mick laBriola

Cindy Blackman Santana (born November 18, 1959), sometimes known as Cindy Blackman, is an American jazz and rock drummer. Blackman has recorded several jazz albums as a bandleader and has performed with Pharoah Sanders, Sonny Simmons, Ron Carter, Sam Rivers, Cassandra Wilson, Angela Bofill, Buckethead, Bill Laswell, Lenny Kravitz, Joe Henderson and Joss Stone.

Born November 18, 1959, in Yellow Springs, Ohio, her mother and grandmother were classical musicians and her uncle a vibist. When Cindy was a child, her mother took her to classical concerts.

Donald Eugene Cherry (November 18, 1936 – October 19, 1995) was an American jazz trumpeter. Beginning in the late 1950s, he had a long tenure performing in the bands of saxophonist Ornette Coleman, including on the pioneering free jazz albums The Shape of Jazz to Come (1959) and Free Jazz: A Collective Improvisation (1960). Cherry also collaborated separately with musicians such as John Coltrane, Charlie Haden, Sun Ra, Ed Blackwell, the New York Contemporary Five, and Albert Ayler.

Cherry released his debut album as bandleader, Complete Communion, in 1966. In the 1970s, he became a pioneer in world fusion music, drawing on traditional African, Middle Eastern, and Hindustani music. He was a member of the ECM group Codona, along with percussionist Naná Vasconcelos and sitar and tabla player Collin Walcott. AllMusic called Cherry “one of the most influential jazz musicians of the late 20th century.” Cherry was born in Oklahoma City, Oklahoma, to a mother of Choctaw descent and an African-Americanfather.

Cherry died on October 19, 1995, at the age of 58 from liver cancer in Málaga, Spain. Cherry was inducted into the Oklahoma Jazz Hall of Fame in 2011.

Máximo Francisco Repilado Muñoz Telles (18 November 1907 – 13 July 2003), known professionally as “Compay Segundo“, was a Cuban trova guitarist, singer and composer. Compay (meaning compadre) Segundo, so called because he was always second voice in his musical partnerships, was born in Siboney, Cuba, and moved to Santiago de Cuba at the age of nine. His first engagement was in the Municipal  Band of Santiago de Cuba, directed by his teacher, Enrique Bueno. In 1934, after a spell in a quintet, he moved to Havana, where he also played the clarinet in the Municipal Band. He also learned to play the guitar and the tres, which became his usual instruments. Compay Segundo also invented the armónico, a seven-stringed guitar-like instrument, to fill the harmonic jump between the Spanish guitar and the tres. In the 1950s he became well known as the second voice and tres player in Los Compadres, a duo he formed with Lorenzo Hierrezuelo in 1947.

Performing Friday November 17th 2023 630pm with Tami Morse and Rachel Stock Spilker.

Imrat Khan (17 November 1935 – 22 November 2018) was an Indian sitar and surbahar player and composer. He was the younger brother of sitar maestro Ustad Vilayat Khan.

Imrat Khan was born in Calcutta on 17 November 1935 into a family of musicians tracing its roots back for several generations, to the court musicians of the Mughal rulers. The training in music traditionally has been passed down from father to son for nearly 400 years. He belonged to Etawah gharana also known as Imdadkhani gharana of classical musicians. Imrat Khan’s father was Enayat Khan (1895–1938), recognised as a leading sitar and surbahar player of his time, as had been his grandfather, Imdad Khan (1848–1920), before him. Imrat Khan’s father died when Imrat was a child, so he was raised by his mother, Bashiran Begum and her father, singer Bande Hassan Khan. In 1944, the family moved with Vilayat Khan, Imrat’s older brother, to Bombay where both the brothers learned sitar-playing extensively from their uncle Wahid Khan. In 1952, Vilayat and Imrat moved in together in Calcutta. They performed together for many years. The two brothers were part of the first cultural delegation to the Soviet Union and Eastern Europe in 1956.

November 17th 1946 Duralde, LA

The son of Creole accordion legend Alphonse “Bois Sec” Ardoin, Lawrence “Black” Ardoin not only carried on the family’s musical traditions, but he later passed on the torch to his own son Chris, one of the most acclaimed proponents of the nouvelle zydeco sound. Born in Duralde, Louisiana in 1946, Ardoin was the second of Bois Sec‘s sons, joining his father and siblings Morris and Gustave in the Ardoin Brothers Band; originally a drummer, he took over accordion duties when Gustave was killed in a 1974 auto accident, and upon his father’s mid-1970s retirement assumed full leadership of the group. However, over time the confines of traditional Creole music stifled Ardoin, and in the early 1980s he formed a new combo, the French Zydeco Band, which also allowed him to pursue his interests in Cajun and swamp-pop sounds. In 1984, the group debuted with the LP Lawrence “Black” Ardoin and His French Zydeco Band; a long recording hiatus preceded the release of 1992’s follow-up, Hot and Spicy Zydeco. Following its release, Ardoin formed a new group, Lagniappe, which included his son Chris on accordion; as the youngster continued his creative evolution, he began leading his own unit, Double Clutchin’, which Lawrence also managed.

David Werner Amram III (born November 17, 1930) is an American composer, arranger, and conductor of orchestral, chamber, and choral works, many with jazz flavorings. He plays piano, French horn, Spanish guitar, and pennywhistle, and sings.

Amram was born in Philadelphia, the son of legal scholar Philip Werner Amram. He studied at the Oberlin Conservatory of Music in 1948–1949, and earned a bachelor’s degree in European history from George Washington University in 1952. In 1955 he enrolled at the Manhattan School of Music, where he studied under Dimitri Mitropoulos, Vittorio Giannini, and Gunther Schuller. Under Schuller he studied French horn.

Flamenco Fusion entitled Brujolerías, Witchcraft por Bulerías

Diana Jean Krall OC OBC (born November 16, 1964) is a Canadian jazz pianist and singer known for her contralto vocals. She has sold more than 15 million albums worldwide, including over six million in the US. On December 11, 2009, Billboard magazine named her the second greatest jazz artist of the decade (2000–2009), establishing her as one of the best-selling artists of her time.

Krall is the only jazz singer to have had eight albums debuting at the top of the Billboard Jazz Albums. To date, she has won three Grammy Awards and eight Juno Awards. She has also earned nine gold, three platinum, and seven multi-platinum albums.

Krall was born on November 16, 1964, in Nanaimo, British Columbia, the daughter of Adella A. (née Wende), an elementary school teacher, and Stephen James “Jim” Krall, an accountant.^[3][4][5] Krall’s only sibling, Michelle, is a former member of the Royal Canadian Mounted Police (RCMP). Krall’s father played piano at home, and her mother sang in a community choir. Krall began studying piano herself at the age of four and took exams through The Royal Conservatory of Music. In high school, she was a member of a student jazz group; at 15, she began playing professionally in local restaurants. Krall won a scholarship to attend the Berklee College of Music in Boston, where she studied from 1981 to 1983, before spending time in Los Angeles to play jazz. She returned to Canada to record her first album in 1992.

Hubert Charles Sumlin (November 16, 1931 – December 4, 2011) was a Chicago blues guitarist and singer, best known for his “wrenched, shattering bursts of notes, sudden cliff-hanger silences and daring rhythmic suspensions” as a member of Howlin’ Wolf‘s band. He was ranked number 43 in Rolling Stone‘s “100 Greatest Guitarists of All Time”. Sumlin was born in Greenwood, Mississippi, and raised in Hughes, Arkansas. He got his first guitar when he was eight years old. As a boy, he met Howlin’ Wolf by sneaking into a performance.

William Christopher Handy (November 16, 1873 – March 28, 1958) Florence, Alabama was an American composer and musician who referred to himself as the Father of the Blues. He was one of the most influential songwriters in the United States. One of many musicians who played the distinctively American bluesmusic, Handy did not create the blues genre but was the first to publish music in the blues form, thereby taking the blues from a regional music style (Delta blues) with a limited audience to a new level of popularity.

Handy was an educated musician who used elements of folk music in his compositions. He was scrupulous in documenting the sources of his works, which frequently combined stylistic influences from various performers.

Susie Ibarra (born Anaheim, November 15, 1970) is a contemporary composer and percussionist who has worked and recorded with jazz, classical, world, and indigenous musicians. One of SPIN’s “100 Greatest Drummers of Alternative Music,” she is known for her work as a performer in avant-garde, jazz, world, and new music. As a composer, Ibarra incorporates diverse styles and the influences of Philippine Kulintang, jazz, classical, poetry, musical theater, opera, and electronic music. Ibarra remains active as a composer, performer, educator, and documentary filmmaker in the U.S., Philippines, and internationally. She is interested and involved in works that blend folkloric and indigenous tradition with avant-garde. In 2004, Ibarra began field recording indigenous Philippine music, and in 2009 she co-founded Song of the Bird King, an organization focusing on the preservation of Indigenous music and ecology.