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Reflecting its origin as a remate to the soleares, the underlying form of bulerías is simple. Bulerías cantes consist of three or four eight-syllable lines, and there is great flexibility in the way artists choose to treat those three or four lines. The singer may give one or two compáses to each line, or they can stretch them out, decorating each syllable with melismatic flourishes, or repeating them for rhythmic or emotional effect. 

The guitarist follows the singer’s phrasing, underscoring the implied harmony, adding falsetas and maintaining the rhythmic pulse. Performing without a singer, a guitarist will string together a series of falsetas in a way that may imitate the form of letras.

A dancer will usually dance while the letra is being sung, and also dance between letras. A dancer can also dance during short breaks within the letras (a respira for the singer; a remate for the dancer). A dancer will use transitional phrases, including palmas en contra tiempo, remates and llamadas, and desplante llamadas to move from one section of the dance to another, cueing the musicians at each transition. 

Alberto Naranjo [nah-rahn’-ho] (September 14, 1941 – January 27, 2020) was a Venezuelan musician. His mother, the singer Graciela Naranjo, was a radio, film and television pioneer in her homeland. Largely self-taught, Naranjo embarked on a similar musical course, becoming – like his mother – one of Venezuela’s icons of contemporary popular music.

In his early years, Naranjo was influenced by diverse music genres such as jazz and classical, from Louis Armstrong to Duke Ellington and Oliver Nelson; from Bud Powell to Thad Jones and Mel Lewis; from Béla Bartók to Claude Debussy, and specially, the music created by Tito Puente, one of the greatest all-time Latin jazz leaders. Puente revolutionised the role of the drums in stage performance, when he moved the drum kit and timbales from the back to the front of stage, highlighted it as a solo instrument, and demonstrated that a drummer can also be a gifted composer and arranger.

Joseph Jarman (September 14, 1937 – January 9, 2019) was an American jazz musician, composer, poet, and Shinshu Buddhist priest. He was one of the first members of the Association for the Advancement of Creative Musicians and a member of the Art Ensemble of Chicago.

He was born in Pine Bluff, Arkansas, United States. Jarman grew up in Chicago, Illinois. At DuSable High School, he studied drums with Walter Dyett, switching to saxophone and clarinet when he joined the United States Army after graduation. During his time there, he was part of the 11th Airborne Division Band for a year.

Galaxy NGC 4632 hides a secret from optical telescopes. It is surrounded by a ring of cool hydrogen gas orbiting at 90 degrees to its spiral disk. Such polar ring galaxies have previously been discovered using starlight. However, NGC 4632 is among the first in which a radio telescope survey revealed a polar ring. The featured composite image combines this gas ring, observed with the highly sensitive ASKAP telescope, with optical data from the Subaru telescope. Using virtual reality, astronomers separated out the gas in the main disk of the galaxy from the ring, and the subtle color gradient traces its orbital motion. Why do polar rings exist? They could be material pulled from one galaxy as it gravitationally interacts with a companion. Or hydrogen gas flows along the filaments of the cosmic web and accretes into a ring around a galaxy, some of which gravitationally contracts into stars.

Vincent Samson Appice (born September 13, 1957) is an American rock and metal drummer best known for his work with the bands Dio, Black Sabbath, and Heaven & Hell. Of Italian descent, he is the younger brother of drummer Carmine Appice.

Appice took up the drums at the age of nine, taking lessons from the same teacher as his brother Carmine Appice. When he was sixteen, Appice and his band BOMF met John Lennon at Record Plant Studios. Lennon took a liking to the group and used them as a backing band in several performances, including the final one before his death. He moved on to record with Rick Derringer on Derringer (1976), Sweet Evil(1977), and Derringer Live (1977), before forming his own band Axis and recording It’s A Circus World(1978).

Tony Russell “Charles” Brown (September 13, 1922 – January 21, 1999) was an American singer and pianist whose soft-toned, slow-paced nightclub style influenced West Coast blues in the 1940s and 1950s. Between 1949 and 1952, Brown had seven Top 10 hits in the U.S. Billboard R&B chart. His best-selling recordings included “Driftin’ Blues” and “Merry Christmas Baby“. Brown was born in Texas City, Texas. As a child he loved music and received classical music training on the piano.

Leon Brown “Chu” Berry (September 13, 1908 – October 30, 1941) was an American jazz tenor saxophonist during the 1930s. He is perhaps best known for his time as a member of singer Cab Calloway‘s big band.

According to music critic Gary Giddins, musicians called him “Chu” either because he chewed on the mouthpiece of his saxophone or because he had a Fu Manchu mustache.

Berry was born in Wheeling, West Virginia, to father Brown Berry and mother Maggie Glasgow Berry.He graduated from Lincoln High School, in Wheeling, then attended West Virginia State College for three years.

Melvin Howard Tormé (September 13, 1925 – June 5, 1999), nicknamed “The Velvet Fog“, was an American musician, singer, composer, arranger, drummer, actor, and author. He composed the music for “The Christmas Song” (“Chestnuts Roasting on an Open Fire”) and co-wrote the lyrics with Bob Wells. Tormé won 2 Grammy Awards and was nominated a total of 14 times.

Melvin Howard Tormé was born in Chicago, Illinois, to William David Tormé, a Jewish immigrant from Poland, and Betty Tormé (née Sopkin), a New York City native. He graduated from Hyde Park High School. A child prodigy, he first performed professionally at age four with the Coon-Sanders Orchestra, singing “You’re Driving Me Crazy” at Chicago’s Blackhawk restaurant.

Maria Muldaur (born Maria Grazia Rosa Domenica D’Amato; September 12, 1942) is an American folk and blues singer who was part of the American folk music revival in the early 1960s. She recorded the 1973 hit song “Midnight at the Oasis” and has recorded albums in the folk, blues, early jazz, gospel, country, and R&B traditions.

She was the wife of musician Geoff Muldaur and is the mother of singer-songwriter Jenni Muldaur.

Muldaur was born in Greenwich Village, New York City, where she attended Hunter College High School.

Muldaur cites as early musical influences classic country music by Kitty Wells, Hank Williams, Hank Snow, Hank Thompson, Ernest Tubb, and Bob Wills and the Texas Playboys; early rhythm and blues artists like Chuck Willis, Little Richard, Ruth Brown, Fats Domino, and Muddy Waters; Alan Freed “rock ‘n’ roll” shows; and doo-wop groups such as The Platters and The Five Satins.

William Alonzo “Cat” Anderson (September 12, 1916 – April 29, 1981) was an American jazz trumpeter known for his long period as a member of Duke Ellington‘s orchestra and for his wide range, especially his ability to play in the altissimo register.

Born in Greenville, South Carolina, Anderson lost both parents when he was four years old, and was sent to live at the Jenkins Orphanage in Charleston, where he learned to play trumpet. Classmates gave him the nickname “Cat” (which he used all his life) based on his fighting style.