mick laBriola

Spiral galaxy NGC 7331 is often touted as an analog to our own Milky Way. About 50 million light-years distant in the northern constellation Pegasus, NGC 7331 was recognized early on as a spiral nebula and is actually one of the brighter galaxies not included in Charles Messier’s famous 18th century catalog. Since the galaxy’s disk is inclined to our line-of-sight, long telescopic exposures often result in images that evokes a strong sense of depth. The effect is further enhanced in this sharp image by galaxies that lie beyond the gorgeous island universe. The most prominent background galaxies are about one tenth the apparent size of NGC 7331 and so lie roughly ten times farther away. Their close alignment on the sky with NGC 7331 occurs just by chance. Lingering above the plane of the Milky Way, this striking visual grouping of galaxies is known to some as the Deer Lick Group.

Israel López Valdés (September 14, 1918 – March 22, 2008), better known as Cachao (/kəˈtʃaʊ/ kə-CHOW), was a Cuban double bassist and composer. Cachao is widely known as the co-creator of the mambo and a master of the descarga (improvised jam sessions). Throughout his career he also performed and recorded in a variety of music styles ranging from classical music to salsa. An exile in the United States since the 1960s, he only achieved international fame following a career revival in the 1990s.

Born into a family of musicians in Havana, Cachao and his older brother Orestes were the driving force behind one of Cuba’s most prolific charangas, Arcaño y sus Maravillas. As members of the Maravillas, Cachao and Orestes pioneered a new form of ballroom music derived from the danzón, the danzón-mambo, which subsequently developed into an international genre, mambo. In the 1950s, Cachao became famous for popularizing improvised jam sessions known as descargas. He emigrated to Spain in 1962, and moved to the United States in 1963, starting a career as a session and live musician for a variety of bands in New Yorkduring the rise of boogaloo, and later, salsa.

In the 1970s, Cachao fell into obscurity after moving to Las Vegas and later Miami, releasing albums sporadically as a leader. In the 1990s, he was re-discovered by actor Andy García, who brought him back to the forefront of the Latin music scene with the release of a documentary and several albums. Before his death in 2008, Cachao had earned a star on the Hollywood Walk of Fame and several Grammy Awards. He is ranked number 24 on Bass Player magazine’s list of “The 100 Greatest Bass Players of All Time”.

Some 4 billion light-years away, massive galaxy cluster Abell 370 is captured in this sharp Hubble Space Telescope snapshot. The cluster of galaxies only appears to be dominated by two giant elliptical galaxies and infested with faint arcs. In reality, the fainter, scattered bluish arcs, along with the dramatic dragon arc below and left of center, are images of galaxies that lie far beyond Abell 370. About twice as distant, their otherwise undetected light is magnified and distorted by the cluster’s enormous gravitational mass, overwhelmingly dominated by unseen dark matter. Providing a tantalizing glimpse of galaxies in the early universe, the effect is known as gravitational lensing. A consequence of warped spacetime, lensing was predicted by Einstein almost a century ago. Far beyond the spiky foreground Milky Way star at lower right, Abell 370 is seen toward the constellation Cetus, the Sea Monster. It was the last of six galaxy clusters imaged in the Frontier Fields project.

Neil Ellwood Peart OC (/pɪərt/; September 12, 1952 – January 7, 2020) was a Canadian and American musician, best known as the drummer and primary lyricist of the rock band Rush. Peart earned numerous awards for his musical performances, including an induction into the Modern Drummer Readers Poll Hall of Fame in 1983 at the age of thirty, making him the youngest person ever so honoured. He was known to fans by the nickname ‘The Professor’. His drumming was renowned for its technical proficiency and his live performances for their exacting nature and stamina.

Peart was born in Hamilton, Ontario, and grew up in Port Dalhousie (now part of St. Catharines). During adolescence, he floated between regional bands in pursuit of a career as a full-time drummer. After a discouraging stint in England, Peart returned home to concentrate on music where he joined Rush, a Toronto band, in mid-1974, six years after its formation. Together they released nineteen studio albums, with ten exceeding a million copies sold in the United States. Billboard lists the band third in “most consecutive gold or platinum albums by a rock band”.

Early in his career, Peart’s performance style was deeply rooted in hard rock. He drew most of his inspiration from drummers such as Keith Moon, Ginger Baker, and John Bonham, players who at the time were at the forefront of the British hard rock scene. As time passed, he began to emulate jazz and big band musicians Gene Krupa and Buddy Rich. In 1994, Peart became a friend and pupil of jazz instructor Freddie Gruber. It was during this time that Peart revamped his playing style by incorporating jazz and swing components.

In addition to serving as Rush’s primary lyricist, Peart published several memoirs about his travels. His lyrics for Rush addressed universal themes and diverse subjects including science fiction, fantasy, and philosophy, as well as secular, humanitarian, and libertarian themes. Peart wrote a total of seven nonfiction books focused on his travels and personal stories. He also coauthored with Kevin J. Anderson three steampunk fantasy novels based on Rush’s final album, Clockwork Angels. The two also wrote a dark fantasy novella, Drumbeats, inspired by Peart’s travels in Africa.

Peart announced his retirement from touring in an interview with Drumhead Magazine in December 2015. In January 2018, bandmate Alex Lifeson confirmed that Rush had disbanded also due to Peart’s health issues. During his last years Peart lived in Santa Monica, California, with his wife, Carrie Nuttall, and daughter. After a three and a half year illness, Peart died of glioblastoma on January 7, 2020, at age 67.