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“Rondeña” belong to Malaga’s singing group. “Rondeña” existed before flamenco, joining it in the 19th century. Its origin is in “fandango” from Malaga, more specifically in ” bandolás”. Some authors suggest that this name comes from the nightly rounds. Other authors believe that it comes from the city of Ronda, as “rodeña” was originated in the homonymous mountains. “Rondeña” has greatly extended through Andalusia during the 19th century. “Rondeña” singing has evolved in recent times with with a decrease in melismatic ornamentation. Its composition ad libitum (without “compas”). Lyrics are related to countryside life. Its structure is a couplet of four eight-syllable verses, usually consonant rhyme. They normally turn into five by repetition of the second one, but also without repetition. Dance displays a rhythm of wild abandon. Others have used the rhythm of the “taranto“, which has many similarities but, being rondeña, more open and evocative.
more...Named for the southern constellation toward which most of its galaxies can be found, the Fornax Cluster is one of the closest clusters of galaxies. About 62 million light-years away, it’s over 20 times more distant than our neighboring Andromeda Galaxy, but only about 10 percent farther along than the better known and more populated Virgo Galaxy Cluster. Seen across this three degree wide field-of-view, almost every yellowish splotch on the image is an elliptical galaxy in the Fornax cluster. Elliptical galaxies NGC 1399 and NGC 1404 are the dominant, bright cluster members toward the bottom center. A standout, large barred spiral galaxy, NGC 1365, is visible on the upper right as a prominent Fornax cluster member.
more...Keith Noel Emerson (2 November 1944 – 11 March 2016) was an English keyboardist, songwriter, composer and record producer. He played keyboards in a number of bands before finding his first commercial success with the Nice in the late 1960s. He became internationally famous for his work with the Nice, which included writing rock arrangements of classical music. After leaving the Nice in 1970, he was a founding member of Emerson, Lake & Palmer (ELP), one of the early progressive rock supergroups.
Emerson, Lake & Palmer were commercially successful through much of the 1970s, becoming one of the best-known progressive rock groups of the era. Emerson wrote and arranged much of ELP’s music on albums such as Tarkus (1971) and Brain Salad Surgery (1973), combining his own original compositions with classical or traditional pieces adapted into a rock format. Following ELP’s break-up at the end of the 1970s, Emerson pursued a solo career, composed several film soundtracks, and formed the bands Emerson, Lake & Powell and 3 to carry on in the style of ELP. In the early 1990s, ELP reunited for two more albums and several tours before breaking up again in the late 1990s. Emerson also reunited The Nice in 2002 for a tour.
During the 2000s, Emerson resumed his solo career, including touring with his own Keith Emerson Band featuring guitarist Marc Bonilla and collaborating with several orchestras. He reunited with ELP bandmate Greg Lake in 2010 for a duo tour, culminating in a one-off ELP reunion show in London to celebrate the band’s 40th anniversary. Emerson’s last album, The Three Fates Project, with Marc Bonilla and Terje Mikkelsen, was released in 2012. Emerson reportedly suffered from depression and alcoholism, and in his later years developed nerve damage that hampered his playing, making him anxious about upcoming performances. He died of a self-inflicted gunshot wound on 11 March 2016 at his home in Santa Monica, California.
Emerson was widely regarded as one of the top keyboard players of the progressive rock era. AllMusic describes Emerson as “perhaps the greatest, most technically accomplished keyboardist in rock history”. In 2019, readers of Prog voted him the greatest keyboard player in progressive rock.
more...Philip Wells Woods (November 2, 1931 – September 29, 2015) was an American jazz alto saxophonist, clarinetist, bandleader, and composer.
Woods was born in Springfield, Massachusetts. After inheriting a saxophone at age 12, he began taking lessons at a local music shop. His heroes on the alto saxophone included Benny Carter and Johnny Hodges. He studied music with Lennie Tristano at the Manhattan School of Music and at the Juilliard School. His friend, Joe Lopes, coached him on clarinet as there was no saxophone major at Juilliard at the time and received a bachelor’s degree in 1952. Although he did not copy Charlie Parker, Woods was known as the New Bird, a nickname also given to other alto saxophone players such as Sonny Stitt and Cannonball Adderley.
more...NGC 7635, also known as the Bubble Nebula, Sharpless 162, or Caldwell 11, is an H II region emission nebula in the constellation Cassiopeia. It lies close to the open cluster Messier 52. The “bubble” is created by the stellar wind from a massive hot, 8.7 magnitude young central star, SAO 20575 (BD+60°2522). The nebula is near a giant molecular cloud which contains the expansion of the bubble nebula while itself being excited by the hot central star, causing it to glow. It was discovered in November 1787 by William Herschel. The star BD+60°2522 is thought to have a mass of about 44 M.
more...Richard Roman Grechko (1 November 1946 – 17 March 1990), better known as Ric Grech, was a British rock musician. He is best known for playing bass guitar and violin with the rock band Family as well as in the supergroups Blind Faith and Traffic. He also played with ex-Cream drummer Ginger Baker.
He was born in Bordeaux, France. He was educated at Corpus Christi RC School, Leicester, after attending Sacred Heart Primary School. He played violin in the school orchestra. Grech died on 17 March 1990, aged 43, of liver failure as a result of alcoholism.
more...Seven-time Grammy-nominated percussionist, US Artists Fontanals Fellow, and 2013-2014 SFJAZZ Resident Artistic Director, John Santos, is one of the foremost exponents of Afro-Latin music in the world today. Born in San Francisco, California, November 1, 1955, he was raised in the Puerto Rican and Cape Verdean traditions of his family, surrounded by music. The fertile musical environment of the San Francisco Bay Area shaped his career in a unique way.
His studies of Afro-Latin music have included several trips to New York, Puerto Rico, Cuba, Brazil and Colombia. He is known for his innovative use of traditional forms and instruments in combination with contemporary music, and has earned much respect and recognition as a prolific performer, composer, teacher, writer, radio programmer, and record/event producer whose career has spanned five decades. John has performed and/or recorded with acknowledged, multi-generational masters such as Cachao, Dizzy Gillespie, Tito Puente, Bebo Valdés, Max Roach, Eddie Palmieri, Patato Valdés, Lázaro Ros, Bobby Hutcherson, Manny Oquendo, Chucho Valdes, Paquito D’Rivera, Buenavista Social Club, Chocolate Armenteros, John Handy, Billy Cobham, Zakir Hussain, Hermeto Pascoal, George Cables, Generoso Jimenez, Joe Henderson, Ernesto Oviedo, Regina Carter, Chester Thompson, Francisco Aguabella, John Faddis, Ed Thigpen, Giovanni Hidalgo, Steve Turre, McCoy Tyner, Batacumbele, Poncho Sanchez, Omar Sosa, Mel Martin, Ignacio Berroa, Danilo Perez, Los Pleneros de la 21, Jose Luis “Changuito” Quintana, Armando Peraza, Pancho Quinto, Tootie Heath, Art Farmer, Pupy Pedroso, Jacqueline Castellanos, Malonga Casquelord, CK Ladzekpo, Pancho Terry, Juan De Dios Ramos, Carlos Aldama, Yosvany Terry, Dafnis Prieto, Oscar Castro Neves, Mark Murphy, Orkestra Rumpilezz, Larry Coryell, Lázaro Galarraga, Regino Jimenez, Luis Daniel “Chichito” Cepeda, Modesto Cepeda, Guillermo “Negro” Triana, Lázaro Rizo, Raul “Lali” Gonzalez, Amado DeDeus, Pedrito Martinez, Jose Lugo, Jerry Medina, Orestes Vilató, Kamau Daaood, Johnny Rodriguez, Sonny Bravo, Arturo Sandoval, Nestor Torres, Anthony Carrillo, Paoli Mejías, Raul Rekow, Andy Gonzalez, Jerry Gonzalez, Jovino Santos Neto, Lalo Schifrin, Gema y Pavel, Pete Escovedo, Claudia Gómez, Maria Márquez, Jon Jang, Wayne Wallace, Mark Levine, Elio Villafranca, Bruce Forman, Linda Tillery, Charlie Hunter, Joyce Cooling, Bobby Matos, Mark Weinstein, Roberto Borrell, Sandy Perez, Jesus Diaz, Roman Diaz, Pablo Menendez y Mezcla, Yma Sumac, Rhiannon, Larry Vukovich, Kenny Washington, Faye Carol, Kellye Gray, Destani Wolf, Kimiko Joy, Kenny Endo, Abhijit Banerjee, Erik Jekabson, and Carlos Santana, among others.
John is widely respected as one of the top writers, teachers and historians in the field and was a member of the Latin Jazz Advisory Committee of the Smithsonian Institution. He is currently part of the faculty at the California Jazz Conservatory (Berkeley, CA), San Francisco State University, Jazz Camp West (since 1986) and the College of San Mateo (CA). He has conducted countless workshops, lectures and clinics in the US, Latin America and Europe since 1973 at institutions of all types including the Smithsonian, the Adventures in Music program of the San Francisco Symphony, the Berklee School of Music in Boston, UCLA, Yale, Stanford, the University of Wisconsin at Madison, the University of Michigan, Temple University, Brigham Young University, Cal State Monterey Bay, Cal State Hayward, Cal State Fresno, the University of Colorado, Yakima Valley Community College, Ohio Music Education Association, the Afro-Cuban Drumming and Dance Program at Humboldt State University (CA), Cal State Sonoma, Cal State Sacramento, Cal State San Jose, Tulane and Dillard Universities of Louisiana, Jazz Camp West, the San Francisco Conservatory of Music, the Los Angeles Music Academy, the Museum of the African Diaspora (San Francisco), the Lafayette Summer Music Program (CA), the Oakland Public Conservatory, and La Universidad Inter-Americana in San Germán Puerto Rico. He has contributed to the international magazines and publications African Arts Journal, Poetry in Flight, Percussive Notes, Modern Drummer, Modern Percussionist, and Latin Percussionist.
more...Lou Donaldson (born November 1, 1926) is an American retired jazz alto saxophonist. He is best known for his soulful, bluesy approach to playing the alto saxophone, although in his formative years he was, as many were of the bebop era, heavily influenced by Charlie Parker.
Donaldson was born in Badin, North Carolina, United States. He attended North Carolina Agricultural and Technical State University in Greensboro in the early 1940s. He enlisted in the U.S. Navy during World War II and was trained at the Great Lakes bases in Chicago where he was introduced to bop music in the lively club scene.
more...Sippie Wallace (born Beulah Belle Thomas, November 1, 1898 – November 1, 1986) was an American blues singer, pianist and songwriter. Her early career in tent shows gained her the billing “The Texas Nightingale”. Between 1923 and 1927, she recorded over 40 songs for Okeh Records, many written by her or her brothers, George and Hersal Thomas. Her accompanists included Louis Armstrong, Johnny Dodds, Sidney Bechet, King Oliver, and Clarence Williams. Among the top female blues vocalists of her era, Wallace ranked with Ma Rainey, Ida Cox, Alberta Hunter, and Bessie Smith.
In the 1930s, she left show business to become a church organist, singer, and choir director in Detroit and performed secular music only sporadically until the 1960s, when she resumed her performing career. Wallace was nominated for a Grammy Award in 1982 and was inducted into the Michigan Women’s Hall of Fame in 1993. Wallace was born in the Delta lowlands of Jefferson County, Arkansas, one of 13 children in her family.
more...Israeli & Arabic cultures unite in music
more...Halloween’s origin is ancient and astronomical. Since the fifth century BC, Halloween has been celebrated as a cross-quarter day, a day halfway between an equinox (equal day / equal night) and a solstice (minimum day / maximum night in the northern hemisphere). With a modern calendar however, even though Halloween occurs today, the real cross-quarter day will occur next week. Another cross-quarter day is Groundhog Day. Halloween’s modern celebration retains historic roots in dressing to scare away the spirits of the dead. Perhaps a fitting tribute to this ancient holiday is this closeup view of the Wizard Nebula (NGC 7380). Visually, the interplay of stars, gas, and dust has created a shape that appears to some like a fictional ancient sorcerer. Although the nebula may last only a few million years, some of the stars being conjured from the gas by the great gravitational powers may outlive our Sun.
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