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The nebula is known popularly as the Witch Head Nebula because, it is said, the nebula’s shape resembles a Halloween-style caricature of a witch’s head. Exactly how, though, can be a topic of imaginative speculation. What is clear is that IC 2118 is about 50 light-years across and made of gas and dust that points to — because it has been partly eroded by — the nearby star Rigel. One of the brighter stars in the constellation Orion, Rigel lies below the bottom of the featured image. The blue color of the Witch Head Nebula and is caused not only by Rigel’s intense blue starlight but because the dust grains scatter blue light more efficiently than red. The same physical process causes Earth’s daytime sky to appear blue, although the scatterers in planet Earth’s atmosphere are molecules of nitrogen and oxygen.
Amos Leon Thomas Jr. (October 4, 1937 – May 8, 1999), known professionally as Leon Thomas, was an American jazz and blues vocalist, born in East St. Louis, Illinois, and known for his bellowing glottal-stop style of free jazz singing in the late 1960s and 1970s.
Leon Thomas was born Amos Thomas, Jr. on October 4, 1937, in East St. Louis, Illinois. He studied music at Tennessee State University. At the time of his studies, he had begun a singing career as a guest vocalist for the jazz bands of percussionist Armando Peraza, saxophonist Jimmy Forrest, and guitarist Grant Green. His musical development at this time was shaped in part by seeing saxophonist John Coltrane perform in trumpeter Miles Davis‘s sextet during the late 1950s. Thomas moved to New York City in 1959, singing at the Apollo Theater as a vocalist for acts such as jazz ensemble The Jazz Messengers and singer Dakota Staton. In 1961, he joined the Count Basie Orchestra but soon left after being conscripted into the army.
more...Edgar Gómez (born October 4, 1944) is a Puerto Rican jazz double bassist, known for his work with the Bill Evans Trio from 1966 to 1977.
Gómez moved with his family from Puerto Rico at a young age to New York, where he was raised. He started on double bass in the New York City school system at the age of eleven and at age thirteen went to the New York City High School of Music & Art. He played in the Newport Festival Youth Band (led by Marshall Brown) from 1959 to 1961, and graduated from Juilliard in 1963.
He has played with musicians such as Gerry Mulligan, Marian McPartland, Paul Bley, Tania Maria, Steps Ahead, and Chick Corea. He spent a total of eleven years with the Bill Evans Trio, which included performances in the United States, Europe and Asia, as well as dozens of recordings.
His career mainly consists of working as an accompanist, a position suited for his quick reflexes and flexibility. In addition to working as a studio musician for many famous jazz musicians, he has recorded as a leader for Columbia Records, Projazz and Stretch. Many of his recent recordings as a leader are co-led by the jazz pianist Mark Kramer.
In May 2013, Gómez was awarded an Honorary Doctorate of Music from Berklee College of Music in Valencia, Spain. This was the first honorary doctorate granted at the college’s new international campus in Spain.
more...Steve Swallow (born October 4, 1940) is an American jazz bassist and composer, known for his collaborations with Jimmy Giuffre, Gary Burton, and Carla Bley. He was one of the first jazz double bassists to switch entirely to electric bass guitar.
Born in Fair Lawn, New Jersey, United States, Swallow studied piano and trumpet, as a child, before turning to the double bass at age 14. While attending a prep school, he began trying his hand in jazz improvisation. In 1960, he left Yale University, where he was studying composition, and settled in New York City, playing at the time in Jimmy Giuffre‘s trio along with Paul Bley. After joining Art Farmer‘s quartet in 1963, Swallow began to write. It is in the 1960s that his long-term association with Gary Burton‘s various bands began.
In the early 1970s, Swallow switched exclusively to electric bass guitar, of which he prefers the five-string variety. He was first introduced to the electric bass while doing a music trade show with Gary Burton and trying a Gibson EB-2. Along with Monk Montgomery and Bob Cranshaw, Swallow was among the first jazz bassists to do so (with much encouragement from Roy Haynes, one of Swallow’s favorite drummers). He plays with a pick (made of copper by Hotlicks), and his style involves intricate solos in the upper register. He was one of the early adopters of the high C string on a bass guitar.
From 1974 to 1976, Swallow taught at the Berklee College of Music. He contributed several of his compositions to the Berklee students who assembled the first edition of The Real Book. He later recorded an album, Real Book, with the picture of a well-worn, coffee-stained book on the cover.
In 1978, Swallow became a member of Carla Bley‘s band. He has been Bley’s romantic partner since the 1980s. He toured extensively with John Scofield in the early 1980s, and has returned to this collaboration several times over the years.
Swallow has consistently won the electric bass category in DownBeat yearly polls, both Critics’ and Readers’, since the mid-1980s. His compositions have been covered by, among others, Jim Hall (who recorded his very first tune, “Eiderdown”), Bill Evans, Chick Corea, Stan Getz and Gary Burton.
more...The rings of MyCn 18 trace the outline of an hourglass — although one with an unusual eye in its center. Either way, the sands of time are running out for the central star of this hourglass-shaped planetary nebula. With its nuclear fuel exhausted, this brief, spectacular, closing phase of a Sun-like star’s life occurs as its outer layers are ejected – its core becoming a cooling, fading white dwarf. In 1995, astronomers used the Hubble Space Telescope (HST) to make a series of images of planetary nebulae, including the one featured here. Pictured, delicate rings of colorful glowing gas (nitrogen-red, hydrogen-green, andoxygen-blue) outline the tenuous walls of the hourglass. The unprecedented sharpness of the Hubble images has revealed surprising details of the nebula ejection process that are helping to resolve the outstanding mysteries of the complex shapes and symmetries of planetary nebulas like MyCn 18.
Stephen Michael Reich born October 3, 1936) is an American composer known for his contribution to the development of minimal music in the mid to late 1960s. Reich’s work is marked by its use of repetitive figures, slow harmonic rhythm, and canons. Reich describes this concept in his essay, “Music as a Gradual Process”, by stating, “I am interested in perceptible processes. I want to be able to hear the process happening throughout the sounding music.” To do so, his music employs the technique of phase shifting, in which a phrase is slightly altered over time, in a flow that is clearly perceptible to the listener.
His innovations include using tape loops to create phasing patterns, as on the early compositions It’s Gonna Rain(1965) and Come Out (1966), and the use of simple, audible processes, as on Pendulum Music (1968) and Four Organs (1970). The 1978 recording Music for 18 Musicians would help entrench minimalism as a movement.Reich’s work took on a darker character in the 1980s with the introduction of historical themes as well as themes from his Jewish heritage, notably Different Trains (1988).
Reich’s style of composition has influenced many contemporary composers and groups, especially in the United States. Writing in The Guardian, music critic Andrew Clements suggested that Reich is one of “a handful of living composers who can legitimately claim to have altered the direction of musical history”. Reich was born in New York City to Jewish parents, the Broadway lyricist June Sillman and Leonard Reich. When he was one year old, his parents divorced, and Reich divided his time between New York and California. He is the half-brother of writer Jonathan Carroll.
more...Chubby Checker (born Ernest Evans; October 3, 1941) is an American singer and dancer. He is widely known for popularizing many dance styles, including the Twist dance style, with his 1960 hit cover of Hank Ballard & The Midnighters‘ R&B song “The Twist“, and the pony dance style with the 1961 cover of the song “Pony Time“. His biggest UK hit, “Let’s Twist Again“, was released one year later (in 1962); that year, he also popularized the song “Limbo Rock“, originally a previous-year instrumental hit by the Champs to which he added lyrics, and its trademark Limbo dance, as well as other dance styles such as The Fly. In September 2008, “The Twist” topped Billboard‘s list of the most popular singles to have appeared in the Hot 100 since its debut in 1960, an honor it maintained for an August 2013 update of the list.[1]
Checker was born Ernest Evans in Spring Gully, South Carolina
https://www.youtube.com/watch?v=VM3gKfCk6Dg
more...Earle Lavon “Von” Freeman Sr. (October 3, 1923 – August 11, 2012) was an American hard bop jazz tenor saxophonist.
Born in Chicago, Illinois, to parents George Freeman and Earle née Granberry Freeman, he was exposed as a young child to jazz. His father, George, a city policeman, was a close friend of Louis Armstrong with Armstrong living at the Freeman house when he first arrived in Chicago.
Freeman’s father taught him to play piano and bought him his first saxophone when he was seven. His musical education was furthered at DuSable High School, where his band director was Walter Dyett. Freeman began his professional career at the age of 16 in Horace Henderson‘s Orchestra.
Freeman enlisted into the Navy during World War II and was trained at Camp Robert Smalls in Chicago. “All the great musicians ended up at Great Lakes”, he recalled. “It was an incubator for the best and the brightest lights in the jazz world at that time, and the musical jam sessions were simply phenomenal.” After training, he was sent to Hawaii as part of the Hellcats stationed at Barbers Point Naval Air Station in a band that starred Harry “Pee Wee” Jackson, the trumpeter from Cleveland whose nickname was Gabriel. The Hellcats were frequent winners of the islands’ competitive Battle of the Bands competitions and included musicians who had formerly played in bands fronted by Duke Ellington, Fletcher Henderson, Ella Fitzgerald, Lucky Millinder, Les Hite, Count Basie, Fats Waller, and Tiny Bradshaw.
more...Stephen Ray Vaughan (also known as SRV; October 3, 1954 – August 27, 1990) was an American musician, best known as the guitarist and frontman of the blues rock trio Stevie Ray Vaughan and Double Trouble. Although his mainstream career spanned only seven years, he is regarded as one of the most influential musicians in the history of blues music, and one of the greatest guitarists of all time. He was the younger brother of guitarist Jimmie Vaughan.
Born and raised in Dallas, Vaughan began playing guitar at age seven, initially inspired by his elder brother, Jimmie Vaughan. In 1972, he dropped out of high school and moved to Austin, where he began to gain a following after playing gigs on the local club circuit. Vaughan joined forces with Tommy Shannon on bass and Chris Layton on drums as Double Trouble in 1978 and established it as part of the Austin music scene; it soon became one of the most popular acts in Texas. He performed at the Montreux Jazz Festival in 1982, where David Bowie saw him play. Bowie contacted him for a studio gig that resulted in Vaughan playing blues guitar on the album Let’s Dance (1983), before being discovered by John Hammond who interested major label Epic Records in signing Vaughan and his band to a record deal. Within months, they achieved mainstream success for the critically acclaimed debut album Texas Flood. With a series of successful network television appearances and extensive concert tours, Vaughan became the leading figure in the blues revival of the 1980s. Playing his guitar behind his back or plucking the strings with his teeth as Jimi Hendrixdid, he earned fame in Europe, which later resulted in breakthroughs for guitar players like Robert Cray, Jeff Healey, Robben Ford, and Walter Trout, amongst others.
During the majority of his life, Vaughan struggled with alcoholism and drug addiction. He also struggled with the personal and professional pressures of fame and his marriage to Lenora “Lenny” Bailey. He successfully completed rehabilitation and began touring again with Double Trouble in November 1986. His fourth and final studio album In Step reached number 33 in the United States in 1989; it was one of Vaughan’s most critically and commercially successful releases and included his only number-one hit, “Crossfire”. He became one of the world’s most highly demanded blues performers, and he headlined Madison Square Garden in 1989 and the Beale Street Music Festival in 1990.
On August 27, 1990, Vaughan and four others were killed in a helicopter crash in East Troy, Wisconsin, after performing with Double Trouble at Alpine Valley Music Theatre. An investigation concluded that the cause of the accident was pilot error and Vaughan’s family later filed a wrongful death lawsuit against Omniflight Helicopters which was settled out of court. Vaughan’s music continued to achieve commercial success with several posthumous releases and has sold over 15 million albums in the United States alone. In 2003, David Fricke of Rolling Stone ranked him the seventh greatest guitarist of all time. Vaughan was posthumously inducted into the Rock and Roll Hall of Fame in 2015, along with Double Trouble bandmates Chris Layton, Tommy Shannon, and Reese Wynans.
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There are two different types of nebulae brought to you in this Picture of the Week. Each appears with a distinct colour in the visible sky and are captured here using the wide-field camera OmegaCAM on the VLT Survey Telescope (VST), hosted at ESO’s Paranal Observatory in the Chilean desert.
The large, bright emission nebula at the centre, IC1284, is a star-forming region composed primarily of hydrogen. Its rosy glow comes from electrons within the hydrogen atoms: they’re excited by the radiation from young stars, but then they lose energy and emit a specific colour or wavelength of light. One of the filters on OmegaCAM lets through this particular reddish colour, hence the nebula’s look. Meanwhile, another colour filter highlights the blue reflection nebulae NGC6589 and NGC6590 in the lower right corner. The dust in a reflection nebula preferentially scatters shorter, bluer wavelengths of light from nearby stars, which is what gives these nebulae their eerie glow. It’s the same reason why the sky is blue!
The frame of this image covers an area roughly equivalent in the sky to a full Moon. This image was captured as part of a large ESO public survey, the VST Photometric H alpha Survey of the Southern Galactic Plane and Bulge (VPHAS+), which observes nebulae and stars in visible light to help astronomers understand how stars are born, live and die.
1966 Kenny Rittenhouse received a Bachelor’s Degree in music from West Virginia Wesleyan College in 1988 and a Master of Music in Jazz Studies from the University of Maryland in 2006. He also did graduate work on trumpet and in jazz at the Eastman School of Music, and at Duquesne University in Pittsburgh, PA where he studied with Roger Sherman of the Pittsburgh Symphony. Since 1990 Mr. Rittenhouse has been a member of The United States Army Band (Pershing’s Own) in Washington, DC., the premier band of the Army, and currently performs with The U.S. Army Blues Jazz Ensemble. As member of the Army Blues, he has shared the stage alongside Ernie Andrews, Kevin Mahogany, Lou Rawls, Wycliff Gordon, Doc Severinsen, Arturo Sandoval, and Sean Jones. As a member of the Smithsonian Jazz Masterworks Orchestra, he has toured nationally and internationally with jazz flutist Hubert Laws and vocalist Kurt Elling. As a past member of the Pittsburgh Jazz Orchestra led by trumpeter Sean Jones, he has shared the stage with Jazz legends such as Jimmy Heath, Ahmad Jamal, and Freddy Cole. Mr. Rittenhouse currently holds the Applied Trumpet Instructor position at Morgan State University. Before teaching at Morgan State, he taught Jazz Trumpet at George Mason University for the past 14 years. For over 25 years Mr. Rittenhouse has led his own jazz quartet performing in and around the Washington, DC area with many great jazz artists including Larry Willis, Ralph Peterson, Don Braden, Buck Hill, and Steve Wilson, and Butch Warren. The Kenny Rittenhouse Ensemble is one of the hardest swinging jazz groups in the greater DC metro area. The group, under the direction of trumpeter Kenny Rittenhouse, was formed several years ago and has appeared in such venues as Blues Alley, Bohemian Caverns, and Twins Jazz Club. The group recorded their first release (a sextet) in 2006 titled “The Francis Suite”. Their second release, recorded in February 2013 is titled “New York Suite”. It’s a hard swinging septet playing mostly original songs highlighting traditional straight ahead jazz with a bit of Funk & R&B in the mix. The ensemble performs with intensity and fervor, focusing on the concept of “swing”, paying homage to the blue note recording artist of the 60’s. These gifted performers pride themselves on presenting bop/post bop styles and modern originals as well as establishing a report with their audience that few others produce.
more...Gordon Matthew Thomas Sumner CBE (born 2 October 1951), known as Sting, is an English musician and actor. He was the frontman, songwriter and bassist for new wave band the Police from 1977 until their breakup in 1986. He launched a solo career in 1985 and has included elements of rock, jazz, reggae, classical, new-age, and worldbeat in his music.
As a solo musician and a member of the Police, Sting has received 17 Grammy Awards: he won Song of the Year for “Every Breath You Take“, three Brit Awards, including Best British Male Artist in 1994 and Outstanding Contribution in 2002, a Golden Globe, an Emmy, and four nominations for the Academy Award for Best Original Song. In 2019, he received a BMI Award for “Every Breath You Take” becoming the most-played song in radio history. In 2002, Sting received the Ivor Novello Award for Lifetime Achievement from the British Academy of Songwriters, Composers and Authors and was also inducted into the Songwriters Hall of Fame. He was inducted into the Rock and Roll Hall of Fame as a member of the Police in 2003. In 2000, he received a star on the Hollywood Walk of Fame for recording. In 2003, Sting received a CBE from Elizabeth II at Buckingham Palace for services to music. He was made a Kennedy Center Honoree at the White House in 2014 and was awarded the Polar Music Prize in 2017. In May 2023, he was made an Ivor Novello Fellow.
With the Police, Sting became one of the world’s best-selling music artists. Solo and with the Police combined, he has sold over 100 million records. In 2006, Paste ranked him 62nd of the 100 best living songwriters. He was 63rd of VH1‘s 100 greatest artists of rock, and 80th of Q‘s 100 greatest musical stars of the 20th century. He has collaborated with other musicians on songs such as “Money for Nothing” with Dire Straits, “Rise & Fall” with Craig David, “All for Love” with Bryan Adams and Rod Stewart, “You Will Be My Ain True Love” with Alison Krauss, and introduced the North African music genre raï to Western audiences through the hit song “Desert Rose” with Cheb Mami. In 2018, he released the album 44/876, a collaboration with Jamaican musician Shaggy, which won the Grammy Award for Best Reggae Album in 2019.
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Howard Mancel Roberts (October 2, 1929 – June 28, 1992) was an American jazz guitarist, educator, and session musician.
Roberts was born in Phoenix, Arizona to Damon and Vesta Roberts, and began playing guitar at the age of 8 – a Gibson manufactured $18 Kalamazoo student model acoustic given to him by his parents at Christmas. He took lessons from Horace Hatchett who commented to Roberts’ father that Roberts, at the age of 15, “…has his own style of playing and there’s nothing else I can show him. He plays better than I do.” By the time he was 15 he was playing professionally locally, predominantly blues based music, where he learned from a number of black musicians, trumpeter Art Farmer being among that group. In 1992 Roberts was quoted in “The Independent Newsletter” by Steve Voce saying he considered that early experience to be “the most valuable” to him in his development as a player. At the time Roberts and his close friend and roommate, guitarist Howard Heitmeyer, would start their day by practicing 3 or 4 hours, catch an afternoon movie, returning to practice until they went to the clubs in the evening.
When Roberts reached the age of 17 he was involved with a class that was begun by Joseph Schillinger, a composer/theorist. Fabian Andre had been commissioned to teach the class. Some of the students who had taken the class included George Gershwin, Tommy Dorsey, Benny Goodman and Oscar Levant. Schillinger applied mathematical principles to art which appealed to Roberts. To be able to take the course he made a deal with Andre; he’d sweep the floors after class to help defray the cost of his tuition. By the late ‘40s Roberts was playing with one of his boyhood friends, Pete Jolly – a well known jazz pianist – and they toured Washington and Idaho in early 1950.
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