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Richard Roman Grechko (1 November 1946 – 17 March 1990), better known as Ric Grech, was a British rock musician. He is best known for playing bass guitar and violin with the rock band Family as well as in the supergroups Blind Faith and Traffic. He also played with ex-Cream drummer Ginger Baker.
He was born in Bordeaux, France. He was educated at Corpus Christi RC School, Leicester, after attending Sacred Heart Primary School. He played violin in the school orchestra. Grech died on 17 March 1990, aged 43, of liver failure as a result of alcoholism.
more...Seven-time Grammy-nominated percussionist, US Artists Fontanals Fellow, and 2013-2014 SFJAZZ Resident Artistic Director, John Santos, is one of the foremost exponents of Afro-Latin music in the world today. Born in San Francisco, California, November 1, 1955, he was raised in the Puerto Rican and Cape Verdean traditions of his family, surrounded by music. The fertile musical environment of the San Francisco Bay Area shaped his career in a unique way.
His studies of Afro-Latin music have included several trips to New York, Puerto Rico, Cuba, Brazil and Colombia. He is known for his innovative use of traditional forms and instruments in combination with contemporary music, and has earned much respect and recognition as a prolific performer, composer, teacher, writer, radio programmer, and record/event producer whose career has spanned five decades. John has performed and/or recorded with acknowledged, multi-generational masters such as Cachao, Dizzy Gillespie, Tito Puente, Bebo Valdés, Max Roach, Eddie Palmieri, Patato Valdés, Lázaro Ros, Bobby Hutcherson, Manny Oquendo, Chucho Valdes, Paquito D’Rivera, Buenavista Social Club, Chocolate Armenteros, John Handy, Billy Cobham, Zakir Hussain, Hermeto Pascoal, George Cables, Generoso Jimenez, Joe Henderson, Ernesto Oviedo, Regina Carter, Chester Thompson, Francisco Aguabella, John Faddis, Ed Thigpen, Giovanni Hidalgo, Steve Turre, McCoy Tyner, Batacumbele, Poncho Sanchez, Omar Sosa, Mel Martin, Ignacio Berroa, Danilo Perez, Los Pleneros de la 21, Jose Luis “Changuito” Quintana, Armando Peraza, Pancho Quinto, Tootie Heath, Art Farmer, Pupy Pedroso, Jacqueline Castellanos, Malonga Casquelord, CK Ladzekpo, Pancho Terry, Juan De Dios Ramos, Carlos Aldama, Yosvany Terry, Dafnis Prieto, Oscar Castro Neves, Mark Murphy, Orkestra Rumpilezz, Larry Coryell, Lázaro Galarraga, Regino Jimenez, Luis Daniel “Chichito” Cepeda, Modesto Cepeda, Guillermo “Negro” Triana, Lázaro Rizo, Raul “Lali” Gonzalez, Amado DeDeus, Pedrito Martinez, Jose Lugo, Jerry Medina, Orestes Vilató, Kamau Daaood, Johnny Rodriguez, Sonny Bravo, Arturo Sandoval, Nestor Torres, Anthony Carrillo, Paoli Mejías, Raul Rekow, Andy Gonzalez, Jerry Gonzalez, Jovino Santos Neto, Lalo Schifrin, Gema y Pavel, Pete Escovedo, Claudia Gómez, Maria Márquez, Jon Jang, Wayne Wallace, Mark Levine, Elio Villafranca, Bruce Forman, Linda Tillery, Charlie Hunter, Joyce Cooling, Bobby Matos, Mark Weinstein, Roberto Borrell, Sandy Perez, Jesus Diaz, Roman Diaz, Pablo Menendez y Mezcla, Yma Sumac, Rhiannon, Larry Vukovich, Kenny Washington, Faye Carol, Kellye Gray, Destani Wolf, Kimiko Joy, Kenny Endo, Abhijit Banerjee, Erik Jekabson, and Carlos Santana, among others.
John is widely respected as one of the top writers, teachers and historians in the field and was a member of the Latin Jazz Advisory Committee of the Smithsonian Institution. He is currently part of the faculty at the California Jazz Conservatory (Berkeley, CA), San Francisco State University, Jazz Camp West (since 1986) and the College of San Mateo (CA). He has conducted countless workshops, lectures and clinics in the US, Latin America and Europe since 1973 at institutions of all types including the Smithsonian, the Adventures in Music program of the San Francisco Symphony, the Berklee School of Music in Boston, UCLA, Yale, Stanford, the University of Wisconsin at Madison, the University of Michigan, Temple University, Brigham Young University, Cal State Monterey Bay, Cal State Hayward, Cal State Fresno, the University of Colorado, Yakima Valley Community College, Ohio Music Education Association, the Afro-Cuban Drumming and Dance Program at Humboldt State University (CA), Cal State Sonoma, Cal State Sacramento, Cal State San Jose, Tulane and Dillard Universities of Louisiana, Jazz Camp West, the San Francisco Conservatory of Music, the Los Angeles Music Academy, the Museum of the African Diaspora (San Francisco), the Lafayette Summer Music Program (CA), the Oakland Public Conservatory, and La Universidad Inter-Americana in San Germán Puerto Rico. He has contributed to the international magazines and publications African Arts Journal, Poetry in Flight, Percussive Notes, Modern Drummer, Modern Percussionist, and Latin Percussionist.
more...Lou Donaldson (born November 1, 1926) is an American retired jazz alto saxophonist. He is best known for his soulful, bluesy approach to playing the alto saxophone, although in his formative years he was, as many were of the bebop era, heavily influenced by Charlie Parker.
Donaldson was born in Badin, North Carolina, United States. He attended North Carolina Agricultural and Technical State University in Greensboro in the early 1940s. He enlisted in the U.S. Navy during World War II and was trained at the Great Lakes bases in Chicago where he was introduced to bop music in the lively club scene.
more...Sippie Wallace (born Beulah Belle Thomas, November 1, 1898 – November 1, 1986) was an American blues singer, pianist and songwriter. Her early career in tent shows gained her the billing “The Texas Nightingale”. Between 1923 and 1927, she recorded over 40 songs for Okeh Records, many written by her or her brothers, George and Hersal Thomas. Her accompanists included Louis Armstrong, Johnny Dodds, Sidney Bechet, King Oliver, and Clarence Williams. Among the top female blues vocalists of her era, Wallace ranked with Ma Rainey, Ida Cox, Alberta Hunter, and Bessie Smith.
In the 1930s, she left show business to become a church organist, singer, and choir director in Detroit and performed secular music only sporadically until the 1960s, when she resumed her performing career. Wallace was nominated for a Grammy Award in 1982 and was inducted into the Michigan Women’s Hall of Fame in 1993. Wallace was born in the Delta lowlands of Jefferson County, Arkansas, one of 13 children in her family.
more...Israeli & Arabic cultures unite in music
more...Halloween’s origin is ancient and astronomical. Since the fifth century BC, Halloween has been celebrated as a cross-quarter day, a day halfway between an equinox (equal day / equal night) and a solstice (minimum day / maximum night in the northern hemisphere). With a modern calendar however, even though Halloween occurs today, the real cross-quarter day will occur next week. Another cross-quarter day is Groundhog Day. Halloween’s modern celebration retains historic roots in dressing to scare away the spirits of the dead. Perhaps a fitting tribute to this ancient holiday is this closeup view of the Wizard Nebula (NGC 7380). Visually, the interplay of stars, gas, and dust has created a shape that appears to some like a fictional ancient sorcerer. Although the nebula may last only a few million years, some of the stars being conjured from the gas by the great gravitational powers may outlive our Sun.
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John Payne Guerin (October 31, 1939 – January 5, 2004) was an American percussionist. He was a proponent of the jazz-rock style.
Guerin was born in Hawaii and raised in San Diego. As a young drummer, he began performing with Buddy DeFranco in 1960. In the late 1960s, he moved to Los Angeles where his drum work was utilized by artists including Frank Sinatra, The Beach Boys, George Harrison, Frank Zappa, The Animals, Joni Mitchell, Them, Thelonious Monk, Lou Rawls, Ray Conniff, George Shearing, Peggy Lee, Ella Fitzgerald, Linda Ronstadt, Nelson Riddle and many others.
From July 1972 to January 1973, he was the drummer for The Byrds and joined the L.A. Express later that year. The band served as Joni Mitchell’s back-up band on tour during the mid- to late-1970s; Guerin had a brief relationship with Mitchell during that time. She later wrote the song Hejira about leaving him.
more...Ali Ibrahim “Ali Farka” Touré (31 October 1939 – 6 March 2006) was a Malian singer and multi-instrumentalist, and one of the African continent’s most internationally renowned musicians. His music blends traditional Malian music and its derivative, African American blues and is considered a pioneer of African desert blues. Touré was ranked number 76 on Rolling Stone‘s list of “The 100 Greatest Guitarists of All Time” and number 37 on Spin magazine‘s “100 Greatest Guitarists of All Time”.
Some years after his death, a group of musicians playing in his style performed as the Ali Farka Touré Allstars (2012), and later the Ali Farka Touré Band (formed 2014).
more...Booker Telleferro Ervin II (October 31, 1930 – August 31, 1970) was an American tenor saxophoneplayer. His tenor playing was characterised by a strong, tough sound and blues/gospel phrasing. He is remembered for his association with bassist Charles Mingus.
Ervin was born in Denison, Texas, United States. He first learned to play trombone at a young age from his father, who played the instrument with Buddy Tate. After leaving school, Ervin joined the United States Air Force, stationed in Okinawa, Japan, during which time he taught himself tenor saxophone. After completing his service in 1953, he studied at Berklee College of Music in Boston, Massachusetts. Moving to Tulsa in 1954, he played with the band of Ernie Fields.
Ervin died of kidney disease in New York City in 1970, aged 39. Most biographical accounts of Ervin’s death give an incorrect date. His gravestone in The National Cemetery, East Farmingdale, New York, clearly shows the date as August 31, 1970.
more...Jean-Baptiste Illinois Jacquet (October 30, 1922 – July 22, 2004) was an American jazz tenor saxophonist, best remembered for his solo on “Flying Home“, critically recognized as the first R&Bsaxophone solo.
Although he was a pioneer of the honking tenor saxophone that became a regular feature of jazz playing and a hallmark of early rock and roll, Jacquet was a skilled and melodic improviser, both on up-tempo tunes and ballads. He doubled on the bassoon, one of only a few jazz musicians to use the instrument.
Jacquet’s parents were Creoles of color, named Marguerite Trahan and Gilbert Jacquet, When he was an infant, his family moved from Louisiana to Houston, Texas, and he was raised there as one of six siblings. His father was a part-time bandleader. As a child he performed in his father’s band, primarily on the alto saxophone. His older brother Russell Jacquet played trumpet and his other brother Linton played drums.
more...Rhythm Roots Workshop @ St Therese Senior Communities
This vibrant and dynamic-looking image features the spiral galaxy NGC 1566, which is sometimes informally referred to as the ‘Spanish Dancer Galaxy’. Like the subject of another recent Hubble Picture of the Week, NGC 1566 is a weakly-barred or intermediate spiral galaxy, meaning that it does not have either a clearly present or a clearly absent bar-shaped structure at its centre. The galaxy owes its nickname to the vivid and dramatic swirling lines of its spiral arms, which could evoke the shapes and colours of a dancer’s moving form. NGC 1566 lies around 60 million light-years from Earth in the constellation Dorado, and is also a member of the Dorado galaxy group.
Galaxy groups are assemblages of gravitationally bound galaxies. Groups differ from galaxy clusters in size and mass: galaxy clusters may contain hundreds of galaxies, whereas groups might contain several tens of galaxies. That said, there is not a precise delineation between the definition of a galaxy group and a galaxy cluster. Some astronomers have proposed that the definitions be sharpened up, with one suggestion that galaxy aggregations with less mass than 80 trillion Suns should qualify as galaxy groups.
The Dorado group has had a fluctuating membership over the past few decades, with various scientific papers changing its list of constituent galaxies. As an example of why it is so challenging for astronomers to pin down members of groups such as the Dorado group, we can imagine a photograph of an adult human and a large oak tree. We have foreknowledge of the approximate size of the person and the tree, so if we were to see a photo where the person appeared roughly the same size as the tree, then we would be able to guess that, in reality, the person was positioned much closer to the camera than the tree was, giving the false impression that they were the same size. When working out members of a galaxy group, astronomers are not necessarily equipped with the knowledge of the size of the individual galaxies, and so have to work out whether galaxies really are relatively close together in space, or whether some of them are actually much closer or much further away. This has become easier with more sophisticated observation techniques, but still sometimes presents a challenge.
[Image Description: A spiral galaxy. The entire galaxy is displayed, centred and face-on to the viewer. It has two spiral arms that each make only a half-turn from start to finish, resembling the shape of a comma. Lanes of dark dust follow the arms into the centre, and split into many fibres that swirl around the glowing galactic core. Bright pink blooms along the arms show areas of new star formation.]
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Grace Slick (born Grace Barnett Wing; October 30, 1939) is an American painter and retired musician whose musical career spanned four decades. Slick was a prominent figure in San Francisco‘s psychedelicmusic scene during the mid-1960s to the early 1970s.
Initially performing with the Great Society, Slick achieved fame as the lead singer and frontwoman of Jefferson Airplane and the subsequent spinoff bands Jefferson Starship and Starship. Slick and Jefferson Airplane achieved significant success and popularity with their 1967 studio album Surrealistic Pillow, which included the top-ten US Billboard hits “White Rabbit” and “Somebody to Love“.
With Starship, she sang co-lead for two number one hits, “We Built This City” and “Nothing’s Gonna Stop Us Now“. She has released four studio albums as an independent artist. Slick retired from music in 1990, but continues to be active in visual arts. Slick was inducted into the Rock and Roll Hall of Fame in 1996 as a member of Jefferson Airplane.
Grace Barnett Wing was born October 30, 1939, in the Chicago suburb of Highland Park, Illinois, to Ivan Wilford Wing (1907–1987), of British descent, and Virginia Wing (née Barnett; 1909–1983). Her parents met while they were both students at the University of Washington, and later married. In 1949, her brother Chris was born.
more...Trilok Gurtu (born 30 October 1951) is an Indian percussionist and composer whose work has blended the music of India with jazz fusion and world music.
He has worked with Terje Rypdal, Gary Moore, John McLaughlin, Jan Garbarek, Joe Zawinul, Michel Bisceglia, Bill Laswell, Maria João & Mário Laginha, and Robert Miles.
more...Poncho Sánchez (born Filoberto Sanchez, October 30, 1951) is an American conguero(conga player), Latin jazz band leader, and salsa singer. In 2000, he and his ensemble won the Grammy Award for Best Latin Jazz Album for their work on the Concord Picante album Latin Soul. Sanchez has performed with artists including Cal Tjader, Mongo Santamaría, Hugh Masekela, Clare Fischer, and Tower of Power.
The youngest of eleven children, Poncho Sanchez was born in Laredo, Texas and reared in Norwalk, California, while he attended Cerritos College. Growing up, he was exposed to and influenced by two different styles of music: Afro-Cuban music (mambo, son, cha-cha, rumba, guaracha, and Changui) by Tito Puente and others, and bebop jazz, including the works of Dizzy Gillespie and Charlie Parker.
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