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Frank Rosolino (August 20, 1926 – November 26, 1978) was an American jazz trombonist.

Rosolino was born in Detroit, Michigan, United States, He performed with the big bands of Bob Chester, Glen Gray,^[1] Tony Pastor, Herbie Fields, Gene Krupa, and Stan Kenton. After a period with Kenton he settled in Los Angeles, where he performed with Howard Rumsey‘s Lighthouse All-Stars (1954–1960) in Hermosa Beach.

Throughout the 1960s and 1970s, between nightclub engagements, Rosolino was active in many Los Angeles recording studios where he performed with such notables as Frank Sinatra, Sarah Vaughan, Tony Bennett, Peggy Lee, Mel Tormé, Michel Legrand, and Quincy Jones. In the mid-to-late 1960s he and fellow trombonist Mike Barone, billed as “Trombones Unlimited,” recorded for Liberty Records several albums of pop-style arrangements of current hits, such as the 1968 album Grazing in the Grass. He can also be seen performing with Shelly Manne‘s group in the film I Want to Live! (1958) starring Susan Hayward, and also in Sweet Smell of Success (1957) with Burt Lancaster and Tony Curtis. He was a regular on The Steve Allen Show and a guest artist on The Tonight Show and The Merv Griffin Show. Rosolino was a talented vocalist, renowned for his wild form of scat-singing, notably on Gene Krupa‘s hit record, “Lemon Drop”.

During the 1970s, Rosolino performed and toured with Quincy Jones and the Grammy Award winning group Supersax.

Rosolino’s private life was highly troubled. On November 26, 1978, Rosolino shot both of his sons as they slept. One died instantly; the other survived, but was blinded. Rosolino fatally shot himself in the head immediately after shooting his sons.

Peter Edward “Ginger” Baker (19 August 1939 – 6 October 2019) was an English drummer. His work in the 1960s and 1970s earned him the reputation of “rock’s first superstar drummer”, for a style that melded jazz and African rhythms and pioneered both jazz fusion and world music.

Baker gained early fame as a member of Blues Incorporated and the Graham Bond Organisation, both times alongside bassist Jack Bruce, with whom Baker would often clash. In 1966, Baker and Bruce joined guitarist Eric Clapton to form Cream, which achieved worldwide success but lasted only until 1968, in part due to Baker’s and Bruce’s volatile relationship. After working with Clapton in the short-lived band Blind Faith and leading Ginger Baker’s Air Force, Baker spent several years in the 1970s living and recording in Africa, often with Fela Kuti, in pursuit of his long-time interest in African music. Among Baker’s other collaborations are his work with Gary Moore, Masters of Reality, Public Image Ltd, Hawkwind, Atomic Rooster, Bill Laswell, jazz bassist Charlie Haden, jazz guitarist Bill Frisell and Ginger Baker’s Energy.

Baker’s drumming is regarded for its style, showmanship, and use of two bass drums instead of the conventional single one, after the manner of the jazz drummer Louie Bellson. In his early days, he performed lengthy drum solos, most notably in the Cream song “Toad“, one of the earliest recorded examples in rock music. Baker was an inductee of the Rock and Roll Hall of Fame as a member of Cream in 1993, of the Modern Drummer Hall of Fame in 2008, and of the Classic Drummer Hall of Fame in 2016. Baker was noted for his eccentric, often self-destructive lifestyle, and he struggled with heroin addiction for many decades. He was married four times and fathered three children.

Messier 4 or M4 (also designated NGC 6121) is a globular cluster in the constellation of Scorpius. It was discovered by Philippe Loys de Chéseaux in 1745 and catalogued by Charles Messier in 1764. It was the first globular cluster in which individual stars were resolved.

Donald Douglas Lamond Jr. (August 18, 1920 – December 23, 2003) was an American jazz drummer.

Born in Oklahoma City, Lamond attended the Peabody Conservatory in Baltimore in the early 1940s, and played with Sonny Dunham and Boyd Raeburn at the outset of his career. In 1944, he performed baritone saxophone and drums on Charlie Parker’s ‘’The Complete Savoy and Dial Studio Recordings 1944-1948’’and he took over Dave Tough‘s spot in Woody Herman‘s big band First Herd in 1945, where he remained until the group disbanded at the end of 1946. In 1947, he briefly freelanced with musicians including Charlie Parker, and then returned to duty under Herman in his Second Herd, where he remained until its 1949 dissolution. In the 1950s and 1960s Lamond found work as a session musician, recording in a wide variety of styles. He performed and recorded with Stan Getz, Zoot Sims, Johnny Smith, Benny Goodman, Ruby Braff, the Sauter-Finegan Orchestra, Sonny Stitt, Johnny Guarnieri, Jack Teagarden, Quincy Jones, George Russell, Count Basie, Lee Wiley (where he performed drums and guitar on her 1956 album ‘’West of the Moon’’ and Bob Crosby among others. He recorded as a bandleader in 1962 with a tentet which included Doc Severinsen. Later in the 1960s he played with George Wein‘s Newport Festival band. In the 1970s, he worked with Red Norvo, Maxine Sullivan, and Bucky Pizzarelli, and also put together his own swing group late in the decade, which recorded in 1977 and 1982. He also recorded a quartet album in 1981 with his wife, Terry Lamond, singing.

He died in 2003 in Orlando, Florida, from a brain tumor, at age 83.

Antonio Salieri (18 August 1750 – 7 May 1825) was an Italian composer and teacher of the classical period. He was born in Legnago, south of Verona, in the Republic of Venice, and spent his adult life and career as a subject of the Habsburg monarchy.

Salieri was a pivotal figure in the development of late 18th-century opera. As a student of Florian Leopold Gassmann, and a protégé of Christoph Willibald Gluck, Salieri was a cosmopolitan composer who wrote operas in three languages. Salieri helped to develop and shape many of the features of operatic compositional vocabulary, and his music was a powerful influence on contemporary composers.

Appointed the director of the Italian opera by the Habsburg court, a post he held from 1774 until 1792, Salieri dominated Italian-language opera in Vienna. During his career, he also spent time writing works for opera houses in Paris, Rome, and Venice, and his dramatic works were widely performed throughout Europe during his lifetime. As the Austrian imperial Kapellmeister from 1788 to 1824, he was responsible for music at the court chapel and attached school. Even as his works dropped from performance, and he wrote no new operas after 1804, he still remained one of the most important and sought-after teachers of his generation, and his influence was felt in every aspect of Vienna’s musical life. Franz Liszt, Franz Schubert, Ludwig van Beethoven, Anton Eberl, Johann Nepomuk Hummel and Franz Xaver Wolfgang Mozart were among the most famous of his pupils. Salieri’s music slowly disappeared from the repertoire between 1800 and 1868 and was rarely heard after that period until the revival of his fame in the late 20th century. This revival was due to the fictionalized depiction of Salieri in Peter Shaffer‘s play Amadeus (1979) and its 1984 film version. The death of Wolfgang Amadeus Mozart in 1791 at the age of 35 was followed by rumors that he and Salieri had been bitter rivals, and that Salieri had poisoned the younger composer, yet it has been suggested this is false, and it is likely that they were, at least, mutually respectful peers.