mick laBriola

Webb’s NIRCam (Near-Infrared Camera) captured this detailed image of SN 1987A (Supernova 1987A). At the center, material ejected from the supernova forms a keyhole shape. Just to its left and right are faint crescents newly discovered by Webb. Beyond them an equatorial ring, formed from material ejected tens of thousands of years before the supernova explosion, contains bright hot spots. Exterior to that is diffuse emission and two faint outer rings. In this image blue represents light at 1.5 microns (F150W), cyan 1.64 and 2.0 microns (F164N, F200W), yellow 3.23 microns (F323N), orange 4.05 microns (F405N), and red 4.44 microns (F444W). The supernova lies about 168,000 light-years away in the constellation Dorado. Webb peered across this great distance to spy the former star’s dusty remains, including a central structure dubbed the keyhole.

Granville William “Mickey” Roker (September 3, 1932 – May 22, 2017) was an American jazz drummer.

Roker was born into extreme poverty in Miami to Granville (Sr.) and Willie Mae Roker. After his mother died (his father never lived with them), when he was only ten, he was taken by his grandmother to live in Philadelphia with his uncle Walter, who gave him his first drum kit and communicated his love of jazz to his nephew. He also introduced the young Roker to the jazz scene in Philadelphia, where drummer Philly Joe Jones became Roker’s idol.

In the early 1950s, he began to gain recognition as a sensitive yet hard-driving big-band drummer. He was especially favored by Dizzy Gillespie, who remarked of him that “once he sets a groove, whatever it is, you can go to Paris and come back and it’s right there. You never have to worry about it.” Roker was soon in demand for his supportive skills in both big-band and small-group settings.

While in Philadelphia he played with Jimmy Oliver, Jimmy Heath, Jimmy Divine, King James and Sam Reedbefore moving to New York in 1959, where his first gigs were with Gigi Gryce, Ray Bryant, Joe Williams, Junior Mance, Nancy Wilson and the Duke Pearson big band.

In 1965 Mickey joined Art Farmer and Benny Golson’s revamped group, the “New York Jazz Sextet”.

In 1992, he replaced Connie Kay in the Modern Jazz Quartet.

He recorded with Dizzy Gillespie, Sonny Rollins, Duke Pearson, Tommy Flanagan, Ella Fitzgerald, Zoot Sims, Horace Silver, Junior Mance, Sarah Vaughan, Milt Jackson, Herbie Hancock, Phil Woods, Oscar Peterson, Ray Brown, Bucky Pizzarelli, Stanley Turrentine, Toshiko Akiyoshi, Hank Jones, Bobby Hutcherson, Joe Locke, and many other jazz musicians.

Roker was still active on the Philadelphia music scene during the 21st century. He died in Philadelphia, Pennsylvania, at the age of 84, of natural causes, though he had been suffering from diabetes, lung cancer, and other health issues.

Freddie King (September 3, 1934 – December 28, 1976) was an American blues guitarist, singer and songwriter. He is considered one of the “Three Kings of the Blues Guitar” (along with Albert King and B.B. King, none of whom were blood related). Mostly known for his soulful and powerful voice and distinctive guitar playing, King had a major influence on electric blues music and on many later blues guitarists.

Born in Gilmer, Texas, King became acquainted with the guitar at the age of six. He started learning the guitar from his mother and his uncle. King moved to Chicago when he was a teenager; there he formed his first band the Every Hour Blues Boys with guitarist Jimmie Lee Robinson and drummer Frank “Sonny” Scott. As he was repeatedly being rejected by Chess Records, he got signed to Federal Records, and got his break with single “Have You Ever Loved a Woman” and instrumental “Hide Away“, which reached number five on the Billboard magazine’s rhythm and blues chart in 1961. It later became a blues standard. King based his guitar style on Texas blues and Chicago blues influences. The album Freddy King Sings showcased his singing talents and included the record chart hits “You’ve Got to Love Her with a Feeling” and “I’m Tore Down”. He later became involved with producers who were more oriented to rhythm and blues and rockand was one of the first bluesmen to have a multiracial backing band at performances.

He was inducted into the Rock and Roll Hall of Fame by ZZ Top in 2012 and into the Blues Hall of Fame in 1982. His instrumental “Hide Away” was included in the Rock and Roll Hall of Fame’s list of “500 Songs that Shaped Rock“. He was ranked 25th in the Rolling Stone magazine’s 2003 edition of “100 Greatest Guitarists of All Time” and 15th in the 2011 edition.

Fred King was born in 1934 to Ella Mae King and J. T. Christian. When Freddie was 6 years old, his mother and his uncle taught him to play the guitar. In 1949, he and his family moved from Dallas to the South Side of Chicago.

Nearly constant touring took its toll on King—he was on the road almost 300 days out of the year. In 1976 he began suffering from stomach ulcers. His health quickly deteriorated, and he died on December 28 of complications from this illness and acute pancreatitis, at the age of 42.

According to those who knew him, King’s untimely death was due to stress, a legendary “hard-partying lifestyle”, and a poor diet of consuming Bloody Marys because as he told a journalist, “they’ve got food in them.”

These cosmic clouds have blossomed 1,300 light-years away in the fertile starfields of the constellation Cepheus. Called the Iris Nebula, NGC 7023 is not the only nebula to evoke the imagery of flowers. Still, this deep telescopic image shows off the Iris Nebula’s range of colors and symmetries embedded in surrounding fields of interstellar dust. Within the Iris itself, dusty nebular material surrounds a hot, young star. The dominant color of the brighter reflection nebula is blue, characteristic of dust grains reflecting starlight. Central filaments of the reflection nebula glow with a faint reddish photoluminescence as some dust grains effectively convert the star’s invisible ultraviolet radiation to visible red light. Infrared observations indicate that this nebula contains complex carbon molecules known as PAHs. The dusty blue petals of the Iris Nebula span about six light-years.

William Everett Preston (September 2, 1946 – June 6, 2006) was an American keyboardist, singer and songwriter whose work encompassed R&B, rock, soul, funk, and gospel. Preston was a top session keyboardist in the 1960s, during which he backed artists such as Little Richard, Sam Cooke, Ray Charles, the Everly Brothers, Reverend James Cleveland, the Beatles and the Rolling Stones. He gained attention as a solo artist with hit singles such as “That’s the Way God Planned It“, the Grammy-winning “Outa-Space“, “Will It Go Round in Circles“, “Space Race“, “Nothing from Nothing“, and “With You I’m Born Again“. Additionally, Preston co-wrote “You Are So Beautiful“, which became a #5 hit for Joe Cocker.

Preston is one of only two non-Beatle musicians (along with Tony Sheridan) to be given a credit on a Beatles recording at the band’s request; the group’s 1969 single “Get Back” was credited as “The Beatles with Billy Preston”. He continued to record and perform with George Harrison after the Beatles’ breakup, along with other artists such as Eric Clapton and the Rolling Stones on many of the group’s albums and tours during the 1970s. Preston was inducted into the Rock and Roll Hall of Fame in the Musical Excellence Award category in 2021.

Preston was born September 2, 1946, in Houston and moved to Los Angeles as a child with his mother Robbie Lee Williams. Noted as a child prodigy, Preston was entirely self-taught and never had a music lesson. By the age of ten, he was playing organ onstage backing several gospel singers such as Mahalia Jackson. At 11, Preston appeared on an episode of Nat King Cole‘s NBC TV show singing the Fats Dominohit “Blueberry Hill” with Cole. He appeared in St. Louis Blues, the 1958 W. C. Handy biopic starring Cole; Preston played Handy at a younger age.

Horace Ward Martin Tavares Silver (September 2, 1928 – June 18, 2014) was an American jazzpianist, composer, and arranger, particularly in the hard bop style that he helped pioneer in the 1950s.

After playing tenor saxophone and piano at school in Connecticut, Silver got his break on piano when his trio was recruited by Stan Getz in 1950. Silver soon moved to New York City, where he developed a reputation as a composer and for his bluesy playing. Frequent sideman recordings in the mid-1950s helped further, but it was his work with the Jazz Messengers, co-led by Art Blakey, that brought both his writing and playing most attention. Their Horace Silver and the Jazz Messengers album contained Silver’s first hit, “The Preacher“. After leaving Blakey in 1956, Silver formed his own quintet, with what became the standard small group line-up of tenor saxophone, trumpet, piano, bass, and drums. Their public performances and frequent recordings for Blue Note Records increased Silver’s popularity, even through changes of personnel. His most successful album was Song for My Father, made with two iterations of the quintet in 1963 and 1964.

Several changes occurred in the early 1970s: Silver disbanded his group to spend more time with his wife and to concentrate on composing; he included lyrics in his recordings; and his interest in spiritualism developed. The last two of these were often combined, resulting in commercially unsuccessful releases such as The United States of Mind series. Silver left Blue Note after 28 years, founded his own record label, and scaled back his touring in the 1980s, relying in part on royalties from his compositions for income. In 1993, he returned to major record labels, releasing five albums before gradually withdrawing from public view because of health problems.

As a player, Silver transitioned from bebop to hard bop by stressing melody rather than complex harmony, and combined clean and often humorous right-hand lines with darker notes and chords in a near-perpetual left-hand rumble. His compositions similarly emphasized catchy melodies, but often also contained dissonant harmonies. Many of his varied repertoire of songs, including “Doodlin’“, “Peace“, and “Sister Sadie“, became jazz standards that are still widely played. His considerable legacy encompasses his influence on other pianists and composers, and the development of young jazz talents who appeared in his bands over the course of four decades.

Silver was born on September 2, 1928, in Norwalk, Connecticut. His mother, Gertrude, was from Connecticut; his father, John Tavares Silver, was born on the island of Maio, Cape Verde, and emigrated to the United States as a young man. She was a maid and sang in a church choir; he worked for a tire company. Horace had a much older half-brother, Eugene Fletcher, from his mother’s first marriage, and was the third child for his parents, after John, who lived to six months, and Maria, who was stillborn.