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Miroslav Ladislav Vitouš (born 6 December 1947) is a Czech jazz bassist.
Born in Prague, Vitouš began the violin at age six, switching to piano after about three years, and then to bass at age fourteen. As a young man in Europe, Vitouš was a competitive swimmer. One of his early music groups was the Junior Trio with his brother Alan on drums and Jan Hammer on keyboards. He studied music at the Prague Conservatory under František Pošta, and won a music contest in Vienna in 1966 that gave him a scholarship to the Berklee College of Music in Boston, which he attended one year before going to Chicago to play with a group co-led by the classically inclined trombonist Bob Brookmeyer and flugelhorn pioneer Clark Terry.
Miles Davis saw Vitouš playing in Chicago with Brookmeyer and Terry in 1967 and invited him to join his own group playing at the Village Gate in New York City. It was with Davis that Vitouš first encountered saxophonist Wayne Shorter, keyboardist Herbie Hancock and the Davis-centric scene that was transforming mainstream jazz from late hard bop into what would be known as jazz fusion.
more...David Warren Brubeck (/ˈbruːbɛk/; December 6, 1920 – December 5, 2012) was an American jazz pianist and composer. Often regarded as a foremost exponent of cool jazz, Brubeck’s work is characterized by unusual time signatures and superimposing contrasting rhythms, meters, and tonalities.
Born in Concord, California, Brubeck was drafted into the US Army, but was spared from combat service when a Red Cross show he had played at became a hit. Within the US Army, Brubeck formed one of the first racially diverse bands. In 1951, Brubeck formed the Dave Brubeck Quartet, which kept its name despite shifting personnel. The most successful—and prolific—lineup of the quartet was the one between 1958 and 1968. This lineup, in addition to Brubeck, featured saxophonist Paul Desmond, bassist Eugene Wright and drummer Joe Morello. A U.S. Department of State-sponsored tour in 1958 featuring the band inspired several of Brubeck’s subsequent albums, most notably the 1959 album Time Out. Despite its esoteric theme and contrarian time signatures, Time Out became Brubeck’s highest-selling album, and the first jazz album to sell over one million copies. The lead single from the album, “Take Five“, a tune written by Desmond in 54 time, similarly became the highest-selling jazz single of all time. The quartet followed up Time Out with four other albums in non-standard time signatures, and some of the other songs from this series became hits as well, including “Blue Rondo à la Turk” (in 98) and “Unsquare Dance” (in 74). Brubeck continued releasing music until his death in 2012.
Brubeck’s style ranged from refined to bombastic, reflecting both his mother’s classical training and his own improvisational skills. He expressed elements of atonality and fugue. Brubeck, with Desmond, used elements of West Coast jazz near the height of its popularity, combining them with the unorthodox time signatures seen in Time Out. Like many of his contemporaries, Brubeck played into the style of the French composer Darius Milhaud, especially his earlier works, including “Serenade Suite” and “Playland-At-The-Beach”. Brubeck’s fusion of classical music and jazz would come to be known as “third stream“, although Brubeck’s use of third stream would predate the coining of the term. John Fordham of The Guardian commented: “Brubeck’s real achievement was to blend European compositional ideas, very demanding rhythmic structures, jazz song-forms and improvisation in expressive and accessible ways.”
Brubeck was the recipient of several music awards and honors throughout his lifetime. In 1996, Brubeck received a Grammy Lifetime Achievement Award. In 2008, Brubeck was inducted into the California Hall of Fame, and a year later, he was given an honorary Doctor of Music degree from Berklee College of Music. Brubeck’s 1959 album Time Out was added to the Library of Congress‘ National Recording Registry in 2005. Noted as “one of Jazz’s first pop stars” by the Los Angeles Times, Brubeck rejected his fame, and felt uncomfortable with Time magazine featuring him on the cover before Duke Ellington.
more...Joseph Francis Lamb (December 6, 1887 – September 3, 1960) was an American composer of ragtime music. Lamb, of Irish descent, was the only non-African American of the “Big Three” composers of classical ragtime, the other two being Scott Joplin and James Scott. The ragtime of Joseph Lamb ranges from standard popular fare to complex and highly engaging. His use of long phrases was influenced by classical works he had learned from his sister and others while growing up, but his sense of structure was potentially derived from his study of Joplin’s piano rags. By the time he added some polish to his later works in the 1950s, Lamb had mastered the classic rag genre in a way that almost no other composer was able to approach at that time, and continued to play it passably as well, as evidenced by at least two separate recordings done in his home, as well as a few recorded interviews.
Lamb was born in Montclair, New Jersey. The youngest of four children, he taught himself to play the piano and admired the early ragtime publications of Scott Joplin. His first known works were “Meet Me at the Chutes,” and “Idle Dreams”, at the age of 13 in 1900, but they are unpublished and assumed lost.
more...It is located in the southern part of the constellation, about 1° west of the star 10 Lacertae, a blue main sequence star of spectral class O9V; it has the appearance of a tenuous filament oriented in a north-east-southwest direction, invisible to simple observation using amateur instruments due to its weakness. The most suitable period for its observation in the evening sky falls in the months between August and January, in particular for the regions located in the northern hemisphere.
Sh2-126 constitutes the brightest nebulous filament of the complex of dispersed clouds associated with Lacerta OB1, an OB association located about 370 parsecs (1200 light years) away, at a rather high galactic latitude; the source of the ionization of its gases is the intense ultraviolet radiation of the star 10 Lacertae, the dominant star of the association of which it is part. Near this cloud is the long filament cataloged as LBN 437, associated with a group of pre-main sequence stars and Herbig’s Ae/Be stars.
José Monje Cruz (5 December 1950 – 2 July 1992), better known by his stage name Camarón de la Isla(Spanish: Shrimp from the Island), was a Spanish Romani flamenco singer. Considered one of the all-time greatest flamenco singers, he was noted for his collaborations with Paco de Lucía and Tomatito, and the three of them were of major importance to the revival of flamenco in the second half of the 20th century.
He was born in San Fernando, Cádiz, Spain, into a Spanish Romani family, the seventh of eight children. His mother was Juana Cruz Castro, a “Canastera”, literally a basket weaver, and meaning from a wandering Roma family, and whose gift of singing was a strong early influence.
His father, Juan Luis Monje, was also a singer as well as a blacksmith, and had a forge where Camarón worked as a boy. His uncle José nicknamed him Camarón (Spanish for “Shrimp”) because he was blonde and fair skinned.
When his father died of asthma, while still very young, the family went through financial hardship. At the age of eight he began to sing at inns and bus stops with Rancapino to earn money. At sixteen, he won first prize at the Festival del Cante Jondo in Mairena del Alcor. Camarón then went to Madrid with Miguel de los Reyes and in 1968 became a resident artist at the Tablao Torres Bermejas, where he remained for twelve years.
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Richard Wayne Penniman (December 5, 1932 – May 9, 2020), known professionally as Little Richard, was an American singer, pianist, and songwriter. He was an influential figure in popular music and culture for seven decades. Described as the “Architect of Rock and Roll“, Richard’s most celebrated work dates from the mid-1950s, when his charismatic showmanship and dynamic music, characterized by frenetic piano playing, pounding back beat and powerful raspy vocals, laid the foundation for rock and roll. Richard’s innovative emotive vocalizations and uptempo rhythmic music played a key role in the formation of other popular music genres, including soul and funk. He influenced singers and musicians across musical genres from rock to hip hop; his music helped shape rhythm and blues for generations.
“Tutti Frutti” (1955), one of Richard’s signature songs, became an instant hit, crossing over to the pop charts in the United States and the United Kingdom. His next hit single, “Long Tall Sally” (1956), hit No. 1 on the Billboard Rhythm and Blues Best-Sellers chart, followed by a rapid succession of fifteen more in less than three years. In 1962, after a five-year period during which Richard abandoned rock and roll music for born-again Christianity, concert promoter Don Arden persuaded him to tour Europe. During this time, the Beatlesopened for Richard on some tour dates.
Richard is cited as one of the first crossover black artists, reaching audiences of all races. His music and concerts broke the color line, drawing black and white people together despite attempts to sustain segregation. Many of his contemporaries, including Elvis Presley, Buddy Holly, Bill Haley, Jerry Lee Lewis, the Everly Brothers, Gene Vincent, Pat Boone, and Eddie Cochran, recorded covers of his works.
Richard was honored by many institutions. He was inducted into the Rock and Roll Hall of Fame as part of its first group of inductees in 1986. He was also inducted into the Songwriters Hall of Fame. He was the recipient of Lifetime Achievement Awards from The Recording Academy and the Rhythm and Blues Foundation. In 2015, Richard received a Rhapsody & Rhythm Award from the National Museum of African American Music. “Tutti Frutti” was included in the National Recording Registry of the Library of Congress in 2010, which stated that his “unique vocalizing over the irresistible beat announced a new era in music”. Little Richard’s creativity took a big role in his music making.
more...Egberto Amin Gismonti (born 5 December 1947) is a Brazilian composer, guitarist and pianist. Gismonti was born in the small city of Carmo, state of Rio de Janeiro, Brazil, into a musical family. His mother was from Sicily and his father was from Beirut, Lebanon. At the age of six, he started studying the piano at the Brazilian Conservatory of Music. After studying the classical repertoire in Brazil for 15 years, he went to Paris, France, to delve into modern music. He studied with Nadia Boulanger (1887–1979), after acceptance as a student by the composer Jean Barraqué, a student of Anton Webern and Schoenberg. Boulanger encouraged Gismonti to write the collective Brazilian experience into his music.
Gismonti is a self-taught guitarist. After returning to Brazil, he designed guitars with more than six strings, expanding the possibilities of the instrument. Approaching the fretboard as if it were a keyboard, Gismonti gives the impression that there is more than a single guitar player. Gismonti’s sojourn in the Xingu region of the Amazon basin made a lasting impression. This is documented musically in tunes such as “Yualapeti” and “Sapain” (Yualapeti shaman, Sapain) and in the recordings Dança das Cabeças (“Dance of the Heads”, 1977), Sol do Meio-Dia (“Noon Sun”, 1978), which he dedicated to the Xingu, and Duas Vozes (“Two Voices”, 1984).
The musical career of Gismonti spans five decades. The major phases are distinguished by record company, the ensemble format, and the musical collaborators. The most important ensembles are his Brazilian group Academia de Danças, including Mauro Senise (saxophone and flutes), Zeca Assumpção (bass) and Nenê (Realcino Lima Filho, drums and percussion), the duo with Naná Vasconcelos (percussion), and the trio with Charlie Haden (bass) and Jan Garbarek (saxophone). Dança das Cabecas, the first ECM record, was nominated “Album of the Year” by Stereo Review and received the 1977 Großer Deutscher Schallplattenpreis.
more...Christopher Hillman (born December 4, 1944 LA, CA) is an American musician. He was the original bassist of the Byrds.
With frequent collaborator Gram Parsons, Hillman was a key figure in the development of country rock, defining the genre through his work with the Byrds, the Flying Burrito Brothers, Manassas and the country-rock group the Desert Rose Band. He was inducted into the Rock and Roll Hall of Fame in 1991 as a member of the Byrds.
more...This striking image shows the densely packed globular cluster known as NGC 2210, which is situated in the Large Magellanic Cloud (LMC). The LMC lies about 157 000 light-years from Earth, and is a so-called satellite galaxy of the Milky Way, meaning that the two galaxies are gravitationally bound. Globular clusters are very stable, tightly bound clusters of thousands or even millions of stars. Their stability means that they can last a long time, and therefore globular clusters are often studied in order to investigate potentially very old stellar populations.
In fact, 2017 research that made use of some of the data that were also used to build this image revealed that a sample of LMC globular clusters were incredibly close in age to some of the oldest stellar clusters found in the Milky Way’s halo. They found that NGC 2210 specifically probably clocks in at around 11.6 billion years of age. Even though this is only a couple of billion years younger than the Universe itself, it made NGC 2210 by far the youngest globular cluster in their sample. All other LMC globular clusters studied in the same work were found to be even older, with four of them over 13 billion years old. This is interesting, because it tells astronomers that the oldest globular clusters in the LMC formed contemporaneously with the oldest clusters in the Milky Way, even though the two galaxies formed independently.
As well as being a source of interesting research, this old-but-relatively-young cluster is also extremely beautiful, with its highly concentrated population of stars. The night sky would look very different from the perspective of an inhabitant of a planet orbiting one of the stars in a globular cluster’s centre: the sky would appear to be stuffed full of stars, in a stellar environment that is thousands of times more crowded than our own.
Dennis Carl Wilson (December 4, 1944 – December 28, 1983) was an American musician who co-founded the Beach Boys. He is best remembered as their drummer and as the middle brother of bandmates Brian and Carl Wilson. Dennis was the only true surfer in the Beach Boys, and his personal life exemplified the “California Myth” that the band’s early songs often celebrated. He was also known for his association with the Manson Family and for co-starring in the 1971 film Two-Lane Blacktop.
Wilson served mainly on drums and baritone backing vocals for the Beach Boys. His playing can be heard on many of the group’s hits, belying the popular misconception that he was always replaced on record by studio musicians. He originally had few lead vocals on the band’s songs due to his limited baritone range, but his prominence as a singer-songwriter increased following their 1968 album Friends. His music is characterized for reflecting his “edginess” and “little of his happy charm”. His original songs for the group included “Little Bird” (1968), “Forever” (1970) and “Cuddle Up” (1972). Friends and biographers have asserted that he was an uncredited writer on “You Are So Beautiful“, a 1974 hit for Joe Cocker frequently performed by Wilson in concert.
During his final years, Wilson struggled with alcoholism and the use of other drugs (including cocaine and heroin), exacerbating longstanding tensions with some of his bandmates. His solo album, Pacific Ocean Blue(1977), was released to warm reviews and moderate sales comparable to those of contemporaneous Beach Boys albums. Sessions for a follow-up, Bambu, disintegrated before his death. In 1983, Wilson drowned at age 39. In 1988, he was posthumously inducted into the Rock and Roll Hall of Fame as a member of the Beach Boys.
more...Terence Woods (born 4 December 1947) is an Irish folk musician, songwriter/singer and multi-instrumentalist.
He is known for his membership in such folk and folk-rock groups as The Pogues, Steeleye Span, Sweeney’s Men, The Bucks, Dr. Strangely Strange and the short-lived Orphanage, with Phil Lynott. Woods also played with his wife Gay, billed initially as The Woods Band and later as Gay and Terry Woods.
Woods is most associated with the mandolin and cittern, but also plays acoustic and electric guitars, mandola, five-string banjo and concertina.
more...James Stanley Hall (December 4, 1930 – December 10, 2013) was an American jazz guitarist, composer and arranger.
Born in Buffalo, New York, Hall moved with his family to Cleveland, Ohio, during his childhood. Hall’s mother played the piano, his grandfathers violin, and his uncles guitar. He began playing the guitar at the age of 10, when his mother gave him an instrument as a Christmas present. At 13 he heard Charlie Christian play on a Benny Goodman record, which he calls his “spiritual awakening”. As a teenager in Cleveland, he performed professionally, and also took up the double bass. Hall’s major influences since childhood were tenor saxophonists Coleman Hawkins, Lester Young, Paul Gonsalves, and Lucky Thompson. While he copied out solos by Charlie Christian, and later Barney Kessel, it was horn players from whom he took the lead. In 1955, Hall attended the Cleveland Institute of Music, where he majored in composition, studying piano and bass in addition to theory.
more...The Heart Nebula (also known as the Running dog nebula, IC 1805, Sharpless 2-190) is an emission nebula, 7500 light years away from Earth and located in the Perseus Arm of the Galaxy in the constellation Cassiopeia. It was discovered by William Herschel on 3 November 1787. It displays glowing ionized hydrogen gas and darker dust lanes.
The brightest part of the nebula (a knot at its western edge) is separately classified as NGC 896, because it was the first part of the nebula to be discovered. The nebula’s intense red output and its morphology are driven by the radiation emanating from a small group of stars near the nebula’s center. This open cluster of stars, known as Collinder 26 or Melotte 15, contains a few bright stars nearly 50 times the mass of the Sun, and many more dim stars that are only a fraction of the Sun’s mass.
The Heart Nebula is also made up of ionised oxygen and sulfur gasses, responsible for the rich blue and orange colours seen in narrowband images. The shape of the nebula is driven by stellar winds from the hot stars in its core. The nebula also spans almost 2 degrees in the sky, covering an area four times that of the diameter of the full moon.
John Michael Thomas (born December 3, 1949) is an American rock singer, best known as one of the lead vocalists of Jefferson Starship and Starship.
Thomas was born in Cairo, Georgia, on December 3, 1949. He was inspired to pursue a career in music after travelling to Atlanta with longtime childhood friends Charles Connell and Tommy Verran to see a Beatles performance in 1965. Thomas, Connell, and Verran formed their first band together; Verran was the lead vocalist. They disbanded while attending different colleges, but later reformed in the early 1970s along with friend Bud Thomas as the Jets.
Thomas was the vocalist for the Lords of London, a garage band from Douglas, Georgia, for a brief time, along with guitarist Billy Folsom, bassist Bob Hutchinson, keyboardist Billy Corbi, and drummer Troy Blasingame.
While singing lead for the Jets in 1974, Thomas joined the Elvin Bishop Group as a backing vocalist and eventually made it to lead vocals.
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