mick laBriola

Glen Moore (born October 28, 1941) is an American jazz bassist, who occasionally performs on piano, flute and violin.

Moore was born in Portland, Oregon, United States. His performing career began at age 14 with the Young Oregonians in Portland, where he met and played with Native American saxophonist, Jim Pepper. He graduated with a degree in History and Literature from the University of Oregon. His formal bass instruction started after college with Jerome Magil in Portland, James Harnett in Seattle, Gary Karr in New York, Plough Christenson in Copenhagen, Ludwig Streicher in Vienna and Francois Rabbath in Hawaii. His main instrument is an upright bass which was made by Klotz in Tyrol around 1715. He mostly plays it in a personal unique tuning, using a low and a high C string.

Moore is a founding member of Oregon, but worked also regularly with Rabih Abou-Khalil, Vasant Rai, Nancy King and Larry Karush.

Performing with Rachel Spiller and Tami Morse Friday 10-27-23 630pm

American jazz bassist, born 27 October 1970. Since moving to New York City in 1993, Carlo De Rosa has had the opportunity to work with many great artists in the Latin and Jazz World. work with a wide variety of artists such as Ray Barretto, Ravi Coltrane, William Cepeda, Vijay Iyer, Bruce Barth, Ed Thigpen.

George Wallington (October 27, 1924 – February 15, 1993) was an American jazz pianist and composer.

Wallington was born Giacinto Figlia (some sources give “Giorgio”) in Sicily, and then moved to the United States (New York) with his family in 1925. His father sang opera and introduced his son to classical music, but Wallington listened to jazz after hearing the music of saxophonist Lester Young. He said that he acquired the name Wallington in high school: “I like to wear flashy clothes […] and the kids in the neighborhood would say, ‘Hey, look at Wallington!'” He left school at the age of 15 to play piano in New York.

From 1943 to 1953, Wallington played with Dizzy Gillespie, Joe Marsala, Charlie Parker, Serge Chaloff, Allen Eager, Kai Winding, Terry Gibbs, Brew Moore, Al Cohn, Gerry Mulligan, Zoot Sims, and Red Rodney, and recorded as a leader for Savoy and Blue Note (1950). Wallington toured Europe in 1953 with Lionel Hampton‘s big band. In 1954-60, he led bands in New York that contained rising musicians including Donald Byrd, Jackie McLean, and Phil Woods.

https://www.youtube.com/watch?v=MfC8vdBK9dc&list=PL0q2VleZJVEl3TFB5uDCV6j1dTYu_BEDi&index=2

Philip Catherine (born 27 October 1942)  is a Belgian jazz guitarist. Philip Catherine was born in London, England, to an English mother and Belgian father, and was raised in Brussels, Belgium. His grandfather was a violinist in the London Symphony Orchestra. Catherine started on guitar in his teens, and by seventeen he was performing professionally at local venues.

He released his debut album, Stream, in 1972. During the next few years, he studied at Berklee College of Music in Boston and with Mick Goodrick and George Russell. In 1976, he and guitarist Larry Coryell recorded and toured as an acoustic duo. The same year, when Jan Akkerman abruptly left Focus, Catherine replaced him in the band. The following year, he recorded with Charles Mingus, who dubbed him “Young Django”. In the early 1980s, he toured briefly with Benny Goodman. He was in trio with Didier Lockwood and Christian Escoudé, then in a trio with Chet Baker. During the 1990s, he recorded three albums with trumpeter Tom Harrell.

Babs Gonzales (October 27, 1919 – January 23, 1980), born Lee Brown, was an American bebopvocalist, poet, and self-published author. His books portrayed the jazz world that many black musicians struggled in, portraying disk jockeys, club owners, liquor, drugs, and racism. “There are jazz people whose influence can be described as minor,” wrote Val Wilmer, “yet who are well-known to musicians and listeners alike … You’d have to be hard-pressed to ignore the wealth of legend that surrounds Babs Gonzales.” Jazz writer Jack Cooke explained that Gonzales “assumed the role of spokesman for the whole hipster world… [becoming] something more than just a good and original jazz entertainer: the incarnation of a whole social group.”

Gonzales was born Lee Brown in Newark, New Jersey, United States. He was raised solely by his mother Lottie Brown alongside two brothers. Of his nickname, Gonzales explained, “my brothers are basketball players… there was a basketball star in America named Big Babbiad, and so they were called Big Babs, Middle Babs, and I’m Little Babs.” As a young man, Gonzales worked as band boy for swing bandleader Jimmie Lunceford, after which he relocated to Los Angeles. To circumvent racial segregation, Gonzales wore a turban and used the pseudonym Ram Singh, passing as an Indian national.

While not as formulaic as sevillanap, alegria dance accompaniment does have a set of distinct “song parts” which, in more traditional arrangements, are often assembled in a predictable order. Many of the same principles apply to solo instrumental arrangements as well.

Structure and Compas

The basic structure of alegria por baile (“for dance”) can be schematized like this:

• Intro
• Copla (verse) & Falseta (guitar melody)
• Footwork
• Silencio
• Castellana
• Escobilla
• Buleria

Within this basic schema, sections can be rearranged, doubled, or eliminated altogether.

The compas of alegria is based in 12s and, like solea, is accented on the 3, 6, 8, 10, and 12 beats:

William Earl “Bootsy” Collins (born October 26, 1951 Cincinnati, OH) is an American bass guitarist, singer-songwriter, and record producer.

Rising to prominence with James Brown in the early 1970s before joining the Parliament-Funkadeliccollective, Collins established himself as one of the leading names and innovators in funk with his driving basslines and humorous vocals. He later formed his own P-Funk side project known as Bootsy’s Rubber Band. He was a frequent collaborator with other musicians from a variety of genres, including dance music (Deee-Lite‘s “Groove Is in the Heart“), electronic big beat (Fatboy Slim‘s “Weapon of Choice“), and alternative metal (Praxis), among others. He is a member of the Rock and Roll Hall of Fame, inducted in 1997 with 15 other members of Parliament-Funkadelic. In 2020, Rolling Stone magazine ranked Collins number 4 in its list of the 50 greatest bassists of all time.

Eddie Henderson (born October 26, 1940) is an American jazz trumpet and flugelhorn player. He came to prominence in the early 1970s as a member of pianist Herbie Hancock‘s Mwandishi band, going on to lead his own electric/fusion groups through the decade. Henderson earned his medical degree and worked a parallel career as a psychiatrist and musician, turning back to acoustic jazz by the 1990s.

Henderson was born in New York City on October 26, 1940. At the age of nine he was given an informal lesson by Louis Armstrong, and he continued to study the instrument as a teenager in San Francisco, where he grew up, after his family moved there in 1954, at the San Francisco Conservatory of Music.

Henderson was influenced by the early fusion work of jazz musician Miles Davis, who was a friend of his parents. They met in 1957 when Henderson was aged seventeen.

Charles Daly Barnet (October 26, 1913 – September 4, 1991) was an American jazz saxophonist, composer, and bandleader.

His major recordings were “Skyliner”, “Cherokee“, “The Wrong Idea”, “Scotch and Soda”, “In a Mizz”, and “Southland Shuffle”.

Barnet was born in New York City, the son of Charline (Daly) and Willard Barnet. His parents divorced when he was two, and he was raised by his mother and her grandparents. His grandfather was Charles Frederick Daly, a vice-president for the New York Central Railroad, banker, and businessman.

Barnet attended boarding schools, both in the New York and Chicago areas. He learned to play piano and saxophone as a child. He often left school to listen to music and to try to gain work as a musician. Although his family wanted him to become a lawyer, he chose to be a musician instead.

James Edward Heath (October 25, 1926 – January 19, 2020), nicknamed Little Bird, was an American jazzsaxophonist, composer, arranger, and big band leader. He was the brother of bassist Percy Heath and drummer Albert Heath.

Heath was born in Philadelphia on October 25, 1926. His father, an auto mechanic, played the clarinet, performing on the weekends. His mother sang in a church choir. The family frequently played recordings of big band jazz groups around the house. Heath’s sister was a pianist, while his brothers were bassist Percy Heath (older) and drummer Albert Heath (his youngest sibling).