’ family have deep roots in the music scene of New Orleans – his grandfather was musician Jessie Hill, his great-uncle Walter “Papoose” Nelson played with Fats Domino, and Andrews’ mother Lois Nelson Andrews was a regular grand marshal of jazz funerals and second-line parades in New Orleans, where she routinely encouraged young musicians and was known as the “Mother of Music” and “Queen of the Tremé”. Andrews’ father James Andrews Jr., a member of the Bayou Steppers Social Aid & Pleasure Club, would frequently invite musician friends to visit their home. Other musical family members include his brother James Andrews III and cousins Glen David Andrews and the late Travis “Trumpet Black” Hill.

Hisao Oma “Isao” Suzuki (鈴木 勲, Suzuki Isao, 2 January 1933 – 8 March 2022) was a Japanese jazz double-bassist.

Born in Tokyo, Japan, Suzuki learned to play bass on United States military bases, and played early in his career with Shotaro Moriyasu, Hidehiko Matsumoto, and Sadao Watanabe. He led his own ensemble in Tokyo from 1965–1969, also performing with Hampton Hawes in 1968. He moved to New York City from 1969 to 1971, playing with Ron Carter, Paul Desmond, Ella Fitzgerald, Jim Hall, Wynton Kelly, Charles Mingus, Thelonious Monk, and Bobby Timmons.

Frank L. Marocco (January 2, 1931 – March 3, 2012) was an American piano-accordionist, arranger and composer. He was recognized as one of the most recorded accordionists in the world.

Born in Joliet, Illinois Frank Marocco grew up in Waukegan, near Chicago. At the age of seven years, his parents enrolled him in a six-week beginner class for learning to play the accordion.

Nick Fatool (January 2, 1915 – September 26, 2000) was an American jazz drummer. He was born in Millbury, Massachusetts, United States. Fatool first played professionally in Providence, Rhode Island, which he followed with time in Joe Haymes‘s band in 1937 and Don Beston‘s in Dallas soon after. In 1939, he played with Bobby Hackett briefly, and then became a member of the Benny GoodmanOrchestra. He became one of the most visible drummers of the 1940s, playing with Artie Shaw (1940–41), Alvino Rey (1942–43), Claude Thornhill, Les Brown, and Jan Savitt. In 1943, he moved to Los Angeles and took work as a session musician, recording profusely. Credits include Harry James, Erroll Garner (1946), Louis Armstrong (1949, 1951), Jess Stacy, Tommy Dorsey, Matty Matlock, John Scott Trotter and Glen Gray. He began an association with Bob Crosby, playing with him regularly between 1949 and 1951 and occasionally with Crosby’s Bobcats into the 1970s.

Seydou Koné  born January 1, 1953, in Dimbokro, better known by his stage name Alpha Blondy, is an Ivorian reggae singer and international recording artist. Many of his songs are politically and socially motivated, and are mainly sung in his native language Dyula, French and English, though he occasionally uses other languages, for example, Arabic or Hebrew. The first son of a family of eight children, Seydou Koné was raised by his grandmother in an environment described by him as “among elders”, which was to have a big impact on his career. In 1962, Alpha Blondy joined his father in Odienné, where he spent ten years, attended Sainte Elisabeth High School, and was involved in the Ivory Coast students movement. He formed a band in high school, but this affected his schooling and he was expelled for poor attendance. His parents sent him to study English in Monrovia, the capital city of Liberia, in 1973. He spent thirteen months there and then moved to the United States to improve his English.

Milton Jackson (January 1, 1923 – October 9, 1999), nicknamed “Bags“, was an American jazzvibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartetand his penchant for collaborating with hard bop and post-bop players.

A very expressive player, Jackson differentiated himself from other vibraphonists in his attention to variations on harmonics and rhythm. He was particularly fond of the twelve-bar blues at slow tempos. On occasion, Jackson also sang and played piano.

Jackson was born on January 1, 1923, in Detroit, Michigan, United States, the son of Manley Jackson and Lillie Beaty Jackson. Like many of his contemporaries, he was surrounded by music from an early age, particularly that of religious meetings: “Everyone wants to know where I got that funky style. Well, it came from church. The music I heard was open, relaxed, impromptu soul music” (quoted in Nat Hentoff‘s liner notes to Plenty, Plenty Soul). He started on guitar when he was seven, and then on piano at 11.