mick laBriola

Lena Mary Calhoun Horne (June 30, 1917 – May 9, 2010) was an American dancer, actress, singer, and civil rights activist. Horne’s career spanned more than seventy years, appearing in film, television, and theatre. Horne joined the chorus of the Cotton Club at the age of sixteen and became a nightclub performerbefore moving to Hollywood.

Horne advocated for human rights and took part in the March on Washington in August 1963. Later she returned to her roots as a nightclub performer and continued to work on television while releasing well-received record albums. She announced her retirement in March 1980, but the next year starred in a one-woman show, Lena Horne: The Lady and Her Music, which ran for more than 300 performances on Broadway. She then toured the country in the show, earning numerous awards and accolades. Horne continued recording and performing sporadically into the 1990s, retreating from the public eye in 2000.

Lena Horne was born in Bedford–Stuyvesant, Brooklyn. Both sides of her family were African American. She belonged to the well-educated, upper stratum of Black New Yorkers at the time.

Stanley Clarke (born June 30, 1951) is an American bassist, composer and founding member of Return to Forever, one of the first jazz fusion bands. Clarke gave the bass guitar a prominence it lacked in jazz-related music. He is the first jazz-fusion bassist to headline tours, sell out shows worldwide and have recordings reach gold status.

Clarke is a 5-time Grammy winner, with 15 nominations, 3 as a solo artist, 1 with the Stanley Clarke Band, and 1 with Return to Forever. Clarke was selected to become a 2022 recipient of the National Endowment for the Arts Jazz Masters Fellowship.

A Stanley Clarke electric bass is permanently on display at the National Museum of African American History and Culture in Washington, D.C.

Clarke was born on June 30, 1951 in Philadelphia. His mother sang opera around the house, belonged to a church choir, and encouraged him to study music.

Andrew Hill (June 30, 1931 – April 20, 2007) was an American jazz pianist and composer.

Jazz critic John Fordham described Hill as a “uniquely gifted composer, pianist and educator” although “his status remained largely inside knowledge in the jazz world for most of his career.” Hill recorded for Blue Note Records for nearly a decade, producing a dozen albums.

Andrew Hill was born in Chicago, Illinois, to William and Hattie Hill. He had a brother, Robert, who was a singer and classical violin player. Hill took up the piano at the age of thirteen, and was encouraged by Earl Hines. As a child, he attended the University of Chicago Experimental School. He was referred by jazz composer Bill Russo to Paul Hindemith, with whom he studied informally until 1952.

While a teenager, he performed in rhythm and blues bands and with touring jazz musicians, including Charlie Parker and Miles Davis. Hill recalls some of his experience as a youngster, during a 1964 interview with Leonard Feather: “I started out in music as a boy soprano, singing and playing the accordion, and tap dancing. I had a little act and made quite a few of the talent shows around town from 1943 until 1947. I won turkeys at two Thanksgiving parties at the Regal Theatre,” parties sponsored by the newspaper Chicago Defender, which Hill coincidentally used to sell on the streets.

Within this cante jondo several types must be distinguished. On the one hand, we find the soleá grande (four lines); the soleá del cambio (to finish off and in another tonality); the soleá por bulerías(harmony of soleá and compás de bulería); the soleá corta, the soleariya (shortened melody soleá with the first verse reduced to four syllables); the soleá apolá (with which the pole closes, another type of triana soleá); the soleá de preparación (to start a specific cante); and those of zurraque(typical of the potters).

The soleá has been establishing its own style in each place where it has been practiced, for example, it is inevitable to speak of the soleá of Triana, so typical of this neighborhood, the cradle of Sevillian singers such as El Moreno or Francisco Amaya. Referring to the styles of other corners of Andalusia, we must also speak of those of Cádiz and the Ports, of Jerez, of Alcalá, of Utrera and Lebrija, of Córdoba and Marchena, among others.

Soleá is a complex flamenco style, full of feeling and considered one of the most traditional of this artistic genre. A style that has influenced others and is part of the essence of this art. Seeing a soleá live is a highly recommended experience for lovers and fans of pure and traditional flamenco.

https://www.youtube.com/watch?v=EednEVElCkM&t=59s

Alexandre Lagoya (29 June 1929 – 24 August 1999) was a French classical guitarist and composer. His early career included boxing and guitar, and as he cites on the sleeve of a 1981 Columbia album, his parents hoped he would outgrow his predilection for both.

Lagoya was born in Alexandria, Egypt, to a Greek father and an Italian mother. By 1955, when he married the French guitarist Ida Presti, his career had already begun. On the sleeve of his 1981 record with Columbia, Lagoya pays deep tribute to Presti and admits that after her premature death he was unable to play for years. He returned to the guitar as a teacher, tutoring among other famous guitarists the Canadian virtuoso Liona Boyd (who claims in her autobiography that she was also his lover). In the early 1980s, aged 52, he burst back on the international scene with a record for Columbia and an international tour.

Eva Narcissus Boyd (June 29, 1943 – April 10, 2003), known by the stage name of Little Eva, was an American singer, well known for her 1962 hit “The Loco-Motion“.

Boyd was born in Belhaven, North Carolina in 1943 and had twelve siblings. At the age of fifteen, she moved to the Brighton Beach section of Brooklyn, New York. As a teenager, Boyd worked as a maid and earned extra money as a babysitter for songwriters Carole King and Gerry Goffin.

It is often claimed that Goffin and King were amused by Boyd’s particular dancing style, so they wrote “The Loco-Motion” for her and had her record it as a demo (the record was intended for Dee Dee Sharp). However, as King said in an interview with NPR and in her “One to One” concert video, they knew she could sing when they met her, and it would be just a matter of time before they would have her record songs they wrote, the most successful being “The Loco-Motion”. Music producer Don Kirshner of Dimension Recordswas impressed by the song and Boyd’s voice and had it released. The song reached No. 1 in the United States in 1962. It sold over one million copies, and was awarded a gold disc. After the success of “The Loco-Motion”, Boyd was stereotyped as a dance-craze singer and was given limited material.

The same year, Goffin and King wrote “He Hit Me (And It Felt Like a Kiss)” (performed by the Crystals) after discovering that Boyd was being regularly beaten by her boyfriend. When they inquired why she tolerated such treatment, Eva replied without batting an eyelid that her boyfriend’s actions were motivated by his love for her.

Julian Priester (born June 29, 1935) is an American jazz trombonist and occasional euphoniumist. He is sometimes credited “Julian Priester Pepo Mtoto”. He has played with Sun Ra, Max Roach, Duke Ellington, John Coltrane, and Herbie Hancock.

He was born in Chicago, Illinois, United States. Priester attended Chicago’s DuSable High School, where he studied under Walter Dyett. In his teens he played with blues and R&B artists such as Muddy Waters, and Bo Diddley, and had the opportunity to jam with jazz players such as the saxophonist Sonny Stitt.

In the early 1950s, Priester was a member of Sun Ra‘s big band, recording several albums with the group, before leaving Chicago in 1956 to tour with Lionel Hampton, and he then joined Dinah Washington in 1958.The following year he settled in New York and joined the group led by drummer Max Roach, who heard him playing on the Philly Joe Jones album, “Blues for Dracula” (1958). While playing in Roach’s group, Priester also recorded two albums as a leader, Keep Swingin’ and Spiritsville, both of which were recorded and released by Riverside (the latter by their Jazzland subsidiary) in 1960.

Anthony John Medeski (born June 28, 1965) is an American jazz keyboard player and composer. Medeski is a veteran of New York’s 1990s avant-garde jazz scene and is known popularly as a member of Medeski Martin & Wood. He plays the acoustic piano and an eclectic array of keyboards, including the Hammond B3organ, melodica, mellotron, clavinet, ARP String Ensemble, Wurlitzer electric piano, Moog Voyager Synthesizer, Wurlitzer 7300 Combo Organ, Vox Continental Baroque organ, and Yamaha CS-1 Synthesizer (a “kids’ toy”), among others. When playing acoustic piano, Medeski usually plays the Steinway piano and is listed as a Steinway Artist.

Medeski was born in Louisville, Kentucky, and grew up in Florida. After studying piano as a child (starting when he was five years old), he began as a teenager to perform with musicians such as Mark Murphy and Jaco Pastorius. He attended Pine Crest School. In 1983, after graduating from high school, he began studying piano at the New England Conservatory in Boston, where he performed as a sideman with Dewey Redman, Billy Higgins, Bob Mintzer, Alan Dawson. Medeski attributes his early interest in playing improvised music and jazz to listening to Oscar Peterson.

David “Honeyboy” Edwards (June 28, 1915 – August 29, 2011) was a Delta blues guitarist and singer from Mississippi.

Edwards was born in Shaw, Mississippi. He learned to play music from his father, a guitarist and violinist.At the age of 14, he left home to travel with the bluesman Big Joe Williams, beginning life as an itinerant musician, which he maintained through the 1930s and 1940s. He performed with the famed blues musician Robert Johnson, with whom he developed a close friendship. Edwards was present on the night Johnson drank the poisoned whiskey that killed him, and his story has become the definitive version of Johnson’s demise.