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A Magi? Gifts of gold, frankincense, myrrh and Coke? Scary!
more...the outline of this molecular space cloud echoes the outline of the state of California, USA. Our Sun has its home within the Milky Way’sOrion Arm, only about 1,000 light-years from the California Nebula. Also known as NGC 1499, the classic emission nebula is around 100 light-years long. On the featured image, the most prominent glow of the California Nebula is the red light characteristic of hydrogen atoms recombining with long lost electrons, stripped away (ionized) by energetic starlight. The star most likely providing the energetic starlight that ionizes much of the nebular gas is the bright, hot, bluish Xi Persei just to the right of the nebula. A regular target for astrophotographers, the California Nebula can be spotted with a wide-field telescope under a dark sky toward the constellation of Perseus, not far from the Pleiades.
more...Kermit Ruffins (born December 19, 1964) is an American jazz trumpeter, singer, and composer from New Orleans. He has been influenced by Louis Armstrong and Louis Jordan and says that the highest note he can hit on trumpet is a high C. He often accompanies his songs with his own vocals. Most of his bands perform New Orleans jazz standards though he also composes many of his own pieces. Jon Pareles of The New York Times wrote, “Mr. Ruffins is an unabashed entertainer who plays trumpet with a bright, silvery tone, sings with off-the-cuff charm and never gets too abstruse in his material.”
He started playing trumpet in 8th grade at Lawless Junior High School in the Ninth Ward of New Orleans. He attended Joseph S. Clark High School in the 6th Ward and St Peter Claver Church in Tremé. In high school, he played a little bit of classical music at the behest of a strict band teacher.
He developed an appreciation for cooking from his grandmother, observing her movements in the kitchen.
more...Édith Piaf (born Édith Giovanna Gassion; 19 December 1915 – 10 October 1963) was a French singer best known for performing songs in the cabaret and modern chanson genres. She is widely regarded as France’s greatest popular singer and one of the most celebrated performers of the 20th century.
Piaf’s music was often autobiographical, and she specialized in chanson réaliste and torch ballads about love, loss and sorrow. Her most widely known songs include “La Vie en rose” (1946), “Non, je ne regrette rien” (1960), “Hymne à l’amour” (1949), “Milord” (1959), “La Foule” (1957), “L’Accordéoniste” (1940), and “Padam, padam…” (1951).
Piaf began her career touring with her father at the age of fourteen. Her fame increased during the German occupation of France and in 1945, Piaf’s signature song, La Vie en rose (“life in pink”) was published. She became France’s most popular entertainer in the late 1940s, also touring Europe, the United States, and South America. Her popularity in the United States led her to appear on The Ed Sullivan Show eight times.
She continued to perform, including several series of concerts at the Paris Olympia music hall, until a few months before her death in 1963 at age 47. Her last song, L’Homme de Berlin, was recorded with her husband in April 1963.
Since her death, several documentaries and films have been produced about Piaf’s life, and her music is a touchstone of French culture. In early 1963, soon after recording L’Homme de Berlin with her husband Théo Sarapo, Piaf slipped into a coma due to liver cancer. She was taken to her villa in Plascassier on the French Riviera where she was nursed by Sarapo and her half-sister Simone Berteaut. Over the next few months she drifted in and out of consciousness, before dying at age 47 on October 10, 1963.
more...Henry Roeland “Roy” Byrd (December 19, 1918 – January 30, 1980), better known as Professor Longhair or “Fess” for short, was an American singer and pianist who performed New Orleans blues. He was active in two distinct periods, first in the heyday of early rhythm and blues and later in the resurgence of interest in traditional jazz after the founding of the New Orleans Jazz and Heritage Festival in 1970. His piano style has been described as “instantly recognizable, combining rumba, mambo, and calypso“.
Music journalist Tony Russell (in his book The Blues: From Robert Johnson to Robert Cray) wrote that “The vivacious rhumba-rhythmed piano blues and choked singing typical of Fess were too weird to sell millions of records; he had to be content with siring musical offspring who were simple enough to manage that, like Fats Domino or Huey “Piano” Smith. But he is also acknowledged as a father figure by subtler players like Allen Toussaint and Dr. John.”
Byrd was born on December 19, 1918, in Bogalusa, Louisiana. His distinctive style of piano playing was influenced by learning to play on an instrument that was missing some keys.
He began his career in New Orleans in 1948. Mike Tessitore, owner of the Caldonia Club, gave Longhair his stage name. Longhair first recorded in a band called the Shuffling Hungarians in 1949, creating four songs (including the first version of his signature song, “Mardi Gras in New Orleans”) for the Star Talent record label. Union problems curtailed their release, but Longhair’s next effort for Mercury Records the same year was a winner. Throughout the 1950s, he recorded for Atlantic Records, Federal Records and local labels.
https://www.youtube.com/watch?v=5qcxSxKNOEk
more...Leonard “Lenny” White III (born December 19, 1949) is an American jazz fusion drummer who was a member of the band Return to Forever led by Chick Corea in the 1970s. White has been called “one of the founding fathers of jazz fusion”. He has won three Grammy awards, two nominations and one Latin Grammy. His song Algorithm Takedown won Best Song at the Cannes World Film Festival in 2023.
Born in Queens, New York City, White became interested in music at a young age. As a self taught drummer he started off his career playing with groups at the New York jazz scene. While he was living at home, his father would take him to gigs. Early on he played clubs in Queens New York such as the Aphrodisiac, Slugs, and The Gold Lounge. It was at The Gold Lounge where he had his first gig with saxophonist Jackie McLean. During the late 1960s he began performing with Mclean around Queens. Through this, White was recommended to play on Miles Davis‘ landmark 1969 LP Bitches Brew and feature on Freddie Hubbard‘s 1970 LP Red Clay. Within 1972 White joined the jazz group Return to Forever.
more...Robert Henry Timmons (December 19, 1935 – March 1, 1974) was an American jazz pianist and composer. He was a sideman in Art Blakey‘s Jazz Messengers for two periods (July 1958 to September 1959; February 1960 to June 1961), between which he was part of Cannonball Adderley‘s band. Several of Timmons’ compositions written when part of these bands – including “Moanin’“, “Dat Dere“, and “This Here” – enjoyed commercial success and brought him more attention. In the early and mid-1960s he led a series of piano trios that toured and recorded extensively. Timmons was strongly associated with the soul jazz style that he helped initiate. This link to apparently simple writing and playing, coupled with drug and alcohol addiction, led to a decline in his career. Timmons died, aged 38, from cirrhosis. Several critics have commented that his contribution to jazz remains undervalued.
Timmons was born in Philadelphia, Pennsylvania, the son of a minister. He had a sister, Eleanor. Both of his parents, and several aunts and uncles, played the piano. From an early age Timmons studied music with an uncle, Robert Habershaw, who also taught McCoy Tyner.
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This whirling image features a bright spiral galaxy known as MCG-01-24-014, which is located about 275 million light-years from Earth. In addition to being a well-defined spiral galaxy, MCG-01-24-014 has an extremely energetic core, known as an active galactic nucleus (AGN), so it is referred to as an active galaxy. Even more specifically, it is categorised as a Type-2 Seyfert galaxy. Seyfert galaxies host one of the most common subclasses of AGN, alongside quasars. Whilst the precise categorisation of AGNs is nuanced, Seyfert galaxies tend to be relatively nearby ones where the host galaxy remains plainly detectable alongside its central AGN, while quasars are invariably very distant AGNs whose incredible luminosities outshine their host galaxies.
There are further subclasses of both Seyfert galaxies and quasars. In the case of Seyfert galaxies, the predominant subcategories are Type-1 and Type-2. These are differentiated from one another by their spectra — the pattern that results when light is split into its constituent wavelengths — where the spectral lines that Type-2 Seyfert galaxies emit are particularly associated with specific so-called ‘forbidden’ emission. To understand why emitted light from a galaxy could be considered forbidden, it helps to understand why spectra exist in the first place. Spectra look the way they do because certain atoms and molecules will absorb and emit light very reliably at very specific wavelengths. The reason for this is quantum physics: electrons (the tiny particles that orbit the nuclei of atoms and molecules) can only exist at very specific energies, and therefore electrons can only lose or gain very specific amounts of energy. These very specific amounts of energy correspond to certain light wavelengths being absorbed or emitted.
Forbidden emission lines, therefore, are spectral emission lines that should not exist according to certain rules of quantum physics. But quantum physics is complex, and some of the rules used to predict it use assumptions that suit laboratory conditions here on Earth. Under those rules, this emission is ‘forbidden’ — so improbable that it’s disregarded. But in space, in the midst of an incredibly energetic galactic core, those assumptions don’t hold anymore, and the ‘forbidden’ light gets a chance to shine out towards us.
[Image Description: A spiral galaxy. It appears to be almost circular and seen face-on, with two prominent spiral arms winding out from a glowing core. It is centred in the frame as if a portrait. Most of the background is black, with only tiny, distant galaxies, but there are two large bright stars in the foreground, one blue and one red, directly above the galaxy.]
more...Keith Richards (born 18 December 1943) is an English musician, songwriter, singer and recording producer who is an original member, guitarist, secondary vocalist, and co-principal songwriter of the Rolling Stones. His songwriting partnership with the band’s lead vocalist Mick Jagger is one of the most successful in history. His career spans over six decades, and his guitar playing style has been a trademark of the Rolling Stones throughout the band’s career. Richards gained press notoriety for his romantic involvements and illicit drug use, and he was often portrayed as a countercultural figure. First professionally known as Keith Richard, by the early 1970s he had fully asserted his family name.
Richards was born in and grew up in Dartford, Kent. He studied at the Dartford Technical School and Sidcup Art College. After graduating, Richards befriended Jagger, Bill Wyman, Charlie Watts, and Brian Jones and joined the Rolling Stones. As a member of the Rolling Stones, Richards also sings lead on some Stones songs. Richards typically sings lead on at least one song a concert, including “Happy“, “Before They Make Me Run“, and “Connection“. Outside of his career with the Rolling Stones, Richards has also played with his own side-project, The X-Pensive Winos. He also appeared in three Pirates of the Caribbeanfilms as Captain Teague, father of Jack Sparrow, whose look and characterisation was inspired by Richards himself.
In 1989, Richards was inducted into the Rock and Roll Hall of Fame and in 2004 into the UK Music Hall of Fame with the Rolling Stones. Rolling Stone magazine ranked him fourth on its list of 100 best guitarists in 2011. In 2023, Rolling Stone’s ranking was 15th. The magazine lists fourteen songs that Richards wrote with Jagger on its “500 Greatest Songs of All Time” list.
more...Ishmael Wadada Leo Smith (born December 18, 1941) is an American trumpeter and composer, working primarily in the field of creative music. He was one of three finalists for the 2013 Pulitzer Prize for Music for Ten Freedom Summers, released on May 22, 2012.
Smith was born in Leland, Mississippi, United States. He started out playing drums, mellophone, and French horn before he settled on the trumpet. He played in various R&B groups and, by 1967, became a member of the AACM and co-founded the Creative Construction Company, a trio with Leroy Jenkins and Anthony Braxton. In 1971, Smith formed his own label, Kabell. He also formed another band, the New Dalta Ahkri, with members including Henry Threadgill, Anthony Davisand Oliver Lake.
more...Harold de Vance Land (December 18, 1928 – July 27, 2001) was an American hard bop and post-boptenor saxophonist. Land developed his hard bop playing with the Max Roach/Clifford Brown band into a personal, modern style, often rivalling Clifford Brown’s instrumental ability with his own inventive and whimsical solos. His tone was strong and emotional, yet hinted at a certain introspective fragility.
Land was born in Houston, Texas, United States and grew up in San Diego, California. He started playing at the age of 16. He made his first recording as the leader of the Harold Land All-Stars, for Savoy Recordsin 1949. In 1954, he joined the Clifford Brown/Max Roach Quintet, with whom he was at the forefront of the hard-bop/bebop movement. The Land family moved from San Diego to Los Angeles, in 1955. There he played with Curtis Counce, led his own groups, and co-led groups with Bobby Hutcherson, Blue Mitchell, and Red Mitchell. From the 1970s onwards, his style showed the influence of John Coltrane.
more...Eddie “Cleanhead” Vinson (born Edward L. Vinson Jr.; December 18, 1917 – July 2, 1988) was an American jump blues, jazz, bebop and R&B alto saxophonist and blues shouter. He was nicknamedCleanhead after an incident in which his hair was accidentally destroyed by lye contained in a hair straightening product, necessitating shaving it off; enamoured of the look, Vinson maintained a shaved head thereafter. Music critic Robert Christgau has called Vinson “one of the cleanest—and nastiest—blues voices you’ll ever hear.”
Vinson was born in Houston, Texas. He was a member of the horn section in Milton Larkin‘s orchestra, which he joined in the late 1930s. At various times, he sat next to Arnett Cobb, Illinois Jacquet, and Tom Archia, while other members of the band included Cedric Haywood and Wild Bill Davis. After exiting Larkin’s employment in 1941, Vinson picked up a few vocal tricks while on tour with bluesman Big Bill Broonzy. He then moved to New York and joined the Cootie Williams Orchestra from 1942 to 1945, recording such tunes as “Cherry Red”. Vinson struck out on his own in 1945, forming his own large band, signing with Mercury Records, and enjoying a double-sided hit in 1947 with his R&B chart-topper “Old Maid Boogie”, and the song that would prove to be his signature number, “Kidney Stew Blues”.
more...Performing at the JCC Highland Park in St Paul at 230pm Sunday 12-17-23 with David Harris, David Burk, Laura Harada and mick laBriola
https://minnesotajcc.org/event/bou-nashir-mixtape-album-release-concert/
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