mick laBriola

James Chambers OM (born 30 July 1944), known professionally as Jimmy Cliff, is a Jamaican ska, rocksteady, reggae and soul musician, multi-instrumentalist, singer, and actor. He is the only living reggae musician to hold the Order of Merit, the highest honour that can be granted by the Jamaican government for achievements in the arts and sciences.

Cliff is best known among mainstream audiences for songs such as “Many Rivers to Cross“, “You Can Get It If You Really Want“, “The Harder They Come“, “Reggae Night“, and “Hakuna Matata“, and his covers of Cat Stevens‘s “Wild World” and Johnny Nash‘s “I Can See Clearly Now” from the film Cool Runnings. He starred in the film The Harder They Come, which helped popularize reggae around the world, and Club Paradise. Cliff was one of five performers inducted into the Rock and Roll Hall of Fame in 2010.

Jimmy Cliff was born James Chambers on 30 July 1944 in Saint James, Colony of Jamaica. He began writing songs while still at primary school in St. James, listening to a neighbour’s sound system. When Chambers was 14, his father took him to Kingston, where he would take up the stage name Jimmy Cliff.

Vernel Anthony Fournier (July 30, 1928 – November 4, 2000), known from 1975 as Amir Rushdan, was an American jazz drummer probably best known for his work with Ahmad Jamal from 1956 to 1962.

Fournier was born in New Orleans, Louisiana, into a Creole family. He left college to join a big band led by King Kolax. After Kolax downsized to a quintet, Fournier moved to Chicago in 1948, where he played with such musicians as Buster Bennett, Paul Bascomb and Teddy Wilson. As house drummer at the Bee Hive club on Chicago’s South Side in 1953–55, he accompanied many visiting soloists, including Lester Young, Ben Webster, Sonny Stitt, J.J. Johnson, Earl Washington and Stan Getz.

David William Sanborn (born July 30, 1945) is an American alto saxophonist. Though Sanborn has worked in many genres, his solo recordings typically blend jazz with instrumental pop and R&B. He released his first solo album Taking Off in 1975, but has been playing the saxophone since before he was in high school.

One of the most commercially successful American saxophonists to earn prominence since the 1980s, Sanborn is described by critic Scott Yannow as “the most influential saxophonist on pop, R&B, and crossover players of the past 20 years.” He is often identified with radio-friendly smooth jazz, but he has expressed a disinclination for the genre and his association with it.

Sanborn was born in Tampa, Florida, and grew up in Kirkwood, Missouri. He contracted polio in his youth.He began playing saxophone on a physician’s advice to strengthen his weakened chest muscles and improve his breathing, instead of studying piano. Alto saxophonist Hank Crawford, at the time a member of Ray Charles‘s band, was an early and lasting influence on Sanborn.

George “Buddy” Guy (born July 30, 1936) is an American blues guitarist and singer. He is an exponent of Chicago blues who has influenced generations of guitarists including Eric Clapton, Jimi Hendrix, Jimmy Page, Keith Richards, Stevie Ray Vaughan, Jeff Beck, Gary Clark Jr. and John Mayer. In the 1960s, Guy played with Muddy Waters as a session guitarist at Chess Records and began a musical partnership with blues harp virtuoso Junior Wells.

Guy has won eight Grammy Awards and a Lifetime Achievement Award, the National Medal of Arts, and the Kennedy Center Honors. Guy was ranked 23rd in Rolling Stone magazine’s “100 Greatest Guitarists of All Time“. His song “Stone Crazy” was ranked 78th in the Rolling Stone list of the “100 Greatest Guitar Songs of All Time”. Clapton once described him as “the best guitar player alive”. In 1999, Guy wrote the book Damn Right I’ve Got the Blues, with Donald Wilcock. His autobiography, When I Left Home: My Story, was published in 2012.

born 7-29-1937 to died 6-10-22  Ellyn was born in Des Moines, Iowa to Glen and Vera Cornelison on August 29, 1937. She went to Lincoln High School in Des Moines, Iowa , and graduated in 1956. She went on to study classical piano at Drake University. In 1979 she became a jazz musician full time and was a critically acclaimed vocalist in a very challenging field. She released several albums for Capri records. In 1993 she played on the nationally syndicated NPR radio show “Marian McPartland’s Piano Jazz.” She was a longtime performer throughout her home base in Colorado as well as playing on tour in Holland, Ireland, Germany (where she had her own fan club), China and the United States.  She had many outstanding accomplishments in her career and is very well known and beloved in the Denver music community. Had she chosen to move to a larger city it’s highly probable she would’ve achieved much greater fame. Her breathy seductive voice was incredibly compelling as well as her prodigious keyboard skills.

Joe Beck (July 29, 1945 – July 22, 2008) was an American jazz guitarist who was active for over 30 years.

Born in Philadelphia, Beck moved to Manhattan in his teens, playing six nights a week in a trio setting, which gave him an opportunity to meet various people working in the thriving New York music scene. By the time he was 18, Stan Getz hired him to record jingles, and in 1967 he recorded with Miles Davis. By 1968, at age 22, he was a member of the Gil Evans Orchestra.

Charles Henry Christian (July 29, 1916 – March 2, 1942) was an American swing and jazz guitarist. He was among the first electric guitarists and was a key figure in the development of bebop and cool jazz. He gained national exposure as a member of the Benny Goodman Sextet and Orchestra from August 1939 to June 1941. His single-string technique, combined with amplification, helped bring the guitar out of the rhythm section and into the forefront as a solo instrument. For this, he is often credited with leading to the development of the lead guitar role in musical ensembles and bands.

Christian was born in Bonham, Texas. His family moved to Oklahoma City, Oklahoma, when he was a small child. His parents were musicians. He had two brothers: Edward, born in 1906, and Clarence, born in 1911. Edward, Clarence, and Charlie were all taught music by their father, Clarence Henry Christian. Clarence Henry was struck blind by fever, and in order to support the family he and the boys worked as buskers, on what the Christians called “busts.” He would have them lead him into the better neighborhoods, where they would perform for cash or goods. When Charles was old enough to go along, he first entertained by dancing. Later he learned to play the guitar, inheriting his father’s instruments upon his death when Charles was 12.

Delfeayo Marsalis ( born July 28, 1965) is an American jazz trombonist, record producer and educator.

Marsalis was born in New Orleans, the son of Dolores (née Ferdinand) and Ellis Louis Marsalis, Jr., a pianist and music professor. He is also the grandson of Ellis Marsalis, Sr., and the brother of Wynton Marsalis(trumpeter), Branford Marsalis (saxophonist), and Jason Marsalis (drummer). Delfeayo also has two brothers who are not musicians: Ellis Marsalis III (b. 1964) is a poet, photographer and computer networking specialist based in Baltimore, and Mboya Kenyatta (b. 1970), who has been diagnosed with autism and was the primary inspiration for Delfeayo’s founding of the New Orleans-based Uptown Music Theatre. Formed in 2000, UMT has trained over 300 youth and staged eight original musicals, all of which are based upon the mission of “community unity”.

Michael Bernard Bloomfield (July 28, 1943 – February 15, 1981) was an American guitarist and composer, born in Chicago, Illinois, who became one of the first popular music superstars of the 1960s to earn his reputation almost entirely on his instrumental prowess, as he rarely sang before 1969. Respected for his guitar playing, Bloomfield knew and played with many of Chicago’s blues musicians before achieving his own fame and was instrumental in popularizing blues music in the mid-1960s. In 1965, he played on Bob Dylan’sHighway 61 Revisited, including the single “Like a Rolling Stone“, and performed with Dylan at that year’s Newport Folk Festival.

Bloomfield was ranked No. 22 on Rolling Stone‘s list of “100 Greatest Guitarists of All Time” in 2003 and No. 42 by the same magazine in 2011. He was inducted into the Blues Hall of Fame in 2012 and, as a member of the Paul Butterfield Blues Band, was inducted into the Rock and Roll Hall of Fame in 2015.

Bloomfield was born into a wealthy Jewish Chicago family. Bloomfield’s father, Harold Bloomfield, was born in Chicago in 1914. Harold’s father, Samuel Bloomfield, started Bloomfield Industries in the early 1930s. After Samuel passed away, Harold and his brother, Daniel, inherited the company. Bloomfield’s mother, Dorothy Klein, was born in Chicago in 1918 and married Harold in 1940. She came from an artistic, musical family, working as an actress and a model before marrying Harold. Bloomfield died in San Francisco on February 15, 1981. He was found seated behind the wheel of his car, with all four doors locked. According to police, an empty Valium bottle was found on the car seat, but no suicide note was found. The medical examiner who performed the autopsy ruled the death accidental overdose, due to cocaine and methamphetamine poisoning.

David “Junior” Kimbrough (July 28, 1930 – January 17, 1998) was an American blues musician. His best-known works are “Keep Your Hands off Her” and “All Night Long”. In 2023, he was inducted in the Blues Hall of Fame.

Kimbrough was born in Hudsonville, Mississippi, and lived in the north Mississippi hill country near Holly Springs. His father, a barber, played the guitar, and Junior picked his guitar as a child. He was apparently influenced by the guitarists Lightnin’ Hopkins, Mississippi Fred McDowell and Eli Green.

The Traditional Structure of the Seguiriya

When following the traditional structure, the seguiriya proceeds as follows:

• It begins with a strong guitar strumming, which introduces the singer.
• The first lyrics are short and emotionally intense, topped off with guitar strumming.
• This is followed by a brave singing verse, which is also finished off with the guitar, giving way to the change of lyrics.
• The seguiriya ends with the guitar, strongly playing to the beat.

Singing and Coplas

It is believed that the seguiriya comes from the plañideras, among other reasons, because of the type of singing, which is very somber and uses death as its main theme. Besides, it can be recognized for its lyrics full of moan, also called quejíos. These features are why the seguiriya are considered a pure cante jondo (profound song or deep song), which came along before the palo seco (the dry style of flamenco that isn´t accompanied by guitar music).