mick laBriola

Philip Upchurch (born July 19, 1941) is an American jazz and blues guitarist and bassist.

Upchurch started his career working with the Kool Gents, the Dells, and the Spaniels, before going on to work with Curtis Mayfield, Otis Rush, and Jimmy Reed. (His association with Kool Gents member Dee Clark would continue, including playing guitar on Clark’s 1961 solo hit “Raindrops“.) He then returned to Chicago to play and record with Woody Herman, Stan Getz, Groove Holmes, B.B. King, and Dizzy Gillespie.

In 1961, his record “You Can’t Sit Down” by the Philip Upchurch Combo, sold over one million copies and was awarded a gold disc. “You Can’t Sit Down, Part 2” peaked at No. 29 on the Billboard charts in the US. And he released his first album. In the 1960s he toured with Oscar Brown, appearing on the 1965 live album, Mr. Oscar Brown, Jr. Goes to Washington. In the mid-1960s he was house guitarist of Chess Recordsand he played with The Dells, Howlin’ Wolf, Muddy Waters and Gene Chandler. He also played with John Lee Hooker, Grover Washington, Jr. and Cannonball Adderley. Upchurch was part of a group called The Soulful Strings during the 1960s, prior to working with the Rotary Connection on Chess’s Cadet label.

In the 1970s, he worked with Donny Hathaway, Harvey Mason, Ramsey Lewis, Quincy Jones and led his own quartet with Tennyson Stephens. He met Bob Krasnow and Tommy LiPuma, the founders of Blue Thumb Records, and he released Darkness Darkness. Upchurch played on Donny Hathaway’s “This Christmas” and “The Ghetto”. He also played guitar on Hathaway’s Live album (1972). In the mid 1970s and 1980s, he performed with George Benson, Mose Allison, Gary Burton, Lenny Breau, Joe Williams, Chaka Khan, Natalie Cole, Carmen McRae, Cat Stevens, David Sanborn, and Michael Jackson. In the 1990s he worked with Jimmy Smith and Jack McDuff.

CW Leonis is the closest carbon star, a star that appears orange because of atmospheric carbon dispersed from interior nuclear fusion. But CW Leonis also appears engulfed in a gaseous carbon-rich nebula. What causes the nebula’s complexity is unknown, but its geometry of shells and arcs are surely intriguing. The featured image by the Hubble Space Telescope details this complexity. The low surface gravity of carbon stars enhances their ability to expel carbon and carbon compounds into space. Some of this carbon ends up forming dark dust that is commonly seen in the nebulas of young star-forming regions and the disks of galaxies. Humans and all Earth-based life are carbon-based, and at least some of our carbon was likely once circulating in the atmospheres of near-death stars like carbon stars.

The irregular galaxy Arp 263 lurks in the background of this image from the NASA/ESA Hubble Space Telescope, but the view is dominated by a stellar photobomber; the bright star BD+17 2217. Arp 263 — also known as NGC 3239 — is a patchy, irregular galaxy studded with regions of recent star formation, and astronomers believe that its ragged appearance is due to its having formed from the merger of two galaxies. It lies around 25 million light-years away in the constellation Leo.

Two different Hubble investigations into Arp 263, using two of Hubble’s third-generation instruments, contributed data to this image. The first investigation was part of an effort to observe the sites of recent supernovae, such as the supernova SN 2012A that was detected just over a decade ago in Arp 263. Astronomers used Hubble’s powerful Wide Field Camera 3 to search for lingering remnants of the colossal stellar explosion. The second investigation is part of a campaign using Hubble’s Advanced Camera for Surveys to image all the previously unobserved peculiar galaxies in the Arp catalogue, including Arp 263, in order to find promising subjects for further study using the NASA/ESA/CSA James Webb Space Telescope.

The interloping foreground star, BD+17 2217, is adorned with two sets of criss-crossing diffraction spikes. The interaction of light with Hubble’s internal structure means that concentrated bright objects such as stars are surrounded by four prominent spikes. Since this image of BD+17 2217 was created using two sets of Hubble data, the spikes from both images surround this stellar photobomber. The spikes are at different angles because Hubble was at different orientations when it collected the two datasets.

[Image Description: An irregular galaxy that appears like a triangle-shaped patch of tiny stars. It is densest in the centre and along one edge, growing faint out to the opposite corner. Several bright pink patches mark areas of star formation, and the galaxy’s brightest stars are around these. A large, bright star, with two sets of long spikes, stands between the viewer and the galaxy.]

Vincent Anthony Guaraldi Dellaglio, July 17, 1928 – February 6, 1976) was an American jazz pianist best known for composing music for animated television adaptations of the Peanuts comic strip. His compositions for this series included their signature melody “Linus and Lucy” and the holiday standard “Christmas Time Is Here“. He is also known for his performances on piano as a member of Cal Tjader‘s 1950s ensembles and for his own solo career. His 1962 composition “Cast Your Fate to the Wind” became a radio hit and won a Grammy Award in 1963 for Best Original Jazz Composition. He died of a sudden heart attack in February 1976 at age 47, moments after concluding a nightclub performance in Menlo Park, California.

Guaraldi was born in San Francisco’s North Beach area, a place that became very important to his blossoming musical career. His last name changed to “Guaraldi” after his mother, Carmela (née Marcellino; 1908–1999), divorced his biological father (whose last name was Dellaglio) and married Tony Guaraldi, who adopted the boy. Growing up, Guaraldi was influenced by both of his maternal uncles, Joe and Maurice “Muzzy” Marcellino, both of whom headed jazz big bands in San Francisco for many years. He graduated from Lincoln High School, briefly attended San Francisco State College, and served in the United States Army as a cook in Korea from 1946 to 1948. Guaraldi died suddenly on February 6, 1976,^[37] at age 47 after suffering a massive heart attack. The evening before, he had dined at Mendelson’s home and was reportedly not feeling well, complaining of indigestion-like chest discomfort. “He was about to do his first cruise. He’d be able to play Peanutsmusic on the ship, and he was excited about that. We talked about the cruise and the Peanuts shows, and I said that I didn’t know what the next one would be yet, but that we wouldn’t start until he got back. But he also said he wasn’t feeling well, and had gone to see the doctor. The doctor thought Vince might have a diaphragmatic hernia, and that they might have to deal with it.”

Joseph Albert Morello (July 17, 1928 – March 12, 2011) was an American jazz drummer best known for serving as the drummer for pianist Dave Brubeck, as part of the Dave Brubeck Quartet, from 1957 to 1972, including during the quartet’s “classic lineup” from 1958 to 1968, which also included alto saxophonist Paul Desmond and bassist Eugene Wright. Morello’s facility for playing unusual time signatures and rhythms enabled that group to record a series of albums that explored them. The most notable of these was the first in the series, the 1959 album Time Out, which contained the hit songs “Take Five” and “Blue Rondo à la Turk“. In fact, “Take Five”, the album’s biggest hit (and the first jazz single to sell more than one million copies) was specifically written by Desmond as a way to showcase Morello’s ability to play in ⁵
₄ time.

Besides playing with Brubeck, Morello also served as an accompanist for other musicians, including Marian McPartland, Tal Farlow and Gary Burton, and recorded his own albums as well. He received numerous accolades during his life, including being named the best drummer by Down Beat magazine five years in a row.He was born in Springfield, Massachusetts, United States to Joseph Morello and Lillian LaPalme. His father was a French emigrant from Nice and his mother hailed from French Canada. Morello suffered from partial vision from birth,  and devoted himself to indoor activities. At six years old, he began studying the violin. Three years later, he was a featured soloist with the Boston Symphony Orchestra, playing Mendelssohn’s Violin Concerto, and again three years later.

The Chorus Line third performance Sunday July 16th at 5pm by Theatre 55 performing outdoors at Caponi Art Park in Eagan. Music by Raymond Berg, Lyra Olson, Clay Pufahl and mick laBriola. Running thru July 23rd. Only six shows.

Now this was a view with a thrill. From Mount Tschirgant in the Alps, you can see not only nearby towns and distant Tyrolean peaks, but also, weather permitting, stars, nebulas, and the band of the Milky Way Galaxy. What made the arduous climb worthwhile this night, though, was another peak — the peak of the 2018 Perseids Meteor Shower. As hoped, dispersing clouds allowed a picturesque sky-gazing session that included many faint meteors, all while a carefully positioned camera took a series of exposures. Suddenly, a thrilling meteor — bright and colorful — slashed down right next to the nearly vertical band of the Milky Way. As luck would have it, the camera caught it too. Therefore, a new image in the series was quickly taken with one of the sky-gazers posing on the nearby peak. Later, all of the images were digitally combined.