mick laBriola

September 29th 1941-May 15th 1995

Perry Lederman, who died May 15 at his home in Woods Hole, Massachusetts, after a long battle with cancer, was one of the little-known legends of the folk revival. Born in Brooklyn, NY, he was inspired to learn guitar after seeing Tom Paley playing in Washington Square Park and quickly became one of the foremost fingerstyle players in the city, exploring and reviving traditional styles in the company of friends like Danny Kalb and Roy Berkeley. He was also a peerless seeker-out of vintage ¾-size Martin guitars, which he continued to favor throughout his life.

Perry continued to play during a brief college stint in Ann Arbor, Michigan, then moved to Berkeley, California, where he became a leading folk performer in partnership with writer and poet Al Young. His playing, notable for its passion and imagination, and an astonishing, controlled vibrato, was a major influence on later West Coast players like John Fahey and frequent housemate and jamming partner Michael Bloomfield. It was during this period that he made his only issued recording, on a Bay Area sampler for the Arhoolie label. More interested in the music itself than in commercial success, Perry put the guitar aside just as his West Coast followers began to receive national attention, preferring to spend eight years studying sarod as a student and friend of Indian master Ali Akbar Khan.

Roy Sinclair Campbell Jr. (September 29, 1952 – January 9, 2014) was an American trumpeter frequently linked to free jazz, although he also performed rhythm and bluesand funk during his career.

Born in Los Angeles, California, in 1952, Campbell was raised in New York City. At the age of fifteen, he began learning to play trumpet and soon studied at the Jazz Mobile program along with Kenny Dorham, Lee Morgan and Joe Newman.Throughout the 1960s, still unacquainted with the avant-garde movement, Campbell performed in the big bands of the Manhattan Community College. From the 1970s onwards, he performed primarily within the context of free jazz, spending some of this period studying with Yusef Lateef. Campbell composed the film music for the documentary Survival in New York (1989) by Rosa von Praunheim.

In the early 1990s, Campbell moved to the Netherlands and performed regularly with Klaas Hekman and Don Cherry. In addition to leading his own groups, he performed with Yo La Tengo, William Parker, Peter Brötzmann, Matthew Shipp, and other improvisors. Upon returning to the United States he began leading his group Other Dimensions In Music and also formed the Pyramid Trio, a pianoless trio formed with William Parker.

He died in January 2014 of hypertensive atherosclerotic cardiovascular disease at the age of 61.

Jean-Luc Ponty (born 29 September 1942) is a French jazz and jazz fusion violinist and composer. Ponty was born into a family of classical musicians in Avranches, France. His father taught violin, his mother taught piano. At sixteen, he was admitted to the Conservatoire National Supérieur de Musique de Paris, graduating two years later with the institution’s highest honor, Premier Prix (first prize). He was hired by the Orchestre Lamoureux in which he played for three years.

While still a member of the orchestra in Paris, Ponty picked up a side job playing clarinet (which his father had taught him) for a college jazz band that regularly performed at local parties. It proved life-changing. A growing interest in Miles Davis and John Coltrane compelled him to take up tenor saxophone. One night after an orchestra concert, and still wearing his tuxedo, Ponty found himself at a local club with only his violin. Within four years, he was widely accepted as the leading figure in “jazz fiddle”.

At that time, Ponty was leading a dual musical life: rehearsing and performing with the orchestra while also playing jazz at clubs throughout Paris. The demands of this schedule eventually brought him to a crossroads. Critic Joachim-Ernst Berendt wrote that “Since Ponty, the jazz violin has been a different instrument”.

John Gilmore (September 28, 1931 – August 20, 1995) was an American jazz saxophonist, clarinetist, and percussionist. He was known for his tenure with the avant-garde keyboardist/bandleader Sun Ra from the 1950s to the 1990s, and led The Sun Ra Arkestra from Sun Ra’s death in 1993 until his own death in 1995.

Gilmore was raised in Chicago and played clarinet from the age of 14. He took up the tenor saxophone while serving in the United States Air Force from 1948 through 1951.He then pursued a musical career, beginning as a tenor saxophonist on a national tour with the Harlem Globetrotters in an ensemble that included pianist Earl Hines in 1952.

In 1953 Gilmore met pianist and bandleader Sun Ra who had a profound impact on him as a musician. For the next four decades, he recorded and performed almost exclusively with Sun Ra; first as a trio, and then in the Sun Ra Arkestra. This was puzzling to some, who noted Gilmore’s talent, and thought he could be a major star like John Coltrane or Sonny Rollins. Despite being five years older than Gilmore, Coltrane was impressed with his playing, and took informal lessons from Gilmore in the late 1950s. Coltrane’s epochal, proto–free jazz “Chasin’ the Trane” was inspired partly by Gilmore’s sound. The Penguin Guide to Jazz suggests Gilmore remained an influence in Coltrane’s later period, particularly on Sun Ship.

Kenneth David Kirkland (September 28, 1955 – November 12, 1998) was an American pianist and keyboardist. Kirkland’s first professional work came with Polish fusion violinist Michal Urbaniak, touring throughout Europe with his group in 1977. Coincidentally, his next high-profile gig was with another Eastern European jazz émigré, Miroslav Vitous. Kirkland is featured on Vitous’ ECM recordings First Meeting and Miroslav Vitous Group.

In 1980, while Kirkland was on tour in Japan with Terumasa Hino, he met Wynton Marsalis, which began his long association with both Wynton and his older brother Branford. On Wynton’s self-titled debut album, Kirkland shared the piano duties with one of his musical influences, Herbie Hancock, but was the sole pianist on Marsalis’s subsequent releases Think of One, Hot House Flowers and Black Codes (From the Underground). Kirkland was found dead in his Queens apartment on Friday, November 13, 1998.

Koko Taylor (born Cora Ann Walton, September 28, 1928 – June 3, 2009) was an American singer whose style encompassed Chicago blues, electric blues, rhythm and blues and soul blues. Sometimes called “The Queen of the Blues”, she was known for her rough, powerful vocals. Over the course of her career, she was nominated for 11 Grammy Awards, winning 1985’s Best Traditional Blues Album for her appearance on Blues Explosion.

Born on a farm near Memphis, Tennessee, Taylor was the daughter of a sharecropper. She left Tennessee for Chicago in 1952 with her husband, Robert “Pops” Taylor, a truck driver. I the late 1950s, she began singing in blues clubs in Chicago. She was spotted by Willie Dixon in 1962, and this led to more opportunities for performing and her first recordings. In 1963 she had a single on USA Records, and in 1964 a cut on a Chicago blues collection on Spivey Records, called Chicago Blues. In 1964 Dixon brought Taylor to Checker Records, a subsidiary label of Chess Records, for which she recorded “Wang Dang Doodle“, a song written by Dixon and recorded by Howlin’ Wolffive years earlier. The record became a hit, reaching number four on the R&B chart and number 58 on the pop chart in 1966, and selling a million copies. She recorded several versions of the song over the years, including a live rendition at the 1967 American Folk Blues Festival, with the harmonica player Little Walter and the guitarist Hound Dog Taylor. Her subsequent recordings, both original songs and covers, did not achieve as much success on the charts.

Friday September 27th 2024 6pm. Accompaniment for service with Inbal Sharett-Singer, Jayson Rodovsky, Jeff Bailey, Pete Whitman and mick laBriola

Earring George Mayweather (September 27, 1927 – February 12, 1995) was an American electric blues and Chicago blues harmonica player, songwriter and singer. He recorded only one solo album, but he played the harmonica on recordings by J. B. Huttoand Eddie Taylor.

AllMusic commented that his album Whup It! Whup It! was “an admirable shot at recreating the ’50s Chicago harp sound”.

George Mayweather Jr. was born in Montgomery County, Alabama. He learned to play the harmonica after receiving the instrument as a Christmas present at the age of six. Inspired by the playing of Sonny Boy Williamson I, Mayweather mainly taught himself the rudiments of the instrument. Upon his relocation to Chicago, Illinois, in September 1949, he befriended Little Walter, who taught him techniques of harmonica playing. He lived in Chicago, next door to J. B. Hutto, and in 1951 he teamed up with Hutto and the percussionist Eddie “Porkchop” Hines to form the Hawks, a trio performing on weekends at the Maxwell Street market. With few opportunities for steady work, Mayweather alternately performed with Hutto and in Bo Diddley‘s backing ensemble. In 1952, when Little Walter left Muddy Waters‘s touring band, Mayweather was offered a job as his replacement, but he declined the potentially lucrative position. By 1954, Mayweather recorded with Hutto in sessions for Chance Records, which produced “Dim Lights”, “Things Are So Slow”,“Combination Boogie”, and “Pet Cream Man”. He later teamed up Eddie Taylor, and together they recorded a number of tracks, including “You’ll Always Have a Home” and “Don’t Knock at My Door”. Several of these were released as singles, but they were not commercial successes.

Robert Roland Chudnick (September 27, 1927 – May 27, 1994), known professionally as Red Rodney, was an American jazz trumpeter.

Born in Philadelphia, Pennsylvania, he became a professional musician at 15, working in the mid-1940s for the big bands of Jerry Wald, Jimmy Dorsey, Georgie Auld, Elliot Lawrence, Benny Goodman, and Les Brown. He was inspired by hearing Dizzy Gillespie and Charlie Parker to change his style to bebop, moving on to play with Claude Thornhill, Gene Krupa, and Woody Herman. He was Jewish.

He accepted an invitation from Charlie Parker to join his quintet. and was a member of the band from 1949 to 1951. Being the only white member of the group, when playing in the southern United States he was billed as “Albino Red” as a ruse to avoid prejudice against mixed race musical combos. During this time he recorded extensively.

During the 1950s, he worked as a bandleader in Philadelphia and recorded with Ira Sullivan. He became addicted to heroin and started a pattern of dropping in and out of jazz.

During 1969, Rodney played in Las Vegas with fellow Woody Herman colleague, trombonist Bill Harris, as part of the Flamingo casino house band led by Russ Black. Similar work continued through 1972.

In the early 1970s he was bankrupted by medical costs following a stroke. He returned to jazz. In 1975 he was incarcerated in Lexington, Kentucky for drug offenses. While jailed he gave music lessons to guitarist Wayne Kramer of the MC5.