mick laBriola

Henry “Hank” Mobley (July 7, 1930 – May 30, 1986) was an American hard bop and soul jazz tenor saxophonist and composer. Mobley was described by Leonard Feather as the “middleweight champion of the tenor saxophone”, a metaphor used to describe his tone, that was neither as aggressive as John Coltrane nor as mellow as Lester Young, and his style that was laid-back, subtle and melodic, especially in contrast with players like Coltrane and Sonny Rollins. The critic Stacia Proefrock claimed him “one of the most underrated musicians of the bop era.” Mobley’s compositions included “Double Exposure,” “Soul Station”, and “Dig Dis,” among others.

Mobley was born in Eastman, Georgia, but was raised in Elizabeth, New Jersey, near Newark. He described himself as coming from a musical family and spoke of his uncle playing in a jazz band. As a child, Mobley played piano.

Lloyd “Tiny” Grimes (July 7, 1916 – March 4, 1989) was an American jazz and R&B guitarist. He was a member of the Art Tatum Trio from 1943 to 1944, was a backing musician on recording sessions, and later led his own bands, including a recording session with Charlie Parker. He is notable for playing the electric tenor guitar, a four-stringed instrument.

Grimes was born in Newport News, Virginia, United States, and began his musical career playing drums and one-fingered piano. In 1938 he took up the electric four-string tenor guitar. In 1940 he joined the Cats and the Fiddle as guitarist and singer. In 1943 he joined the Art Tatum Trio as guitarist and made a number of recordings with Tatum.

Types of flamenco tangos

Flamenco tangos would emerge at the turn of the century as a result of the combination of some elements of Andalusian jaleos, with a ternary beat, with the rhythm and beat of American tango. Thus a new genre was born, which would bring with it a list of new styles that enriched the repertoire of flamenco styles.

Other theories defend that the tangos before ‘aflamencarse’ were tientos, then accelerating the beat and became flamenco tangos.

In flamenco tangos we can find the melodic spirit of the soleá (in the singing) and the harmonica of the seguiriya (in the toque), and all this on a binary compass as a differentiating element.

Tangos have special characteristics, depending on the geographical area, in addition to which certain performers have given a personal stamp to certain styles of tangos.

Among the best known variants are:

Tangos from Cádiz.

Triana Tangos.

Tangos de Jerez.

Tangos from Malaga.

In addition to these tangos, there are other variants, although with less musical entity, with those of the Jaén tangos, those of Extremadura and those of Perchel.

Among the first known interpreters of flamenco tango we can highlight El Mellizo and Aurelio Sellésin Cádiz; El Titi, José Ortega and Pastora Pavón in Seville; Manuel Torres, El Mojama and Frijones in Jerez; and La Pirula, La Repompa and El Piyayo in Málaga.

Michael Shrieve (born July 6, 1949) is an American drummer, percussionist, and composer. He is best known as the drummer of the rock band Santana, playing on the band’s first seven albums from 1969 to 1974. At age 20, Shrieve was the youngest musician to perform at Woodstock. His drum solo during “Soul Sacrifice” in the Woodstock film has been described as “electrifying”, although he considers his solo during the same piece in 1970 at Tanglewood the superior performance.

Shrieve’s first full-time band was called Glass Menagerie, followed by experience in the house band of an R&B club, backing touring musicians including B.B. King and Etta James. At 16, Shrieve played in a jam session at the Fillmore Auditorium, where he attracted the attention of Santana‘s manager, Stan Marcum. When he was 19, Shrieve jammed with Santana at a recording studio and was invited to join that day.

On August 16, 1969, Santana played the Woodstock Festival, shortly after Shrieve’s twentieth birthday, but before the release of their eponymous first album (1969).

Louie Bellson (born Luigi Paolino Alfredo Francesco Antonio Balassoni, July 6, 1924 – February 14, 2009), often seen in sources as Louis Bellson, although he himself preferred the spelling Louie, was an American jazz drummer. He was a composer, arranger, bandleader, and jazz educator, and is credited with pioneering the use of two bass drums.

Bellson performed in most of the major capitals around the world. Bellson and his wife, actress and singer Pearl Bailey (married from 1952 until Bailey’s death in 1990), had the second highest number of appearances at the White House (only Bob Hope had more).

Bellson was a vice president at Remo, a drum company. He was inducted into the Modern Drummer Hall of Fame in 1985.

Bellson was born in Rock Falls, Illinois, in 1924, where his father owned a music store. He started playing drums at three years of age. While still a young child, Bellson’s father moved the family and music store to Moline, Illinois. At 15, he pioneered using two bass drums at the same time, a technique he invented in his high school art class. At age 17, he triumphed over 40,000 drummers to win the Slingerland National Gene Krupa contest.

Arthur Murray Blythe (May 7, 1940 – March 27, 2017) was an American jazz alto saxophonist and composer. He was described by critic Chris Kelsey as displaying “one of the most easily recognizable alto sax sounds in jazz, big and round, with a fast, wide vibrato and an aggressive, precise manner of phrasing” and furthermore as straddling the avant garde and traditionalist jazz, often with bands featuring unusual instrumentation.

Born in Los Angeles, Blythe lived in San Diego, returning to Los Angeles when he was 19 years old. He took up the alto saxophoneat the age of nine, playing R&B until his mid-teens when he discovered jazz. In the mid-1960s, Blythe was part of the Underground Musicians and Artists Association (UGMAA), founded by Horace Tapscott, on whose 1969 The Giant Is Awakened he made his recording debut.

Inayat Khan Rehmat Khan (Urdu: عنایت خان رحمت خان) (5 July 1882 – 5 February 1927) was an Indian professor of musicology, singer, exponent of the saraswati vina, poet, philosopher, and pioneer of the transmission of Sufism to the West. At the urging of his students, and on the basis of his ancestral Sufi tradition and four-fold training and authorization at the hands of Sayyid Abu Hashim Madani (d. 1907) of Hyderabad, he established an order of Sufism (the Sufi Order) in London in 1914. By the time of his death in 1927, centers had been established throughout Europe and North America, and multiple volumes of his teachings had been published.

The original idea was to photograph an aurora over a waterfall. After waiting for hours under opaque clouds, though, hope was running out. Others left. Then, unexpectedly, the clouds moved away. Suddenly, particles from a large solar magnetic storm were visible impacting the Earth’s upper atmosphere with full effect. The night sky filled with colors and motion in a thrilling auroral display. Struggling to steady the camera from high Earthly winds, the 34 exposures that compose the featured image were taken. The resulting featured composite image shows the photogenic Godafoss (Goðafoss) waterfall in northern Iceland in front of a very active aurora in late February. The solar surface explosion that expelled the energetic particles occurred a few days before. Our Sun is showing an impressive amount of surface activity as it approaches solar maximum, indicating that more impressive auroras are likely to appear in Earth’s northern and southern sky over the next few years.

Fred Wesley (born July 4, 1943) is an American trombonist who worked with James Brown in the 1960s and 1970s and Parliament-Funkadelic in the second half of the 1970s.

Wesley was born the son of a high school teacher and big band leader in Columbus, Georgia, and raised in Mobile, Alabama. As a child he took piano and later trumpet lessons. He played baritone horn and trombone in school, and at around age 12 his father brought a trombone home, whereupon he switched (eventually permanently) to trombone.

During the 1960s and 1970s, he was a pivotal member of James Brown‘s bands, playing on many hit recordings including “Say it Loud – I’m Black and I’m Proud,” “Mother Popcorn” and co-writing tunes such as “Hot Pants.” His slippery riffs and pungent, precise solos, complementing those of saxophonist Maceo Parker, gave Brown’s R&B, soul, and funk tunes their instrumental punch. In the 1970s he also served as band leader and musical director of Brown’s band the J.B.’s and did much of the composing and arranging for the group.

William Harrison Withers Jr. (July 4, 1938 – March 30, 2020) was an American singer and songwriter. He had several hits over a career spanning 18 years, including “Ain’t No Sunshine” (1971), “Grandma’s Hands” (1971), “Use Me” (1972), “Lean on Me” (1972), “Lovely Day” (1977) and “Just the Two of Us” (1981). Withers won three Grammy Awards and was nominated for six more. His life was the subject of the 2009 documentary film Still Bill. Withers was inducted into the Songwriters Hall of Fame in 2005 and Rock and Roll Hall of Fame in 2015. Two of his songs were inducted into the Grammy Hall of Fame.

William Harrison Withers Jr., the youngest of six children, was born in the small coal mining town of Slab Fork, West Virginia, on July 4, 1938.