mick laBriola

Sombrero Galaxy, one of the largest galaxies in the nearby Virgo Cluster of Galaxies. The dark band ofdust that obscures the mid-section of the Sombrero Galaxy in optical light actually glows brightly in infrared light. The featured image, digitally sharpened, shows the infrared glow, recently recorded by the orbiting Spitzer Space Telescope, superposed in false-color on an existing image taken by NASA’s Hubble Space Telescope in visible light. The Sombrero Galaxy, also known as M104, spans about 50,000 light years across and lies 28 million light years away. M104 can be seen with a small telescope in the direction of the constellation Virgo.

Frank “Son” Seals (August 13, 1942 – December 20, 2004) was an American electric blues guitarist and singer.

In 2009, Seals was inducted into the Blues Hall of Fame.

Seals was born in Osceola, Arkansas, where his father, Jim “Son” Seals, owned a small juke joint, called the Dipsy Doodle Club. He began performing professionally by the age of 13, first as a drummer with Robert Nighthawk and later as a guitarist. At age 16, he began to play at the T-99, a local upper-echelon club,with his brother-in-law Walter “Little Walter” Jefferson. He played there with prominent blues musicians, including Albert King, Rufus Thomas, Bobby Bland, Junior Parker, and Rosco Gordon. Their varying styles contributed to the development of Seals’s own playing techniques. While playing at the T-99, he was also introduced to country–western music by Jimmy Grubbs, who occasionally asked Seals to play the drums or guitar with his group. At the age of 19, Seals formed his own band, Son Seals and the Upsetters, to fill in at the Rebel Club, in Osceola. The band members were Johnny Moore (“Old Man Horse”) on piano; Alvin Goodberry on drums, guitar, bass, or piano; Little Bob Robinson on vocals; and Walter Lee “Skinny Dynamo” Harris on piano. Shortly thereafter, a man from Little Rock, Arkansas, came to find “Little Walter” for a gig at his club, but when Walter turned it down the offer went to Seals.

Sir George Albert Shearing, OBE (13 August 1919 – 14 February 2011) was a British jazz pianist who for many years led a popular jazz group that recorded for Discovery Records, MGM Records and Capitol Records. Shearing was the composer of over 300 titles, including the jazz standards “Lullaby of Birdland” and “Conception“, and had multiple albums on the Billboard charts during the 1950s, 1960s, 1980s and 1990s. He died of heart failure in New York City, at the age of 91.

Anna Mae Winburn (née Darden; August 13, 1913 – September 30, 1999) was an influential Americanvocalist and jazz bandleader who flourished beginning in the mid-1930s. An African American, she is best known for having directed the International Sweethearts of Rhythm, an all-female big band that was perhaps one of the few – and one of the most – racially integrated dance-bands of the swing era.

Her first known publicized performance was singing with the studio band of Radio WOWO, Fort Wayne. She worked at various clubs in Indiana, including the Chateau Lido in Indianapolis (where she appeared under the pseudonym Anita Door)

“Big Chief” Russell Moore (August 13, 1912 – December 15, 1983) was an American jazz trombonist.Moore, a Pima tribe member, grew up on a Native American reservation before moving to Chicago and then Los Angeles where he learned to play various instruments, eventually settling on trombone. Throughout his career, Moore worked with an array of artists including Frank Sinatra, Lionel Hampton, Alberta Hunter and Pee Wee Russell as well as recording under his own name. He is best remembered for his work as a member of Louis Armstrong’s band.

Moore was born in Gila Crossing, Arizona inside the Gila River Indian Community reservation in 1912 and belonged to the Pima tribe. He was one of five children born to mother Amy Bending Moore and father José Newton Moore. Musical performances were important to community life on the reservation particularly due to the inaccessibility of record players and radios.

Percy Mayfield (August 12, 1920 – August 11, 1984) was an American rhythm and blues singer with a smooth vocal style. He was also a songwriter, known for the songs “Please Send Me Someone to Love” and “Hit the Road Jack“, the latter being a song first recorded by Ray Charles.

Mayfield was born in Minden, Louisiana, the seat of Webster Parish, in the northwestern part of the state. As a youth, he had a talent for poetry, which led him to songwriting and singing. He began his performing career in Texas and then moved to Los Angeles in 1942, but without success as a singer until 1947, when a small record label, Swing Time Records, signed him to record his song “Two Years of Torture,” with a band that included the saxophonist Maxwell Davis, the guitarist Chuck Norris, and the pianist Willard McDaniel. The record sold steadily over the next few years, prompting Art Rupe to sign Mayfield to his label, Specialty Records, in 1950.

Patrick Bruce Metheny (/məˈθiːni/ mə-THEE-nee; born August 12, 1954) is an American jazz guitarist and composer.

He was the leader of the Pat Metheny Group (1977–2010) and continues to work in various small-combo, duet, and solo settings, as well as other side projects. His style incorporates elements of progressive and contemporary jazz, latin jazz, and jazz fusion. He has three gold albums and 20 Grammy Awards, and is the only person to have won Grammys in 10 categories. His older brother is jazz flugelhornist Mike Metheny.

Metheny was born in Lee’s Summit, Missouri. His father Dave played trumpet, his mother Lois sang, and his maternal grandfather Delmar was a professional trumpeter. Metheny’s first instrument was trumpet, which he was taught by his brother, Mike. Pat’s brother, father, and grandfather played trios together at home. His parents were fans of Glenn Miller and swing music. They took Pat to concerts to hear Clark Terry and Doc Severinsen, but they had little respect for guitar. Pat’s interest in guitar increased around 1964 when he saw the Beatles perform on TV. For his 12th birthday, his parents allowed him to buy a guitar, which was a Gibson ES-140 3/4.

Performing with the Temple Israel Erev Shabbat Service with Cantor Rachel Stock Spilker . Featuring Jayson Rodovsky, Jeff Bailey, Ernest Bisong, Pete Whitman and mick laBriola

Thornetta Davis (born August 11, 1963) is an American Detroit blues and rhythm and blues singer.  She has opened for Bonnie Raitt, Gladys Knight, and Etta James, and sang backing vocals on Bob Seger‘s 1991 album, The Fire Inside. She also worked with Kid Rock and Alberta Adams, and has released three solo albums. Davis was born in Detroit, Michigan, United States.

After entering a local talent contest at the age of 15, Davis went on to join the group Jas which disbanded in 1983 and then she, and another former member of Jas, and two of her high school friends formed Chanteuse, a vocal group covering old R&B hits.

Michael John Hugg (born 11 August 1940) is a British musician who was a founding member of the 1960s group Manfred Mann. Pursuing a career in jazz, he met the pianist Manfred Mann while working as a musician at Butlin’s Clacton, and they formed a seven-piece group. The Mann–Hugg Blues Brothers recruited Paul Jones and later Tom McGuinness. Upon their signing with HMV Records, their producer, John Burgess, changed their name to Manfred Mann.

Manabendra Mukhopadhyay was an Indian singer and music composer in Bengali films. Coming to limelight in the early 1950s Manabendra was an innovative and stylish singer who had a strong foundation in Indian classical music. With his distinctive voice, Manabendra was an instant hit with the audience. demonstrating great talent also as a composer, using the lyrics and melody of a song with good effect. At that time Bengali modern song world had the presence of some outstanding performers like Dhananjay Bhattacharya, Manna Dey, Satinath Mukherjee, Akhilbandhu Ghosh, Hemanta Mukhopadhyay to name a few.

It is considered that during the 1950s, 1960s and 1970s the Bengali modern songs reached their peak of excellence and that period is usually called the “Golden age of Bengali Adhunik Songs”. At that time Bengal had a unique mix of singers which inspired composers and lyricists to create innumerable treasure of creative music. Each singer had his own inimitable style and compositions were made to match their individual ability. Bengali non-film modern songs were in fact was as popular, if not more, than film songs which also reached a level of popularity in the 1950s and 1960s.