mick laBriola

The original idea was to photograph an aurora over a waterfall. After waiting for hours under opaque clouds, though, hope was running out. Others left. Then, unexpectedly, the clouds moved away. Suddenly, particles from a large solar magnetic storm were visible impacting the Earth’s upper atmosphere with full effect. The night sky filled with colors and motion in a thrilling auroral display. Struggling to steady the camera from high Earthly winds, the 34 exposures that compose the featured image were taken. The resulting featured composite image shows the photogenic Godafoss (Goðafoss) waterfall in northern Iceland in front of a very active aurora in late February. The solar surface explosion that expelled the energetic particles occurred a few days before. Our Sun is showing an impressive amount of surface activity as it approaches solar maximum, indicating that more impressive auroras are likely to appear in Earth’s northern and southern sky over the next few years.

Fred Wesley (born July 4, 1943) is an American trombonist who worked with James Brown in the 1960s and 1970s and Parliament-Funkadelic in the second half of the 1970s.

Wesley was born the son of a high school teacher and big band leader in Columbus, Georgia, and raised in Mobile, Alabama. As a child he took piano and later trumpet lessons. He played baritone horn and trombone in school, and at around age 12 his father brought a trombone home, whereupon he switched (eventually permanently) to trombone.

During the 1960s and 1970s, he was a pivotal member of James Brown‘s bands, playing on many hit recordings including “Say it Loud – I’m Black and I’m Proud,” “Mother Popcorn” and co-writing tunes such as “Hot Pants.” His slippery riffs and pungent, precise solos, complementing those of saxophonist Maceo Parker, gave Brown’s R&B, soul, and funk tunes their instrumental punch. In the 1970s he also served as band leader and musical director of Brown’s band the J.B.’s and did much of the composing and arranging for the group.

William Harrison Withers Jr. (July 4, 1938 – March 30, 2020) was an American singer and songwriter. He had several hits over a career spanning 18 years, including “Ain’t No Sunshine” (1971), “Grandma’s Hands” (1971), “Use Me” (1972), “Lean on Me” (1972), “Lovely Day” (1977) and “Just the Two of Us” (1981). Withers won three Grammy Awards and was nominated for six more. His life was the subject of the 2009 documentary film Still Bill. Withers was inducted into the Songwriters Hall of Fame in 2005 and Rock and Roll Hall of Fame in 2015. Two of his songs were inducted into the Grammy Hall of Fame.

William Harrison Withers Jr., the youngest of six children, was born in the small coal mining town of Slab Fork, West Virginia, on July 4, 1938.

Lonnie Smith (July 3, 1942 – September 28, 2021), styled Dr. Lonnie Smith, was an American jazz Hammond B3 organist who was a member of the George Benson quartet in the 1960s. He recorded albums with saxophonist Lou Donaldson for Blue Note before being signed as a solo act. He owned the label Pilgrimage, and was named the year’s best organist by the Jazz Journalists Association nine times.

Smith was born in Lackawanna, New York, on July 3, 1942. He was raised by his mother and stepfather,and the family had a vocal group and radio program. He stated that his mother was a major influence on him musically, as she introduced him to gospel, classical, and jazz music.

Smith was part of several vocal ensembles in the 1950s, including the Teen Kings which included Grover Washington Jr., on sax and his brother Daryl on drums. Art Kubera, the owner of a local music store, gave Smith his first organ, a Hammond B3.

Smith’s affinity for R&B mixed with his own personal style as he became active in the local music scene. He moved to New York City in 1965, where he met George Benson, the guitarist for Jack McDuff‘s band. Benson and Smith connected on a personal level, and the two formed the George Benson Quartet, featuring Lonnie Smith, in 1966.

Rhoda Scott (born July 3, 1938) is an American soul jazz organist and singer. She is nicknamed “The Barefoot Lady”.

Scott was born and raised in the Dorothy neighborhood of Weymouth Township, New Jersey, the first child to a Black travelling minister father and a white mother. She has six siblings. At 20 years old, Scott begain to play the organ in an R&B group. She soon founded her own groups, gigging around metro New York, eventually opening for Count Basie in Newark, where he invited her to play his Harlem club. In 1963, she recorded her first album, Live! at the Key Club (Tru-Sound/Prestige TSLP-15014). She also met Eddie Barclay, who paid $75 to acquire one of her songs, Hey Hey Hey that became a big hit.

Herbert Harper (2 July 1920 — 21 January 2012) was an American jazz trombonist of the West Coast jazz school.

Born in Salina, Kansas, he played swing music with Benny Goodman and Charlie Spivak in the 1940s and 1950s. Working on the West Coast jazz scene, he performed with such musicians as Stan Kenton, Bill Perkins and Maynard Ferguson, among others.

In June 1949, he was a member of the band backing Billie Holiday on her Just Jazz radio broadcast for AFRS in Los Angeles. Other band members were Neal Hefti (trumpet), Herbie Steward (clarinet, tenor saxophone), Jimmy Rowles (piano), Robert “Iggy” Shevak (bass) and Roy “Blinky” Garner (drums).

In 1954, he recorded several sessions as a member of Steve White‘s Hollywood-based quartet.

Angelo Chambers, 2 July 1924, Denton, Texas, USA, d. 7 June 1993, St. Paul, Minnesota, USA. While living in Dallas, Chambers worked for a while as a waiter at a blues club where he also acted as emcee and developed an engaging stage presence. Later, he appeared regularly at blues clubs in many Midwestern cities. His day job was a bus driver but whenever the opportunity arose he would be on stage, singing, occasionally playing drums, and introducing other acts with considerable panache. Although he lived in several other cities, he eventually settled in St. Paul, Minnesota. There, he led his own band, the Blue Birds, and also worked with a band led by Harmonica Tom Schafer. In 1991 he recorded the single, ‘Mean And Evil Woman’, which became a local hit, as did the b-side, ‘Cleo’. These tracks appeared on his sole album, which was completed not long before his death. A cassette was prepared for a launch, which Milwaukee Slim was able to attend even though he was failing in health. The album itself was released two years later and included ‘Standing On The Outside Crying’, ‘Sweet Little Angel’, ‘You Got Me Thinkin’’, ‘I’m A Legend’, ‘Double Trouble Blues’, ‘Mean And Evil Woman’, and ‘Mean Old World’, as well as his hit singles.

Ahmad Jamal (born Frederick Russell Jones; July 2, 1930 – April 16, 2023) was an American jazz pianist, composer, bandleader, and educator. For six decades, he was one of the most successful small-group leaders in jazz. He was a National Endowment for the Arts (NEA) Jazz Master and won a Lifetime Achievement Grammy for his contributions to music history.

Jamal was born Frederick Russell Jones in Pittsburgh, Pennsylvania, on July 2, 1930. He began playing piano at the age of three, when his uncle Lawrence challenged him to duplicate what he was doing on the piano. Jamal began formal piano training at the age of seven with Mary Cardwell Dawson, whom he described as having greatly influenced him. His Pittsburgh roots remained an important part of his identity (“Pittsburgh meant everything to me and it still does,” he said in 2001) and it was there that he was immersed in the influence of jazz artists such as Earl Hines, Billy Strayhorn, Mary Lou Williams, and Erroll Garner. Jamal also studied with pianist James Miller and began playing piano professionally at the age of fourteen, at which point he was recognized as a “coming great” by the pianist Art Tatum. When asked about his practice habits by a critic from The New York Times, Jamal commented that, “I used to practice and practice with the door open, hoping someone would come by and discover me. I was never the practitioner in the sense of twelve hours a day, but I always thought about music. I think about music all the time.