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John Lamb (born November 29, 1933) is an American jazz double bassist who was a member of the Duke Ellington Orchestra.Born in Vero Beach, Florida, Lamb as a child loved playing music, specializing in the tuba. He left high school to join the United States Air Force as a musician for their military band. He was stationed in Texas and then Montana, where the long winters left him ample time to practice. When the band’s usual string bass player was unavailable for a gig in 1951, the bandmaster asked Lamb if he could play the bass; Lamb immediately said yes, and before long became the band’s new string bassist. He credited his tuba experience for giving him the “feel” to pick up string bass quickly without any prior experience.
Lamb joined Duke Ellington’s orchestra in 1964, and toured with them for three years. Lamb was more of a fan of Miles Davis and Red Garland when he was with Ellington, later saying, “I was very young and very cocky. I thought I knew more than Duke at that time…I have more time today to reflect on the things that were accomplished back then, and the places we traveled to and all the wonderful people that we met. So one has to be careful what one does in his young years, because if they’re fortunate to live long, it all comes back.” In 1966 Lamb performed with Ellington and Sam Woodyard for artist Joan Miró at the Fondation Maeght in Saint-Paul-de-Vence.
more...illy Hart (born November 29, 1940) is an American jazz drummer and educator. He is known internationally for his work with Herbie Hancock‘s “Mwandishi” band in the early 1970s, as well as with Shirley Horn, Stan Getz, and Quest, among many others.
Hart was born in Washington, D.C. He grew up in close proximity of the Spotlite Club, where he first heard the music of Lee Morgan, Ahmad Jamal, and Miles Davis, among others.
Early on in his career he performed with Otis Redding and Sam and Dave, then with Buck Hill. Although he studied mechanical engineering at Howard University, he left school early to tour with Shirley Horn, whom Hart credits with accelerating his musical development. He was a sideman with the Montgomery Brothers (1961), Jimmy Smith(1964–1966), and Wes Montgomery (1966–68). Following Montgomery’s death in 1968, Hart moved to New York City, where he recorded with McCoy Tyner, Wayne Shorter, Joe Zawinul, and Pharoah Sanders (playing on his famed recording Karma in 1969), in addition to playing with Eddie Harris, Joanne Brackeen, and Marian McPartland.
more...William Thomas Strayhorn (November 29, 1915 – May 31, 1967 Dayton, OH) was an American jazz composer, pianist, lyricist, and arranger who collaborated with bandleader and composer Duke Ellington for nearly three decades. His compositions include “Take the ‘A’ Train“, “Chelsea Bridge“, “A Flower Is a Lovesome Thing”, and “Lush Life“. In 1964, Strayhorn was diagnosed with esophageal cancer, which took his life in the early morning of May 31, 1967, when he was with his partner, Bill Grove, not in Lena Horne’s arms as has often been falsely reported. By her own account, she was touring in Europe when she received the news of Strayhorn’s death.
more...The large stellar association cataloged as NGC 206 is nestled within the dusty arms of the neighboring Andromeda galaxy along with the galaxy’s pinkish star-forming regions. Also known as M31, the spiral galaxy is a mere 2.5 million light-years away. NGC 206 is found at the center of this sharp and detailed close-up of the southwestern extent of Andromeda’s disk. The bright, blue stars of NGC 206 indicate its youth. In fact, its youngest massive stars are less than 10 million years old. Much larger than the open or galactic clusters of young stars in the disk of our Milky Way galaxy, NGC 206 spans about 4,000 light-years. That’s comparable in size to the giant stellar nurseries NGC 604in nearby spiral M33 and the Tarantula Nebula in the Large Magellanic Cloud.
more...Randall Stuart Newman (born November 28, 1943) is an American singer, songwriter, arranger, pianist, composer and conductor. He is known for his non-rhotic Southern-accented singing style, early Americana-influenced songs (often with mordant or satirical lyrics), and various film scores. His hits as a recording artist include “Short People” (1977), “I Love L.A.” (1983), and “You’ve Got a Friend in Me” (1995) with Lyle Lovett, while other artists have enjoyed success with cover versions of his “Mama Told Me Not to Come” (1966), “I Think It’s Going to Rain Today” (1968), and “You Can Leave Your Hat On” (1972).
Born in Los Angeles to an extended family of Hollywood film composers, Newman began his songwriting career at the age of 17, penning hits for acts such as the Fleetwoods, Cilla Black, Gene Pitney, and the Alan Price Set. In 1968, he made his formal debut as a solo artist with the album Randy Newman, produced by Lenny Waronker and Van Dyke Parks. Four of Newman’s non-soundtrack albums have charted in the US top 40: Sail Away (1972), Good Old Boys (1974), Little Criminals (1977), and Harps and Angels (2008).
Since the 1980s, Newman has worked mostly as a film composer. He has scored nine Disney–Pixar animated films, including all Toy Story films (1995–present), A Bug’s Life(1998), both Monsters, Inc. films (2001, 2013), and the first and third Cars films (2006, 2017), as well as Disney’s James and the Giant Peach (1996) and The Princess and the Frog (2009). His other film scores include Cold Turkey (1971), Ragtime (1981), The Natural (1984), Awakenings (1990), Cats Don’t Dance (1997), Pleasantville (1998), Meet the Parents (2000), Seabiscuit (2003), and Marriage Story (2019).
Newman has received twenty-two Academy Award nominations in the Best Original Score and Best Original Song categories and has won twice in the latter category, contributing to the Newmans being the most nominated Academy Award extended family, with a collective 92 nominations in various music categories. He has also won three Emmys, seven Grammy Awards and the Governor’s Award from the Recording Academy. In 2007, he was recognized by the Walt Disney Company as a Disney Legend. He was inducted into the Songwriters Hall of Fame in 2002 and to the Rock and Roll Hall of Fame in 2013.
more...Leandro “Gato” Barbieri (November 28, 1932 – April 2, 2016) was an Argentine jazztenor saxophonist who rose to fame during the free jazz movement in the 1960s and is known for his Latin jazz recordings of the 1970s. His nickname, Gato, is Spanish for “cat”.
more...Gigi Gryce (born George General Grice Jr.; November 28, 1925 – March 17, 1983 Pensacola, FL), later in life changing his name to Basheer Qusim, was an American jazz saxophonist, flautist, clarinetist, composer, arranger, and educator.
While his performing career was relatively short, much of his work as a player, composer, and arranger was quite influential and well-recognized during his time. However, Gryce abruptly ended his jazz career in the 1960s. This, in addition to his nature as a very private person, has resulted in very little knowledge of Gryce today. Several of his compositions have been covered extensively (“Minority“, “Social Call”, “Nica’s Tempo”) and have become minor jazz standards. Gryce’s compositional bent includes harmonic choices similar to those of contemporaries Benny Golson, Tadd Dameron[1] and Horace Silver. Gryce’s playing, arranging, and composing are most associated with the classic hard bop era (roughly 1953–1965). He was a well-educated composer and musician, and wrote some classical works as a student at the Boston Conservatory. As a jazz musician and composer he was very much influenced by the work of Charlie Parker and Thelonious Monk.
more...Roy McCurdy (born November 28, 1936) is a jazz drummer.
McCurdy began playing drums around the age of 10 in his hometown of Rochester and took lessons from Eastman percussionist Bill Street as a teenager. He spent three years in the Air Force before returning to Rochester to begin his career.
Before joining Cannonball Adderley‘s Quintet in 1965 and staying with the band until Adderley’s death in 1975, he had played with Chuck and Gap Mangione in the Jazz Brothers (1960–1961), as well as with Bobby Timmons, Betty Carter and Sonny Rollins (1963–1964), appearing on the classic 1963 album Sonny Meets Hawk!
He attended the Eastman School of Music from sixteen to eighteen, during which time he also played professionally with Roy Eldridgeand with Eddie Vinson at seventeen. In 1960 he joined the Art Farmer – Benny Golson Jazztet and remained for two years.
more...The Mashpee Wampanoag Tribe, also known as the People of the First Light, has inhabited present day Massachusetts and Eastern Rhode Island for more than 12,000 years. The Wampanoag people and the Pilgrims had a mutually beneficial relationship that included a peace treaty and the sharing of food and knowledge.
more...The streak on the upper right is Comet Tsuchinshan-Atlas showing an impressive dust tail. The comet is a large and dirty iceberg that entered the inner Solar System and is shedding gas and dust as it is warmed by the Sun’s light. The streak on the lower left is a meteor showing an impressive evaporation trail. The meteor is a small and cold rock that entered the Earth’s atmosphere and is shedding gas and dust as it is warmed by molecular collisions. The meteor was likely once part of a comet or asteroid — perhaps later composing part of its tail. The meteor was gone in a flash and was only caught by coincidence during a series of exposures documenting the comet’s long tail. The featured image was captured just over a month ago from Sichuan Province in China.
more...Albert J. Jackson Jr. (November 27, 1935 – October 1, 1975 Memphis, TN) was an American drummer, producer, and songwriter. He was a founding member of Booker T. & the M.G.’s, a group of session musicians who worked for Stax Records and produced their own instrumentals. Jackson was affectionately dubbed “The Human Timekeeper” for his drumming ability. He was posthumously inducted into the Memphis Music Hall of Famein 2015, and the Rock and Roll Hall of Fame as a member of Booker T. & the M.G.’s in 1992. Jackson attended the screening with Eddie Floyd and Terry Manning. After the screening, he returned home to find intruders in the house. Reportedly, he was told to get down on his knees, and was fatally shot five times in the back. Around 3 A.M. on October 1, Barbara Jackson ran out in the street, yelling for help. She told police that burglars had tied her up and shot her husband when he had returned home. Police found nothing out of place in the house, and Jackson’s wallet and jewelry were still on him.
more...Lyle David Mays (November 27, 1953 – February 10, 2020) was an American jazzpianist, composer, and member of the Pat Metheny Group. Metheny and Mays composed and arranged nearly all of the group’s music, for which Mays won eleven Grammy Awards.
Mays composed, orchestrated, and arranged as a core member of the Pat Metheny Group, playing piano, organ, synthesizers and, occasionally, trumpet, accordion, agogô bells, autoharp, toy xylophone, and electric guitar. He also composed, performed, and recorded dramatic scores for children’s audiobooks, such as East of the Sun, West of the Moon, with text narrated by Max von Sydow; Moses the Lawgiver, told by Ben Kingsley; The Lion and the Lamb, narrated by Amy Grant and Christopher Reeve; and The Tale of Mr. Jeremy Fisher and Tale of Peter Rabbit, read by Meryl Streep. In 1985, Metheny’s and Mays’s compositions were performed by the Steppenwolf Theater in Chicago in the critically acclaimed production of Orphans by Lyle Kessler. Lyle’s Oberheim analog synth pad and his voice counting the second hand of a clock at the recording session, “55…, 3..,” which can be heard from the bridge part of “As Falls Wichita, So Falls Wichita Falls (1981),” was used for Christian Dior’s Fahrenheit Cologne commercials for almost 30 years, from 1988 to 2016.
Mays was regarded by both professional musicians and music fans as one of the most innovative and creative jazz pianists and keyboardists, but he considered himself more of a serious contemporary composer with an advanced approach to classical music, harmonic aesthetics, and structural development through long forms. He composed several contemporary classical pieces, such as “Twelve Days in the Shadow of a Miracle”, a piece for harp, flute, viola, and synthesizer recorded in 1996 by the Debussy Trio. Mays also composed “Distance” for Pat Metheny Group’s Grammy-winning and RIAA-certified Gold album, Still Life (Talking)(1987, Geffen), “Mindwalk” in 2009 for marimba player Nancy Zeltsman, and previously “Somewhere in Maine” in 1988 for her duo with violinist Sharan Leventhal, Marimolin, and “Street Dreams 3” for his solo album, Street Dreams (Geffen, 1988) with top classical performers in New York City.
Mays died in Los Angeles at the age of 66 on February 10, 2020, “after a long battle with a recurring illness”.
Mays was posthumously awarded the Grammy Award for Best Instrumental Composition at the 64th Annual Grammy Awards in 2022 for his composition “Eberhard,” dedicated to the German double bassist and composer, Eberhard Weber.
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