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Westerhout 5 (Sharpless 2-199, LBN 667, Soul Nebula) is an emission nebula located in Cassiopeia. Several small open clusters are embedded in the nebula: CR 34, 632, and 634 (in the head) and IC 1848 (in the body). The object is more commonly called by the cluster designation IC 1848.

Small emission nebula IC 1871 is present just left of the top of the head, and small emission nebulae 670 and 669 are just below the lower back area.

The galaxies Maffei 1 and Maffei 2 are both nearby the nebula, although light extinction from the Milky Way makes them very hard to see. Once thought to be part of the Local Group, they are now known to belong to their own group- the IC 342/Maffei Group.

This complex is the eastern neighbor of IC1805 (Heart Nebula) and the two are often mentioned together as the “Heart and Soul”.

Thomas Alan Waits (born December 7, 1949) is an American musician, composer, songwriter, and actor. His lyrics often focus on the underbelly of society and are delivered in his trademark deep, gravelly voice. He worked primarily in jazz, blues, country, and spoken word during the 1970s, but his music since the 1980s has reflected greater influence from rock, vaudeville, German Expressionism and experimental genres.

Waits was born and raised in a middle-class family in California. Inspired by the work of Bob Dylan and the Beat Generation, he began singing on the San Diego folk music circuit as a young man. He relocated to Los Angeles in 1972, where he worked as a songwriter before signing a recording contract with Asylum Records. His first albums were the jazz-oriented Closing Time (1973) and The Heart of Saturday Night (1974), which reflected his lyrical interest in nightlife, poverty, and criminality. He repeatedly toured the United States, Europe, and Japan, and attracted greater critical recognition and commercial success with Small Change(1976), Blue Valentine (1978), and Heartattack and Vine (1980). He produced the soundtrack for Francis Ford Coppola‘s film One from the Heart (1981), and subsequently made cameo appearances in several Coppola films.

In 1980, Waits married Kathleen Brennan, split from his manager and record label, and moved to New York City. With Brennan’s encouragement and frequent collaboration, he pursued a more experimental and eclectic musical aesthetic influenced by the work of Harry Partch and Captain Beefheart. This was reflected in a series of albums released by Island Records, including Swordfishtrombones (1983), Rain Dogs (1985), and Franks Wild Years (1987). He continued appearing in films, notably starring in Jim Jarmusch‘s Down by Law (1986), and also appeared in stage productions. With theatre director Robert Wilson, he produced the musicals The Black Rider (1990) and Alice (1992), first performed in Hamburg. He returned to California in the 1990s and released three albums, Bone Machine (1992), The Black Rider (1993), and Mule Variations(1999), which earned him increasing critical acclaim and multiple Grammy Awards. In the late 1990s, he switched to the record label ANTI-, which released Blood Money (2002), Alice (2002), Real Gone (2004), and Bad as Me (2011).

Despite a lack of mainstream commercial success, Waits has influenced many musicians and gained an international cult following, and several biographies have been written about him. In 2015, he was ranked No. 55 on Rolling Stone‘s “100 Greatest Songwriters of All Time“. He was inducted into the Rock and Roll Hall of Fame in 2011.

It’s stars versus dust in the Carina Nebula and the stars are winning. More precisely, the energetic light and winds from massive newly formed stars are evaporating and dispersing the dusty stellar nurseries in which they formed. Located in the Carina Nebula and inside a region known informally as Mystic Mountain, these pillars’ appearance is dominated by opaque brown dust even though it is composed mostly of clear hydrogen gas. Even though some of the dust pillars look like torches, their ends are not on fire — rather, they are illuminated by nearby stars. About 7,500 light-years distant, the featured image was taken with the Hubble Space Telescope and highlights an interior region of Carina known as HH1066 which spans nearly a light year. Within a few million years, the stars will likely win out completely and the dust torches will completely evaporate.

David Warren Brubeck (/ˈbruːbɛk/; December 6, 1920 – December 5, 2012) was an American jazz pianist and composer. Often regarded as a foremost exponent of cool jazz, Brubeck’s work is characterized by unusual time signatures and superimposing contrasting rhythms, meters, and tonalities.

Born in Concord, California, Brubeck was drafted into the US Army, but was spared from combat service when a Red Cross show he had played at became a hit. Within the US Army, Brubeck formed one of the first racially diverse bands. In 1951, Brubeck formed the Dave Brubeck Quartet, which kept its name despite shifting personnel. The most successful—and prolific—lineup of the quartet was the one between 1958 and 1968. This lineup, in addition to Brubeck, featured saxophonist Paul Desmond, bassist Eugene Wright and drummer Joe Morello. A U.S. Department of State-sponsored tour in 1958 featuring the band inspired several of Brubeck’s subsequent albums, most notably the 1959 album Time Out. Despite its esoteric theme and contrarian time signatures, Time Out became Brubeck’s highest-selling album, and the first jazz album to sell over one million copies. The lead single from the album, “Take Five“, a tune written by Desmond in ⁵₄ time, similarly became the highest-selling jazz single of all time. The quartet followed up Time Out with four other albums in non-standard time signatures, and some of the other songs from this series became hits as well, including “Blue Rondo à la Turk” (in ⁹₈) and “Unsquare Dance” (in ⁷₄). Brubeck continued releasing music until his death in 2012.

Brubeck’s style ranged from refined to bombastic, reflecting both his mother’s classical training and his own improvisational skills. He expressed elements of atonality and fugue. Brubeck, with Desmond, used elements of West Coast jazz near the height of its popularity, combining them with the unorthodox time signatures seen in Time Out. Like many of his contemporaries, Brubeck played into the style of the French composer Darius Milhaud, especially his earlier works, including “Serenade Suite” and “Playland-At-The-Beach”. Brubeck’s fusion of classical music and jazz would come to be known as “third stream“, although Brubeck’s use of third stream would predate the coining of the term. John Fordham of The Guardian commented: “Brubeck’s real achievement was to blend European compositional ideas, very demanding rhythmic structures, jazz song-forms and improvisation in expressive and accessible ways.”

Brubeck was the recipient of several music awards and honors throughout his lifetime. In 1996, Brubeck received a Grammy Lifetime Achievement Award. In 2008, Brubeck was inducted into the California Hall of Fame, and a year later, he was given an honorary Doctor of Music degree from Berklee College of Music. Brubeck’s 1959 album Time Out was added to the Library of Congress‘ National Recording Registry in 2005. Noted as “one of Jazz’s first pop stars” by the Los Angeles Times, Brubeck rejected his fame, and felt uncomfortable with Time magazine featuring him on the cover before Duke Ellington.

It is located in the southern part of the constellation, about 1° west of the star 10 Lacertae, a blue main sequence star of spectral class O9V; it has the appearance of a tenuous filament oriented in a north-east-southwest direction, invisible to simple observation using amateur instruments due to its weakness. The most suitable period for its observation in the evening sky falls in the months between August and January, in particular for the regions located in the northern hemisphere.

Sh2-126 constitutes the brightest nebulous filament of the complex of dispersed clouds associated with Lacerta OB1, an OB association located about 370 parsecs (1200 light years) away, at a rather high galactic latitude; the source of the ionization of its gases is the intense ultraviolet radiation of the star 10 Lacertae, the dominant star of the association of which it is part. Near this cloud is the long filament cataloged as LBN 437, associated with a group of pre-main sequence stars and Herbig’s Ae/Be stars.

Richard Wayne Penniman (December 5, 1932 – May 9, 2020), known professionally as Little Richard, was an American singer, pianist, and songwriter. He was an influential figure in popular music and culture for seven decades. Described as the “Architect of Rock and Roll“, Richard’s most celebrated work dates from the mid-1950s, when his charismatic showmanship and dynamic music, characterized by frenetic piano playing, pounding back beat and powerful raspy vocals, laid the foundation for rock and roll. Richard’s innovative emotive vocalizations and uptempo rhythmic music played a key role in the formation of other popular music genres, including soul and funk. He influenced singers and musicians across musical genres from rock to hip hop; his music helped shape rhythm and blues for generations.

“Tutti Frutti” (1955), one of Richard’s signature songs, became an instant hit, crossing over to the pop charts in the United States and the United Kingdom. His next hit single, “Long Tall Sally” (1956), hit No. 1 on the Billboard Rhythm and Blues Best-Sellers chart, followed by a rapid succession of fifteen more in less than three years. In 1962, after a five-year period during which Richard abandoned rock and roll music for born-again Christianity, concert promoter Don Arden persuaded him to tour Europe. During this time, the Beatlesopened for Richard on some tour dates.

Richard is cited as one of the first crossover black artists, reaching audiences of all races. His music and concerts broke the color line, drawing black and white people together despite attempts to sustain segregation. Many of his contemporaries, including Elvis Presley, Buddy Holly, Bill Haley, Jerry Lee Lewis, the Everly Brothers, Gene Vincent, Pat Boone, and Eddie Cochran, recorded covers of his works.

Richard was honored by many institutions. He was inducted into the Rock and Roll Hall of Fame as part of its first group of inductees in 1986. He was also inducted into the Songwriters Hall of Fame. He was the recipient of Lifetime Achievement Awards from The Recording Academy and the Rhythm and Blues Foundation. In 2015, Richard received a Rhapsody & Rhythm Award from the National Museum of African American Music. “Tutti Frutti” was included in the National Recording Registry of the Library of Congress in 2010, which stated that his “unique vocalizing over the irresistible beat announced a new era in music”. Little Richard’s creativity took a big role in his music making.