mick laBriola

Barry Doyle Harris (December 15, 1929 – December 8, 2021) was an American jazz pianist, bandleader, composer, arranger, and educator. He was an exponent of the bebop style. Harris was born on December 15, 1929, in Detroit, Michigan, to Melvin Harris and Bessie as the fourth of their five children. Harris took piano lessons from his mother at the age of four. His mother, a church pianist, asked him if he was interested in playing church music or jazz. Having picked the latter, he was influenced by Thelonious Monk and Bud Powell. In his teens, he learned bebop largely by ear, imitating solos by Powell. He described Powell’s style as being the “epitome” of jazz. He performed for dances in clubs and ballrooms. He was based in Detroit through the 1950s and worked with Miles Davis, Sonny Stitt, and Thad Jones, and substituted for Junior Mance in the Gene Ammons band. In 1956, he toured briefly with Max Roach, after Richie Powell, the band’s pianist and younger brother of Bud Powell, died in a car crash.

Buleria dance accompaniemnt includes several distinct moments of interaction between a guitarist and dancers:

• Entrada: when the dancer comes on stage
• Llamada: from the verb “llamar,” to call. The dancer calls to the other people on stage that something is about to happen, for example a new verse or section of footwork
• Desplante: a “display,” a short section of footwork
• Letras: dance that traditionally accompanies passages of singing. Chord progressions suggesting the letra may be included even when a singer is not present.
• Escobilla: long passages of footwork (though not too long – in buleria in particular this is frowned upon)
• Cierre: a closing dance pattern, often one moving across the stage

Leo Wright (December 14, 1933 in Wichita Falls, Texas – January 4, 1991 in Vienna) was an American jazz musician who played alto saxophone, flute and clarinet. He played with Booker Ervin, Charles Mingus, John Hardee, Kenny Burrell, Johnny Coles, Blue Mitchell and Dizzy Gillespie in the late 1950s, early 1960s and in the late 1970s. Relocating to Europe in 1963, Wright settled in Berlin and later Vienna. During this time he performed and recorded primarily in Europe, using European musicians or fellow American expatriates, such as Kenny Clarke and Art Farmer. He died of a heart attack in 1991 at the age of 57.

Phineas Newborn Jr. (December 14, 1931 – May 26, 1989) was an American jazz pianist, whose principal influences were Art Tatum, Oscar Peterson, and Bud Powell.

Newborn was born in Whiteville, Tennessee, and came from a musical family: his father, Phineas Newborn Sr., was a drummer in blues bands, and his younger brother, Calvin, a jazz guitarist. He studied piano as well as trumpet, and tenor and baritone saxophone.

Before moving on to work with Lionel Hampton, Charles Mingus, and others, Newborn first played in an R&B band led by his father on drums, with his brother Calvin on guitar, Tuff Green on bass, Ben Branchand future Hi Records star Willie Mitchell. The group was the house band at the now famous Plantation Inn Club in West Memphis, Arkansas, from 1947 to 1951, and recorded as B. B. King‘s band on his first recordings in 1949, as well as the Sun Records sessions in 1950. They left West Memphis in 1951 to tour with Jackie Brenston as the “Delta Cats” in support of the record “Rocket 88“, recorded by Sam Phillips and considered by many to be the first ever rock & roll record (it was the first Billboard No. 1 record for Chess Records).

Cecil Payne (December 14, 1922 – November 27, 2007) was an American jazz baritone saxophonist born in Brooklyn, New York. Payne also played the alto saxophone and flute. He played with other prominent jazz musicians, in particular Dizzy Gillespie and Randy Weston, in addition to his solo work as bandleader.

Payne received his first saxophone aged 13, asking his father for the instrument after hearing “Honeysuckle Rose” performed by Count Basie with Lester Young soloing. Payne took lessons from a local alto sax player, Pete Brown, and studied at Boys High School, Bedford-Stuyvesant.

Clark Virgil Terry Jr. (December 14, 1920 – February 21, 2015) was an American swing and beboptrumpeter, a pioneer of the flugelhorn in jazz, and a composer and educator.

He played with Charlie Barnet (1947), Count Basie (1948–51), Duke Ellington (1951–59), Quincy Jones(1960), and Oscar Peterson (1964–96). He was with The Tonight Show Band on The Tonight Show from 1962 to 1972. His career in jazz spanned more than 70 years, during which he became one of the most recorded jazz musicians, appearing on over 900 recordings. Terry also mentored Quincy Jones, Miles Davis, Herbie Hancock, Wynton Marsalis, Pat Metheny, Dianne Reeves, and Terri Lyne Carrington.

Terry was born to Clark Virgil Terry Sr. and Mary Terry in St. Louis, Missouri, on December 14, 1920. He attended Vashon High School and began his professional career in the early 1940s, playing in local clubs. He served as a bandsman in the United States Navy during World War II. His first instrument was valve trombone.

Mamadou Sanou, better known as Baba Commandant, on November 26, 2023, of malaria fever in his hometown of Bobo-Diulasso. Baba Commandant was an influential and highly respected Manding musician in Burkina Faso.

Baba Commandant, or Mamadou Sanou by birth, carved a niche for himself as a highly esteemed musician within the vibrant Burkinabé music scene. Renowned for his distinctive style and eccentric persona, he effortlessly stood out among his musical peers. The sudden and unexpected nature of his departure has sent shockwaves through the hearts of his friends and family, leaving them in a state of mourning. During this challenging time, we offer our most heartfelt sympathies to those who were close to him. Originating from Bobo-Dioulasso in Burkina Faso, Mamadou Sanou embarked on his musical odyssey in 1981. Demonstrating his versatility as a performer, director, dancer, and songwriter, he crafted a distinctive brand of Manding music, blending Afrobeat with echoes of Fela Kuti’s influence. Beyond his artistic pursuits, Baba Commandant assumed the role of a musical educator, imparting his knowledge by teaching children to play the Donso ngoni, a traditional West African string instrument. Guiding the Mandingo Band as the main vocalist and donso ngoni player, Baba Commandant infused the group with his contagious energy and compelling stage charisma. Comprising drummer Abbass Kaboré, bassist Wendeyida Ouedraogo, and lead guitarist Issouf Diabaté, the band collaboratively produced three albums, including their latest recording in 2022. A fervent champion of traditional Mandingo music, Baba Commandant skillfully merged age-old traditions with contemporary influences. Through his distinctive approach, he pushed the boundaries that typically delineate traditional and modern music. His legacy as a trailblazer in the music industry stands as a lasting source of inspiration for both seasoned professionals and emerging musicians alike.

The large emission nebula on the left, catalogued as IC 1805, looks somewhat like a human heart. The nebula glows brightly in red light emitted by its most prominent element,hydrogen, but this long-exposure image was also blended with light emitted by silicon (yellow) and oxygen (blue). In the center of the Heart Nebula are young stars from the open star cluster Melotte 15 that are eroding away several picturesque dust pillars with their atom-exciting energetic light and winds. The Heart Nebula is located about 7,500 light years away toward the constellation of Cassiopeia. At the bottom right of the Heart Nebula is the companion Fishhead Nebula. This wide and deep image clearly shows, though, that glowing gas surrounds the Heart Nebula in all directions.

Joseph Lucian Messina (December 13, 1928 – April 4, 2022) was an American guitarist. Dubbed the “whitebrother with soul“, he was one of the most prolific guitarists in Motown Records‘ in-house studio band, the Funk Brothers. Messina was born in Detroit on December 13, 1928. He started playing the guitar when he was thirteen, after his father purchased one for him. Messina initially attended Central High School in his hometown, before studying music at Cass Technical High School. He eventually dropped out to focus on becoming a professional musician

Benjamin M. Tucker (December 13, 1930 – June 4, 2013) was an American jazz bassist who appeared on hundreds of recordings. Tucker played on albums by Art Pepper, Billy Taylor, Quincy Jones, Grant Green, Dexter Gordon, Hank Crawford, Junior Mance, and Herbie Mann.

He was born in Tennessee. As bass player in the Dave Bailey Quintet in 1961, he wrote the instrumental version of the song “Comin’ Home Baby!“, first issued on the album Two Feet in the Gutter. Bob Doroughlater wrote a lyric to the song, and the vocal version became a Top 40 hit for jazz singer Mel Tormé in 1962.

Tucker released the album Baby, You Should Know It (Ava, 1963) with Victor Feldman, Larry Bunker, Bobby Thomas, Ray Crawford, Tommy Tedesco, and Carlos “Patato” Valdes.

William Alexander “Sonny” Greer (December 13, c. 1895 – March 23, 1982) was an American jazz drummer and vocalist, best known for his work with Duke Ellington.

Greer was born in Long Branch, New Jersey, United States, and studied drums with vaudeville drummer J. Rosemond Johnson. He played with Elmer Snowden‘s band and the Howard Theatre‘s orchestra in Washington, D.C., before joining Duke Ellington, whom he met in 1919. He was Ellington’s first drummer, playing with his quintet, the Washingtonians, and moved with Ellington into the Cotton Club. As a result of his job as a designer with the Leedy Drum Company of Indiana, Greer was able to build up a huge drum kit worth over a then-considerable $3,000, including chimes, a gong, timpani, and vibes.

Carlos García Montoya (13 December 1903 – 3 March 1993) born in Madrid, Spain, was a prominent flamenco guitarist and a founder of the modern-day popular flamenco style of music.

He was the nephew of renowned flamenco guitarist Ramón Montoya. He first learned from his mother, “la Tula”, and then from a neighboring barber, Pepe el Barbero, i.e. Pepe the Barber. After one year Montoya had completed what Pepe was able to teach him. Carlos left to learn what he could from other flamenco guitarists of the time. At fourteen he was playing in the “cafes cantantes,” in the heyday of flamenco singing and dancing, for such artists as Antonio de Bilbao, Juan el Estampío, La Macarrona and La Camisona in Madrid, Spain.

Our Milky Way Galaxy. This grand disk of stars and nebulas here appears to encircle much of the southern sky. Visible below the stellar arch is the rusty-orange planet Mars and the extended Andromeda galaxy. But this night had more! For a few minutes during this cold arctic night, a second giant arch appeared encircling part of the northern sky: an aurora. Auroras are much closer than stars as they are composed of glowing air high in Earth’s atmosphere. Visible outside the green auroral arch is the group of stars popularly known as the Big Dipper. The featured digital composite of 20 images was captured in mid-November 2022 over the Lofoten Islands in Norway.

Grover Washington Jr. (December 12, 1943 – December 17, 1999) was an American jazz-funk and soul-jazz saxophonist and Grammy Award winner. Along with Wes Montgomery and George Benson, he is considered by many to be one of the founders of the smooth jazz genre. He wrote some of his material and later became an arranger and producer.

Throughout the 1970s and 1980s, Washington made some of the genre’s most memorable hits, including “Mister Magic”, “Reed Seed”, “Black Frost”, “Winelight”, “Inner City Blues”, “Let it Flow (For ‘Dr. J’)”, and “The Best is Yet to Come”. In addition, he performed very frequently with other artists, including Bill Witherson “Just the Two of Us“, Patti LaBelle on “The Best Is Yet to Come“, and Phyllis Hyman on “A Sacred Kind of Love”. He is also remembered for his take on the Dave Brubeck classic “Take Five“, and for his 1996 version of “Soulful Strut“. On December 17, 1999, five days after his 56th birthday, Washington collapsed while waiting in the green room after performing four songs for The Saturday Early Show, at CBS Studios in New York City. He was taken to St. Luke’s-Roosevelt Hospital, where he was pronounced dead at about 7:30 pm. His doctors determined that he had suffered a massive heart attack.

Anthony Tillmon Williams (December 12, 1945 – February 23, 1997) was an American jazz drummer. Williams first gained fame as a member of Miles Davis‘ “Second Great Quintet,” and later pioneered jazz fusion with Davis’ group and his own combo, the Tony Williams Lifetime. In 1970, music critic Robert Christgau described him as “probably the best drummer in the world.” Williams was inducted into the Modern Drummer Hall of Fame in 1986. Williams was born in Chicago and grew up in Boston. He was of African, Portuguese, and Chinese descent. He studied with drummer Alan Dawson at the age of 11, and began playing professionally at the age of 13 with saxophonist Sam Rivers. Saxophonist Jackie McLean hired Williams when he was 16. On February 20, 1997, Williams checked into Seton Medical Center in Daly City, California, suffering from stomach pain. Three days later, while recuperating from gall bladder surgery, he died of a heart attack. He was 51 years old.