mick laBriola

These cosmic clouds have blossomed 1,300 light-years away in the fertile starfields of the constellation Cepheus. Called the Iris Nebula, NGC 7023 is not the only nebula to evoke the imagery of flowers. Still, this deep telescopic image shows off the Iris Nebula’s range of colors and symmetries embedded in surrounding fields of interstellar dust. Within the Iris itself, dusty nebular material surrounds a hot, young star. The dominant color of the brighter reflection nebula is blue, characteristic of dust grains reflecting starlight. Central filaments of the reflection nebula glow with a faint reddish photoluminescence as some dust grains effectively convert the star’s invisible ultraviolet radiation to visible red light. Infrared observations indicate that this nebula contains complex carbon molecules known as PAHs. The dusty blue petals of the Iris Nebula span about six light-years.

William Everett Preston (September 2, 1946 – June 6, 2006) was an American keyboardist, singer and songwriter whose work encompassed R&B, rock, soul, funk, and gospel. Preston was a top session keyboardist in the 1960s, during which he backed artists such as Little Richard, Sam Cooke, Ray Charles, the Everly Brothers, Reverend James Cleveland, the Beatles and the Rolling Stones. He gained attention as a solo artist with hit singles such as “That’s the Way God Planned It“, the Grammy-winning “Outa-Space“, “Will It Go Round in Circles“, “Space Race“, “Nothing from Nothing“, and “With You I’m Born Again“. Additionally, Preston co-wrote “You Are So Beautiful“, which became a #5 hit for Joe Cocker.

Preston is one of only two non-Beatle musicians (along with Tony Sheridan) to be given a credit on a Beatles recording at the band’s request; the group’s 1969 single “Get Back” was credited as “The Beatles with Billy Preston”. He continued to record and perform with George Harrison after the Beatles’ breakup, along with other artists such as Eric Clapton and the Rolling Stones on many of the group’s albums and tours during the 1970s. Preston was inducted into the Rock and Roll Hall of Fame in the Musical Excellence Award category in 2021.

Preston was born September 2, 1946, in Houston and moved to Los Angeles as a child with his mother Robbie Lee Williams. Noted as a child prodigy, Preston was entirely self-taught and never had a music lesson. By the age of ten, he was playing organ onstage backing several gospel singers such as Mahalia Jackson. At 11, Preston appeared on an episode of Nat King Cole‘s NBC TV show singing the Fats Dominohit “Blueberry Hill” with Cole. He appeared in St. Louis Blues, the 1958 W. C. Handy biopic starring Cole; Preston played Handy at a younger age.

Horace Ward Martin Tavares Silver (September 2, 1928 – June 18, 2014) was an American jazzpianist, composer, and arranger, particularly in the hard bop style that he helped pioneer in the 1950s.

After playing tenor saxophone and piano at school in Connecticut, Silver got his break on piano when his trio was recruited by Stan Getz in 1950. Silver soon moved to New York City, where he developed a reputation as a composer and for his bluesy playing. Frequent sideman recordings in the mid-1950s helped further, but it was his work with the Jazz Messengers, co-led by Art Blakey, that brought both his writing and playing most attention. Their Horace Silver and the Jazz Messengers album contained Silver’s first hit, “The Preacher“. After leaving Blakey in 1956, Silver formed his own quintet, with what became the standard small group line-up of tenor saxophone, trumpet, piano, bass, and drums. Their public performances and frequent recordings for Blue Note Records increased Silver’s popularity, even through changes of personnel. His most successful album was Song for My Father, made with two iterations of the quintet in 1963 and 1964.

Several changes occurred in the early 1970s: Silver disbanded his group to spend more time with his wife and to concentrate on composing; he included lyrics in his recordings; and his interest in spiritualism developed. The last two of these were often combined, resulting in commercially unsuccessful releases such as The United States of Mind series. Silver left Blue Note after 28 years, founded his own record label, and scaled back his touring in the 1980s, relying in part on royalties from his compositions for income. In 1993, he returned to major record labels, releasing five albums before gradually withdrawing from public view because of health problems.

As a player, Silver transitioned from bebop to hard bop by stressing melody rather than complex harmony, and combined clean and often humorous right-hand lines with darker notes and chords in a near-perpetual left-hand rumble. His compositions similarly emphasized catchy melodies, but often also contained dissonant harmonies. Many of his varied repertoire of songs, including “Doodlin’“, “Peace“, and “Sister Sadie“, became jazz standards that are still widely played. His considerable legacy encompasses his influence on other pianists and composers, and the development of young jazz talents who appeared in his bands over the course of four decades.

Silver was born on September 2, 1928, in Norwalk, Connecticut. His mother, Gertrude, was from Connecticut; his father, John Tavares Silver, was born on the island of Maio, Cape Verde, and emigrated to the United States as a young man. She was a maid and sang in a church choir; he worked for a tire company. Horace had a much older half-brother, Eugene Fletcher, from his mother’s first marriage, and was the third child for his parents, after John, who lived to six months, and Maria, who was stillborn.

The James Webb Space Telescope (JWST) has taken a picture of one of the strangest galaxies in the universe. The details of the Cartwheel galaxy are obscured by dust, which has made studying it difficult, but the new images from JWST peer through to reveal this weird galaxy in more detail than ever before.

• The Cartwheel galaxy is about 500 million light years away and measures about 150,000 light years across. Researchers believe that it was most likely a spiral galaxy similar to the Milky Way before one of its companion galaxies blasted through it like a bullet through a target, sending waves of stars and gas rippling out from the galaxy’s centre and creating the nested ring shapes that we see today.  

The ghost of a long-dead star, the W63 supernova remnant shines like a faint cosmic smoke-ring along the plane of the Milky Way galaxy toward the northern constellation Cygnus the swan. Its wraithlike appearance is traced against the region’s rich complex of interstellar clouds and dust by an eerie blue glow. Spanning over four full moons on the sky, the beautiful image is a telescopic mosaic in twelve panels that combines 100 hours of exposure time using narrow band filters. It shows characteristic light from ionized atoms of sulfur, hydrogen and oxygen in red, green, and blue hues. Likely over 5,000 light-years away, the visible part of the still expanding shell supernova remnant is around 150 light-years in diameter. So far no source has been identified as with the remains of W63’s original star. Light from the star’s supernova explosion would have reached Earth over 15,000 years ago.

Wilton Lewis Felder (August 31, 1940 – September 27, 2015) was an American saxophone and bassplayer, and is best known as a founding member of the Jazz Crusaders, later known as The Crusaders. Felder played bass on the Jackson 5‘s hits “I Want You Back” and “ABC” and on Marvin Gaye‘s “Let’s Get It On“.

Felder was born on August 31, 1940, in Houston, Texas and studied music at Texas Southern University.Felder, Wayne Henderson, Joe Sample, and Stix Hooper founded their group while in high school in Houston. The Jazz Crusaders evolved from a straight-ahead jazz combo into a pioneering jazz-rock fusion group, with a definite soul music influence. Felder worked with the original group for over thirty years, and continued to work in its later versions, which often featured other founding members.

Felder also worked as a West Coast studio musician, mostly playing electric bass, for various soul and R&Bmusicians, and was one of the in-house bass players for Motown Records, when the record label opened operations in Los Angeles in the early 1970s. He played on recordings by the Jackson 5 such as “I Want You Back“, “ABC” and “The Love You Save“, as well as recordings by Marvin Gaye including “Let’s Get It On” and “I Want You“. He also played bass for soft rock groups like Seals and Crofts. Also of note were his contributions to the John Cale album Paris 1919, Steely Dan‘s Pretzel Logic (1974), and Billy Joel‘s Piano Man and Streetlife Serenade albums. He was one of three bass players on Randy Newman‘s Sail Away(1972) and Joan Baez‘ Diamonds & Rust. Felder also anchored albums from Grant Green, Joni Mitchell and Michael Franks.