mick laBriola

It’s not the big ring that’s attracting the most attention. Although the big planet-forming ring around the star PDS 70 is clearly imaged and itself quite interesting. It’s also not the planet on the right, just inside the big disk, that’s being talked about the most. Although the planet PDS 70c is a newly formed and, interestingly, similar in size and mass to Jupiter. It’s the fuzzy patch around the planet PDS 70c that’s causing the commotion. That fuzzy patch is thought to be a dusty disk that is now forming into moons — and that had never been seen before. The featured image was taken in 2021 by the Atacama Large Millimeter Array (ALMA) of 66 radio telescopes in the high Atacama Desertof northern Chile. Based on ALMA data, astronomers infer that the moon-forming exoplanetary disk has a radius similar to our Earth’s orbit, and may one day form three or so Luna-sized moons — not very different from our Jupiter‘s four. PDS 70 (V1032 Centauri) is a very young T Tauri star in the constellation Centaurus. Located 370 light-years (110 parsecs) from Earth, it has a mass of 0.76 M _☉ and is approximately 5.4 million years old.

Barney Kessel (October 17, 1923 – May 6, 2004) was an American jazz guitarist. Known in particular for his knowledge of chords and inversions and chord-based melodies, he was a member of many prominent jazz groups as well as a “first call” guitarist for studio, film, and television recording sessions. Kessel was a member of the group of session musicians informally known as the Wrecking Crew.

Kessel was born in Muskogee, Oklahoma in 1923 to a Jewish family. Kessel’s father was an immigrant from Hungary who owned a shoe shop. His only formal musical study was three months of guitar lessons at the age of 12. He began his career as a teenager touring with local dance bands. When he was 16, he started playing with the Oklahoma A&M band, Hal Price & the Varsitonians. The band members nicknamed him “Fruitcake” because he practiced up to 16 hours a day. Kessel gained attention because of his youth and being the only white musician playing in all African American bands at black clubs.

William Randolph “Cozy” Cole (October 17, 1909 – January 9, 1981) was an American jazz drummer who worked with Cab Calloway and Louis Armstrong among others and led his own groups.

William Randolph Cole was born in East Orange, New Jersey, United States. His first music job was with Wilbur Sweatman in 1928. In 1930, he played for Jelly Roll Morton‘s Red Hot Peppers, recording an early drum solo on “Load of Cole”. He spent 1931–33 with Blanche Calloway, 1933–34 with Benny Carter, 1935–36 with Willie Bryant, 1936–38 with Stuff Smith‘s small combo, and 1938–42 with Cab Calloway. In 1942, he was hired by CBS Radio music director Raymond Scott as part of network radio’s first integrated orchestra. After that he played with Louis Armstrong’s All Stars.

Cole performed with Louis Armstrong and his All Stars with Velma Middleton singing vocals for the ninth Cavalcade of Jazz concert held at Wrigley Field in Los Angeles. The concert was produced by Leon Hefflin, Sr. on June 7, 1953. Also featured that day were Roy Brown and his Orchestra, Don Tosti and His Mexican Jazzmen, Earl Bostic, Nat “King” Cole, and Shorty Rogers and his Orchestra.

Roy Anthony Hargrove (October 16, 1969 – November 2, 2018) was an American jazz musician and composer whose principal instruments were the trumpet and flugelhorn. He achieved worldwide acclaim after winning two Grammy Awards for differing styles of jazz in 1998 and 2002. Hargrove primarily played in the hard bop style for the majority of his albums, but also had a penchant for genre-crossing exploration and collaboration with a variety of hip hop, soul, R&B and alternative rock artists. As Hargrove told one reporter, “I’ve been around all kinds of musicians, and if a cat can play, a cat can play. If it’s gospel, funk, R&B, jazz or hip-hop, if it’s something that gets in your ear and it’s good, that’s what matters.”

Hargrove was born in Waco, Texas, to Roy Allan Hargrove and Jacklyn Hargrove. When he was 9, his family moved to Dallas, Texas. He took lessons at school initially on cornet before turning to trumpet. One of Hargrove’s most profound early influences was a visit to his junior high school by saxophonist David “Fathead” Newman, who performed as a sideman in Ray Charles‘s Band. Hargrove’s junior high music teacher, Dean Hill, whom Hargrove called his “musical father,” taught him to improvise and solo. He was discovered by Wynton Marsalis when Marsalis visited the Booker T. Washington High School for the Performing and Visual Arts in Dallas. Hargrove credited trumpeter Freddie Hubbard as having the greatest influence on his sound. A quiet and retiring person in life, Hargrove struggled with kidney failure.^[48] He died at the age of 49 of cardiac arrest brought on by kidney disease on November 2, 2018, while hospitalized in New Jersey. According to his long-time manager, Larry Clothier, Hargrove had been on dialysis for the last 14 years of his life.

Robert Hall Weir Parber, born October 16, 1947 is an American musician and songwriter best known as a founding member of the Grateful Dead. After the group disbanded in 1995, Weir performed with The Other Ones, later known as The Dead, together with other former members of the Grateful Dead. Weir also founded and played in several other bands during and after his career with the Grateful Dead, including Kingfish, the Bob Weir Band, Bobby and the Midnites, Scaring the Children, RatDog, and Furthur, which he co-led with former Grateful Dead bassist Phil Lesh. In 2015, Weir, along with former Grateful Dead members Mickey Hart and Bill Kreutzmann, joined with Grammy-winning singer/guitarist John Mayer, bassist Oteil Burbridge, and keyboardist Jeff Chimenti to form the band Dead & Company. Dead & Company’s last performance occurred on 16 July 2023 at Oracle Park in San Francisco.

During his career with the Grateful Dead, Weir played mostly rhythm guitar and sang many of the band’s rock & roll and country & western songs. In 1994, he was inducted into the Rock and Roll Hall of Fame as a member of the Grateful Dead.

Weir was born in San Francisco, California, to John (Jack) Parber (1925–2015), of Italian and German ancestry, and a fellow college student, Phyllis Inskeep (1924–1997), of German, Irish, and English ancestry.

Roger G. Hawkins (October 16, 1945 – May 20, 2021) was an American drummer best known for playing as part of the studio backing band known as the Muscle Shoals Rhythm Section (also known as the Swampers) of Alabama.

Hawkins’s drumming can be heard on dozens of hit singles, including tracks by Percy Sledge (“When a Man Loves a Woman“), Aretha Franklin (“Respect“, “I Never Loved a Man (The Way I Love You)” etc.), Wilson Pickett (“Mustang Sally“, “Land of 1000 Dances“), The Staple Singers, Johnnie Taylor, Bobby Womack, Clarence Carter, Etta James, Duane Allman, Joe Cocker, Paul Simon, Bob Seger, Bonnie Bramlett, Bobby “Blue” Bland, Boz Scaggs, Albert King, Traffic, Rod Stewart, Dan Penn, Lulu, and Willie Nelson. He also recorded with Eric Clapton in the early 80’s.

Joseph Lee “Big Joe” Williams (October 16, 1903 – December 17, 1982) was an American Delta blues guitarist, singer and songwriter, notable for the distinctive sound of his nine-string guitar. Performing over five decades, he recorded the songs “Baby, Please Don’t Go“, “Crawlin’ King Snake” and “Peach Orchard Mama” (now thought to have been recorded by “Jackson” Joe Williams who recorded at The Bluebird session on June 17, 1938 at Leland Hotel in Aurora, IL and also recorded “Goin’ Up The Mountain” the same day), among many others, for various record labels, including Bluebird, Delmark, Okeh, Prestige and Vocalion. He was inducted into the Blues Hall of Fame on October 4, 1992.

The blues historian Barry Lee Pearson (Sounds Good to Me: The Bluesman’s Story, Virginia Piedmont Blues) described Williams’s performance:

When I saw him playing at Mike Bloomfield’s “blues night” at the Fickle Pickle, Williams was playing an electric nine-string guitar through a small ramshackle amp with a pie plate nailed to it and a beer can dangling against that. When he played, everything rattled but Big Joe himself. The total effect of this incredible apparatus produced the most buzzing, sizzling, African-sounding music I have ever heard.

Born in Oktibbeha County, a few miles west of Crawford, Mississippi, Williams as a youth began wandering across the United States busking and playing in stores, bars, alleys and work camps. In the early 1920s he worked in the Rabbit Foot Minstrels revue. He recorded with the Birmingham Jug Band in 1930 for Okeh Records.

Lionel Frederick Cole (October 15, 1931 – June 27, 2020) was an American jazz singer and pianist whose recording career spanned almost 70 years. He was the brother of musicians Nat King Cole, Eddie Cole, and Ike Cole, father of Lionel Cole, and uncle of Natalie Cole and Carole Cole.

Freddy Cole was born to Rev. Edward J. Coles and Perlina (Adams) Coles, and grew up in Chicago, Illinois. His brothers Nat “King” Cole (1919–1965), Eddie (1910–1970), and Ike (1927–2001) also each pursued careers in music. He began playing piano at the age of six, and continued his musical education at the Roosevelt Institute in Chicago. He moved to New York in 1951, where he studied at the Juilliard School of Music before completing a master’s degree at the New England Conservatory of Music.

MacHouston “Mickey” Baker (October 15, 1925 – November 27, 2012) was an American guitarist, best known for his work as a studio musician and as part of the recording duo Mickey & Sylvia.

Baker was born in Louisville, Kentucky. His mother was black, and his father, whom he never met, was believed to be white.

In 1936, at the age of 11, Baker was put into an orphanage. He ran away frequently, and had to be retrieved by the staff from St. Louis, New York City, Chicago, and Pittsburgh. Eventually the orphanage quit looking for him, and at the age of 16, and he stayed in New York City. He found work as a laborer and then a dishwasher, but after hanging out in the pool halls of 26th Street, he gave up regular work to become a full-time pool shark.

By 19, Baker, once again, decided to make a change in his life and went back to dishwashing, but remained determined to become a jazz musician. The trumpet was his first choice for an instrument, but with only $14 saved up, he could not find a pawnshop with anything but guitars for that price.

He enrolled at The New York School of Music, but found the learning pace too slow, so he dropped out and resolved to teach himself instead only to give up shortly afterwards. Six months later, he met a street guitarist who inspired him to start playing again and he resumed taking private lessons from different teachers over the next few years. His musical style was influenced by saxophonist Charlie Parker.