mick laBriola

Hubert Laws (born November 10, 1939) is an American flutist and saxophonist with a career spanning over 40 years in jazz, classical, and other music genres. Laws is one of the few classical artists who has also mastered jazz, pop, and rhythm-and-blues genres, moving effortlessly from one repertory to another. He has three Grammy nominations.

Hubert Laws, Jr. was born November 10, 1939, in the Studewood section of Houston, Texas, the second of eight children to Hubert Laws, Sr. and Miola Luverta Donahue. Many of his siblings also entered the music industry, including saxophonist Ronnie and vocalists Eloise, Debra, and Johnnie Laws. He began playing flute in high school after volunteering to substitute for the school orchestra’s regular flutist. He became adept at jazz improvisation by playing in the Houston-area jazz group the Swingsters, which eventually evolved into the Modern Jazz Sextet, the Night Hawks, and The Crusaders. At the age of 15, he was a member of the early Jazz Crusaders while in Texas (1954–60), and also played classical music during those years.

Andrew Charles Cyrille (born November 10, 1939) is an American avant-garde jazz drummer. Throughout his career, he has performed both as a leader and a sideman in the bands of Walt Dickerson and Cecil Taylor, among others. AllMusic biographer Chris Kelsey wrote: “Few free-jazz drummers play with a tenth of Cyrille’s grace and authority. His energy is unflagging, his power absolute, tempered only by an ever-present sense of propriety.”

Cyrille was born in Brooklyn, New York, United States, into a Haitian family. He began studying science at St. John’s University, but was already playing jazz in the evenings and switched his studies to the Juilliard School. His first drum teachers were fellow Brooklyn-based drummers Willie Jones and Lenny McBrowne; through them, Cyrille met Max Roach. Nonetheless, Cyrille became a disciple of Philly Joe Jones.

Paul Bley, CM (November 10, 1932 – January 3, 2016) was a Canadian jazz pianist known for his contributions to the free jazz movement of the 1960s as well as his innovations and influence on trio playing and his early live performance on the Moog and ARP synthesizers. His music has been described by Ben Ratliff of the New York Times as “deeply original and aesthetically aggressive”. Bley’s prolific output includes influential recordings from the 1950s through to his solo piano recordings of the 2000s.

Bley was born in Montreal, Quebec, on November 10, 1932. His adoptive parents were Betty Marcovitch, an immigrant from Romania, and Joseph Bley, owner of an embroidery factory, who named him Hyman Bley. However, in 1993 a relative from the New York branch of the Bley family walked into the Sweet Basil Jazz Club in New York City and informed Bley that his father was actually his biological parent.

The core of the Tangos is the letra, three or four octosyllabic lines. As with the Bulerías, the  the first line is often repeated, and the repeated lines are balanced by a longer consequent phrase. Before a letra a Tangos may open with a guitar falseta or an estribillo, in which the singer sings a traditional melody with nonsense syllables (“le le le, ni, ni, etc.). The estribillo may return throughout the piece as a chorus after a letra.

Once the letra begins it can be broken up several times with remates performed by the dancer. This usually occurs between the first and second line of the letra, and often occurs more frequently, giving the dance a improvisatory air. Thus, the letras themselves can be further broken up with remates or escobillas from the dancer or with guitar falsetas. A dancer may also choose to perform a long footwork passage accompanied by compás patterns from the guitarist and palmista (an escobilla performed “a palo seco” or dry, without guitar accompaniment). As in Bulerías, Tangos can end with a cierre – a closing pattern – that is based on a different set of chords than the letras. The dancer can also perform a cue (llamada) that leads into a traveling exit – a salida. It’s also common to end certain forms in flamenco with a macho, a transition into a faster, related form. Tangos wiil often end with a brief Rumba Flamenca. Similarly, Tientos will often end with a brief Tangos.

Mary Allin Travers (November 9, 1936 – September 16, 2009) was an American singer-songwriter who was known for being in the famous 1960s folk trio Peter, Paul and Mary, along with Peter Yarrow and Paul Stookey. Travers grew up amid the burgeoning folk scene in New York City‘s Greenwich Village, and she released five solo albums. She sang in the contralto range.

Mary Travers was born in 1936 in Louisville, Kentucky, to Robert Travers and Virginia Coigney, journalists and active organizers of The Newspaper Guild, a trade union. In 1938, the family moved to Greenwich Village in New York City.

Jesse Davis (born September 11, 1965) is an American jazz saxophonist. He began as a student in Ellis Marsalis‘s New Orleans Center for Creative Arts. After graduating, Davis embarked on a productive jazz career, recording eight albums on the Concord Jazz label, alongside collaborations with such artists as Jack McDuff and Illinois Jacquet. Davis has studied music at Northeastern Illinois University,^[1] and in 1989 he received a “Most Outstanding Musician award” from Down Beat magazine.

There’s a new space telescope in the sky: Euclid. Equipped with two large panoramic cameras, Euclid captures light from the visible to the near-infrared. It took five hours of observing for Euclid’s 1.2-meter diameter primary mirror to capture, through its sharp optics, the 1000+ galaxies in the Perseus cluster, which lies 250 million light years away. More than 100,000 galaxies are visible in the background, some as far away as 10 billion light years. The revolutionary nature of Euclid lies in the combination of its wide field of view (twice the area of the full moon), its high angular resolution (thanks to its 620 Megapixel camera), and its infrared vision, which captures both images and spectra. Euclid’s initial surveys, covering a third of the sky and recording over 2 billion galaxies, will enable a study of how dark matter and dark energy have shaped our universe.

Minnie Julia Riperton Rudolph (November 8, 1947 – July 12, 1979) was an American soul singer best known for her 1975 single “Lovin’ You“, her five-octave vocal range and her use of the whistle register.

Born in 1947, Riperton grew up in Chicago‘s Bronzeville neighborhood on the South Side. As a child, she studied music, drama and dance at Chicago’s Abraham Lincoln Center. In her teen years, she sang lead vocals for the Chicago-based girl group the Gems. Her early affiliation with the Chicago-based Chess Records afforded her the opportunity to sing backing vocals for various established artists such as Etta James, Fontella Bass, Ramsey Lewis, Bo Diddley, Chuck Berry and Muddy Waters. While at Chess, Riperton also sang lead for the psychedelic soul band Rotary Connection, from 1967 to 1971.

On April 5, 1975, Riperton reached the apex of her career with her No. 1 single “Lovin’ You”. The single was the last release from her 1974 gold album titled Perfect Angel. In January 1976, Riperton was diagnosed with breast cancer, and in April, she underwent a radical mastectomy. By the time of diagnosis, the cancer had metastasized and she was given about six months to live. Despite the prognosis, she continued recording and touring. She was one of the first celebrities to go public with a breast cancer diagnosis, but she did not disclose that she was terminally ill. In 1977, she became a spokesperson for the American Cancer Society. In 1978, she received the American Cancer Society’s Courage Award, which was presented to her at the White House by President Jimmy Carter. Riperton died of breast cancer on July 12, 1979, at the age of 31.

Robert Lafayette Nix (November 8, 1944 – May 20, 2012) was an American drummer best known as a founding member of the rock band Atlanta Rhythm Section (ARS). A member of ARS from 1971-1979, he co-wrote several of their songs including the top-ten hits “So Into You” and “Imaginary Lover“.

Nix grew up in Jacksonville, Florida and graduated from Paxon Senior High School in 1962. He got his start as a member of Roy Orbison‘s backing band The Candymen, and also played on recordings for artists including The Classics IV, Lynyrd Skynyrd, and Al Kooper. Nix also co-wrote songs for other artists, including Billy Joe Royal‘s “Cherry Hill Park” and B. J. Thomas‘ “Mighty Clouds of Joy”.

In later years Nix suffered from diabetes and multiple myeloma, and died on May 20, 2012, at Baptist Memorial Hospital in Memphis, Tennessee, from complications following surgery the previous month. He was 67.

Bertha Hope-Booker (née Rosemond; born November 8, 1936, Los Angeles, California) is an American jazz pianist and jazz educator. She is the widow of fellow pianist Elmo Hope, with whom she collaborated.She has toured Europe and Japan and played with a diverse group of artists.  In the 1990s, she had her first CDs as a leader and additionally worked with her second husband, bassist Walter Booker.

Hope-Booker was born in Los Angeles in 1936. Both of her parents worked in the entertainment industry. Her mother, Corinne Meaux Rosemond, worked as a chorus line dancer and her father, Clinton Rosemond, was a stage manager and singer who had worked with Mabel Mercer and Eubie Blake.

https://www.youtube.com/watch?v=C05IiMbRZTk

https://www.youtube.com/watch?v=roqf8f0d-PQ