mick laBriola

Roy Anthony Hargrove (October 16, 1969 – November 2, 2018) was an American jazz musician and composer whose principal instruments were the trumpet and flugelhorn. He achieved worldwide acclaim after winning two Grammy Awards for differing styles of jazz in 1998 and 2002. Hargrove primarily played in the hard bop style for the majority of his albums, but also had a penchant for genre-crossing exploration and collaboration with a variety of hip hop, soul, R&B and alternative rock artists. As Hargrove told one reporter, “I’ve been around all kinds of musicians, and if a cat can play, a cat can play. If it’s gospel, funk, R&B, jazz or hip-hop, if it’s something that gets in your ear and it’s good, that’s what matters.”

Hargrove was born in Waco, Texas, to Roy Allan Hargrove and Jacklyn Hargrove. When he was 9, his family moved to Dallas, Texas. He took lessons at school initially on cornet before turning to trumpet. One of Hargrove’s most profound early influences was a visit to his junior high school by saxophonist David “Fathead” Newman, who performed as a sideman in Ray Charles‘s Band. Hargrove’s junior high music teacher, Dean Hill, whom Hargrove called his “musical father,” taught him to improvise and solo. He was discovered by Wynton Marsalis when Marsalis visited the Booker T. Washington High School for the Performing and Visual Arts in Dallas. Hargrove credited trumpeter Freddie Hubbard as having the greatest influence on his sound. A quiet and retiring person in life, Hargrove struggled with kidney failure.^[48] He died at the age of 49 of cardiac arrest brought on by kidney disease on November 2, 2018, while hospitalized in New Jersey. According to his long-time manager, Larry Clothier, Hargrove had been on dialysis for the last 14 years of his life.

Robert Hall Weir Parber, born October 16, 1947 is an American musician and songwriter best known as a founding member of the Grateful Dead. After the group disbanded in 1995, Weir performed with The Other Ones, later known as The Dead, together with other former members of the Grateful Dead. Weir also founded and played in several other bands during and after his career with the Grateful Dead, including Kingfish, the Bob Weir Band, Bobby and the Midnites, Scaring the Children, RatDog, and Furthur, which he co-led with former Grateful Dead bassist Phil Lesh. In 2015, Weir, along with former Grateful Dead members Mickey Hart and Bill Kreutzmann, joined with Grammy-winning singer/guitarist John Mayer, bassist Oteil Burbridge, and keyboardist Jeff Chimenti to form the band Dead & Company. Dead & Company’s last performance occurred on 16 July 2023 at Oracle Park in San Francisco.

During his career with the Grateful Dead, Weir played mostly rhythm guitar and sang many of the band’s rock & roll and country & western songs. In 1994, he was inducted into the Rock and Roll Hall of Fame as a member of the Grateful Dead.

Weir was born in San Francisco, California, to John (Jack) Parber (1925–2015), of Italian and German ancestry, and a fellow college student, Phyllis Inskeep (1924–1997), of German, Irish, and English ancestry.

Roger G. Hawkins (October 16, 1945 – May 20, 2021) was an American drummer best known for playing as part of the studio backing band known as the Muscle Shoals Rhythm Section (also known as the Swampers) of Alabama.

Hawkins’s drumming can be heard on dozens of hit singles, including tracks by Percy Sledge (“When a Man Loves a Woman“), Aretha Franklin (“Respect“, “I Never Loved a Man (The Way I Love You)” etc.), Wilson Pickett (“Mustang Sally“, “Land of 1000 Dances“), The Staple Singers, Johnnie Taylor, Bobby Womack, Clarence Carter, Etta James, Duane Allman, Joe Cocker, Paul Simon, Bob Seger, Bonnie Bramlett, Bobby “Blue” Bland, Boz Scaggs, Albert King, Traffic, Rod Stewart, Dan Penn, Lulu, and Willie Nelson. He also recorded with Eric Clapton in the early 80’s.

Joseph Lee “Big Joe” Williams (October 16, 1903 – December 17, 1982) was an American Delta blues guitarist, singer and songwriter, notable for the distinctive sound of his nine-string guitar. Performing over five decades, he recorded the songs “Baby, Please Don’t Go“, “Crawlin’ King Snake” and “Peach Orchard Mama” (now thought to have been recorded by “Jackson” Joe Williams who recorded at The Bluebird session on June 17, 1938 at Leland Hotel in Aurora, IL and also recorded “Goin’ Up The Mountain” the same day), among many others, for various record labels, including Bluebird, Delmark, Okeh, Prestige and Vocalion. He was inducted into the Blues Hall of Fame on October 4, 1992.

The blues historian Barry Lee Pearson (Sounds Good to Me: The Bluesman’s Story, Virginia Piedmont Blues) described Williams’s performance:

When I saw him playing at Mike Bloomfield’s “blues night” at the Fickle Pickle, Williams was playing an electric nine-string guitar through a small ramshackle amp with a pie plate nailed to it and a beer can dangling against that. When he played, everything rattled but Big Joe himself. The total effect of this incredible apparatus produced the most buzzing, sizzling, African-sounding music I have ever heard.

Born in Oktibbeha County, a few miles west of Crawford, Mississippi, Williams as a youth began wandering across the United States busking and playing in stores, bars, alleys and work camps. In the early 1920s he worked in the Rabbit Foot Minstrels revue. He recorded with the Birmingham Jug Band in 1930 for Okeh Records.

Lionel Frederick Cole (October 15, 1931 – June 27, 2020) was an American jazz singer and pianist whose recording career spanned almost 70 years. He was the brother of musicians Nat King Cole, Eddie Cole, and Ike Cole, father of Lionel Cole, and uncle of Natalie Cole and Carole Cole.

Freddy Cole was born to Rev. Edward J. Coles and Perlina (Adams) Coles, and grew up in Chicago, Illinois. His brothers Nat “King” Cole (1919–1965), Eddie (1910–1970), and Ike (1927–2001) also each pursued careers in music. He began playing piano at the age of six, and continued his musical education at the Roosevelt Institute in Chicago. He moved to New York in 1951, where he studied at the Juilliard School of Music before completing a master’s degree at the New England Conservatory of Music.

MacHouston “Mickey” Baker (October 15, 1925 – November 27, 2012) was an American guitarist, best known for his work as a studio musician and as part of the recording duo Mickey & Sylvia.

Baker was born in Louisville, Kentucky. His mother was black, and his father, whom he never met, was believed to be white.

In 1936, at the age of 11, Baker was put into an orphanage. He ran away frequently, and had to be retrieved by the staff from St. Louis, New York City, Chicago, and Pittsburgh. Eventually the orphanage quit looking for him, and at the age of 16, and he stayed in New York City. He found work as a laborer and then a dishwasher, but after hanging out in the pool halls of 26th Street, he gave up regular work to become a full-time pool shark.

By 19, Baker, once again, decided to make a change in his life and went back to dishwashing, but remained determined to become a jazz musician. The trumpet was his first choice for an instrument, but with only $14 saved up, he could not find a pawnshop with anything but guitars for that price.

He enrolled at The New York School of Music, but found the learning pace too slow, so he dropped out and resolved to teach himself instead only to give up shortly afterwards. Six months later, he met a street guitarist who inspired him to start playing again and he resumed taking private lessons from different teachers over the next few years. His musical style was influenced by saxophonist Charlie Parker.

Marcia Barrett (born 14 October 1948) is a Jamaican-British singer and one of the original singers with the vocal group Boney M.

Barrett was born in Saint Catherine Parish, British Jamaica; her parents brought her to Croydon, England in 1963. In the late 1960s she moved to Germany, where she joined a band and toured with Karel Gott and Rex Gildo. In 1971 she signed to Metronome Records and made her first record, “Could Be Love”, written by Drafi Deutscher. At the same time she kept touring with such songs as “Son of a Preacher Man“, “Oh Happy Day” and “Big Spender”

Kenny Neal (born October 14, 1957), is an American blues guitar player, singer and band member.

Neal was born in New Orleans, Louisiana, the son of Raful Neal, and he comes from a musical family. He has often performed with his brothers in his band. Neal preserves the blues sound of his native south Louisiana, as befits someone who learned from Slim Harpo, Buddy Guy, and his father, harmonica player Raful Neal.

Jewell Stovall, better known as Babe Stovall (October 14, 1907 – September 21, 1974), was an American Delta bluessinger and guitarist. Stovall was born in Tylertown, Mississippi, United States, in 1907, the youngest of eleven children (thus his nickname “Babe”). He learned to play the guitar by the age of eight, and his guitar playing style was influenced by Tommy Johnson, whom he had met in Mississippi around 1930. In 1964, he relocated to New Orleans, Louisiana, where he entertained on the streets, and in cafes and galleries of the French Quarter.

Robert Parker (October 14, 1930 – January 19, 2020) was an American R&B singer and musician. His sole hit was “Barefootin’” (1966), and he is considered a one-hit wonder.

Robert Parker, Jr. was born in Mobile, Alabama, to Robert and Leana Parker. He grew up in New Orleans, Louisiana, and started his career as a saxophonist, playing with Professor Longhair on his hit “Mardi Gras in New Orleans” in 1949.

During the 1950s, Parker played alto and tenor saxophone with many of the most popular New Orleans performers, appearing on records by Eddie Bo, Huey “Piano” Smith, Earl King, James Booker, Ernie K-Doe, Tommy Ridgley, Fats Domino and others in New Orleans, and backed up visiting R & B artists including Solomon Burke, Lloyd Price, Jerry Butler and Otis Redding.

James “Son Ford” Thomas (October 14, 1926 – June 26, 1993) was an American Delta bluesmusician, gravedigger and sculptor from Leland, Mississippi. Thomas was born in Eden, Mississippi on October 14, 1926. While working in the fields, he began listening to blues on the radio. As a self-taught guitarist, he learned to play songs from older blues guitarists Elmore Davis and Arthur “Big Boy” Crudup. He then worked as a gravedigger in Washington County.

Peace for Israel and Palestine