mick laBriola

It’s stars versus dust in the Carina Nebula and the stars are winning. More precisely, the energetic light and winds from massive newly formed stars are evaporating and dispersing the dusty stellar nurseries in which they formed. Located in the Carina Nebula and inside a region known informally as Mystic Mountain, these pillars’ appearance is dominated by opaque brown dust even though it is composed mostly of clear hydrogen gas. Even though some of the dust pillars look like torches, their ends are not on fire — rather, they are illuminated by nearby stars. About 7,500 light-years distant, the featured image was taken with the Hubble Space Telescope and highlights an interior region of Carina known as HH1066 which spans nearly a light year. Within a few million years, the stars will likely win out completely and the dust torches will completely evaporate.

David Warren Brubeck (/ˈbruːbɛk/; December 6, 1920 – December 5, 2012) was an American jazz pianist and composer. Often regarded as a foremost exponent of cool jazz, Brubeck’s work is characterized by unusual time signatures and superimposing contrasting rhythms, meters, and tonalities.

Born in Concord, California, Brubeck was drafted into the US Army, but was spared from combat service when a Red Cross show he had played at became a hit. Within the US Army, Brubeck formed one of the first racially diverse bands. In 1951, Brubeck formed the Dave Brubeck Quartet, which kept its name despite shifting personnel. The most successful—and prolific—lineup of the quartet was the one between 1958 and 1968. This lineup, in addition to Brubeck, featured saxophonist Paul Desmond, bassist Eugene Wright and drummer Joe Morello. A U.S. Department of State-sponsored tour in 1958 featuring the band inspired several of Brubeck’s subsequent albums, most notably the 1959 album Time Out. Despite its esoteric theme and contrarian time signatures, Time Out became Brubeck’s highest-selling album, and the first jazz album to sell over one million copies. The lead single from the album, “Take Five“, a tune written by Desmond in ⁵₄ time, similarly became the highest-selling jazz single of all time. The quartet followed up Time Out with four other albums in non-standard time signatures, and some of the other songs from this series became hits as well, including “Blue Rondo à la Turk” (in ⁹₈) and “Unsquare Dance” (in ⁷₄). Brubeck continued releasing music until his death in 2012.

Brubeck’s style ranged from refined to bombastic, reflecting both his mother’s classical training and his own improvisational skills. He expressed elements of atonality and fugue. Brubeck, with Desmond, used elements of West Coast jazz near the height of its popularity, combining them with the unorthodox time signatures seen in Time Out. Like many of his contemporaries, Brubeck played into the style of the French composer Darius Milhaud, especially his earlier works, including “Serenade Suite” and “Playland-At-The-Beach”. Brubeck’s fusion of classical music and jazz would come to be known as “third stream“, although Brubeck’s use of third stream would predate the coining of the term. John Fordham of The Guardian commented: “Brubeck’s real achievement was to blend European compositional ideas, very demanding rhythmic structures, jazz song-forms and improvisation in expressive and accessible ways.”

Brubeck was the recipient of several music awards and honors throughout his lifetime. In 1996, Brubeck received a Grammy Lifetime Achievement Award. In 2008, Brubeck was inducted into the California Hall of Fame, and a year later, he was given an honorary Doctor of Music degree from Berklee College of Music. Brubeck’s 1959 album Time Out was added to the Library of Congress‘ National Recording Registry in 2005. Noted as “one of Jazz’s first pop stars” by the Los Angeles Times, Brubeck rejected his fame, and felt uncomfortable with Time magazine featuring him on the cover before Duke Ellington.

It is located in the southern part of the constellation, about 1° west of the star 10 Lacertae, a blue main sequence star of spectral class O9V; it has the appearance of a tenuous filament oriented in a north-east-southwest direction, invisible to simple observation using amateur instruments due to its weakness. The most suitable period for its observation in the evening sky falls in the months between August and January, in particular for the regions located in the northern hemisphere.

Sh2-126 constitutes the brightest nebulous filament of the complex of dispersed clouds associated with Lacerta OB1, an OB association located about 370 parsecs (1200 light years) away, at a rather high galactic latitude; the source of the ionization of its gases is the intense ultraviolet radiation of the star 10 Lacertae, the dominant star of the association of which it is part. Near this cloud is the long filament cataloged as LBN 437, associated with a group of pre-main sequence stars and Herbig’s Ae/Be stars.

Richard Wayne Penniman (December 5, 1932 – May 9, 2020), known professionally as Little Richard, was an American singer, pianist, and songwriter. He was an influential figure in popular music and culture for seven decades. Described as the “Architect of Rock and Roll“, Richard’s most celebrated work dates from the mid-1950s, when his charismatic showmanship and dynamic music, characterized by frenetic piano playing, pounding back beat and powerful raspy vocals, laid the foundation for rock and roll. Richard’s innovative emotive vocalizations and uptempo rhythmic music played a key role in the formation of other popular music genres, including soul and funk. He influenced singers and musicians across musical genres from rock to hip hop; his music helped shape rhythm and blues for generations.

“Tutti Frutti” (1955), one of Richard’s signature songs, became an instant hit, crossing over to the pop charts in the United States and the United Kingdom. His next hit single, “Long Tall Sally” (1956), hit No. 1 on the Billboard Rhythm and Blues Best-Sellers chart, followed by a rapid succession of fifteen more in less than three years. In 1962, after a five-year period during which Richard abandoned rock and roll music for born-again Christianity, concert promoter Don Arden persuaded him to tour Europe. During this time, the Beatlesopened for Richard on some tour dates.

Richard is cited as one of the first crossover black artists, reaching audiences of all races. His music and concerts broke the color line, drawing black and white people together despite attempts to sustain segregation. Many of his contemporaries, including Elvis Presley, Buddy Holly, Bill Haley, Jerry Lee Lewis, the Everly Brothers, Gene Vincent, Pat Boone, and Eddie Cochran, recorded covers of his works.

Richard was honored by many institutions. He was inducted into the Rock and Roll Hall of Fame as part of its first group of inductees in 1986. He was also inducted into the Songwriters Hall of Fame. He was the recipient of Lifetime Achievement Awards from The Recording Academy and the Rhythm and Blues Foundation. In 2015, Richard received a Rhapsody & Rhythm Award from the National Museum of African American Music. “Tutti Frutti” was included in the National Recording Registry of the Library of Congress in 2010, which stated that his “unique vocalizing over the irresistible beat announced a new era in music”. Little Richard’s creativity took a big role in his music making.

This striking image shows the densely packed globular cluster known as NGC 2210, which is situated in the Large Magellanic Cloud (LMC). The LMC lies about 157 000 light-years from Earth, and is a so-called satellite galaxy of the Milky Way, meaning that the two galaxies are gravitationally bound. Globular clusters are very stable, tightly bound clusters of thousands or even millions of stars. Their stability means that they can last a long time, and therefore globular clusters are often studied in order to investigate potentially very old stellar populations.

In fact, 2017 research that made use of some of the data that were also used to build this image revealed that a sample of LMC globular clusters were incredibly close in age to some of the oldest stellar clusters found in the Milky Way’s halo. They found that NGC 2210 specifically probably clocks in at around 11.6 billion years of age. Even though this is only a couple of billion years younger than the Universe itself, it made NGC 2210 by far the youngest globular cluster in their sample. All other LMC globular clusters studied in the same work were found to be even older, with four of them over 13 billion years old. This is interesting, because it tells astronomers that the oldest globular clusters in the LMC formed contemporaneously with the oldest clusters in the Milky Way, even though the two galaxies formed independently.

As well as being a source of interesting research, this old-but-relatively-young cluster is also extremely beautiful, with its highly concentrated population of stars. The night sky would look very different from the perspective of an inhabitant of a planet orbiting one of the stars in a globular cluster’s centre: the sky would appear to be stuffed full of stars, in a stellar environment that is thousands of times more crowded than our own.