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Working with Cantor Jennifer-Strauss Klein at Mt Zion Temple for the Shabbat for the Soul service Friday 9-8-23 630pm
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The swirls of the galaxy IC 1776 stand in splendid isolation in this image from the NASA/ESA Hubble Space Telescope. This galaxy lies over 150 million light-years from Earth in the constellation Pisces. IC 1776 recently played host to a catastrophically violent explosion — a supernova — which was discovered in 2015 by the Lick Observatory Supernova Search, a robotic telescope which scours the night sky in search of transient phenomena such as supernovae. A network of automatic robotic telescopes are spread across the globe, operated by both professional and amateur astronomers, and, without human intervention, reveal short-lived astronomical phenomena such as wandering asteroids, gravitational microlensing, or supernovae. Hubble investigated the aftermath of the supernova SN 2015ap during two different observing programmes, both designed to comb through the debris left by supernovae explosions in order to better understand these energetic events. A variety of telescopes automatically follow up the detection of supernovae to obtain early measurements of these events’ brightnesses and spectra. Complementing these measurements with later observations which reveal the lingering energy of supernovae can shed light on the systems which gave rise to these cosmic cataclysms in the first place. [Image description: A spiral galaxy. It is irregularly-shaped and its spiral arms are difficult to distinguish. The edges are faint and the core has a pale yellow glow. It is dotted with small, wispy, blue regions where stars are forming. A few stars and small galaxies in warm colours are visible around it.]
Harmonica Fats (born Harvey Blackston, September 8, 1927 – January 3, 2000) was an American bluesharmonica player who was active in the 1950s through to the 1990s. Fats first achieved success with his cover version of the Hank Ballard song “Tore Up” in 1962, which established him as an in-demand sessionand touring musician. He is also remembered for his collaboration with blues guitarist Bernie Pearl, a partnership that resulted in four albums.
Born in McDade, Louisiana, a small community 40 miles from Shreveport, Blackston, the eldest of 13 children, was raised on a cotton farm by his grandparents. Blackston casually played harmonica since he was four years-old, and credited Sonny Terry as the foremost influence on his style of playing. Bored with the farming lifestyle, in 1946 Blackston relocated to Los Angeles where he lived with his father, and worked for a manufacturing company.
more...James Earl Clay (September 8, 1935 – January 6, 1995) was an American jazz tenor saxophonist and flutist.
Clay was born in Dallas, Texas, on September 8, 1935. While in school, Clay played alto saxophone, and then played with local bands from around the age of 17. Clay moved to California in 1955, where he initially played in jam sessions. He appeared on recordings with Lawrence Marable the following year. Clay then played with freer musicians including Don Cherry, Billy Higgins, and Ornette Coleman, before returning to Dallas in 1958. He joined the military in 1959, and recorded two albums as a leader the following year.
more...Wilbur Bernard Ware (September 8, 1923 – September 9, 1979) was an American jazz double bassist. He was a regular bassist for the Riverside record label in the 1950s, and recorded regularly in that decade with Johnny Griffin, Kenny Dorham, Kenny Drew, and Thelonious Monk. He also appeared on records released by J.R. Monterose, Toots Thielemans, Sonny Clark, Tina Brooks, Zoot Sims, and Grant Green, among others. Ware grew up in Chicago where he taught himself to play drums, banjo, bass while playing at church. In the 1940s, he worked with Stuff Smith, Sonny Stitt, and Roy Eldridge. He recorded with Sun Ra in the early 1950s. Later in the 1950s, settling in New York City, Ware played with Eddie Vinson, Art Blakey, and Buddy DeFranco. His only album recorded as a leader and released during his lifetime was The Chicago Sound, from 1957 when he worked for Riverside.
more...“Rondeña” belong to Malaga’s singing group. “Rondeña” existed before flamenco, joining it in the 19th century. Its origin is in “fandango” from Malaga, more specifically in ” bandolás”. Some authors suggest that this name comes from the nightly rounds. Other authors believe that it comes from the city of Ronda, as “rodeña” was originated in the homonymous mountains. “Rondeña” has greatly extended through Andalusia during the 19th century. “Rondeña” singing has evolved in recent times with with a decrease in melismatic ornamentation. Its composition ad libitum (without “compas”). Lyrics are related to countryside life. Its structure is a couplet of four eight-syllable verses, usually consonant rhyme. They normally turn into five by repetition of the second one, but also without repetition. Dance displays a rhythm of wild abandon. Others have used the rhythm of the “taranto“, which has many similarities but, being rondeña, more open and evocative.
more...The last full moon was doubly unusual. First of all, it was a blue moon. A modern definition of a blue moon is a second full moon to occur during one calendar month. Since there are 13 full moons in 2023, one month has to have two — and that month was August. The first full moon was on August 1 and named a Sturgeon Moon. The second reason that the last full moon was unusual was because it was a supermoon. A modern definition of supermoon is a moon that reaches its full phase when it is relatively close to Earth — and so appears a bit larger and brighter than average. Pictured, the blue supermoon of 2023 was imaged hovering far behind a historic castle and lighthouse in Syracuse, Sicily, Italy.
Christine Ellen Hynde (born September 7, 1951) is an American-British musician. She is a founding member and the lead vocalist, guitarist, and primary songwriter of the rock band the Pretenders, and one of the band’s two remaining original members alongside drummer Martin Chambers. She is the only continuous member of the band, appearing on every studio album.
Hynde formed the Pretenders in Hereford, England in 1978, with Pete Farndon, James Honeyman-Scott and Chambers. She has also recorded a number of songs with other musicians including Frank Sinatra, Cher and UB40. She recorded her first solo album, Stockholm, in 2014. Hynde was inducted into the Rock and Roll Hall of Fame in 2005 as a member of the Pretenders.
Hynde was born in Akron, Ohio, the daughter of a part-time secretary and a Yellow Pages manager. She graduated from Firestone High School in Akron, but stated that “I was never too interested in high school. I mean, I never went to a dance, I never went out on a date, I never went steady. It became pretty awful for me. Except, of course, I could go see bands, and that was the kick. I used to go to Cleveland just to see any band. So I was in love a lot of the time, but mostly with guys in bands that I had never met. For me, knowing that Brian Jones was out there, and later that Iggy Pop was out there, made it kind of hard for me to get too interested in the guys that were around me. I had, uh, bigger things in mind.
more...Alexander Emil Caiola (September 7, 1920 – November 9, 2016) was an American guitarist, composer and arranger, who spanned a variety of music genres including jazz, country, rock, and pop. He recorded over fifty albums and worked with some of the biggest names in music during the 20th century, including Elvis Presley, Ray Conniff, Ferrante & Teicher, Frank Sinatra, Percy Faith, Buddy Holly, Mitch Miller, and Tony Bennett.
During World War II Caiola played with the United States Marine Corps 5th Marine Division Band that also included Bob Crosby. Caiola served in the Battle of Iwo Jima as a stretcher bearer.
Caiola was a studio musician in the 1950s in New York City. He released some minor records under his own name in that decade. In addition, he performed under the musical direction of John Serry Sr. on an album for Dot Records in 1956 (Squeeze Play).
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Walter Theodore “Sonny” Rollins (born September 7, 1930) is an American jazz tenor saxophonistwho is widely recognized as one of the most important and influential jazz musicians. In a seven-decade career, he has recorded over sixty albums as a leader. A number of his compositions, including “St. Thomas“, “Oleo“, “Doxy“, and “Airegin“, have become jazz standards. Rollins has been called “the greatest living improviser”.
Rollins was born in New York City to parents from the Virgin Islands. The youngest of three siblings, he grew up in central Harlem and on Sugar Hill, receiving his first alto saxophone at the age of seven or eight. He attended Edward W. Stitt Junior High School and graduated from Benjamin Franklin High School in East Harlem. Rollins started as a pianist, changed to alto saxophone, and finally switched to tenor in 1946. During his high school years, he played in a band with other future jazz legends Jackie McLean, Kenny Drew, and Art Taylor.
more...Charles Hardin Holley (September 7, 1936 – February 3, 1959), known as Buddy Holly, was an American singer and songwriter who was a central and pioneering figure of mid-1950s rock and roll. He was born to a musical family in Lubbock, Texas, during the Great Depression, and learned to play guitar and sing alongside his siblings. Holly’s style was influenced by gospel music, country music, and rhythm and blues acts, which he performed in Lubbock with his friends from high school.
Holly made his first appearance on local television in 1952, and the following year he formed the group “Buddy and Bob” with his friend Bob Montgomery. In 1955, after opening for Elvis Presley, Holly decided to pursue a career in music. He opened for Presley three times that year; his band’s style shifted from country and western to entirely rock and roll. In October that year, when Holly opened for Bill Haley & His Comets, he was spotted by Nashville scout Eddie Crandall, who helped him get a contract with Decca Records.
Holly’s recording sessions at Decca were produced by Owen Bradley, who had become famous for producing orchestrated country hits for stars like Patsy Cline. Unhappy with Bradley’s musical style and control in the studio, Holly went to producer Norman Petty in Clovis, New Mexico, and recorded a demo of “That’ll Be the Day“, among other songs. Petty became the band’s manager and sent the demo to Brunswick Records, which released it as a single credited to The Crickets, which became the name of Holly’s band. In September 1957, as the band toured, “That’ll Be the Day” topped the US and UK singles charts. Its success was followed in October by another major hit, “Peggy Sue.”
The album The “Chirping” Crickets, released in November 1957, reached number five on the UK Albums Chart. Holly made his second appearance on The Ed Sullivan Show in January 1958 and soon after toured Australia and then the UK. In early 1959, he assembled a new band, consisting of future country music star Waylon Jennings (bass), famed session musician Tommy Allsup (guitar), and Carl Bunch (drums), and embarked on a tour of the midwestern US. After a show in Clear Lake, Iowa, Holly chartered an airplane to travel to his next show in Moorhead, Minnesota. Soon after takeoff, the plane crashed, killing Holly, Ritchie Valens, The Big Bopper, and pilot Roger Peterson in a tragedy later referred to by Don McLean as “The Day the Music Died” in his song “American Pie.”
During his short career, Holly wrote and recorded many songs. He is often regarded as the artist who defined the traditional rock-and-roll lineup of two guitars, bass, and drums. Holly was a major influence on later popular music artists, including Bob Dylan, The Beatles, The Rolling Stones, Eric Clapton, The Hollies, Elvis Costello, Dave Edmunds, Marshall Crenshaw, and Elton John. Holly was among the first artists inducted into the Rock and Roll Hall of Fame, in 1986. Rolling Stone magazine ranked him number 13 in its list of “100 Greatest Artists” in 2010.
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As stars die, they create clouds. Two stellar death clouds of gas and dust can be found toward the high-flying constellation of the Swan (Cygnus) as they drift through rich star fields in the plane of our Milky Way Galaxy. Caught here within the telescopic field of view are the Soap Bubble (lower left) and the Crescent Nebula (upper right). Both were formed at the final phase in the life of a star. Also known as NGC 6888, the Crescent Nebula was shaped as its bright, central massive Wolf-Rayet star, WR 136, shed its outer envelope in a strong stellar wind. Burning through fuel at a prodigious rate, WR 136 is near the end of a short life that should finish in a spectacular supernovaexplosion. Discovered in 2013, the Soap Bubble Nebula is likely a planetary nebula, the final shroud of a lower mass, long-lived, Sun-like star destined to become a slowly cooling white dwarf. Both stellar nebulas are about 5,000 light-years distant, with the larger Crescent Nebula spanning about 25 light-years across. Within a few million years, both will likely have dispersed.
George Roger Waters (born 6 September 1943) is an English musician. In 1965, he co-founded the rock band Pink Floyd as the bassist. Following the departure of the songwriter, Syd Barrett, in 1968, Waters became Pink Floyd’s lyricist, co-lead vocalist and conceptual leader until his departure in 1985.
Pink Floyd achieved international success with the concept albums The Dark Side of the Moon (1973), Wish You Were Here (1975), Animals (1977), The Wall (1979), and The Final Cut (1983). By the early 1980s, they had become one of the most critically acclaimed and commercially successful groups in popular music. Amid creative differences, Waters left in 1985 and began a legal dispute over the use of the band’s name and material. They settled out of court in 1987. Waters’s solo work includes the studio albums The Pros and Cons of Hitch Hiking (1984), Radio K.A.O.S. (1987), Amused to Death (1992), and Is This the Life We Really Want? (2017). In 2005, he released Ça Ira, an opera translated from Étienne and Nadine Roda-Gils’ librettoabout the French Revolution.
In 1990, Waters staged one of the largest rock concerts in history, The Wall – Live in Berlin, with an attendance of 450,000. As a member of Pink Floyd, he was inducted into the US Rock and Roll Hall of Famein 1996 and the UK Music Hall of Fame in 2005. Later that year, he reunited with Pink Floyd for the Live 8global awareness event, the group’s only appearance with Waters since 1981. He has toured extensively as a solo act since 1999. He performed The Dark Side of the Moon for his world tour of 2006–2008, and the Wall Live tour of 2010–2013 was the highest-grossing tour by a solo artist at the time.
Waters incorporates political themes in his work and has drawn controversy for his views, mainly his views on the Israeli–Palestinian conflict. He called for the removal of the Israeli West Bank Barrier and supports the Boycott, Divestment and Sanctions movement. He has likened Israel to Nazi Germany and described its treatment of Palestinians as apartheid. He has dismissed accusations of antisemitism against him as a conflation with anti-Zionism.
more...Charles Moffett (September 6, 1929 – February 14, 1997) was an American free jazz drummer.
Moffett was born in Fort Worth, Texas, where he attended I.M. Terrell High School with Ornette Coleman. Before switching to drums, Moffett began his musical career as a trumpeter. At age 13, he played trumpet with Jimmy Witherspoon, and later formed a band, the Jam Jivers, with fellow students Coleman and Prince Lasha. After switching to drums, Moffett briefly performed with Little Richard.
Moffett served in the United States Navy, after which he pursued boxing before studying music at Huston-Tillotson College in Austin. Moffett married in 1953 (Coleman was best man, and performed at the wedding), then began teaching music at a public school in Rosenberg, Texas
In 1961, Moffett moved to New York City to work with Ornette Coleman, but the saxophonist soon went into a brief retirement period. Moffett worked with Sonny Rollins, appeared on Archie Shepp‘s album Four for Trane, and led a group that included Pharoah Sanders and Carla Bley. When Coleman returned to performing in 1964, he formed a trio with Moffett and bassist David Izenzon. Moffett also performed on vibraphone.
Moffett began teaching music at New York Public Schools as a way to make ends meet when Coleman made only sporadic performances. Moffett taught at P.S. 58 (Carrol School) in Brooklyn and at P.S. 177 M (under the Manhattan Bridge and now defunct). He also taught at a Brooklyn High School. Moffett moved to Oakland, California, where he served as the city’s music director, and was later the principal of the alternative Odyssey public school in Berkeleyin the mid-1970s. The title of his first solo album The Gift is a reference to his love of teaching music. His then 7-year-old son Codaryl played drums on that album. Moffett later returned to Brooklyn, NY and taught at P.S. 142 Stranahan Junior High School (Closed in 2006) and at P.S. 58 Carroll School.
His children are double bassist Charnett Moffett, drummer Codaryl “Cody” Moffett, vocalist Charisse Moffett, trumpeter Mondre Moffett, and saxophonist Charles Moffett, Jr
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