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Corona Australis is a constellation in the Southern Celestial Hemisphere. Its Latin name means “southern crown”, and it is the southern counterpart of Corona Borealis, the northern crown. It is one of the 48 constellations listed by the 2nd-century astronomer Ptolemy, and it remains one of the 88 modern constellations. The Ancient Greeks saw Corona Australis as a wreath rather than a crown and associated it with Sagittarius or Centaurus. Other cultures have likened the pattern to a turtle, ostrich nest, a tent, or even a hut belonging to a rock hyrax.
Although fainter than its northern counterpart, the oval- or horseshoe-shaped pattern of its brighter stars renders it distinctive. Alpha and Beta Coronae Australis are the two brightest stars with an apparent magnitude of around 4.1. Epsilon Coronae Australis is the brightest example of a W Ursae Majoris variable in the southern sky. Lying alongside the Milky Way, Corona Australis contains one of the closest star-forming regions to the Solar System—a dusty dark nebula known as the Corona Australis Molecular Cloud, lying about 430 light years away. Within it are stars at the earliest stages of their lifespan. The variable stars R and TY Coronae Australis light up parts of the nebula, which varies in brightness accordingly.
Leslie Abel West (born Weinstein; October 22, 1945 – December 23, 2020) was an American guitarist, singer and songwriter. He was the co-founder, guitarist and co-lead vocalist of the rock band Mountain. West was named the 245th greatest guitarist of all time by Rolling Stone in 2023.
West was born in New York City on October 22, 1945, to Jewish parents. He grew up in Hackensack, New Jersey, and in East Meadow, Forest Hills, and Lawrence, New York. After his parents divorced, he changed his surname to West. His musical career began with the Vagrants, an R&B/blue-eyed soul-rock band influenced by the likes of the Rascals that was one of the few teenage garage rock acts to come out of the New York metropolitan area itself (as opposed to the Bohemian Greenwich Village scene of artists, poets, and affiliates of the Beat Generation, which produced bands like the Fugs and the Velvet Underground). The Vagrants had two minor hits in the Eastern United States: 1966’s “I Can’t Make a Friend” and a cover of Otis Redding‘s “Respect” the following year.
more...Franz Liszt (22 October 1811 – 31 July 1886) was a Hungarian composer, virtuoso pianist, conductor, and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era and remains one of the most popular composers in modern concert piano repertoire.
Liszt first gained renown during the early nineteenth century for his virtuoso skill as a pianist. Regarded as one of the greatest pianists of all time, he toured Europe during the 1830s and 1840s, often playing for charity. In these years, Liszt developed a reputation for his powerful performances as well as his physical attractiveness. In what has now been dubbed “Lisztomania“, he rose to a degree of stardom and popularity among the public not experienced by the virtuosos who preceded him — whereas earlier performers mostly served the upper class, Liszt attracted a more general audience. During this period and into his later life, Liszt was a friend, musical promoter and benefactor to many composers of his time, including Frédéric Chopin, Charles-Valentin Alkan, César Franck, Richard Wagner, Hector Berlioz, Robert Schumann, Clara Schumann, Camille Saint-Saëns, Edvard Grieg, Ole Bull, Joachim Raff, Mikhail Glinka, and Alexander Borodin.
Liszt was one of the most prominent representatives of the New German School (German: Neudeutsche Schule). He left behind an extensive and diverse body of work that influenced his forward-looking contemporaries and anticipated 20th-century ideas and trends. Among Liszt’s musical contributions were the symphonic poem, developing thematic transformation as part of his experiments in musical form, and radical innovations in harmony. Liszt has also been regarded as a forefather of Impressionism in music, with his Années de pèlerinage, often regarded as his masterwork, featuring many impressionistic qualities. In a radical departure from his earlier compositional styles, many of Liszt’s later works also feature experiments in atonality, foreshadowing the serialist movement of the 20th century.
more...Douglas Clare Fischer (October 22, 1928 – January 26, 2012) was an American keyboardist, composer, arranger, and bandleader. After graduating from Michigan State University (from which, five decades later, he would receive an honorary doctorate), he became the pianist and arranger for the vocal group the Hi-Lo’sin the late 1950s. Fischer went on to work with Donald Byrd and Dizzy Gillespie, and became known for his Latin and bossa nova recordings in the 1960s. He composed the Latin jazz standard “Morning“, and the jazz standard “Pensativa“. Consistently cited by jazz pianist and composer Herbie Hancock as a major influence (“I wouldn’t be me without Clare Fischer”), he was nominated for eleven Grammy Awards during his lifetime, winning for his landmark album, 2+2 (1981), the first of Fischer’s records to incorporate the vocal ensemble writing developed during his Hi-Lo’s days into his already sizable Latin jazz discography; it was also the first recorded installment in Fischer’s three-decade-long collaboration with his son Brent. Fischer was also a posthumous Grammy winner for ¡Ritmo! (2012) and for Music for Strings, Percussion and the Rest (2013).
Beginning in the early 1970s, Fischer embarked on a parallel (and far more lucrative) career, eventually becoming a much sought-after arranger, providing orchestral “sweeteners” for pop and R&B artists such as Rufus (with Chaka Khan), Prince (a regular client from 1984 onwards, and by far Fischer’s most frequent in pop music), Robert Palmer, Paul McCartney, Michael Jackson and many others. Fischer was the third of four children born to Cecil and Louella (Roussin) Fischer of Durand, Michigan, United States.
more...Cándido Camero Guerra (22 April 1921 – 7 November 2020), known simply as Cándido, was a Cuban conga and bongo player. He is considered a pioneer of Afro-Cuban jazz and an innovator in conga drumming. He was responsible for the embracing of the tuneable conga drum, the first to play multiple congas developing the techniques that all players use today, as well as the combination of congas, bongos, and other instruments such as the foot-operated cowbell, an attached guiro, all played by just one person. Thus he is the creator of the multiple percussion set-up.
After moving to New York in 1946, Camero played with Dizzy Gillespie, Billy Taylor and Stan Kenton, and from 1956 he recorded several albums as a leader. His biggest success came in 1979 with his discorecordings for Salsoul. He continued to perform until the late 2010s, recording several albums for the audiophile label Chesky Records, including Inolvidable, with Graciela, which earned him a nomination at the 47th Annual Grammy Awards.
Cándido Camero Guerra was born in the barrio known as El Cerro, in Havana, to Caridad Guerra and Cándido Camero. His interest in music began at the age of 4, when his maternal uncle Andrés, a professional bongosero for the Septeto Segundo Nacional, taught him to play bongos on condensed milk cans.
more...Comet C/20223 E1 (Atlas) meets The Squid (Ou4) and The Bat Nebula SH2-129. Imaged Remotely from Spain with the Tak Epsilon 130ED and the asi6200mm pro
Exposure times were 75x 120s in each RGB filter 36x 300in Ha and 125x 300s in OIII. The comet was passing by in the early hours on the 30th of July 2023.
Those who have imaged this part of the sky will know what a challenge it is to do, this took me several iterations to before I was happy it. Processed in Pixinsight and Photoshop.
Steven Lee Cropper (born October 21, 1941), sometimes known as “The Colonel“, is an American guitarist, songwriter and record producer. He is the guitarist of the Stax Records house band, Booker T. & the M.G.’s, which backed artists such as Otis Redding, Sam & Dave, Carla Thomas, Rufus Thomas and Johnnie Taylor. He also acted as the producer of many of these records. He was later a member of the Blues Brothers band. Rolling Stone magazine ranked him 36th on its list of the 100 greatest guitarists of all time, while he has won two Grammy Awards from his seven nominations.
Born on a farm near Willow Springs, Missouri, Cropper lived in Dora and West Plains before moving with his family to Memphis at age 9. In Memphis, he was exposed to black church music, which had an impact on him musically. Cropper acquired his first guitar at age 14.
more...Manfred Sepse Lubowitz (born 21 October 1940), known professionally as Manfred Mann, is a South African-born musician, resident in the UK since 1961. He is best known as a founding member of the bands Manfred Mann, Manfred Mann Chapter Three and Manfred Mann’s Earth Band.
Lubowitz was raised in a Lithuanian Jewish family in Johannesburg, the son of David Lubowitz and Alma Cohen. He studied music at the University of the Witwatersrand, and worked as a jazz pianist at a number of clubs in Johannesburg.
more...Úrsula Hilaria Celia de la Caridad Cruz Alfonso (21 October 1925 – 16 July 2003), known as Celia Cruz, was a Cuban singer and one of the most popular Latin artists of the 20th century. Cruz rose to fame in Cubaduring the 1950s as a singer of guarachas, earning the nickname “La Guarachera de Cuba”. In the following decades, she became known internationally as the “Queen of Salsa” due to her contributions to Latin music. She had sold over 10 million copies, making her one of the best-selling Latin music artists.
She began her career in her native Cuba, earning recognition as a vocalist of the popular musical group Sonora Matancera, a musical association that lasted fifteen years (1950-1965). Cruz mastered a wide variety of Afro-Cuban music styles including guaracha, rumba, afro, son and bolero, recording numerous singles in these styles for Seeco Records. In 1960, after the Cuban Revolution caused the nationalization of the music industry, Cruz left her native country, becoming one of the symbols and spokespersons of the Cuban community in exile. Cruz continued her career, first in Mexico, and then in the United States, the country that she took as her definitive residence. In the 1960s, she collaborated with Tito Puente, recording her signature tune “Bemba colorá”. In the 1970s, she signed for Fania Records and became strongly associated with the salsa genre, releasing hits such as “Quimbara”. She often appeared live with Fania All-Stars and collaborated with Johnny Pacheco and Willie Colón. During the last years of her career, Cruz continued to release successful songs such as “La vida es un carnaval” and “La negra tiene tumbao“.
Her musical legacy is made up of a total of 37 studio albums, as well as numerous live albums and collaborations. Throughout her career, she was awarded numerous prizes and distinctions, including two Grammy Awards and three Latin Grammy Awards. In addition to her prolific career in music, Cruz also made several appearances as an actress in movies and telenovelas. Her catchphrase “¡Azúcar!” (“Sugar!”) has become one of the most recognizable symbols of salsa music.
more...Carlos Wesley “Don” Byas (October 21, 1913 – August 24, 1972) was an American jazz tenor saxophonist, associated with swing and bebop. He played with Count Basie, Duke Ellington, Art Blakey, and Dizzy Gillespie, among others, and also led his own band. He lived in Europe for the last 26 years of his life.
Byas was born in Muskogee, Oklahoma, United States. Both of Byas’ parents were musicians. His mother played the piano, and his father, the clarinet. Byas began his musical education in the European classical tradition, learning to play violin, clarinet and alto saxophone, which he played until the end of the 1920s.
Benny Carter, who played many instruments, was his idol at this time. Byas started to perform in local orchestras at the age of 17, with Bennie Moten, Terrence Holder and Walter Page. He founded and led his own college band, Don Carlos and His Collegiate Ramblers, during 1931–1932, at Langston College, Oklahoma.
more...John Birks “Dizzy” Gillespie October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality have made him an enduring icon.
In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman.
He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote, “Dizzy Gillespie’s contributions to jazz were huge. One of the greatest jazz trumpeters of all time, Gillespie was such a complex player that his contemporaries ended up being similar to those of Miles Davis and Fats Navarro instead, and it was not until Jon Faddis’s emergence in the 1970s that Dizzy’s style was successfully recreated [….] Gillespie is remembered, by both critics and fans alike, as one of the greatest jazz trumpeters of all time”.
The youngest of nine children of Lottie and James Gillespie, Dizzy Gillespie was born in Cheraw, South Carolina. His father was a local bandleader, so instruments were made available to the children. Gillespie started to play the piano at the age of four.
more...Bates Motel Orchestra performing at the Village of Terror in Chippewa Valley, Wis 2010
more...Performing at the monthly Mt Zion Shabbat for the Soul with Tami Morse. Friday October 20th 6:30pm 2023
more...Galaxies abound in this sharp telescopic image recorded on October 12 in dark skies over June Lake, California. The celestial scene spans nearly 2 degrees within the boundaries of the well-trained northern constellation Canes Venatici. Prominent at the upper left 23.5 million light-years distant is big, beautiful spiral galaxy NGC 4258, known to some as Messier 106. Eye-catching edge-on spiral NGC 4217 is above and right of center about 60 million light-years away. Just passing through the pretty field of view is comet C/2023 H2 Lemmon, discovered last April in image data from the Mount Lemmon Survey. Here the comet sports more of a lime green coma though, along with a faint, narrow ion tail stretching toward the top of the frame. This visitor to the inner Solar System is presently less than 7 light-minutes away and still difficult to spot with binoculars, but it’s growing brighter. Comet C/2023 H2 Lemmonwill reach perihelion, its closest point to the Sun, on October 29 and perigee, its closest to our fair planet, on November 10 as it transitions from morning to evening northern skies.
Thomas Earl Petty (October 20, 1950 – October 2, 2017) was an American musician. He was the leader of the rock bands Tom Petty and the Heartbreakers and Mudcrutch. Petty was also a member of the late 1980s supergroup the Traveling Wilburys, and had success as a solo artist.
Petty had many hit records. Hit singles with the Heartbreakers include “American Girl” (1976), “Don’t Do Me Like That” (1979), “Refugee” (1980), “The Waiting” (1981), “Don’t Come Around Here No More” (1985) and “Learning to Fly” (1991). Petty’s solo hits include “I Won’t Back Down” (1989), “Free Fallin’” (1989), and “You Don’t Know How It Feels” (1994). Solo or with the Heartbreakers, he had hit albums from the 1970s through the 2010s and sold more than 80 million records worldwide, making him one of the best-selling music artists of all time. Petty and the Heartbreakers were inducted into the Rock and Roll Hall of Fame in 2002. Petty was honored as MusiCares Person of the Year in February 2017 for his contributions to music and for his philanthropy. He also had a minor acting career, most notably starring in a recurring role as the voice of Lucky Kleinschmidt in the animated comedy series King of the Hill from 2004 to the show’s end in 2009.
Petty died of an accidental drug overdose at the age of 66, one week after the end of the Heartbreakers’ 40th Anniversary Tour in 2017.
Petty was born on October 20, 1950, in Gainesville, Florida, the first of two sons of Kitty Petty (nee Avery), a local tax office worker, and Earl Petty, who was a traveling salesman. His brother Bruce was seven years younger.
more...Eddie Harris (October 20, 1934 – November 5, 1996) was an American jazz musician, best known for playing tenor saxophone and for introducing the electrically amplified saxophone. He was also fluent on the electric piano and organ. His best-known compositions are “Freedom Jazz Dance”, popularized by Miles Davis in 1966, and “Listen Here”.
Harris was born and grew up in Chicago. His father was from Cuba and his mother from Mississippi. He studied music under Walter Dyett at DuSable High School, as had many other successful Chicago musicians (including Nat King Cole, Clifford Jordan, Johnny Griffin, Gene Ammons, Julian Priester, and others). He later studied music at Roosevelt University; by that time he was proficient on piano, vibraphone, and tenor saxophone. While in college he performed professionally with Gene Ammons.
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