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Al Duncan (October 8, 1927, McKinney, Texas — January 3, 1995, Las Vegas)was an American drummer and songwriter. Music critic and musicologist Eugene Chadbournedescribed Duncan as a “forefather of rhythm and blues” and “one of less than a half dozen key studio legends of the 1950s and 1960s who have sometimes been called the ‘grandfathers of groove’.”Chadbourne credited Duncan as helping develop the characteristic metric feel or timekeeping of rhythm and blues. His work is featured on recordings with Roy Buchanan, Billy “The Kid” Emerson, Buddy Guy, Dale Hawkins, Red Holloway, Camille Howard, Horace Palm, Jimmy Reed, Phil Upchurch, and Rob Wassermanamong others.Of the songs he penned, the best known is “It’s Too Late, Brother” which has become a blues staple.

Owen Joseph “Sonny” Igoe (October 8, 1923 – March 28, 2012) Jersey City, NJ

was an American jazz drummer and music educator who, toured with the orchestras of Tommy Reed (1913–2012), Les Elgart, Ina Ray Hutton, Benny Goodman, and Woody Hermanfrom the mid-1940s to the mid-1950s.

Park Frederick “Pepper” Adams III(October 8, 1930 – September 10, 1986)Highland,  MI was an American jazz baritone saxophonist and composer.He composed 42 pieces, was the leader on eighteen albums spanning 28 years, and participated in 600 sessions as a sideman. He worked with an array of musicians, and had especially fruitful collaborations with trumpeter Donald Byrd and as a member of the Thad Jones/Mel Lewis Big Band.

Gabriel Yared (Arabic: غبريال يارد; born 7 October 1949) is a Lebanese-French composer, best known for his work in French and American cinema.

Born in Beirut, Lebanon, Yared scored the French films Betty Blue and Camille Claudel. He later worked on English-language films, particularly those directed by Anthony Minghella. He won an Academy Award for Best Original Score and a Grammy Award for his work on The English Patient (1996) and was nominated for both The Talented Mr. Ripley (1999) and Cold Mountain (2003).

Mel Brown (October 7, 1939 – March 20, 2009) was an American-born blues guitarist and singer. He is best remembered for his decade long backing of Bobby Bland, although in his own right, Brown recorded over a dozen albums between 1967 and 2006.

Brown was born in Jackson, Mississippi, United States, and was presented with his first guitar as a teenager while recovering from a bout of meningitis. By 1955, after performing backing duties for both Sonny Boy Williamson II and Jimmy Beasley, Brown had a two year long stint backing Johnny Otis. This led to work with Etta James, where he swapped his Gibson Les Paul for an ES-175 to give him a richer and fuller tone to his guitar work, that set him apart from his contemporaries.

Larry Young (also known as Khalid Yasin [Abdul Aziz]; October 7, 1940 – March 30, 1978) was an American jazz organist and occasional pianist. Young’s early work was strongly influenced by the soul jazz of Jimmy Smith, but he later pioneered a more experimental, modal approach to the Hammond B-3.

Born and raised in Newark, New Jersey, United States, Young attended Newark Arts High School, where he began performing with a vocal group and a jazz band.

Young played with various R&B bands in the 1950s, before gaining jazz experience with Jimmy Forrest, Lou Donaldson, Kenny Dorham, Hank Mobley and Tommy Turrentine. Recording as a leader for Prestige from 1960, Young made a number of soul jazz discs, Testifying, Young Blues and Groove Street. When Young signed with Blue Note around 1964, his music began to show the marked influence of John Coltrane.

onathan David Samuel Jones (October 7, 1911 – September 3, 1985) was an American jazz drummer. A band leader and pioneer in jazz percussion, Jones anchored the Count Basie Orchestra rhythm section from 1934 to 1948. He was sometimes known as Papa Jo Jones to distinguish him from younger drummer Philly Joe Jones.

Born in Chicago, Illinois, United States, Jones moved to Alabama, where he learned to play several instruments, including saxophone, piano, and drums. He worked as a drummer and tap-dancer at carnival shows until joining Walter Page‘s band, the Blue Devils in Oklahoma City in the late 1920s. He recorded with trumpeter Lloyd Hunter‘s Serenaders in 1931, and later joined pianist Count Basie‘s band in 1934. Jones, Basie, guitarist Freddie Green and bassist Walter Page were sometimes billed as an “All-American Rhythm section,” an ideal team. Jones took a brief break for two years when he was in the military, but he remained with Basie until 1948. He participated in the Jazz at the Philharmonic concert series.

He was one of the first drummers to promote the use of brushes on drums, and shifting the role of timekeeping from the bass drum to the hi-hat cymbal. Jones had a major influence on later drummers such as Buddy Rich, Kenny Clarke, Roy Haynes, Max Roach, and Louie Bellson. He also starred in several films, most notably the musical short Jammin’ the Blues (1944).

Prayers for Israel and Palestine today

Millicent Dolly May Small CD (6 October 1947 – 5 May 2020) was a Jamaican singer who is best known for her 1964 hit “My Boy Lollipop“. The song reached number two in both the UK and US charts and sold over seven million copies worldwide. It was also the first major hit for Island Records and helped to achieve the label its mainstream success. She was the Caribbean’s first international recording star and its most successful female performer.

Tony Oladipo Allen (20 July 1940 – 30 April 2020) was a Nigerian drummer, composer, and songwriter who lived and worked in Paris, France. Allen was the drummer and musical director of Fela Kuti‘s band Africa ’70 from 1968 to 1979, and was one of the founders of the Afrobeat genre. Fela once stated that “without Tony Allen, there would be no Afrobeat”. He was described by Brian Eno as “perhaps the greatest drummer who has ever lived”.

Later in life, Allen collaborated with Damon Albarn on several projects, including Gorillaz, the Good, the Bad & the Queen and Rocket Juice & the Moon. Allen’s career and life were documented in his 2013 autobiography Tony Allen: Master Drummer of Afrobeat, co-written with Michael E. Veal, who previously wrote a comprehensive biography of Fela Kuti.

Samuel Blythe Price (October 6, 1908 – April 14, 1992) was an American jazz, boogie-woogie and jump blues pianist and bandleader. Price’s playing is dark, mellow, and relaxed rather than percussive, and he was a specialist at creating the appropriate mood and swing for blues and rhythm and blues recordings.

Price was born in Honey Grove, Texas, United States. Price formally studied the piano with Booker T. Washington‘s daughter, Portia Marshall Washington (1883–1978). In the mid-1920s, when he was employed in a Dallas music store, Price wrote to Paramount Records recommending Blind Lemon Jefferson to the label.

The Soleá is synonymous with the Soleares, known as the “Mother of Flamenco”. Flamenco guitarists usually begin their study with the Soleá since it has a relatively slow BPM (usually 50-110BPM). As a result, students have ample time to feel comfortable with the compás accents.

The compás for the Soleá is as follows:

123 456 78 910 1112 or 123 123 12 12 12

Soleá CompásHarmonic tension between the E major and F major chords is prevalent in the Soleá form, causing both harmonic and tension and resolve throughout a performance. A Soleá may include the escobilla section, where the beat shifts to a feeling of three