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Yusuf Islam (born Steven Demetre Georgiou; 21 July 1948), commonly known by his stage names Cat Stevens, Yusuf, and Yusuf / Cat Stevens, is a British singer-songwriter and musician. To date, he has sold over 100 million records and has over 2 billion streams. His musical style consists of folk, pop, rock, and, later in his career, Islamic music. Following two decades in which he only performed music which met strict religious standards, he returned to making secular music in 2006.He was inducted into the Rock and Roll Hall of Fame in 2014.
His 1967 debut album and its title song “Matthew and Son” both reached top ten in the UK charts. Stevens’ albums Tea for the Tillerman (1970) and Teaser and the Firecat (1971) were certified triple platinum in the US. His 1972 album Catch Bull at Four went to No.1 on the Billboard 200 and spent weeks at the top of several other major charts. He earned ASCAP songwriting awards in 2005 and 2006 for “The First Cut Is the Deepest“, which has been a hit for four artists. His other hit songs include “Father and Son“, “Wild World“, “Moonshadow“, “Peace Train“, and “Morning Has Broken“.
Stevens converted to Islam in December 1977, and adopted the name Yusuf Islam the following year.In 1979, he auctioned all of his guitars for charity, and left his musical career to devote himself to educational and philanthropic causes in the Muslim community. He has since bought back at least one of these guitars as a result of the efforts of his son Yoriyos. He was embroiled in a long-running controversy regarding comments he made in 1989, about the death fatwa placed on author Salman Rushdie in response to the publication of Rushdie’s novel The Satanic Verses. He has explained the incident stating: “I was cleverly framed by certain questions. I never supported the fatwa.” He has received two honorary doctorates and awards for promoting peace as well as other humanitarian awards.
In 2006, he returned to pop music by releasing his first new studio album of new pop songs in 28 years, entitled An Other Cup. With that release and subsequent ones, he dropped the surname “Islam” from the album cover art – using the stage name Yusuf as a mononym. In 2009, he released the album Roadsinger and, in 2014, he released the album Tell ‘Em I’m Gone and began his first US tour since 1978.His second North American tour since his resurgence, featuring 12 shows in intimate venues, ran from 12 September to 7 October 2016. In 2017, he released the album The Laughing Apple, now using the stage name Yusuf / Cat Stevens, using the Cat Stevens name for the first time in 39 years. In September 2020, he released Tea for the Tillerman 2, a reimagining of his classic album Tea for the Tillerman to celebrate its 50th anniversary, and in June 2023, King of a Land, a new studio album.
more...Conrad Yeatis “Sonny” Clark (July 21, 1931 – January 13, 1963) was an American jazz pianist and composer who mainly worked in the hard bop idiom.
Clark was born and raised in Herminie, Pennsylvania, a coal mining town east of Pittsburgh. His parents were originally from Stone Mountain, Georgia. His miner father, Emery Clark, died of a lung disease two weeks after Sonny was born. Sonny was the youngest of eight children. At age 12, he moved to Pittsburgh.
While visiting an aunt in California at age 20, Clark decided to stay and began working with saxophonist Wardell Gray. Clark went to San Francisco with Oscar Pettiford and after a couple months, was working with clarinetist Buddy DeFranco in 1953. Clark toured the United States and Europe with DeFranco until January 1956, when he joined The Lighthouse All-Stars, led by bassist Howard Rumsey. Clark died in New York City on January 13, 1963 (aged 31). The official cause was listed as a heart attack, but the likely cause was a heroin overdose.
more...The city of Huelva on the coast of Spain between Portugal and Cádiz is closely identified with the Fandangos. There are 32 types of Fandangos de Huelva, each associated with a different part of the city, the nearby mountains or coast, or with individual artists. The underlying form for all these Fandangos is the same, and the variations are in the melodies, lyrics, and the supporting harmony. The most frequently performed version of the Fandangos de Huelva is the Fandangos de Alosno, named for a village north of Huelva.
The most common setting for Fandangos de Huelva is a group of friends gathered around a table after a meal or drinks. The guitarist provides constant accompaniment while individual singers provide letras or the group sings in chorus.
The dance is popular during the annual pilgrimage to Rocio – the Romería del Rocio. Participants in this event dress in traditional costume and travel on foot, by car or in brightly decorated horse- or ox-drawn wagons. All converge in the city of Rocio to participate in a weekend of religious ritual and fun.
Today, the dances and songs are also popular in Spanish dance companies and in smaller flamenco performances, and are mostly accompanied by the guitar, cante, and castanets.The copla consists of five eight syllable lines. One line of the verse is usually repeated, making a six line verse.
The underlying form of Fandangos de Huelva is the underlying form for all Fandangos Comarcales.
Some artists have modified this form slightly. For example, cantaor Paco Toronjo, a singer closely associated with Fandangos, would often begin a Fandangos by singing por Siguiriyas.
more...This magnificent spiral galaxy is Messier 64, often called the Black Eye Galaxy or the Sleeping Beauty Galaxy for its dark-lidded appearance in telescopic views. The spiral’s central region, about 7,400 light-years across, is pictured in this reprocessed image from the Hubble Space Telescope. M64 lies some 17 million light-years distant in the otherwise well-groomed northern constellation Coma Berenices. The enormous dust clouds partially obscuring M64’s central region are laced with young, blue star clusters and the reddish glow of hydrogen associated with star forming regions. But imposing clouds of dust are not this galaxy’s only peculiar feature. Observations show that M64 is actually composed of two concentric, counter-rotating systems. While all the stars in M64 rotate in the same direction as the interstellar gas in the galaxy’s central region, gas in the outer regions, extending to about 40,000 light-years, rotates in the opposite direction. The dusty eye and bizarre rotation are likely the result of a billion year old merger of two different galaxies.
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Carlos Humberto Santana Barragán; born July 20, 1947) is an American guitarist who rose to fame in the late 1960s and early 1970s with his band Santana, which pioneered a fusion of rock and roll and Latin American jazz. Its sound featured his melodic, blues-based lines set against Latin American and African rhythms played on percussion instruments not generally heard in rock, such as timbales and congas. He experienced a resurgence of popularity and critical acclaim in the late 1990s. In 2015, Rolling Stone magazine listed him at No. 20 on their list of the 100 greatest guitarists. He has won 10 Grammy Awards and three Latin Grammy Awards, and was inducted along with his namesake band into the Rock and Roll Hall of Fame in 1998.
Santana was born in Autlán de Navarro in Jalisco, Mexico on July 20, 1947. He learned to play the violin at age five and the guitar at age eight, under the tutelage of his father, who was a mariachi musician. His younger brother, Jorge, also became a professional guitarist. Santana was heavily influenced by Ritchie Valens at a time when there were very few Mexicans in American rock music. The family moved from Autlán to Tijuana, on the border with the United States. They then moved to San Francisco where his father had steady work. In October 1966, Santana started the Santana Blues Band. By 1968, the band had begun to incorporate different types of influences into their electric blues. Santana later said, “If I would go to some cat’s room, he’d be listening to Sly [Stone] and Jimi Hendrix; another guy to the Stones and the Beatles. Another guy’d be listening to Tito Puente and Mongo Santamaría. Another guy’d be listening to Miles [Davis] and [John] Coltrane… to me, it was like being at a university.
more...Tony Oladipo Allen (20 July 1940 – 30 April 2020) was a Nigerian drummer, composer, and songwriter who lived and worked in Paris, France. Allen was the drummer and musical director of Fela Kuti‘s band Africa ’70 from 1968 to 1979, and was one of the founders of the Afrobeat genre. Fela once stated that “without Tony Allen, there would be no Afrobeat”. He was described by Brian Eno as “perhaps the greatest drummer who has ever lived”.
Later in life, Allen collaborated with Damon Albarn on several projects, including Gorillaz, the Good, the Bad & the Queen and Rocket Juice & the Moon. Allen’s career and life were documented in his 2013 autobiography Tony Allen: Master Drummer of Afrobeat, co-written with Michael E. Veal, who previously wrote a comprehensive biography of Fela Kuti.
Allen was born in Lagos, Nigeria to James Alabi Allen, a motor mechanic from British Nigeria (now present day Nigeria) and Prudentia Mettle, from the Gold Coast (now present day Ghana), He began playing drums at the age of 18, while working as an engineer for a radio station. Allen was influenced by music his father listened to: Jùjú, a popular Yoruba music from the 1940s, but also American jazz, and the growing highlife scene in Nigeria and Ghana. Allen worked hard to develop a unique voice on the drums, feverishly studying LPs and magazine articles by Max Roach and Art Blakey, but also revolutionary Ghanaian drummer Guy Warren (later known as Kofi Ghanaba – who developed a highly sought-after sound that mixed tribal Ghanaian drumming with bop – working with Dizzy Gillespie, Charlie Parker, Thelonious Monk, and Max Roach).
more...Charles Lacy Tyler (July 20, 1941 – June 27, 1992) was an American jazz saxophonist. He focused on baritone & alto saxophone and also played clarinet.
Tyler was born in Cadiz, Kentucky, United States, and spent his childhood years in Indianapolis. He played piano as a child and clarinet at the age of seven, before switching to alto saxophone in his early teens, and finally baritone saxophone. During the summers, he visited Chicago, Illinois, New York City and Cleveland, Ohio, where he met the young tenor saxophonist Albert Ayler at age 14. After serving in the army from 1957–1959, Tyler relocated to Cleveland in 1960 and began playing with Ayler, commuting between New York and Cleveland. During that period played with Ornette Coleman and Sunny Murray.
more...Ernest Brooks Wilkins Jr. (July 20, 1922 – June 5, 1999) was an American jazz saxophonist, conductor and arranger who spent several years with Count Basie. He also wrote for Tommy Dorsey, Harry James, and Dizzy Gillespie. He was musical director for albums by Cannonball Adderley, Dinah Washington, Oscar Peterson, and Buddy Rich. Wilkins was born in St. Louis, Missouri. In his early career he played in a military band, before joining Earl Hines‘s last big band. He worked with Count Basie from 1951 to 1955, eventually leaving to work free-lance as a jazz arranger and songwriter. His success declined in the 1960s, but revived after work with Clark Terry, leading to a tour of Europe.
more...https://www.youtube.com/watch?v=tOReFTgwMjs
more...The Whirlpool Galaxy, also known as Messier 51a (M51a) or NGC 5194, is an interacting grand-design spiral galaxy with a Seyfert 2 active galactic nucleus.It lies in the constellation Canes Venatici, and was the first galaxy to be classified as a spiral galaxy. It is between 23 and 31 million light-years away and 76,900 ly (23,580 pc) in diameter.
The galaxy and its companion, NGC 5195, are easily observed by amateur astronomers, and the two galaxies may be seen with binoculars. The Whirlpool Galaxy has been extensively observed by professional astronomers, and its pair with NGC 5195 who study it to understand galaxy structure (particularly structure associated with the spiral arms) and galaxy interactions. Its pair with NGC 5194is among the most famous and relatively close interacting systems, and thus is a favorite subject of galaxy interaction models.
Commander Cody and His Lost Planet Airmen were an American rock band founded in 1967. The group’s leader and co-founder was pianist and vocalist George Frayne IV, alias Commander Cody (born July 19, 1944 in Boise, Idaho, died September 26, 2021 in Saratoga Springs, New York).
The band became known for marathon live shows. Alongside Frayne, the classic lineup was Billy C. Farlow (b. Decatur, Alabama) on vocals and harmonica; John Tichy (b. St. Louis, Missouri) on guitar and vocals; Bill Kirchen (Kirchen was born in Bridgeport, Connecticut, June 29, 1948 but grew up in Ann Arbor, Michigan) on lead guitar; Andy Stein (b. August 31, 1948 in New York City) on saxophone and fiddle; “Buffalo” Bruce Barlow (b. December 3, 1948 in Oxnard, California) on bass guitar; Lance Dickerson (b. October 15, 1948 in Livonia, Michigan, died November 10, 2003, in Fairfax, California) on drums; and Steve “The West Virginia Creeper” Davis (b. July 18, 1946 in Charleston, West Virginia), followed by Bobby Black, on pedal steel guitar.
more...Philip Upchurch (born July 19, 1941) is an American jazz and blues guitarist and bassist.
Upchurch started his career working with the Kool Gents, the Dells, and the Spaniels, before going on to work with Curtis Mayfield, Otis Rush, and Jimmy Reed. (His association with Kool Gents member Dee Clark would continue, including playing guitar on Clark’s 1961 solo hit “Raindrops“.) He then returned to Chicago to play and record with Woody Herman, Stan Getz, Groove Holmes, B.B. King, and Dizzy Gillespie.
In 1961, his record “You Can’t Sit Down” by the Philip Upchurch Combo, sold over one million copies and was awarded a gold disc. “You Can’t Sit Down, Part 2” peaked at No. 29 on the Billboard charts in the US. And he released his first album. In the 1960s he toured with Oscar Brown, appearing on the 1965 live album, Mr. Oscar Brown, Jr. Goes to Washington. In the mid-1960s he was house guitarist of Chess Recordsand he played with The Dells, Howlin’ Wolf, Muddy Waters and Gene Chandler. He also played with John Lee Hooker, Grover Washington, Jr. and Cannonball Adderley. Upchurch was part of a group called The Soulful Strings during the 1960s, prior to working with the Rotary Connection on Chess’s Cadet label.
In the 1970s, he worked with Donny Hathaway, Harvey Mason, Ramsey Lewis, Quincy Jones and led his own quartet with Tennyson Stephens. He met Bob Krasnow and Tommy LiPuma, the founders of Blue Thumb Records, and he released Darkness Darkness. Upchurch played on Donny Hathaway’s “This Christmas” and “The Ghetto”. He also played guitar on Hathaway’s Live album (1972). In the mid 1970s and 1980s, he performed with George Benson, Mose Allison, Gary Burton, Lenny Breau, Joe Williams, Chaka Khan, Natalie Cole, Carmen McRae, Cat Stevens, David Sanborn, and Michael Jackson. In the 1990s he worked with Jimmy Smith and Jack McDuff.
more...Carmell Jones (July 19, 1936 – November 7, 1996) was an American jazz trumpet player.
Jones was born in Kansas City, Kansas, United States. He started piano lessons at age five, and trumpet lessons at age seven. His first professional work was with Kansas City musicians Nathan Davis, Cleanhead Vinson and Frank Smith. He moved to California in 1961, and worked as a studio musician for several years, including in the orchestras for two movie soundtracks, Seven Days In May and The Manchurian Candidate, the latter starring Frank Sinatra. He released two albums as a leader for Pacific Jazz at this time, while recording as a sideman with Bud Shank, Onzy Matthews, Curtis Amy, Harold Land, and Gerald Wilson. He toured with Horace Silver in 1964-65, and was on Silver’s seminal 1965 Blue Note album Song for My Father. In 1965, he moved to Germany where he lived for 15 years, working with Paul Kuhnand the SFB Big Band (Sender Freies Berlin) from 1968 to 1980. There he worked with musicians such as Milo Pavlovic, Herb Geller, Leo Wright, Rudi Wilfer and Eugen Cicero. Jones returned to the US in 1980, working as a teacher and appearing at local clubs in Kansas City. He released one additional album as a leader in 1982 entitled Carmell Jones Returns, on the Revelation label. Jones died of heart failure on November 7, 1996, in Kansas City at the age of 60.
more...CW Leonis is the closest carbon star, a star that appears orange because of atmospheric carbon dispersed from interior nuclear fusion. But CW Leonis also appears engulfed in a gaseous carbon-rich nebula. What causes the nebula’s complexity is unknown, but its geometry of shells and arcs are surely intriguing. The featured image by the Hubble Space Telescope details this complexity. The low surface gravity of carbon stars enhances their ability to expel carbon and carbon compounds into space. Some of this carbon ends up forming dark dust that is commonly seen in the nebulas of young star-forming regions and the disks of galaxies. Humans and all Earth-based life are carbon-based, and at least some of our carbon was likely once circulating in the atmospheres of near-death stars like carbon stars.
Brian Albert Gordon Auger (born 18 July 1939) is an English jazz rock and rock music keyboardist who specialises in the Hammond organ.
Auger has worked with Rod Stewart, Tony Williams, Jimi Hendrix, John McLaughlin, Sonny Boy Williamson, and Eric Burdon. He incorporated jazz, early British pop, R&B, soul music, and rock into his sound. He has been nominated for a Grammy Award.
In 1965, Auger played on “For Your Love” by The Yardbirds as a session musician. That same year, Auger formed the group The Steampacket with Long John Baldry, Julie Driscoll, Vic Briggs, and Rod Stewart. Due to contractual problems there were no official recordings made by the band; nevertheless, nine tracks were laid down for promotional use in late 1965 and released as an LP in 1970 in France on the BYG label. They were released on a CD by Repertoire Records in 1990 (licensed from Charly Records) as well as 12 live tracks from Live at the Birmingham Town Hall, February 2, 1964. Stewart left in early 1966 and soon thereafter the band broke up.
With Driscoll and the band Trinity, he went on to record a cover version of David Ackles‘ “Road to Cairo” and Bob Dylan’s “This Wheel’s on Fire“, which appeared on Dylan Covered. The latter track was a number 5 pop hit in the UK. In 1969 Auger, Driscoll, and Trinity performed in the United States on the NBC special 33⅓ Revolutions Per Monkee.
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